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Chant Royal
The Chant Royal is a poetic form that is a variation of the ballad form and consists of five eleven-line stanzas with a rhyme scheme and a five-line envoi rhyming or a seven-line envoi (capital letters indicate lines repeated verbatim). To add to the complexity, no rhyming word is used twiceJones, William Caswell. ''Elements and Science of English Versification''. Peter Paul book company (1897) p.118 It was introduced into French poetry in the 15th century by Christine de Pizan and Charles d'Orléans and was introduced into England towards the end of the 19th century as part of a general revival of interest in French poetic forms. The complexity of the form caused William Caswell Jones to describe it as "impractical" for common use The Chant Royal was the most complicated form of poetry in Northern France during the 15th century, though not as complex as the sestina, which was more popular in Southern France.Esenwein, Joseph Berg et. Joseph Berg Esenwein, Mary Eleanor Roberts Rob ...
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Poetry
Poetry (derived from the Greek ''poiesis'', "making"), also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in addition to, or in place of, a prosaic ostensible meaning. A poem is a literary composition, written by a poet, using this principle. Poetry has a long and varied history, evolving differentially across the globe. It dates back at least to prehistoric times with hunting poetry in Africa and to panegyric and elegiac court poetry of the empires of the Nile, Niger, and Volta River valleys. Some of the earliest written poetry in Africa occurs among the Pyramid Texts written during the 25th century BCE. The earliest surviving Western Asian epic poetry, the '' Epic of Gilgamesh'', was written in Sumerian. Early poems in the Eurasian continent evolved from folk songs such as the Chinese ''Shijing'', as well as religious hymns (the S ...
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Ballad
A ballad is a form of verse, often a narrative set to music. Ballads derive from the medieval French ''chanson balladée'' or ''ballade'', which were originally "dance songs". Ballads were particularly characteristic of the popular poetry and song of Britain and Ireland from the Late Middle Ages until the 19th century. They were widely used across Europe, and later in Australia, North Africa, North America and South America. Ballads are often 13 lines with an ABABBCBC form, consisting of couplets (two lines) of rhymed verse, each of 14 syllables. Another common form is ABAB or ABCB repeated, in alternating eight and six syllable lines. Many ballads were written and sold as single sheet broadsides. The form was often used by poets and composers from the 18th century onwards to produce lyrical ballads. In the later 19th century, the term took on the meaning of a slow form of popular love song and is often used for any love song, particularly the sentimental ballad of pop or roc ...
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Stanza
In poetry, a stanza (; from Italian language, Italian ''stanza'' , "room") is a group of lines within a poem, usually set off from others by a blank line or Indentation (typesetting), indentation. Stanzas can have regular rhyme scheme, rhyme and Metre (poetry), metrical schemes, but they are not required to have either. There are many different : Stanzaic form, forms of stanzas. Some stanzaic forms are simple, such as four-line quatrains. Other forms are more complex, such as the Spenserian stanza. Fixed verse, Fixed verse poems, such as sestinas, can be defined by the number and form of their stanzas. The stanza has also been known by terms such as ''batch'', ''fit'', and ''stave''. The term ''stanza'' has a similar meaning to ''strophe'', though ''strophe'' sometimes refers to an irregular set of lines, as opposed to regular, rhymed stanzas. Even though the term "stanza" is taken from Italian, in the Italian language the word "strofa" is more commonly used. In music, groups of ...
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Rhyme Scheme
A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other. An example of the ABAB rhyming scheme, from "To Anthea, who may Command him Anything", by Robert Herrick: Function in writing These rhyme patterns have various effects, and can be used to: * Control flow: If every line has the same rhyme (AAAA), the stanza will read as having a very quick flow, whereas a rhyme scheme like ABCABC can be felt to unfold more slowly. * Structure a poems message and thought patterns: For example, a simple couplet with a rhyme scheme of AABB lends itself to simpler direct ideas, because the resolution comes in the very next line. Essentially these couplets can be thought of as self-contained statements. This idea of rhyme schemes reflecting thought processes is often discussed particularly regarding sonnets. * Determine whether ...
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Envoi
Envoi or envoy in poetry is used to describe: * A short stanza at the end of a poem such as a ballad, used either to address an imagined or actual person or to comment on the preceding body of the poem. * A dedicatory poem about sending the book out to readers, a postscript."envoy, n.1". OED Online. September 2019. Oxford University Press. https://www-oed-com.ezp.lib.unimelb.edu.au/view/Entry/63102?redirectedFrom=envoi (accessed October 31, 2019). * Any poem of farewell, including a farewell to life. The word ''envoy'' or ''l'envoy'' comes from the Old French, where it means ' hesending forth'. Originally it was a stanza at the end of a longer poem, which included a dedication to a patron or individual, similar to a tornada. More recent examples are dedicatory poems as part of a collection, or an individual poem about farewell or moving on. Envoi is both a type of poem, and is often used as a title. Form The envoi is relatively fluid in form. In ballades and chant royal, envoi ...
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French Poetry
French poetry () is a category of French literature. It may include Francophone poetry composed outside France and poetry written in other languages of France. French prosody and poetics The modern French language does not have a significant stress accent (as English does) or long and short syllables (as Latin does). This means that the French metric line is generally not determined by the number of beats, but by the number of syllables (see syllabic verse; in the Renaissance, there was a brief attempt to develop a French poetics based on long and short syllables musique_mesurée.html"_;"title="ee_"musique_mesurée">ee_"musique_mesurée"._The_most_common_Meter_(poetry).html" "title="musique_mesurée".html" ;"title="musique_mesurée.html" ;"title="ee "musique mesurée">ee "musique mesurée"">musique_mesurée.html" ;"title="ee "musique mesurée">ee "musique mesurée". The most common Meter (poetry)">metric lengths are the ten-syllable line (decasyllable), the eight-syllable li ...
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Christine De Pizan
Christine de Pizan or Pisan (), born Cristina da Pizzano (September 1364 – c. 1430), was an Italian poet and court writer for King Charles VI of France and several French dukes. Christine de Pizan served as a court writer in medieval France after the death of her husband. Christine's patrons included dukes Louis I of Orleans, Philip the Bold of Burgundy, and his son John the Fearless. Considered to be some of the earliest feminist writings, her work includes novels, poetry, and biography, and she also penned literary, historical, philosophical, political, and religious reviews and analyses. Her best known works are ''The Book of the City of Ladies'' and ''The Treasure of the City of Ladies'', both written when she worked for John the Fearless of Burgundy. Her books of advice to princesses, princes, and knights remained in print until the 16th century. In recent decades, Christine's work has been returned to prominence by the efforts of scholars Charity Cannon Willard, Earl ...
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France
France (), officially the French Republic ( ), is a country primarily located in Western Europe. It also comprises of Overseas France, overseas regions and territories in the Americas and the Atlantic Ocean, Atlantic, Pacific Ocean, Pacific and Indian Oceans. Its Metropolitan France, metropolitan area extends from the Rhine to the Atlantic Ocean and from the Mediterranean Sea to the English Channel and the North Sea; overseas territories include French Guiana in South America, Saint Pierre and Miquelon in the North Atlantic, the French West Indies, and many islands in Oceania and the Indian Ocean. Due to its several coastal territories, France has the largest exclusive economic zone in the world. France borders Belgium, Luxembourg, Germany, Switzerland, Monaco, Italy, Andorra, and Spain in continental Europe, as well as the Kingdom of the Netherlands, Netherlands, Suriname, and Brazil in the Americas via its overseas territories in French Guiana and Saint Martin (island), ...
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Sestina
A sestina (, from ''sesto'', sixth; Old Occitan: ''cledisat'' ; also known as ''sestine'', ''sextine'', ''sextain'') is a fixed verse, fixed verse form consisting of six stanzas of six lines each, normally followed by a three-line envoi. The words that end each line of the first stanza are used as line endings in each of the following stanzas, rotated in a set pattern. The invention of the form is usually attributed to Arnaut Daniel, a troubadour of 12th-century Provence, and the first sestinas were written in the Occitan language of that region. The form was cultivated by his fellow troubadours, then by other poets across Continental Europe in the subsequent centuries; they contributed to what would become the "standard form" of the sestina. The earliest example of the form in English appeared in 1579, though they were rarely written in Britain until the end of the 19th century. The sestina remains a popular poetic form, and many sestinas continue to be written by contemporary p ...
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Envoi
Envoi or envoy in poetry is used to describe: * A short stanza at the end of a poem such as a ballad, used either to address an imagined or actual person or to comment on the preceding body of the poem. * A dedicatory poem about sending the book out to readers, a postscript."envoy, n.1". OED Online. September 2019. Oxford University Press. https://www-oed-com.ezp.lib.unimelb.edu.au/view/Entry/63102?redirectedFrom=envoi (accessed October 31, 2019). * Any poem of farewell, including a farewell to life. The word ''envoy'' or ''l'envoy'' comes from the Old French, where it means ' hesending forth'. Originally it was a stanza at the end of a longer poem, which included a dedication to a patron or individual, similar to a tornada. More recent examples are dedicatory poems as part of a collection, or an individual poem about farewell or moving on. Envoi is both a type of poem, and is often used as a title. Form The envoi is relatively fluid in form. In ballades and chant royal, envoi ...
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Henry Austin Dobson
Henry Austin Dobson (18 January 1840 – 2 September 1921), commonly Austin Dobson, was an English poet and essayist. Life He was born at Plymouth, the eldest son of George Clarisse Dobson, a civil engineer, of French descent. When he was about eight, the family moved to Holyhead, and his first school was at Beaumaris in Anglesey. He was later educated at Coventry, and the Gymnase, Strasbourg. He returned at the age of sixteen with the intention of becoming a civil engineer. (His younger brother James would in fact become a noted engineer, helping complete the Buenos Aires harbour works in the 1880s and 1890s.) At the beginning of his career, he continued to study at the South Kensington School of Art, in his spare time, but without definite ambition. In December 1856 he entered the Board of Trade, gradually rising to the rank of principal in the harbour department, from which he retired in the autumn of 1901. In 1868, he had married Frances Mary, daughter of the distingu ...
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