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Christ In The House Of Martha And Mary (Vermeer)
''Christ in the House of Martha and Mary'' (Dutch: ''Christus in het huis van Martha en Maria'') is a painting finished in 1655 by the Dutch Golden Age painter Johannes Vermeer. It is now in the Scottish National Gallery in Edinburgh. It is the largest painting by Vermeer and one of the very few with an overt religious motive. The story of Christ visiting the household of the two sisters Mary and Martha goes back to the New Testament. The work has also been called ''Christ in the House of Mary and Martha'' (reversing the last two names). Painting materials The pigment analysis of this painting reveals the use of the pigments of the baroque period such as madder lake, yellow ochre, vermilion and lead white. Vermeer did not paint the robe of Christ with his usual blue pigment of choice ultramarine (see for example '' The Milkmaid'') but with a mixture of smalt, indigo and lead white. See also * Martha * Mary of Bethany * List of paintings by Johannes Vermeer * Dutch Golden Age pain ...
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Johannes Vermeer
Johannes Vermeer ( , , #Pronunciation of name, see below; also known as Jan Vermeer; October 1632 – 15 December 1675) was a Dutch Baroque Period Painting, painter who specialized in domestic interior scenes of middle class, middle-class life. During his lifetime, he was a moderately successful provincial Genre works, genre painter, recognized in Delft and The Hague. Nonetheless, he produced relatively few paintings and evidently was not wealthy, leaving his wife and children in debt at his death. Vermeer worked slowly and with great care, and frequently used very expensive pigments. He is particularly renowned for his masterly treatment and use of light in his work. "Almost all his paintings", Hans Koningsberger wrote, "are apparently set in two smallish rooms in his house in Delft; they show the same furniture and decorations in various arrangements and they often portray the same people, mostly women." His modest celebrity gave way to obscurity after his death. He was bare ...
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The Milkmaid (Vermeer)
''The Milkmaid'' (Dutch: ''De Melkmeid'' or ''Het Melkmeisje''), sometimes called ''The Kitchen Maid'', is an Oil painting, oil-on-canvas painting of a "milkmaid", in fact, a Kitchen maid (domestic worker), domestic kitchen maid, by the Netherlands, Dutch artist Johannes Vermeer. It is now in the Rijksmuseum Amsterdam, Rijksmuseum in Amsterdam, the Netherlands, which regards it as "unquestionably one of the museum's finest attractions". The exact year of the painting's completion is unknown, with estimates varying by source. The Rijksmuseum estimates it as circa 1658. According to the Metropolitan Museum of Art in New York City, it was painted in about 1657 or 1658. The "Essential Vermeer" website gives a broader range of 1658–1661. Descriptions and commentary The painting shows a milkmaid, a woman who milks cows and makes dairy products like butter and cheese, in a plain room carefully pouring milk into a squat earthenware container on a table. Milkmaids began working sol ...
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1655 Paintings
Events January–March * January 5 – Emperor Go-Sai ascends to the throne of Japan. * January 7 – Pope Innocent X, leader of the Roman Catholic Church and the Papal States, dies after more than 10 years of rule. * February 14 – The Mapuches launch coordinated attacks against the Spanish in Chile, beginning the Mapuche uprising of 1655. * February 16 – Dutch Grand Pensionary advisor Johan de Witt marries Wendela Bicker. * March 8 – John Casor becomes the first legally recognized slave in what will become the United States, as a court in Northampton County in the Colony of Virginia issues its decision in the Casor lawsuit, the first instance of a judicial determination in the Thirteen Colonies holding that a person who had committed no crime could be held in servitude for life. * March 25 – Saturn's largest moon, Titan, is discovered by Christiaan Huygens. April–June * April 4 – Battle of Porto Farina, Tunis: English ...
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Religious Paintings By Johannes Vermeer
Religion is usually defined as a social-cultural system of designated behaviors and practices, morals, beliefs, worldviews, texts, sanctified places, prophecies, ethics, or organizations, that generally relates humanity to supernatural, transcendence (religion), transcendental, and spirituality, spiritual elements; however, there is no scholarly consensus over what precisely constitutes a religion. Different religions may or may not contain various elements ranging from the Divinity, divine, Sacred, sacred things, faith,Tillich, P. (1957) ''Dynamics of faith''. Harper Perennial; (p. 1). a supernatural being or supernatural beings or "some sort of ultimacy and transcendence that will provide norms and power for the rest of life". Religious practices may include rituals, sermons, commemoration or veneration (of deities or saints), sacrifices, festivals, Banquet, feasts, trances, initiations, funeral, funerary services, matrimony, matrimonial services, meditation, prayer, music, ...
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Guild Of Saint Luke
The Guild of Saint Luke was the most common name for a city guild for painters and other artists in early modern Europe, especially in the Low Countries. They were named in honor of the Evangelist Luke, the patron saint of artists, who was identified by John of Damascus as having painted the Virgin's portrait. One of the most famous such organizations was founded in Antwerp. It continued to function until 1795, although by then it had lost its monopoly and therefore most of its power. In most cities, including Antwerp, the local government had given the Guild the power to regulate defined types of trade within the city. Guild membership, as a master, was therefore required for an artist to take on apprentices or to sell paintings to the public. Similar rules existed in Delft, where only members could sell paintings in the city or have a shop. The early guilds in Antwerp and Bruges, setting a model that would be followed in other cities, even had their own showroom or marke ...
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List Of Paintings By Johannes Vermeer
The following is a list of paintings by the Dutch Golden Age painter Johannes Vermeer (1632–1675). After two or three early history paintings, he concentrated almost entirely on genre works, typically interiors with one or two figures. His popularity is due less to his subject matter than to the poetic manner in which he portrays his subjects and that he lived a very difficult life. Vermeer's paintings of the 1660s are generally more popular than his work from the 1670s: in the eyes of some, his later work is colder.Bonafoux, 124 Today, 34 paintings are firmly attributed to him, with question marks over a further three.Jonathan JansonEssential Vermeer: complete Vermeer catalogueaccessed 16 June 2010 This compares to the 74 pictures attributed to him by a Theophile Burger in 1866. Vermeer's reputation increased greatly during the latter half of the 20th century, a period during which the number of paintings ascribed to him shrank greatly.Bonafoux, 144 This is partly because he has ...
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Mary Of Bethany
Mary of Bethany is a biblical figure mentioned only by name in the Gospel of John in the Christian New Testament. Together with her siblings Lazarus and Martha, she is described by John as living in the village of Bethany, a small village in Judaea to the south of the Mount of Olives near Jerusalem. Medieval Western Christianity identified Mary of Bethany with Mary Magdalene and with the sinful woman of , very common for that time period. This influenced the Roman Rite liturgy of the feast of Mary Magdalene, with a Gospel reading about the sinful woman and a collect referring to Mary of Bethany. Since the 1969 revision of that liturgy, Mary Magdalene's feast day continues to be on 22 July, but Mary of Bethany is celebrated, together with her brother Lazarus, on 29 July, the memorial of their sister Martha.''Martyrologium Romanum'' (Libreria Editrice Vaticana 2001 ), pp. 383, 398 In Eastern Christianity and some Protestant traditions, Mary of Bethany and Mary Magdalene are conside ...
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Martha
Martha (Hebrew: מָרְתָא‎) is a biblical figure described in the Gospels of Luke and John. Together with her siblings Lazarus and Mary of Bethany, she is described as living in the village of Bethany near Jerusalem. She was witness to Jesus resurrecting her brother, Lazarus. Etymology of the name The name ''Martha'' is a Latin transliteration of the Koine Greek Μάρθα, itself a translation of the Aramaic מָרְתָא‎ ''Mârtâ,'' "the mistress" or "the lady", from מרה "mistress," feminine of מר "master." The Aramaic form occurs in a Nabatean inscription found at Puteoli, and now in the Naples Museum; it is dated AD 5 (Corpus Inscr. Semit., 158); also in a Palmyrene inscription, where the Greek translation has the form ''Marthein.'' Pope, Hugh"St. Martha" The Catholic Encyclopedia. Vol. 9. New York: Robert Appleton Company, 1919. Biblical references In the Gospel of Luke, Jesus visits the home of two sisters named Mary and Martha. The two sisters ar ...
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Indigo
Indigo is a deep color close to the color wheel blue (a primary color in the RGB color space), as well as to some variants of ultramarine, based on the ancient dye of the same name. The word "indigo" comes from the Latin word ''indicum'', meaning "Indian", as the dye was originally exported to Europe from India. It is traditionally regarded as a color in the visible spectrum, as well as one of the seven colors of the rainbow: the color between blue and violet; however, sources differ as to its actual position in the electromagnetic spectrum. The first known recorded use of indigo as a color name in English was in 1289. History ''Indigofera tinctoria'' and related species were cultivated in East Asia, Egypt, India, Bangladesh and Peru in antiquity. The earliest direct evidence for the use of indigo dates to around 4000 BC and comes from Huaca Prieta, in contemporary Peru. Pliny the Elder mentions India as the source of the dye after which it was named. It was importe ...
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Smalt
Cobalt glass—known as "smalt" when ground as a pigment—is a deep blue coloured glass prepared by including a cobalt compound, typically cobalt oxide or cobalt carbonate, in a glass melt. Cobalt is a very intense colouring agent and very little is required to show a noticeable amount of colour. Cobalt glass plates are used as an optical filter in flame tests to filter out the undesired strong yellow light emitted by traces of sodium, and expand the ability to see violet and blue hues, similar to didymium glass. Moderately ground cobalt glass (potassium cobalt silicate)—called "smalt"—has been historically important as a pigment in glassmaking, painting, pottery, for surface decoration of other types of glass and ceramics, and other media. The long history of its manufacture and use has been described comprehensively. Cobalt aluminate, also known as "cobalt blue", can be used in a similar way. Cobalt glass such as Bristol blue glass is appreciated for its attractive colour ...
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Ultramarine
Ultramarine is a deep blue color pigment which was originally made by grinding lapis lazuli into a powder. The name comes from the Latin ''ultramarinus'', literally 'beyond the sea', because the pigment was imported into Europe from mines in Afghanistan by Italian traders during the 14th and 15th centuries. Ultramarine was the finest and most expensive blue used by Renaissance painters. It was often used for the robes of the Virgin Mary and symbolized holiness and humility. It remained an extremely expensive pigment until a synthetic ultramarine was invented in 1826. Structure The pigment consists primarily of a zeolite-based mineral containing small amounts of polysulfides. It occurs in nature as a proximate component of lapis lazuli containing a blue cubic mineral called lazurite. In the Colour Index International, the pigment of ultramarine is identified as P. Blue 29 77007. The major component of lazurite is a complex sulfur-containing sodium-silicate (Na8–10Al6Si6O24 ...
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Oil Painting
Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied. The oldest known oil paintings were created by Buddhist artists in Afghanistan and date back to the 7th century AD. The technique of binding pigments in oil was later brought to Europe in the 15th century, about 900 years later. The adoption of oil paint by Europeans began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of tempera paints in the majority ...
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