|
Christ Crowned With Thorns (Bosch, London)
''Christ Crowned with Thorns'', sometimes known as ''Christ Mocked'', is an oil on panel painting by Hieronymus Bosch. It is held in the National Gallery in London, which dates it to around 1510, though some art historians prefer earlier dates. Another painting of the same subject in Bosch's style but with a different composition is held by the El Escorial near Madrid, '' Christ Crowned with Thorns''; this is now usually attributed to a follower. Other paintings similar to the London version by followers of Bosch are held in several public collections, including in particular in the Koninklijk Museum in Antwerp, but also examples in the Philadelphia Museum of Art, and the Kunstmuseum Bern, Kunstmuseum Bern, RKD ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hieronymus Bosch
Hieronymus Bosch (, ; born Jheronimus van Aken ; – 9 August 1516) was a Dutch/Netherlandish painter from Brabant. He is one of the most notable representatives of the Early Netherlandish painting school. His work, generally oil on oak wood, mainly contains fantastic illustrations of religious concepts and narratives. Within his lifetime his work was collected in the Netherlands, Austria, and Spain, and widely copied, especially his macabre and nightmarish depictions of hell. Little is known of Bosch's life, though there are some records. He spent most of it in the town of 's-Hertogenbosch, where he was born in his grandfather's house. The roots of his forefathers are in Nijmegen and Aachen (which is visible in his surname: Van Aken). His pessimistic fantastical style cast a wide influence on northern art of the 16th century, with Pieter Bruegel the Elder being his best-known follower. Today, Bosch is seen as a hugely individualistic painter with deep insight into ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Early Netherlandish Painting
Early Netherlandish painting, traditionally known as the Flemish Primitives, refers to the work of artists active in the Burgundian and Habsburg Netherlands during the 15th- and 16th-century Northern Renaissance period. It flourished especially in the cities of Bruges, Ghent, Mechelen, Leuven, Tournai and Brussels, all in present-day Belgium. The period begins approximately with Robert Campin and Jan van Eyck in the 1420s and lasts at least until the death of Gerard David in 1523,Spronk (1996), 7 although many scholars extend it to the start of the Dutch Revolt in 1566 or 1568–Max J. Friedländer's acclaimed surveys run through Pieter Bruegel the Elder. Early Netherlandish painting coincides with the Early and High Italian Renaissance, but the early period (until about 1500) is seen as an independent artistic evolution, separate from the Renaissance humanism that characterised developments in Italy. Beginning in the 1490s, as increasing numbers of Netherlandish and other Nor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Della Rovere
The House of Della Rovere (; literally "of the oak tree") was a noble family Nobility is a social class found in many societies that have an aristocracy. It is normally ranked immediately below royalty. Nobility has often been an estate of the realm with many exclusive functions and characteristics. The characteris ... of Italy. It had humble origins in Savona, in Liguria, and acquired power and influence through nepotism and ambitious marriages arranged by two Della Rovere popes: Francesco Della Rovere, who ruled as Sixtus IV from 1471 to 1484) and his nephew Giuliano, who became Julius II in 1503. Sixtus IV built the Sistine Chapel, which is named for him. The Basilica of San Pietro in Vincoli in Rome is the family church of the Della Rovere. Members of the family were influential in the Catholic Church, Church of Rome, and as dukes of Urbino; that title was extinguished with the death of Francesco Maria II in 1631, and the family died out with the death of his grandda ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pope Julius II
Pope Julius II ( la, Iulius II; it, Giulio II; born Giuliano della Rovere; 5 December 144321 February 1513) was head of the Catholic Church and ruler of the Papal States from 1503 to his death in February 1513. Nicknamed the Warrior Pope or the Fearsome Pope, he chose his papal name not in honour of Pope Julius I but in emulation of Julius Caesar. One of the most powerful and influential popes, Julius II was a central figure of the High Renaissance and left a significant cultural and political legacy. As a result of his policies during the Italian Wars, the Papal States increased its power and centralization, and the office of the papacy continued to be crucial, diplomatically and politically, during the entirety of the 16th century in Italy and Europe. In 1506, Julius II established the Vatican Museums and initiated the rebuilding of the St. Peter's Basilica. The same year he organized the famous Swiss Guards for his personal protection and commanded a successful campa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Thompson Crawshay
Robert Thompson Crawshay (3 March 1817 – 10 May 1879) was a British ironmaster. Life Crawshay, youngest son of William Crawshay by his second wife, Bella Thompson, was born at Cyfarthfa Ironworks. He was educated at Dr. Prichard's school at Llandaff, and from a very early age manifested interest in his father's ironworks, and spent much of his time among them. As years increased he determined to learn practically the business of an ironworker, and in turn assisted in the puddling, the battery, and the rolling mills; he carried this so far that he even exchanged his own diet for that of the workmen. On the death of his brother William by drowning at the old passage of the Severn he became acting manager of the ironworks, and at a later period when his brother Henry removed to Newnham he came into the working control of the entire establishment. On 15 May 1846 he married the 18 year old Rose Mary Yeates in Oxfordshire. She became the mistress of the 72 roomed Cyfarthfa Castle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Magniac
Charles Magniac (1827 – 23 November 1891) was a British financier and Liberal politician who sat in the House of Commons in two periods between 1868 and 1886. Magniac was the eldest son of Hollingworth Magniac of Colworth, Bedfordshire. Following education at Eton College and the University of Cambridge, he worked in finance in the City of London, becoming a partner in Matheson and Company of Lombard Street. He was appointed a deputy lieutenant for the city, and was the first president of the London Chamber of Commerce. In about 1869 Magniac purchased Chesterfield House the great Mayfair townhouse built 1747-52 by Philip Stanhope, 4th Earl of Chesterfield, which had been threatened with demolition. Political career Magniac was a committed Liberal, and was elected as a Member of Parliament for the party on a number of occasions. He was first elected as an MP in 1868, representing St Ives, Cornwall. A contemporary political reporter commented: "St Ives, (Cornwall) scared away ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colworth
Colworth House is an 18th-century mansion set in an area of parkland on the edge of the village of Sharnbrook in Bedfordshire. It is a Grade II* listed building. History The surrounding site has been occupied since prehistoric times. The current house was started in 1715 by Mark Antonie, a self-made man who aspired to become part of the landed gentry. It passed down to John Antonie, who bequeathed it on his death to a cousin, the MP William Lee, who then adopted the additional surname of Antonie. On his own death in 1815 William Lee Antonie left it to his nephew, the astronomer and antiquarian John Fiott, who thereupon adopted the surname of Lee. The house and extensive grounds were acquired in 1935 by Henry Mond, 2nd Baron Melchett and subsequently sold to Unilever in November 1947, who restored and developed them into a research laboratory through 1948, with the first staff moving in during 1950. Unilever employed up to 1,750 people at Colworth during the 1970s and constructe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hollingworth Magniac
Hollingworth Magniac (1786–1867)Charles Mosley, editor, Burke's Peerage, Baronetage & Knightage, 107th edition, 3 volumes (Wilmington, Delaware, U.S.A.: Burke's Peerage (Genealogical Books) Ltd, 2003), volume 3, p. 4138. was a merchant and connoisseur of medieval art. He briefly ran the free trading firm of Magniac & Co. which was later to become Jardine, Matheson & Co., one of the largest trading houses in Asia during the 19th century. Biography Magniac was born on 15 April 1786 in Colworth, Bedfordshire, the son of Colonel Francis Magniac and Frances Attwood. His father was a French Huguenot goldsmith who exported clocks and watches to China. p.1Online version at Google books/ref> In order to keep an eye on his business interests there, he dispatched his son Charles to Canton where he went into partnership with Daniel Beale, an experienced China merchant, forming Beale, Magniac & Co. sometime before 1814. Before the removal of the East India Company's monopoly on British trad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pentimenti
A pentimento (plural pentimenti), in painting, is "the presence or emergence of earlier images, forms, or strokes that have been changed and painted over". The word is , from the verb , meaning 'to repent'. Significance Pentimenti may show that a composition originally had an element, for example, a head or a hand, in a slightly different place, or that an element no longer in the final painting was originally planned. The changes may have been done in the underdrawing of the painting, or by the visible layers of paint differing from the underdrawing, or by the first painted treatment of the element having been over-painted. Some pentimenti have always been visible on the final painting with careful inspection; others are revealed by the increasing transparency that some paint acquires after several centuries. Others, especially in the underdrawing, can only be seen with modern methods such as X-rays and infrared reflectography and photographs. These are able to record photogr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Underdrawing
Underdrawing is a preparatory drawing done on a painting ground before paint is applied, for example, an imprimatura or an underpainting. Underdrawing was used extensively by 15th century painters like Jan van Eyck and Rogier van der Weyden. These artists "underdrew" with a brush, using hatching strokes for shading, using water-based black paint, before underpainting and overpainting with oils. Cennino D'Andrea Cennini (14th century most likely) describes a different type of underdrawing, made with graded tones rather than hatching, for egg tempera. In some cases, underdrawing can be clearly visualized using infrared reflectography because carbon black pigments absorb infrared light, whereas opaque pigments such as lead white are transparent with infrared light. Underdrawing in many works, for example, the ''Annunciation'' (van Eyck, Washington) or the ''Arnolfini Portrait'', reveals that artists made alterations, sometimes radical ones, to their compositions. The underdrawing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Verdigris
Verdigris is the common name for blue-green, copper-based pigments that form a patina on copper, bronze, and brass. The technical literature is ambiguous as to its chemical composition. Some sources refer to "neutral verdigris" as copper(II) acetate monohydrate () and to "blue verdigris" as . Another source describes it as a basic copper carbonate (()2), and, when near the sea, basic copper chloride (Cu2(OH)3Cl). Still other sources describe verdigris as .(Cu(OH)2)n where n varies from 0 to 3. The alchemical symbol for verdigris is 🜨 (unicode U+1F728). Etymology The name ''verdigris'' comes from the Middle English ''vertegrez'', from the Old French ''verte grez'', meaning ''vert d'aigre'', "green ade by action ofvinegar". The modern French writing of this word is ''vert-de-gris'' ("green of grey"), sounding like the older name ''verdet gris'' ("grey greenish"), itself a deformation of ''verte grez''. It was used as a pigment in paintings and other art objects (as green col ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lake Pigment
A lake pigment is a pigment made by precipitating a dye with an inert binder, or mordant, usually a metallic salt. Unlike vermilion, ultramarine, and other pigments made from ground minerals, lake pigments are organic.K. Hunger. W. Herbst "Pigments, Organic" in ''Ullmann's Encyclopedia of Industrial Chemistry'', Wiley-VCH, Weinheim, 2012. Manufacturers and suppliers to artists and industry frequently omit the ''lake'' designation in the name. Many lake pigments are fugitive because the dyes involved are not lightfast. Red lakes were particularly important in Renaissance and Baroque paintings; they were often used as translucent glazes to portray the colors of rich fabrics and draperies.David Bomford and Ashok Roy, ''A Closer Look - Colour'', National Gallery Company, p. 41. Etymology The term "lake" is derived from the term lac, the secretions of the Indian wood insect ''Kerria lacca'' (formerly ''Laccifer lacca'' or ''Coccus lacca''). It has the same root as the word ''lacq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Robert Thompson Crawshay")
