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Chirpin'
'' Chirpin is an album by the American musical group the Persuasions, released in 1977. It was rereleased in 1990, following the success of the PBS documentary '' Spike Lee & Company: Do It a Cappella''. Production The album was produced by David Dashev. After two albums that contained instrumental accompaniment, ''Chiripin was a return to an a capella style, albeit without member Jayotis Washington. Critical reception The ''Richmond Times-Dispatch'' praised the "rich, gutsy and romantic harmonies," and considered ''Chirpin the group's best album. Greil Marcus, in ''The Village Voice'', wrote of "Willie and Laura Mae Jones": "'That was another place, and another time,' runs the last line of Tony Joe White’s chorus; as the Persuasions sing it, it is full of dignity, close to bitter, and empty of regret. I don’t know that I have heard new black music this strong since the days that followed Sly Stone’s ''There’s a Riot Goin’ On''." He later listed the album as one of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Persuasions
The Persuasions are an American a cappella group that began singing together in Brooklyn, New York in the mid-1960s. The Persuasions were formed in Brooklyn in 1962, singing a cappella under corner streetlights and in subway corridors. Their style combined gospel, soul, early rock and jazz into melodic five-part harmonies. Since being discovered by Frank Zappa, The Persuasions have recorded 23 albums to date. Career The Persuasions appeared on such public affairs television shows as ''Inside Bedford-Stuyvesant'' on WNEW-TV and '' Like It Is'' on WABC-TV in 1968. Frank Zappa was responsible for The Persuasions' first LP, ''Acappella''. He heard The Persuasions singing over the phone from a New Jersey record shop known as Stan's Square Records. The store's owner, Stan Krause, was the group's manager. Before that time, The Persuasions had recorded several a cappella tracks for Krause's record label, Catamount Records. Zappa appreciated soul and street corner style singing, and a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Looking For An Echo (song)
"Looking for an Echo" is a doo-wop song written by Richard Reicheg. There have been several popular versions of the song recorded, including: *The original version by Kenny Vance, first released as an Atlantic records single in 1975. This version also appeared on Vance's album ''Vance 32''. *An a cappella version by The Persuasions, on their 1977 album ''Chirpin''' (Elektra LP 7E-1099). Ol' 55 version Australian band Ol' 55 released a version of "Looking for an Echo" as the second and final single from their debut studio album ''Take It Greasy ''Take It Greasy'' is the debut studio album to be released by Australian 1950's retro band Ol' 55. The album peaked at number 3 on the Australian Kent Music Report and was certified 3× platinum. At the time, 1950s music and culture had gained ...'' (1976). The song peaked at number 9, becoming the band's first top ten single. Track listing ; 7" (K-6504) *Side A "Looking for an Echo" - 3:16 *Side B "Doin' Fine" - 2:38 Charts Week ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sixty Minute Man
"Sixty Minute Man" is a rhythm and blues (R&B) record released on Federal Records in 1951 by the Dominoes. It was written by Billy Ward and Rose Marks and was one of the first R&B hit records to cross over to become a hit on the pop chart. It is regarded as one of the most important of the recordings that helped generate and shape rock and roll. Background The Dominoes were a black vocal group consisting of Clyde McPhatter (1932–1972), who later left the group to form the Drifters; Bill Brown (1926-1956); Charlie White (1930-2005); and Joe Lamont (d. 1998), led by their pianist, manager and songwriter, Billy Ward (1921–2002). Ward was a black, classically trained vocal coach who had formed a business partnership with a white New York talent agent, Rose Marks. The pair decided to put together a smooth vocal group to rival The Ink Spots, the Orioles, and similar groups who were beginning to win acceptance with white audiences. In 1950, the Dominoes were signed to Federal R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerry Lawson (musician)
Jerome Eugene Lawson (January 23, 1944 – July 10, 2019) was an American singer, producer, musical arranger and performer, best known as the original lead singer of the Persuasions. Career The Persuasions Jerry Lawson was the original lead singer, arranger and producer of the a cappella group the Persuasions. In the 1970s, with Lawson on lead vocals, the Persuasions had five albums in the ''Billboard'' Top R&B Albums charts and four in the ''Billboard'' 200 charts: * ''We Came to Play'' (1971) – No. 32, ''Billboard'' R&B; No. 189, ''Billboard'' 200 * ''Spread the Word'' (1972) – No. 40, ''Billboard'' R&B; No. 195, ''Billboard'' 200 * ''Street Corner Symphony'' (1972) – No. 16, ''Billboard'' R&B; No. 88, ''Billboard'' 200 * ''We Still Ain't Got No Band'' (1973) – No. 49, ''Billboard'' R&B; No. 178, ''Billboard'' 200 * ''More Than Before'' (1974) – No. 52, ''Billboard'' R&B In 2000, Lawson, along with the rest of the Persuasions, performed in the ''Blue's Clues'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Reicheg
Richard Reicheg (May 26, 1937 – July 30, 2021) was an American television, stage, and film actor, musician and a Grammy-nominated songwriter. His career spanned a period of over sixty years. Reicheg wrote the song “For The Sake Of The Children” that is featured in the Robert Altman film ''Nashville'' and for which he received a Grammy nomination in 1975. His songs have been recorded and performed by many top artists, including The Persuasions, Maria Muldaur, Gary Wright, and Jay and the Americans. His song "Everybody's a Masterpiece" was recorded by Three Dog Night. Reicheg's "Looking for an Echo" was recorded by Kenny Vance, The Persuasions (on their album '' Chirpin'''), and by others. The song was also the musical theme of the Martin Davidson film of the same name. Film historian Jan Stewart has called Reicheg's song "For the Sake of the Children" an "ode to marital fidelity hat isa delicious postmodern balancing act of send up and the real McCoy." Early years Rei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Papa-Oom-Mow-Mow
"Papa-Oom-Mow-Mow" is a novelty nonsensical doo-wop song by the Rivingtons in 1962. It peaked at number 48 on the ''Billboard'' Hot 100, and number 35 on the '' Cashbox'' charts. The band released two similar follow-up songs over the next several months, "Mama-Oom-Mow-Mow (The Bird)" and "The Bird's the Word". "Surfin' Bird" Together with the Rivingtons' 1963 novelty song "The Bird's the Word", "Papa-Oom-Mow-Mow" was the basis for the song "Surfin' Bird", a number four hit in 1963 by The Trashmen. The combination of the songs, played at a much livelier pace than the original doo-wop songs, was ad-libbed at an early live performance by the band and later released as a single. Initially, the single did not credit the original songwriters, but after the Rivingtons asked for their copyright to be respected, the songwriting credits were amended. The Trashmen's follow-up single "Bird Dance Beat" referenced "Surfin' Bird" in the lyrics and featured several sections of the "Papa-Oom-Mow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock Albums Of The Seventies
''Christgau's Record Guide: Rock Albums of the Seventies'' is a music reference book by American music journalist and essayist Robert Christgau. It was first published in October 1981 by Ticknor & Fields. The book compiles approximately 3,000 of Christgau's capsule album reviews, most of which were originally written for his "Consumer Guide" column in ''The Village Voice'' throughout the 1970s. The entries feature annotated details about each record's release and cover a variety of genres related to rock music. Christgau's reviews are informed by an interest in the aesthetic and political dimensions of popular music, a belief that it could be consumed intelligently, and a desire to communicate his ideas to readers in an entertaining, provocative, and compact way. Many of the older reviews were rewritten for the guide to reflect his changed perspective and matured stylistic approach. He undertook an intense preparation process for the book during 1979 and 1980, which temporarily ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Do It A Cappella
Do, DO or D.O. may refer to: Languages * The English verb, ''do'', which may serve as an auxiliary verb; see do-support * ''Do'' (kana), a mora symbol in Japanese writing * Ditto mark People * Đỗ, a Vietnamese surname * Do (surname), includes people with the surname * D.O. (entertainer) (born 1993), South Korean singer and actor * D.O. (rapper), Canadian rapper * Do (singer) (born 1981), Dutch singer * Marshall Applewhite (1931–1997), American cult leader Music * The Dø, a French/Finnish indie pop band * ''Do'' (Do album), an album by Dutch singer Do * ''Do'' (Psychostick album) * C (musical note), the first note of the musical scale in ''fixed do'' solfège * Delta Omicron, an international music fraternity * Do, the first syllable of the scale in solfège * Do, a type of buk (drum) used in Korean ritual music * "Do", a song by the White Stripes from the 1999 album ''The White Stripes'' (album) Science and medicine * ''The DO'', an online magazine published by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Persuasions Albums
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berry Gordy
Berry Gordy III (born November 28, 1929), known professionally as Berry Gordy Jr., is a retired American record executive, record producer, songwriter, film producer and television producer. He is best known as the founder of the Motown record label and its subsidiaries, which was the highest-earning African-American business for decades. As a songwriter, he composed or co-composed a number of hits including "Lonely Teardrops" and "That's Why" ( Jackie Wilson), "Shop Around" (the Miracles), and "Do You Love Me" (the Contours), all of which topped the US R&B charts, as well as the international hit "Reet Petite" ( Jackie Wilson). As part of the Corporation, he wrote many hit songs for the Jackson 5, including "I Want You Back" and "ABC". As a record producer, he launched the Miracles and signed acts like the Supremes, Marvin Gaye, the Temptations, the Four Tops, Gladys Knight & the Pips, and Stevie Wonder. He was known for carefully directing the public image, dress, manners, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gwen Gordy Fuqua
Gwen Fuqua (born Gwendolyn Gordy; November 26, 1927 – November 8, 1999) was an American businesswoman, songwriter and composer, most notably writing hit songs such as "Lonely Teardrops", "All I Could Do Was Cry" and "Distant Lover". She acquired her full name after marrying Harvey Fuqua and kept the name after their divorce. Biography Early life and career Gwen Gordy was born to Berry Gordy Sr. and Bertha Ida (née Fuller) Gordy in Detroit. She was the youngest of the four Gordy sisters (Esther, Anna and Loucye) and the third youngest of the entire family (brothers Berry and Robert were born after her). Following graduation from high school, Gwen owned the photo concession at Detroit's popular Flame Show Bar, which helped to make her a celebrity in Detroit's nightlife. By the late 1950s, Gordy had also become a cheerleader for brother Berry's musical efforts. She provided Berry with his first important music business contact when she introduced him to the manager of the cl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tyran Carlo
Roquel "Billy" Davis (July 11, 1932 – September 2, 2004), of Detroit, was an American songwriter, record producer, and singer. Davis was also known as a writer/producer of commercial jingles, mostly for Coca-Cola. He was also known as Tyran Carlo on writing credits. Early in his career in Detroit, Davis sang and wrote with an early version of the Four Tops called "The Four Aims", which included his cousin Lawrence Payton. In the late-1950s, he collaborated with Berry Gordy, the Motown Records founder, to write a number of hit songs for Jackie Wilson. The most notable of these was "Lonely Teardrops", written by Davis, Gordy, and Gordy's sister Gwen, who was Davis's girlfriend at the time. Davis and Gwen Gordy later founded Anna Records, which was the distributor of the early singles from Berry Gordy's newly formed Tamla label. The two also wrote "Reet Petite (The Finest Girl You Ever Want To Meet)" for Wilson, which was a Top 10 hit for the singer in the UK and later topp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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