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Chicken Walks (dance Move)
Chicken walks is a dance move that is most frequently used in swing dances, such as East Coast Swing, West Coast Swing West Coast Swing is a partner dance with roots in the Lindy Hop. It is characterized by an elastic look that results from its extension-compression technique of partner connection and is danced primarily in a slotted area on the dance floor. The ... and jive. Sometimes they can be seen incorporated in samba (where they are known as "plaits"). The chicken walks steps are similar from both feet. The basic way of performing chicken walks may be described as follows. Initial position: knees slightly bent, weight on one, say, left foot. *On count 1, slide the moving (right) foot straight forward without weight, while turning hips and shoulders to the right (kind of contra body movement). The right toe is in contact with the floor all the time. *On count 2, transfer the weight onto the right foot (keeping knees bent), at the same time do the same what was descr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance Move
Dance moves or dance steps (more complex dance moves are called dance patterns, dance figures, dance movements, or dance variations) are usually isolated, defined, and organized so that beginning dancers can learn and use them independently of each other. However, more complex movements are influenced by musicality and lyrical relevance to express emotions or refer to a message. Dance moves tend to emphasize the concepts of lead and follow and connection. In most cases, dance moves by themselves are independent of musicality, which is the appropriateness of a move to the music (for a notable exception, see Bharatanatyam). Generally, they are memorized in sets of eight counts. Also there are two different movements: concrete and abstract. These two movements show time, space, relationship, quality and focus. For example, relationship could describe the movement of two or more different dancers. The names of moves may be somewhat arbitrary and vary from person to person and city to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swing (dance)
Swing dance is a group of Social dance, social dances that developed with the swing music, swing style of jazz music in the 1920s–1940s, with the origins of each dance predating the popular "swing era". Hundreds of styles of swing dancing were developed; those that have survived beyond that era include Lindy Hop, Balboa (dance), Balboa, Collegiate shag, Collegiate Shag, and Charleston (dance), Charleston. Today, the best-known of these dances is the Lindy Hop, which originated in Harlem in the early 1930s. While the majority of swing dances began in African Americans, African American communities as vernacular dance, vernacular African American dances, some influenced swing-era dances, like Balboa, developed outside of these communities. "Swing dance" was not commonly used to identify a group of dances until the latter half of the 20th century. Historically, the term "Swing" referred to the style of jazz music, which inspired the evolution of the dance. Jitterbug is any form ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
West Coast Swing
West Coast Swing is a partner dance with roots in the Lindy Hop. It is characterized by an elastic look that results from its extension-compression technique of partner connection and is danced primarily in a slotted area on the dance floor. The dance allows for both partners to improvise steps while dancing together, putting West Coast Swing in a short list of dances that emphasize improvisation. Typically the follower is led forward into new patterns traveling forward on counts "1" and "2" of each basic pattern, rather than rocking back. Traditional figures include 6-count and 8-count patterns of one of the four basic varieties: (1) Starter Step, (2) Side Pass, (3) Push Break / Sugar Push, (4) Whip. The Anchor Step is a common ending pattern of many West Coast Swing figures.Skippy Blair on Contemporary Social Dance. Skippy Blair. 1978. page 113. Alternatively the basic patterns in West Coast Swing are defined as: Push Break (or Sugar Push); Left Side Pass; Right Side Pass; ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jive (dance)
The jive is a dance style that originated in the United States from the African Americans in the early 1930s. The name of the dance comes from the name of a form of African-American vernacular slang, popularized in the 1930s by the publication of a dictionary by Cab Calloway, the famous jazz bandleader and singer. In competition ballroom dancing, the jive is often grouped with the Latin-inspired ballroom dances, though its roots are based on swing dancing and not Latin dancing. History To the players of swing music in the 1930s and 1940s, "jive" was an expression denoting glib or foolish talk. American soldiers brought Lindy Hop/jitterbug to Europe around 1940, where this dance swiftly found a following among the young. In the United States, "swing" became the most common word for the dance, and the term "jive" was adopted in the UK. Variations in technique led to styles such as boogie-woogie and swing boogie, with "jive" gradually emerging as the generic term in the UK.Pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samba (Brazilian Dance)
Samba is a lively dance of Afro-Brazilian origin in 2/4(2 by 4) time danced to samba music. The term "samba" originally referred to any of several Latin duet dances with origins from the Congo and Angola. Today Samba is the most prevalent dance form in Brazil, and reaches the height of its importance during the festival of Carnaval. There is actually a set of dances, rather than a single dance, that define the Samba dancing scene in Brazil; however, no one dance can be claimed with certainty as the "original" Samba style. Besides Brazilian Samba, a major style of Samba is ballroom Samba, which differs significantly. Etymology There are many theories about the origin of the word "samba". One of the first references to "samba" was in Pernambuco magazine's ''O Carapuceiro'', in February 1838. Father Miguel Lopes Gama of Sacramento wrote an article arguing against what he called "the samba d'almocreve", which was a type of dance drama popular with black people of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contra Body Movement
Contra body movement (CBM, sometimes called contrary body movement) is used in ballroom dances, such as waltz, foxtrot, tango, and quickstep. It comprises turning the body (hips and shoulders) against the movement of the legs: either moving forward with the right foot and the left hip and shoulder, or vice versa.Dancesport.uk.com Creating CBM CBM is turning the right side of the body towards a left moving leg or turning the left side of the body towards a right moving leg. The body and the leg must move at the same time, and not one after the other. CBM occurs on forward or backward steps only (or diagonal steps which still feature forward or backward movement), and not on side steps. Thus, CBM occurs in the following four scenarios: * The left leg moves forward as the right side of t ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charleston (dance)
The Charleston is a dance named after the harbor city of Charleston, South Carolina. The rhythm was popularized in mainstream dance music in the United States by a 1923 tune called "The Charleston" by composer/pianist James P. Johnson, which originated in the Broadway show '' Runnin' Wild'' and became one of the most popular hits of the decade. ''Runnin' Wild'' ran from October 28, 1923, through June 28, 1924. The peak year for the Charleston as a dance by the public was mid-1926 to 1927. Origins While the dance probably came from the "star" or challenge dances that were all part of the African-American dance called Juba, the particular sequence of steps which appeared in ''Runnin' Wild'' were probably newly devised for popular appeal. "At first, the step started off with a simple twisting of the feet, to rhythm in a lazy sort of way. his could well be the Jay-Bird.When the dance hit Harlem, a new version was added. It became a fast kicking step, kicking the feet, both forwar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Connection (dance)
In partner dancing, connection is a term that refers to physical, non-verbal communication between dancers to facilitate synchronized or coordinated dance movements. Some forms of connection involve "lead/follow" in which one dancer (the "lead") directs the movements of the other dancer (the "follower") by means of non-verbal directions conveyed through a physical connection between the dancers. In other forms, connection involves multiple dancers (more than two) without a distinct leader or follower (e.g. contact improvisation). Connection refers to a host of different techniques in many types of partner dancing, especially (but not exclusively) those that feature significant physical contact between the dancers, including the Argentine Tango, Lindy Hop, Balboa, East Coast Swing, West Coast Swing, Salsa, and other ballroom dances. Other forms of communication, such as visual cues or spoken cues, sometimes aid in connecting with one's partner, but are often used in specific circ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballroom Glossary
This is a list of dance terms that are not names of dances or types of dances. See List of dances and List of dance style categories for those. This glossary lists terms used in various types of ballroom partner dances, leaving out terms of highly evolved or specialized dance forms, such as ballet, tap dancing, and square dancing, which have their own elaborate terminology. See also: * Glossary of ballet terms * Glossary of dance moves Abbreviations *3T – Three Ts *CBL – Cross-body lead *CBM – Contra body movement *CBMP – Contra body movement position *COG – Center of gravity *CPB – Center point of balance *CPP – Counter promenade position *DC – Diagonally to center *DW – Diagonally to wall *IDSF – International DanceSport Federation *IDTA – International Dance Teachers Association *ISTD – Imperial Society of Teachers of Dancing *J&J – Jack and Jill *LOD – Line of dance *MPM – Measures per minute *NFR – No foot rise *OP â ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swivel Walks
A swivel is a connection that allows the connected object, such as a gun, chair, swivel caster, or an anchor rode to rotate horizontally or vertically. Swivel designs A common design for a swivel is a cylindrical rod that can turn freely within a support structure. The rod is usually prevented from slipping out by a nut, washer or thickening of the rod. The device can be attached to the ends of the rod or the center. Another common design is a sphere that is able to rotate within a support structure. The device is attached to the sphere. A third design is a hollow cylindrical rod that has a rod that is slightly smaller than its inside diameter inside of it. They are prevented from coming apart by flanges. The device may be attached to either end. A swivel joint for a pipe is often a threaded connection in between which at least one of the pipes is curved, often at an angle of 45 or 90 degrees. The connection is tightened enough to be water- or air-tight and then tightened fur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Social Dance Steps
Social organisms, including human(s), live collectively in interacting populations. This interaction is considered social whether they are aware of it or not, and whether the exchange is voluntary or not. Etymology The word "social" derives from the Latin word ''socii'' ("allies"). It is particularly derived from the Italian ''Socii'' states, historical allies of the Roman Republic (although they rebelled against Rome in the Social War of 91–87 BC). Social theorists In the view of Karl MarxMorrison, Ken. ''Marx, Durkheim, Weber. Formations of modern social thought'', human beings are intrinsically, necessarily and by definition social beings who, beyond being "gregarious creatures", cannot survive and meet their needs other than through social co-operation and association. Their social characteristics are therefore to a large extent an objectively given fact, stamped on them from birth and affirmed by socialization processes; and, according to Marx, in producing and reproducin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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