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Christ In Majesty
Christ in Majesty or Christ in Glory ( la, Maiestas Domini) is the Western Christian image of Christ seated on a throne as ruler of the world, always seen frontally in the centre of the composition, and often flanked by other sacred figures, whose membership changes over time and according to the context. The image develops from Early Christian art, as a depiction of the Heavenly throne as described in 1 Enoch, Daniel 7, and The Apocalypse of John. In the Byzantine world, the image developed slightly differently into the half-length Christ Pantocrator, "Christ, Ruler of All", a usually unaccompanied figure, and the Deesis, where a full-length enthroned Christ is entreated by Mary and St. John the Baptist, and often other figures. In the West, the evolving composition remains very consistent within each period until the Renaissance, and then remains important until the end of the Baroque, in which the image is ordinarily transported to the sky. Development From the latter part ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarcophagus Of Junius Bassus
The Sarcophagus of Junius Bassus is a marble Early Christian sarcophagus used for the burial of Junius Bassus, who died in 359. It has been described as "probably the single most famous piece of early Christian relief sculpture." The sarcophagus was originally placed in or under Old St. Peter's Basilica, was rediscovered in 1597, and is now below the modern basilica in the Museo Storico del Tesoro della Basilica di San Pietro (Museum of Saint Peter's Basilica) in the Vatican. The base is approximately 4 x 8 x 4 feet. Together with the Dogmatic sarcophagus in the same museum, this sarcophagus is one of the oldest surviving high-status sarcophagi with elaborate carvings of Christian themes, and a complicated iconographic programme embracing the Old and New Testaments. Junius Bassus Junius Bassus was an important figure in late antique Rome, a senator who was in charge of the government of the capital as praefectus urbi when he died at the age of 42 in 359. His father had bee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rufius Probianus
Rufius Probianus ('' fl.'' 400 AD) was a ''vicarius'' of the late Roman Empire. He is known from an ivory diptych on which he appears with his right hand lifted in an oratorical gesture to indicate that he is either speaking or has the right to speak. The Ivory Diptych of Rufius Probianus Background It is not known for certain when the ivory diptych of Rufius Probianus was created, it is believed to be dated to between the years 396 AD and 416 AD. However in the year 384 the emperor of the eastern empire, Theodosius I, decided to enact a law that forbid the issuance of gold and diptychs made of ivory by anyone other than a consul. There is evidence of diptychs being created that appear to be in opposition of this law and many scholars believe that the law was ignored, or that special permission was given to allow the creation of these ivory diptychs. Rufius Probianus was but one example of a lesser official issuing an ivory diptych as he was only vicarius of the city of Rome, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vicarius
''Vicarius'' is a Latin word, meaning ''substitute'' or ''deputy''. It is the root of the English word "vicar". History Originally, in ancient Rome, this office was equivalent to the later English " vice-" (as in "deputy"), used as part of the title of various officials. Each ''vicarius'' was assigned to a specific superior official, after whom his full title was generally completed by a genitive (e.g. ''vicarius praetoris''). At a low level of society, the slave of a slave, possibly hired out to raise money to buy manumission, was a ''servus vicarius''. Later, in the 290s, Emperor Diocletian carried out a series of administrative reforms, ushering in the period of the Dominate. These reforms also saw the number of Roman provinces increased, and the creation of a new administrative level, the diocese. The dioceses, initially twelve, grouped several provinces, each with its own governor. The dioceses were headed by a ''vicarius'', or, more properly, by a ''vices agens praefect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orator
An orator, or oratist, is a public speaker, especially one who is eloquent or skilled. Etymology Recorded in English c. 1374, with a meaning of "one who pleads or argues for a cause", from Anglo-French ''oratour'', Old French ''orateur'' (14th century), Latin ''orator'' ("speaker"), from ''orare'' ("speak before a court or assembly; plead"), derived from a Proto-Indo-European base *''or-'' ("to pronounce a ritual formula"). The modern meaning of the word, "public speaker", is attested from c. 1430. History In ancient Rome, the art of speaking in public (''Ars Oratoria'') was a professional competence especially cultivated by politicians and lawyers. As the Greeks were still seen as the masters in this field, as in philosophy and most sciences, the leading Roman families often either sent their sons to study these things under a famous master in Greece (as was the case with the young Julius Caesar), or engaged a Greek teacher (under pay or as a slave). In the young revolutionar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apse
In architecture, an apse (plural apses; from Latin 'arch, vault' from Ancient Greek 'arch'; sometimes written apsis, plural apsides) is a semicircular recess covered with a hemispherical vault or semi-dome, also known as an ''exedra''. In Byzantine, Romanesque, and Gothic Christian church (including cathedral and abbey) architecture, the term is applied to a semi-circular or polygonal termination of the main building at the liturgical east end (where the altar is), regardless of the shape of the roof, which may be flat, sloping, domed, or hemispherical. Smaller apses are found elsewhere, especially in shrines. Definition An apse is a semicircular recess, often covered with a hemispherical vault. Commonly, the apse of a church, cathedral or basilica is the semicircular or polygonal termination to the choir or sanctuary, or sometimes at the end of an aisle. Smaller apses are sometimes built in other parts of the church, especially for reliquaries or shrines of saints. Hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deesis Hagia Sophia
In Byzantine art, and in later Eastern Orthodox art generally, the Deësis or Deisis (, ; el, δέησις, "prayer" or "supplication"), is a traditional iconic representation of Christ in Majesty or Christ Pantocrator: enthroned, carrying a book, and flanked by the Virgin Mary and St. John the Baptist, and sometimes other saints and angels. Mary and John, and any other figures, are shown facing towards Christ with their hands raised in supplication on behalf of humanity. Early examples often appeared on the templon beam in Orthodox churches or above doors, though icons and devotional ivories also feature the Deesis. After the development of the full iconostasis screen there was room for a larger "Deesis row" or "Great Deesis" of full-length figures, and the number of figures expanded, both in Byzantium and in Russia. Usually this row is above the level of the doors, and usually below (sometimes above) the row depicting the Twelve Great Feasts. The central Christ is the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eastern Orthodoxy
Eastern Orthodoxy, also known as Eastern Orthodox Christianity, is one of the three main Branches of Christianity, branches of Chalcedonian Christianity, alongside Catholic Church, Catholicism and Protestantism. Like the Pentarchy of the first millennium, the mainstream (or "Canon law of the Eastern Orthodox Church, canonical") Eastern Orthodox Church is Organization of the Eastern Orthodox Church, organised into autocephalous churches independent from each other. In the 21st century, the Organization of the Eastern Orthodox Church#Autocephalous Eastern Orthodox churches, number of mainstream autocephalous churches is seventeen; there also exist Organization of the Eastern Orthodox Church#Unrecognised churches, autocephalous churches unrecognized by those mainstream ones. Autocephalous churches choose their own Primate (bishop), primate. Autocephalous churches can have Ecclesiastical jurisdiction, jurisdiction (authority) over other churches, some of which have the status of "Auto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gospel
Gospel originally meant the Christian message ("the gospel"), but in the 2nd century it came to be used also for the books in which the message was set out. In this sense a gospel can be defined as a loose-knit, episodic narrative of the words and deeds of Jesus, culminating in his trial and death and concluding with various reports of his post-resurrection appearances. Modern scholars are cautious of relying on the gospels uncritically, but nevertheless, they provide a good idea of the public career of Jesus, and critical study can attempt to distinguish the original ideas of Jesus from those of the later authors. The four canonical gospels were probably written between AD 66 and 110. All four were anonymous (with the modern names added in the 2nd century), almost certainly none were by eyewitnesses, and all are the end-products of long oral and written transmission. Mark was the first to be written, using a variety of sources. The authors of Matthew and Luke both independently ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Chrysostom
John Chrysostom (; gr, Ἰωάννης ὁ Χρυσόστομος; 14 September 407) was an important Early Church Father who served as archbishop of Constantinople. He is known for his homilies, preaching and public speaking, his denunciation of abuse of authority by both ecclesiastical and political leaders, his ''Divine Liturgy of Saint John Chrysostom'', and his ascetic sensibilities. The epithet (''Chrysostomos'', anglicized as Chrysostom) means "golden-mouthed" in Greek and denotes his celebrated eloquence. Chrysostom was among the most prolific authors in the early Christian Church, although both Origen, Origen of Alexandria and Augustine of Hippo exceeded Chrysostom. He is honoured as a saint in the Oriental Orthodox Church, Oriental Orthodox, Eastern Orthodox Church, Eastern Orthodox, Catholic Church, Catholic, Anglican, and Lutheran churches, as well as in some others. The Eastern Orthodox, together with the Byzantine Rite, Byzantine Eastern Catholic Churches, Cat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Missorium Of Theodosius I
The Missorium of Theodosius I is a large ceremonial silver dish preserved in the Real Academia de la Historia, in Madrid, Spain. It was probably made in Constantinople for the tenth anniversary (decennalia) in 388 AD of the reign of the Emperor Theodosius I, the last Emperor to rule both the Eastern and Western Empires. It is one of the best surviving examples of Late Antique Imperial imagery and one of the finest examples of late Roman goldsmith work. It is the largest and most elaborate, and the most famous, of the 19 surviving vessels believed to represent ''largitio'' ("largesse") or a "ceremonial gift given by the emperor to a civil or military official". Iconography The dish shows a hieratic image of the Emperor framed in an arcade, giving a document contained in a diptych, possibly a letter of appointment, to a much smaller senior official, flanked by his two co-emperors, Valentinian II and his own son Arcadius, and bodyguards who can be identified by their hairstyles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arch Of Constantine
The Arch of Constantine ( it, Arco di Costantino) is a triumphal arch in Rome dedicated to the emperor Constantine the Great. The arch was commissioned by the Roman Senate to commemorate Constantine's victory over Maxentius at the Battle of Milvian Bridge in AD 312. Situated between the Colosseum and the Palatine Hill, the arch spans the ''Via Triumphalis'', the route taken by victorious military leaders when they entered the city in a triumphal procession. Dedicated in 315, it is the largest Roman triumphal arch, with overall dimensions of high, wide and deep. It has three bays, the central one being high and wide and the laterals by each. The arch is constructed of brick-faced concrete covered in marble. The three bay design with detached columns was first used for the Arch of Septimius Severus in the Roman Forum (which stands at the end of the triumph route) and repeated in several other arches now lost. Though dedicated to Constantine, much of the sculptural decoratio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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