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Chanticleer And The Fox
Chanticleer and the Fox is a fable that dates from the Middle Ages. Though it can be compared to Aesop's fable of The Fox and the Crow, it is of more recent origin. The story became well known in Europe because of its connection with several popular literary works and was eventually recorded in collections of Aesop's Fables from the time of Heinrich Steinhowel and William Caxton onwards. It is numbered 562 in the Perry Index. The mediaeval background Because the tale of Chanticleer and the Fox enters into several mediaeval narrative masterworks, there has been considerable investigation into the question of its origin. It has also been asserted that the tale has developed out of the basic situation in Aesop's fable of The Fox and the Crow. Early examples of the story are pithily fabular but towards the middle of the 12th century it appears as an extended episode of the ''Reynard cycle'' under the title "How Renart captured Chanticleer the cock" (''Si comme Renart prist Chanticl ...
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The Fox And The Crow (Aesop)
The Fox and the Crow is one of Aesop's Fables, numbered 124 in the Perry Index. There are early Latin and Greek versions and the fable may even have been portrayed on an ancient Greek vase. The story is used as a warning against listening to flattery. The story In the fable a crow has found a piece of cheese and retired to a branch to eat it. A fox, wanting it for himself, flatters the crow, calling it beautiful and wondering whether its voice is as sweet to match. When it lets out a caw, the cheese falls and is devoured by the fox. The earliest surviving versions of the fable, in both Greek and Latin, date from the 1st century of the Common Era. Evidence that it was well known before then comes in the poems of the Latin poet Horace, who alludes to it twice. Addressing a maladroit sponger called Scaeva in his Epistles, the poet counsels guarded speech for "if the crow could have fed in silence, he would have had better fare, and much less of quarreling and of envy". The second ...
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Heroic Couplet
A heroic couplet is a traditional form for English poetry, commonly used in epic and narrative poetry, and consisting of a rhyming pair of lines in iambic pentameter. Use of the heroic couplet was pioneered by Geoffrey Chaucer in the ''Legend of Good Women'' and the ''Canterbury Tales'',Hobsbaum, Philip. ''Metre, Rhythm and Verse Form''. Routledge (1996) p.23 and generally considered to have been perfected by John Dryden and Alexander Pope in the Restoration Age and early 18th century respectively. Example A frequently-cited example illustrating the use of heroic couplets is this passage from ''Cooper's Hill'' by John Denham, part of his description of the Thames: History The term "heroic couplet" is sometimes reserved for couplets that are largely ''closed'' and self-contained, as opposed to the enjambed couplets of poets like John Donne. The heroic couplet is often identified with the English Baroque works of John Dryden and Alexander Pope, who used the form for their tra ...
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Illustration
An illustration is a decoration, interpretation or visual explanation of a text, concept or process, designed for integration in print and digital published media, such as posters, flyers, magazines, books, teaching materials, animations, video games and films. An illustration is typically created by an illustrator. Digital illustrations are often used to make websites and apps more user-friendly, such as the use of emojis to accompany digital type. llustration also means providing an example; either in writing or in picture form. The origin of the word "illustration" is late Middle English (in the sense ‘illumination; spiritual or intellectual enlightenment’): via Old French from Latin ''illustratio''(n-), from the verb ''illustrare''. Illustration styles Contemporary illustration uses a wide range of styles and techniques, including drawing, painting, printmaking, collage, montage, digital design, multimedia, 3D modelling. Depending on the purpose, illustra ...
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Caldecott Medal
The Randolph Caldecott Medal, frequently shortened to just the Caldecott, annually recognizes the preceding year's "most distinguished American picture book for children". It is awarded to the illustrator by the Association for Library Service to Children (ALSC), a division of the American Library Association (ALA). The Caldecott and Newbery Medals are considered the most prestigious American children's book awards. Beside the Caldecott Medal, the committee awards a variable number of citations to runners-up they deem worthy, called the Caldecott Honor or Caldecott Honor Books. The Caldecott Medal was first proposed by Frederic G. Melcher, in 1937. The award was named after English illustrator Randolph Caldecott. Unchanged since its founding, the medal, which is given to every winner, features two of Caldecott's illustrations. The awarding process has changed several times over the years, including in 1971 which began use of the term "Honor" for the runner-ups. There have betw ...
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Barbara Cooney
Barbara Cooney (August 6, 1917 – March 10, 2000) was an American writer and illustrator of 110 children's books, published over sixty years. She received two Caldecott Medals for her work on ''Chanticleer and the Fox'' (1958) and '' Ox-Cart Man'' (1979), and a National Book Award for '' Miss Rumphius'' (1982). Her books have been translated into 10 languages. For her contribution as a children's illustrator, Cooney was the U.S. nominee in 1994 for the biennial, international Hans Christian Andersen Award, the highest international recognition for creators of children's books. Life Cooney was born on 6 August 1917 in Room 1127 of the Hotel Bossert in Brooklyn, New York, to Russell Schenck Cooney (a stockbroker) and his wife Mae Evelyn Bossert (a painter). She had a twin brother and two younger brothers. Her family moved to Connecticut, where she attended Buckley Country Day School and later Boarding School. She started drawing and painting early in life, and was encouraged b ...
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Chanticleer And The Fox (book)
In the children's picture book ''Chanticleer and the Fox'', Barbara Cooney adapted and illustrated the story of Chanticleer and the Fox as told in The Nun's Priest's Tale in Chaucer's ''Canterbury Tales'', translated by Robert Mayer Lumiansky. Published by Crowell in 1958, it was the recipient of the Caldecott Medal for illustration in 1959.American Library AssociationCaldecott Medal Winners, 1938 - Present URL accessed 27 May 2009. It was also one of the Horn Book "best books of the year". The book had its beginnings in Cooney's delight in the colorful plumage of some exotic chickens she happened to see in the late afternoon October sunlight. However, it wasn't until she read the Nun's Priest's Tale that she realised where and how she could express this artistic impulse. There followed a period of research on medieval times. As with much of her illustration for the previous twenty years, Cooney used a scratchboard Scratchboard (North America and Australia) or scraperboar ...
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Canterbury Tales (musical)
''Canterbury Tales'' is a musical conceived by Martin Starkie and written by Nevill Coghill Nevill Henry Kendal Aylmer Coghill (19 April 1899 – 6 November 1980) was an English literary scholar, known especially for his modern English version of Geoffrey Chaucer's ''Canterbury Tales''. Life His father was Sir Egerton Coghill, 5th ... and Martin Starkie with music by John Hawkins and Richard Hill. Originally presented at the Oxford Playhouse in 1964, it was expanded into a full-length musical and presented at the Phoenix Theatre, London on 21 March 1968,with Elizabeth Taylor and Richard Burton attending the premiere. It played for a record-breaking 2080 performancesChaucer Heritage Trust website, history section
Accessed 20 October 2021 and closed on 24 March 1973.
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Nevill Coghill
Nevill Henry Kendal Aylmer Coghill (19 April 1899 – 6 November 1980) was an English literary scholar, known especially for his modern English version of Geoffrey Chaucer's ''Canterbury Tales''. Life His father was Sir Egerton Coghill, 5th Baronet and his younger brother the actor Ambrose Coghill. Coghill was educated at Haileybury, and read History and English at Exeter College, Oxford. In 1924 he became a Fellow of the college, a position he held until 1957, and there is a small bust of him in the college chapel. He served with the Royal Field Artillery in the First World War from 1917 to 1919. In 1927 he married Elspeth Nora Harley, with whom he had a daughter; the marriage was dissolved in 1933. In 1948, he was made Professor of Rhetoric at Gresham College. He was Merton Professor of English Literature at the University of Oxford from 1957 to 1966. He died in November 1980. His Chaucer and Langland translations were first made for BBC radio broadcasts. He was well ...
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Gordon Jacob
Gordon Percival Septimus Jacob CBE (5 July 18958 June 1984) was an English composer and teacher. He was a professor at the Royal College of Music in London from 1924 until his retirement in 1966, and published four books and many articles about music. As a composer he was prolific: the list of his works totals more than 700, mostly compositions of his own, but a substantial minority of orchestrations and arrangements of other composers' works. Those whose music he orchestrated range from William Byrd to Edward Elgar to Noël Coward. Life and career Jacob was born in Upper Norwood, London, the seventh son and youngest of ten children of Stephen Jacob, and his wife, Clara Laura, ''née'' Forlong. Stephen Jacob, an official of the Indian Civil Service based in Calcutta, died when Gordon was three.Wetherell, Eric"Jacob, Gordon Percival Septimus (1895–1984), composer" ''Oxford Dictionary of National Biography'', Oxford University Press, 2004. Retrieved 30 October 2018 Jacob was e ...
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Beverley Minster
Beverley Minster, otherwise known as the Parish Church of Saint John and Saint Martin, in Beverley, East Riding of Yorkshire, is a parish church in the Church of England. It is one of the largest parish churches in the UK, larger than one-third of all English cathedrals and regarded as a Gothic masterpiece by many. Originally a collegiate church, it was not selected as a bishop's seat during the Dissolution of the Monasteries; nevertheless, it survived as a parish church and the chapter house and the attached church of St Martin were the only major parts of the building to be lost. It is part of the Greater Churches Group and a Grade I listed building. History The minster owes its origin and much of its subsequent importance to Saint John of Beverley, Bishop of York (706–714?), who founded a monastery locally and whose remains still lie in a vault beneath the nave. Archaeological excavations in 1979–82 confirmed that a major church stood on or near the present minster si ...
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Misericord
A misericord (sometimes named mercy seat, like the biblical object) is a small wooden structure formed on the underside of a folding seat in a church which, when the seat is folded up, is intended to act as a shelf to support a person in a partially standing position during long periods of prayer. Origins Prayers in the early medieval church at the daily divine offices (i.e. Matins, Lauds, Prime, Terce, Sext, None, Vespers, and Compline) were said standing with uplifted hands. The old or infirm could use crutches or, as time went on, a ''misericordia'' (literally "pity of the heart" to create an act of mercy). For these times of required standing, seating was constructed so that the seats could be turned up. However, the undersides sometimes had a small shelf, a misericord, allowing the user to lean against it, slightly reducing their discomfort. Like most other medieval woodwork in churches, they were usually skilfully carved and often show detailed scenes, despite being hid ...
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Chelsea Porcelain Factory
Chelsea porcelain is the porcelain made by the Chelsea porcelain manufactory, the first important porcelain manufactory in England, established around 1743–45, and operating independently until 1770, when it was merged with Derby porcelain. It made soft-paste porcelain throughout its history, though there were several changes in the "body" material and glaze used. Its wares were aimed at a luxury market, and its site in Chelsea, London, was close to the fashionable Ranelagh Gardens pleasure ground, opened in 1742. The first known wares are the "goat and bee" cream jugs with seated goats at the base, some examples of which are incised with "Chelsea", "1745" and a triangle. The entrepreneurial director, at least from 1750, was Nicholas Sprimont, a Huguenot silversmith in Soho, but few private documents survive to aid a picture of the factory's history. Early tablewares, being produced in profusion by 1750, depend on Meissen porcelain models and on silverware prototypes, such ...
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