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Chanson Réaliste
''Chanson réaliste'' (, ''realist song'') refers to a style of music performed in France primarily from the 1880s until the end of World War II.Sweeney, Regina M. (2001). ''Singing Our Way to Victory: French Cultural Politics and Music During the Great War'', Wesleyan University Press. p. 23. .Fagot, Sylvain & Uzel, Jean-Philippe (2006). ''Énonciation artistique et socialité: actes du colloque international de Montréal des 3 et 4 mars 2005'', L'Harmattan. pp. 200-203. . (French text) Influenced by literary realism and the naturalist movements in literature and theatre, ''chanson réaliste'' dealt with the lives of Paris's poor and working-class.Frith, Simon (2004). ''Popular Music: Critical Concepts in Media and Cultural Studies'', Routledge. pp. 225-227. .Schechter, Joel (2003). ''Popular Theatre: A Sourcebook'', Routledge. pp. 181-183. Wilson, Elizabeth (1992). ''The Sphinx in the City: Urban Life, the Control of Disorder, and Women'', University of California Press. p. 62. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Hall
Music hall is a type of British theatrical entertainment that was most popular from the early Victorian era, beginning around 1850, through the World War I, Great War. It faded away after 1918 as the halls rebranded their entertainment as Variety show, variety. Perceptions of a distinction in Britain between bold and scandalous music hall entertainment and subsequent, more respectable variety entertainment differ. Music hall involved a mixture of popular songs, comedy, speciality acts, and variety entertainment. The term is derived from a type of theatre or venue in which such entertainment took place. In North America vaudeville was in some ways analogous to British music hall, featuring rousing songs and comic acts. Originating in saloon bars within pubs during the 1830s, music hall entertainment became increasingly popular with audiences. So much so, that during the 1850s some public houses were demolished, and specialised music hall theatres developed in their place. These t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Café-chantant
(; French: lit. 'singing café'), , or is a type of musical establishment associated with the Belle Époque in France. The music was generally lighthearted and sometimes risqué or even bawdy but, as opposed to the cabaret tradition, not particularly political or confrontational. Although there is much overlap of definition with cabaret, music hall, vaudeville, etc., the was originally an outdoor café where small groups of performers performed popular music for the public. National variations The tradition of such establishments as a venue for music has its origins in Paris and London of the eighteenth century. Such establishments gained their widest popularity in the late nineteenth and early twentieth centuries with the growth of various other national "schools" of ''cafè chantant'' (besides French). Thus, one spoke of an Italian café chantant, German café chantant, or Austrian café chantant. For example, at least one Victorian era premises in England was known ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faubourgs
"Faubourg" () is an ancient French term historically equivalent to "fore-town" (now often termed suburb or ). The earliest form is , derived from Latin , 'out of', and Vulgar Latin (originally Germanic) , 'town' or 'fortress'. Traditionally, this name was given to an agglomeration forming around a throughway leading outwards from a city gate, and usually took the name of the same thoroughfare within the city. As cities were often located atop hills (for defensive purposes), their outlying communities were frequently lower down. Many faubourgs were located outside the city walls, and "suburbs" were further away from this location (, "below"; , "city"). Faubourgs are sometimes considered the predecessor of European suburbs, into which they sometimes evolved in the 1950s and 1960s, while others underwent further urbanisation. Although early suburbs still conserved some characteristics related to faubourgs (such as the back alleys with doors, little break margins for houses), late ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Provisional Government Of The French Republic
The Provisional Government of the French Republic (PGFR; , GPRF) was the provisional government of Free France between 3 June 1944 and 27 October 1946, following the liberation of continental France after Operations ''Overlord'' and ''Dragoon'', and lasting until the establishment of the French Fourth Republic. Its establishment marked the official restoration and re-establishment of a provisional French Republic, assuring continuity with the defunct French Third Republic. It succeeded the French Committee of National Liberation (CFLN), which had been the provisional government of France in the overseas territories and metropolitan parts of the country (Algeria and Corsica) that had been liberated by the Free French. As the wartime government of France in 1944–1945, its main purposes were to handle the aftermath of the occupation of France and continue to wage war against Germany as one of the major Allies. Its principal mission (in addition to the war) was to prepar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chanson
A (, ; , ) is generally any Lyrics, lyric-driven French song. The term is most commonly used in English to refer either to the secular polyphonic French songs of late medieval music, medieval and Renaissance music or to a specific style of French pop music which emerged in the 1950s and 1960s. The genre had origins in the monophony, monophonic songs of troubadours and trouvères, though the only polyphonic precedents were 16 works by Adam de la Halle and one by Jehan de Lescurel. Not until the ''ars nova'' composer Guillaume de Machaut did any composer write a significant number of polyphonic chansons. A broad term, the word ''chanson'' literally means "song" in French and can thus less commonly refer to a variety of (usually secular) French genres throughout history. This includes the songs of chansonnier, ''chanson de geste'' and Grand chant; court songs of the late Renaissance and early Baroque music periods, ''air de cour''; popular songs from the 17th to 19th century, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slum Tourism
Slum tourism, poverty tourism, ghetto tourism or trauma tourism is a type of tourism that involves visiting impoverished areas, or in some cases, areas that were affected by disasters, such as nuclear fallout zones like Chernobyl or Fukushima (hence the term "trauma tourism"). Originally focused on the slums and ghettos of London and Manhattan in the 19th century, slum tourism is now prominent in South Africa, India, Brazil, Kenya, and the Philippines. History Slums have always been at the receiving end of curiosity. The word ''slum'' appeared in the English language in around 1840 as it was used by upper class Londoners to describe the East End of London. The word ''slumming'' was used to describe the common practice of rich London citizens visiting the East End guided by police officers in civilian fashion, journalists, and clergymen. In the 1880s, slumming became a tourist phenomenon, as wealthy British tourists wanted to visit areas of New York such as Bowery. Touris ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bourgeoisie
The bourgeoisie ( , ) are a class of business owners, merchants and wealthy people, in general, which emerged in the Late Middle Ages, originally as a "middle class" between the peasantry and aristocracy. They are traditionally contrasted with the proletariat by their wealth, political power, and education, as well as their access to and control of cultural, social, and financial capital. The bourgeoisie in its original sense is intimately linked to the political ideology of liberalism and its existence within cities, recognised as such by their urban charters (e.g., municipal charters, town privileges, German town law), so there was no bourgeoisie apart from the citizenry of the cities. Rural peasants came under a different legal system. In communist philosophy, the bourgeoisie is the social class that came to own the means of production during modern industrialisation and whose societal concerns are the value of private property and the preservation of capital t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vaudeville (song)
A vaudeville () is a French satire, satirical poem or song born of the 17th and 18th centuries. Its name is lent to the French theatre, theatrical entertainment ''comédie en vaudeville'' of the 19th and 20th century. From these vaudeville took its name. The earliest vaudeville was the ''vau de vire'', a Normandy, Norman song of the 15th century, named after the valley of Vire. During the 16th century emerged a style in urban France called the ''voix de ville'' (city voice), whose name may have been a pun on ''vau de vire'', and which was also satirical. The two styles converged and in the 17th and 18th century the term "vaudeville" came to be used for songs satirizing political and court events. In 1717 a collection was published in Paris of over 300 vaudevilles, entitled ''La clef des chansonniers, ou recueil des vaudevilles depuis 100 ans et plus [The singers' key, or collection of Vaudevilles from over 100 years]'', and in 1733 in the same city a club, "Le Caveau", was found ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aristide Bruant
Aristide Bruant (; 6 May 1851 – 11 February 1925) was a French cabaret singer, comedian, and nightclub owner. He is best known as the man in the red scarf and black cape featured on certain famous posters by Henri de Toulouse-Lautrec. He has also been credited as the creator of the '' chanson réaliste'' musical genre. Biography Born Louis Armand Aristide Bruand in the village of Courtenay, Loiret in France, Bruant left his home in 1866 at age fifteen, following his father's death, to find employment. Making his way to the Montmartre Quarter of Paris, he hung out in the working-class bistros, where he finally was given an opportunity to show his musical talents. Although bourgeois by birth, he soon adopted the earthy language of his haunts, turning it into songs that told of the struggles of the poor. Bruant began performing at cafe-concerts and developed a singing and comedy act that led to his being signed to appear at the Le Chat Noir club. Dressed in a red shirt, bl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hedonism
Hedonism is a family of Philosophy, philosophical views that prioritize pleasure. Psychological hedonism is the theory that all human behavior is Motivation, motivated by the desire to maximize pleasure and minimize pain. As a form of Psychological egoism, egoism, it suggests that people only help others if they expect a personal benefit. Axiological hedonism is the view that pleasure is the sole source of Intrinsic value (ethics), intrinsic value. It asserts that other things, like knowledge and money, only have value insofar as they produce pleasure and reduce pain. This view divides into quantitative hedonism, which only considers the intensity and duration of pleasures, and qualitative hedonism, which identifies quality as another relevant factor. The closely related position of prudential hedonism states that pleasure and pain are the only factors of well-being. Ethical hedonism applies axiological hedonism to morality, arguing that people have a moral obligation, moral dut ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Chat Noir
(; French for "The Black Cat") was a 19th century entertainment establishment in the Montmartre district of Paris. It was opened on 18 November 1881 at 84 Boulevard de Rochechouart by impresario Rodolphe Salis, and closed in 1897 not long after Salis' death. is thought to be the first modern cabaret: a nightclub where the patrons sat at tables and drank alcoholic beverages while being entertained by a variety show on stage. The acts were introduced by a master of ceremonies who interacted with well-known patrons at the tables. Its imitators have included cabarets from St. Petersburg ('' Stray Dog Café'') to Barcelona ('' Els Quatre Gats'') to London's '' Cave of the Golden Calf''. In its heyday it was a bustling nightclub that was part artist salon, part rowdy music hall. From 1882 to 1895 the cabaret published a weekly magazine with the same name, featuring literary writings, news from the cabaret and Montmartre, poetry, and political satire. It was the subject of an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
