|
Christ Giving The Keys To Peter (Perugino)
The ''Delivery of the Keys'', or ''Christ Giving the Keys to Saint Peter'' is a fresco by the Italian Renaissance painter Pietro Perugino which was produced in 1481–1482 and is located in the Sistine Chapel, Rome. History The commission of the work originated in 1480, when Perugino was decorating a chapel in the Old St. Peter's Basilica in Rome. Pope Sixtus IV was pleased by his work, and decided to commission him also the decoration of the new Chapel he had built in the Vatican Palace. Due to the size of the work, Perugino was later joined by a group of painters from Florence, including Sandro Botticelli, Botticelli, Domenico Ghirlandaio, Ghirlandaio and others. While the work was still being created, a visit from Alfonso II of Naples resulted in his addition to the far left of the group of foreground figures. To balance out the image, an apostle was added above St. Peter. Description The scene, part of the series of the ''Stories of Jesus'' on the chapel's northern wall, is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Perugino
Pietro Perugino (, ; – 1523), born Pietro Vannucci, was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil. Early years He was born Pietro Vannucci in Città della Pieve, Umbria, the son of Cristoforo Maria Vannucci. His nickname characterizes him as from Perugia, the chief city of Umbria. Scholars continue to dispute the socioeconomic status of the Vannucci family. While certain academics maintain that Vannucci worked his way out of poverty, others argue that his family was among the wealthiest in the town. His exact date of birth is not known, but based on his age at death that was mentioned by Vasari and Giovanni Santi, it is believed that he was born between 1446 and 1452. Pietro most likely began studying painting in local workshops in Perugia such as those of Bartolomeo Caporali or Fiorenzo di Lorenzo. The date of the first Florentine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings By Pietro Perugino
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1480s Paintings
148 may refer to: *148 (number), a natural number *AD 148, a year in the 2nd century AD *148 BC, a year in the 2nd century BC *148 (album), an album by C418 *148 (Meiktila) Battery Royal Artillery *148 (New Jersey bus) 148 may refer to: *148 (number), a natural number *AD 148, a year in the 2nd century AD *148 BC, a year in the 2nd century BC *148 (album), an album by C418 *148 (Meiktila) Battery Royal Artillery * 148 (New Jersey bus) See also * List of highways ... See also * List of highways numbered 148 * {{Number disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pope Paul III
Pope Paul III ( la, Paulus III; it, Paolo III; 29 February 1468 – 10 November 1549), born Alessandro Farnese, was head of the Catholic Church and ruler of the Papal States from 13 October 1534 to his death in November 1549. He came to the papal throne in an era following the sack of Rome in 1527 and rife with uncertainties in the Catholic Church following the Protestant Reformation. His pontificate initiated the Counter-Reformation with the Council of Trent in 1545, as well as the wars of religion with Emperor Charles V's military campaigns against the Protestants in Germany. He recognized new Catholic religious orders and societies such as the Jesuits, the Barnabites, and the Congregation of the Oratory. His efforts were distracted by nepotism to advance the power and fortunes of his family, including his illegitimate son Pier Luigi Farnese. Paul III was a significant patron of artists including Michelangelo, and it is to him that Nicolaus Copernicus dedicated his h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pope Julius II
Pope Julius II ( la, Iulius II; it, Giulio II; born Giuliano della Rovere; 5 December 144321 February 1513) was head of the Catholic Church and ruler of the Papal States from 1503 to his death in February 1513. Nicknamed the Warrior Pope or the Fearsome Pope, he chose his papal name not in honour of Pope Julius I but in emulation of Julius Caesar. One of the most powerful and influential popes, Julius II was a central figure of the High Renaissance and left a significant cultural and political legacy. As a result of his policies during the Italian Wars, the Papal States increased its power and centralization, and the office of the papacy continued to be crucial, diplomatically and politically, during the entirety of the 16th century in Italy and Europe. In 1506, Julius II established the Vatican Museums and initiated the rebuilding of the St. Peter's Basilica. The same year he organized the famous Swiss Guards for his personal protection and commanded a successful campa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pope Clement VII
Pope Clement VII ( la, Clemens VII; it, Clemente VII; born Giulio de' Medici; 26 May 1478 – 25 September 1534) was head of the Catholic Church and ruler of the Papal States from 19 November 1523 to his death on 25 September 1534. Deemed "the most unfortunate of the popes", Clement VII's reign was marked by a rapid succession of political, military, and religious struggles—many long in the making—which had far-reaching consequences for Christianity and world politics. Elected in 1523 at the end of the Italian Renaissance, Clement came to the papacy with a high reputation as a statesman. He had served with distinction as chief advisor to Pope Leo X (1513–1521), Pope Adrian VI (1522–1523), and commendably as gran maestro of Florence (1519–1523). Assuming leadership at a time of crisis, with the Protestant Reformation spreading; the Church nearing bankruptcy; and large, foreign armies invading Italy, Clement initially tried to unite Christendom by making peace among ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Papal Conclave
A papal conclave is a gathering of the College of Cardinals convened to elect a bishop of Rome, also known as the pope. Catholics consider the pope to be the apostolic successor of Saint Peter and the earthly head of the Catholic Church. Concerns around political interference led to reforms after the interregnum of 1268–1271 and Pope Gregory X's decree during the Second Council of Lyons in 1274 that the cardinal electors should be locked in seclusion (Latin for 'with a key') and not permitted to leave until a new pope had been elected. Conclaves are now held in the Sistine Chapel of the Apostolic Palace in Vatican City.John Paul II (22 February 1996)''Universi Dominici gregis''. '' Apostolic constitution''. Vatican City: Vatican Publishing House. Since the Apostolic Age, the bishop of Rome, like other bishops, was chosen by the consensus of the clergy and laity of the diocese.Baumgartner 2003, p. 4. The body of electors was more precisely defined when, in 1059, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santa Maria In Aracoeli
The Basilica of St. Mary of the Altar of Heaven ( la, Basilica Sanctae Mariae de Ara coeli in Capitolio, it, Basilica di Santa Maria in Ara coeli al Campidoglio) is a titular basilica in Rome, located on the highest summit of the Campidoglio. It is still the designated Church of the city council of Rome, which uses the ancient title of '' Senatus Populusque Romanus''. The present Cardinal Priest of the ''Titulus Sanctae Mariae de Aracoeli'' is Salvatore De Giorgi. The shrine is known for housing relics belonging to Saint Helena, mother of Emperor Constantine, various minor relics from the Holy Sepulchre, both the canonically crowned images of ''Nostra Signora di Mano di Oro di Aracoeli'' (1636) on the high altar and the Santo Bambino of Aracoeli (1897). History Originally the church was named ''Sancta Maria in Capitolio'', since it was sited on the Capitoline Hill (Campidoglio, in Italian) of Ancient Rome; by the 14th century it had been renamed. A medieval legend include ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bufalini Chapel
The Bufalini Chapel is a side chapel of the church of Santa Maria in Aracoeli, Rome, Italy. The first chapel on the right after the entrance, it houses a cycle of frescoes executed c. 1484-1486 by Pinturicchio depicting the life of the Franciscan friar St. Bernardino of Siena, sainted in 1450. History The chapel was commissioned by Niccolò Di Manno BufaliniHis full name was ''Niccolò Di Manno Bufalini, Di Città Di Castello'' (~1450 - 1506) for his mortuary chapel in the church of Santa Maria in Aracoeli. Bufalini was a prelate, citizen of Città di Castello, who worked as abbreviator 'The abbreviators ''di parco maggiore'', which are all prelates draw the Papal bulls, and send them when they are written. () and consistorial lawyer in Rome. His family coat of arms (a bull with a flower) appears widely in the chapel. Several important painters, including Pietro Perugino, Sandro Botticelli, Luca Signorelli, and Pinturicchio, had finished the wall decoration of the Sistine Chapel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pinturicchio
Pinturicchio, or Pintoricchio (, ; born Bernardino di Betto; 1454–1513), also known as Benetto di Biagio or Sordicchio, was an Italian painter during the Renaissance. He acquired his nickname (meaning "little painter") because of his small stature and he used it to sign some of his artworks that were created during the fifteenth and sixteenth centuries."PINTURICCHIO." ''Benezit Dictionary of Artists''. ''Oxford Art Online''. Oxford University Press. Web. 14 February 2017. . Biography Early years Pinturicchio was born the son of Benedetto or Betto di Biagio, in Perugia. In his career, he may have trained under lesser known Perugian painters such as Bonfigli and Fiorenzo di Lorenzo. According to Vasari, Pinturicchio was a paid assistant of Perugino. The works of the Perugian Renaissance school are very similar and often paintings by Perugino, Pinturicchio, Lo Spagna, and a young Raphael may be mistaken, one for the other. In the execution of large frescoes, pupils a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marriage Of The Virgin (Perugino)
The ''Marriage of the Virgin'' is a painting by the Italian Renaissance master Perugino, although it is now sometimes attributed to his pupil Lo Spagna. It depicts the marriage between Joseph and Mary, and is now in the Musée des Beaux-Arts of Caen, France. Initially commissioned to Pinturicchio for the recently completed cathedral of Perugia, Perugino took over the commission and finished the work around 1500–1504, probably after several periods of stasis. A very similar composition was painted by unknown artists (sometimes attributed to Fiorenzo di Lorenzo, probable teacher of Perugino or Rocco Zoppo, assistant of Perugino) for the church of San Girolamo in Spello in 1492. Which (if present scholarship is correct) is about ten years earlier than Perugino's and Raphael's treatments of the same subject. The composition of the earlier work does not utilize the elegant central perspective appearing in Perugino's and Raphael's more famous works. However, the figures in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Pietro Perugino")
