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Chitlins Con Carne
"Chitlins con Carne" is a jazz blues instrumental composed by guitarist Kenny Burrell and first released on his 1963 album ''Midnight Blue''. The original version featured Burrell on guitar, Stanley Turrentine on tenor saxophone, Major Holley on bass, Billy Gene English on drums, and Ray Barretto on congas. The tune has been covered by numerous artists, including Sonny Cox, Buddy Guy, Jimmy Dawkins, Big John Patton, Otis Rush, Horace Silver, Sonny Moorman, Junior WellsHoodoo Man Blueson Allmusic - retrieved on April 1, 2009 and Stevie Ray Vaughan on '' The Sky Is Crying'' (1991). It is included in Hal Leonard's ''Real Book The ''Real Book'' is a musicians' fake book – a compilation of lead sheets for jazz standards. Fake books had been around at least since the late 1920s, but their organization was haphazard, and their content did not always keep pace with co ..., Volume I'' and the ''All Jazz Real Book'' by Chuck Sher. Notes {{authority control Instrumentals 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Instrumental
An instrumental is a recording normally without any vocals, although it might include some inarticulate vocals, such as shouted backup vocals in a big band setting. Through semantic widening, a broader sense of the word song may refer to instrumentals. The music is primarily or exclusively produced using musical instruments. An instrumental can exist in music notation, after it is written by a composer; in the mind of the composer (especially in cases where the composer themselves will perform the piece, as in the case of a blues solo guitarist or a folk music fiddle player); as a piece that is performed live by a single instrumentalist or a musical ensemble, which could range in components from a duo or trio to a large big band, concert band or orchestra. In a song that is otherwise sung, a section that is not sung but which is played by instruments can be called an instrumental interlude, or, if it occurs at the beginning of the song, before the singer starts to sing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conga
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga (hence their name) and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son (when played by conjuntos), descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researchers agree that it was developed by Cuban people of African descent during the late 19th century or early 20th century. Its direct ancestors are thought to be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Instrumentals
A backing track is an audio recording on audiotape, CD or a digital recording medium or a MIDI recording of synthesized instruments, sometimes of purely rhythmic accompaniment, often of a rhythm section or other accompaniment parts that live musicians play along with or sing along to. Backing tracks enable singers and bands to add parts to their music which would be impractical or impossible to perform live, such as string section or choir parts which were recorded in the studio. A backing track can be used by a one person band (e.g., a singer-guitarist) to add any amount of bass, drums and keyboards to their live shows without the cost of hiring extra musicians. A small pop group or rock band (e.g., a power trio) can use backing tracks to add a string section, horn section, drumming or backing vocals to their live shows. Uses Bands or solo musicians may use backing tracks to add extra instrumental or vocal tracks to a live performance, to enhance the sound (as in the employment ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Real Book
The ''Real Book'' is a musicians' fake book – a compilation of lead sheets for jazz standards. Fake books had been around at least since the late 1920s, but their organization was haphazard, and their content did not always keep pace with contemporary musical styles. The Real Book was initially produced by two students at the Berklee College of Music in the 1970s, as an updated fake book. It became so popular that the books was eventually "legitimized" by publisher Hal Leonard, and re-released in a series of editions and transpositions for various instruments. Background For years, musicians had been producing "lead sheets", so called because they contained only rough outlines of music pieces rather than fully notated scores. These lead sheets were collected together in volumes and sold to other musicians. These books gave the musician enough basic information – melody, chord symbols, structure, lyrics – to "fake" his way thorough the tune, that is, to perform a cre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Sky Is Crying (album)
''The Sky Is Crying'' is the fifth and final studio album by Stevie Ray Vaughan and Double Trouble, compiling songs recorded throughout most of their career. Released 14 months after Vaughan's death in 1990, the album features ten previously unreleased tracks recorded between 1984 and 1989. Only one title, "Empty Arms" (complete reprisal), appeared on any of the group's previous albums. The tracks were compiled by Vaughan's brother, Jimmie Vaughan, and was Vaughan's highest charting album at number 10. The album received mostly positive reviews. Critics praised the blues and jazz styles, and the solid track listing, but criticized the lack of original songs. ''The Sky Is Crying'' illustrates many of Vaughan's musical influences, including songs in the style of traditional Delta blues, Texas blues, Chicago blues, jump blues, jazz blues, and Jimi Hendrix's blues-rock. The album's tone alternates primarily between uptempo pieces and gritty, slow blues. The album includes a G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stevie Ray Vaughan
Stephen Ray Vaughan (October 3, 1954 – August 27, 1990) was an American musician, best known as the guitarist and frontman of the blues rock trio Stevie Ray Vaughan and Double Trouble. Although his mainstream career spanned only seven years, he is regarded as one of the most influential musicians in the history of blues music, and one of the greatest guitarists of all time. Born and raised in Dallas, Vaughan began playing guitar at age seven, initially inspired by his elder brother, Jimmie Vaughan. In 1972, he dropped out of high school and moved to Austin, where he began to gain a following after playing gigs on the local club circuit. Vaughan joined forces with Tommy Shannon on bass and Chris Layton on drums as Double Trouble in 1978 and established it as part of the Austin music scene; it soon became one of the most popular acts in Texas. He performed at the Montreux Jazz Festival in 1982, where David Bowie saw him play. Bowie contacted him for a studio gig that resulted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Junior Wells
Junior Wells (born Amos Wells Blakemore Jr., December 9, 1934January 15, 1998) was an American singer, harmonica player, and recording artist. He is best known for his signature song "Messin' with the Kid" and his 1965 album ''Hoodoo Man Blues'', described by the critic Bill Dahl as "one of the truly classic blues albums of the 1960s". Wells himself categorized his music as rhythm and blues. Wells performed and recorded with various notable blues musicians, including Muddy Waters, Earl Hooker, and Buddy Guy. He remained a fixture on the blues scene throughout his career and also crossed over to rock audiences while touring with the Rolling Stones. Not long before Wells died, the blues historian Gerard Herzhaft called him "one of the rare active survivors of the 'golden age of the blues. Life and career Early years Wells may have been born in Memphis, Tennessee, and raised in West Memphis, Arkansas (some sources report that he was born in West Memphis). Initially taught by his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonny Moorman
Cyril "Sonny" Moorman (born 1955) is an American power blues guitarist. His style is sometimes compared to that of the Duane Allman, Jimi Hendrix, Eric Clapton, Lonnie Mack, Gov't Mule, and occasionally Warren Haynes. Moorman's parents owned a nightclub called the "Half-Way Inn" located halfway between Hamilton, Ohio and Middletown, Ohio on Ohio State Route 4 where he was able to watch musicians who played there, such as Lonnie Mack, from an early age. Moorman attended Michigan State University and also graduated from the Musicians Institute in Hollywood. He also owned a music lesson studio in Fairfield, Ohio called Rock School, and now offers guitar lessons out of 3rd Street Music in Hamilton, Ohio. He has been a member of Warren Zevon's touring band and the Tomcats with members of Sly and the Family Stone. One of his signature tunes is his cover of Lonnie Mack's ''Cincinnati Jail''. Moorman sometimes plays a Jamonn Zeiler crafted Acoustic guitar and a 2004 model Gibson Flying ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horace Silver
Horace Ward Martin Tavares Silver (September 2, 1928 – June 18, 2014) was an American jazz pianist, composer, and arranger, particularly in the hard bop style that he helped pioneer in the 1950s. After playing tenor saxophone and piano at school in Connecticut, Silver got his break on piano when his trio was recruited by Stan Getz in 1950. Silver soon moved to New York City, where he developed a reputation as a composer and for his bluesy playing. Frequent sideman recordings in the mid-1950s helped further, but it was his work with the Jazz Messengers, co-led by Art Blakey, that brought both his writing and playing most attention. Their ''Horace Silver and the Jazz Messengers'' album contained Silver's first hit, " The Preacher". After leaving Blakey in 1956, Silver formed his own quintet, with what became the standard small group line-up of tenor saxophone, trumpet, piano, bass, and drums. Their public performances and frequent recordings for Blue Note Records increased Silver ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Otis Rush
Otis Rush Jr. (April 29, 1934 – September 29, 2018) was an American blues guitarist and singer-songwriter. His distinctive guitar style featured a slow-burning sound and long bent notes. With qualities similar to the styles of other 1950s artists Magic Sam and Buddy Guy, his sound became known as West Side Chicago blues and was an influence on many musicians, including Michael Bloomfield, Peter Green and Eric Clapton. Rush was left-handed and played as such; however, his guitars were strung with the low E string at the bottom, upside-down from typical guitarists. He often played with the little finger of his pick hand curled under the low E for positioning. It is widely believed that this contributed to his distinctive sound. He had a wide-ranging, powerful tenor voice. Early life The son of farmers Julia Campbell Boyd and Otis C. Rush, Rush was born near Philadelphia, Mississippi in 1934. Rush was one of seven children and worked on a farm throughout his childhood. At th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Patton (musician)
John Patton (July 12, 1935 – March 19, 2002) was an American jazz, blues and R&B pianist and organist often known by his nickname, Big John Patton. Patton was one of the most in-demand organists during the golden era of the Hammond B-3 organs between 1963 and 1970. He recorded extensively for Blue Note and performed or collaborated with Lloyd Price, Grant Green, and Lou Donaldson. Patton had a lower profile in the 1970s but enjoyed a comeback in the 1980s and 1990s, often in collaboration with saxophonist John Zorn. His later music incorporated modal and free jazz. Biography John Patton, born in Kansas City, Missouri, United States, was an American jazz composer and performer. He developed the nickname "Big John", not because of his size, but because of a song. "Remember the tune, 'Big Bad John'? ... yeah, well, that's what they started calling me and at first I didn't understand it but I love it now. It's just a name; if it's going to help you, then boogie on up in there ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Dawkins
James Henry “Jimmy” Dawkins (October 24, 1936 – April 10, 2013) was an American Chicago blues and electric blues guitarist and singer. He is generally considered to have been a practitioner of the "West Side sound" of Chicago blues. Career Dawkins was born in Tchula, Mississippi. He moved to Chicago in 1955, where he worked in a box factory, started to play in local blues clubs, and gained a reputation as a session musician. In 1969, thanks to the efforts of his friend Magic Sam, his first album, ''Fast Fingers'', was released by Delmark Records. It won the Grand Prix du Disque from the Hot Club de France. In 1971, Delmark released his second album, ''All for Business'', with the singer Andrew Odom and the guitarist Otis Rush. Dawkins toured in the late 1970s, backed up by James Solberg (of Luther Allison and the Nighthawks) on guitar and Jon Preizler (the Lamont Cranston Band, Luther Allison, and Albert King), a Seattle-based Hammond B-3 organ player known for his soulf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
