CeCe Peniston Discography
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CeCe Peniston Discography
American recording artist CeCe Peniston entered the music industry as a backup vocalist on the Overweight Pooch's album ''Female Preacher'', released in July 1991 on A&M Records. Shortly before that though, she was featured on the B-side to 12-inch single "I Can't Take the Power" by a male rapper, Marvelous JC. Besides her vocal performance on the Pooch's only charting track, " I Like It", she was also given a credit for co-writing two compositions; "Kickin' Da Blues" and the titular "Female Preacher". Soon after, singer pursued her own solo career. By now, Peniston has released four studio albums including one as a member of The Sisters of Glory, two remix collections, one live album, four compilations and one live extended play (EP). Her singles discography features twenty-nine physical releases, twenty-one digital-only, seven promotional recordings and twenty-six other appearances; regardless of their format. She has also been included on one video album and has made four ...
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Compilation Album
A compilation album comprises tracks, which may be previously released or unreleased, usually from several separate recordings by either one or several performers. If by one artist, then generally the tracks were not originally intended for release together as a single work, but may be collected together as a greatest hits album or box set. If from several performers, there may be a theme, topic, time period, or genre which links the tracks, or they may have been intended for release as a single work—such as a tribute album. When the tracks are by the same recording artist, the album may be referred to as a retrospective album or an anthology. Content and scope Songs included on a compilation album may be previously released or unreleased, usually from several separate recordings by either one or several performers. If by one artist, then generally the tracks were not originally intended for release together as a single work, but may be collected together as a greatest h ...
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Canadian Recording Industry Association
Music Canada (formerly Canadian Recording Industry Association (CRIA)) is a non-profit trade organization that was founded 9 April 1963 to represent the interests of companies that record, manufacture, produce, and distribute music in Canada. It also offers benefits to some of Canada's leading independent record labels and distributors. History Originally formed as the 10-member Canadian Record Manufacturer's Association, the association changed its name to Canadian Recording Industry Association (CRIA) in 1972 and opened membership to other record industry companies. In 2006, the CRIA was in the news when a number of smaller labels resigned their memberships, complaining that the organization wasn't representing their interests. In 2011, it changed its name to Music Canada offering special benefits to some of the leading independent labels and distributors in Canada. Organization Music Canada is governed by a board of directors who are elected annually by association members. T ...
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Recording Industry Association Of America
The Recording Industry Association of America (RIAA) is a trade organization that represents the music recording industry in the United States. Its members consist of record labels and distributors that the RIAA says "create, manufacture, and/or distribute approximately 85% of all legally sold recorded music in the United States". RIAA is headquartered in Washington, D.C. RIAA was formed in 1952. Its original mission was to administer recording copyright fees and problems, work with trade unions, and do research relating to the record industry and government regulations. Early RIAA standards included the RIAA equalization curve, the format of the stereophonic record groove and the dimensions of 33 1/3, 45, and 78 rpm records. RIAA says its current mission includes: #to protect intellectual property rights and the First Amendment rights of artists #to perform research about the music industry #to monitor and review relevant laws, regulations, and policies Between 2001 and ...
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List Of Music Recording Certifications
Music recording certifications are typically awarded by the worldwide music industry based on the total units sold, streamed, or shipped to retailers. These awards and their requirements are defined by the various certifying bodies representing the music industry in various countries and territories worldwide. The standard certification awards given consist of Gold, Platinum, and sometimes Diamond awards, in ascending order; the UK also has a Silver certification, ranking below Gold. In most cases, a "Multi-Platinum" or "Multi-Diamond" award is given for multiples of the Platinum or Diamond requirements. Many music industries around the world are represented by the International Federation of the Phonographic Industry (IFPI). The IFPI operates in 66 countries and services affiliated industry associations in 45 countries. In some cases, the IFPI is merely affiliated with the already operational certification bodies of a country, but in many countries with lesser-developed industr ...
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Billboard (magazine)
''Billboard'' (stylized as ''billboard'') is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events, and style related to the music industry. Its music charts include the Hot 100, the 200, and the Global 200, tracking the most popular albums and songs in different genres of music. It also hosts events, owns a publishing firm, and operates several TV shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs, and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox, phonograph, and radio became commonplace. Many topics it covered were spun-of ...
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Finally (CeCe Peniston Album)
''Finally'' is the debut album by American singer CeCe Peniston, released on January 30, 1992 by A&M Records. Prior to the release of this album, Peniston released her debut single "Finally", which topped the US ''Billboard'' Hot Dance Music Club Play chart on October 26, 1991, peaking eventually at number five on the ''Billboard'' Hot 100 and at number two in the UK Singles Chart. The album yielded two additional singles which achieved dance number one status in the US; " We Got a Love Thang", co-written by Chantay Savage, and " Keep On Walkin'", written in collaboration with Kym Sims. Both songs entered the UK Singles Chart top 10 and the ''Billboard'' Hot 100 top 20 in the US. Despite the success of the singles, the album itself climbed only to number seventy on the US ''Billboard'' 200. However, during its thirty-six weeks long presence in the chart it sold over 554,000 copies in the US. The album peaked at number ten on the UK Albums Chart. The total worldwide sales of the a ...
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Finally (CeCe Peniston Song)
"Finally" is the 1991 debut single by American singer and songwriter CeCe Peniston from her debut album, ''Finally'' (1992). It became Peniston's first (and biggest) hit song, peaking at number five on the US ''Billboard'' Hot 100 in January 1992 and becoming her only US top-ten hit to date. Prior to that, the track was a major success on the ''Billboard'' Hot Dance Club Play chart, where it spent two weeks at number one in late 1991. In addition, a dance remix of the song (the "Choice Mix") peaked at number two on the UK Singles Chart in March 1992. The remix appeared on many dance music compilations in the early '90s. Background and release Peniston grew up in Phoenix and began writing pop songs during school. The words of "Finally" were purportedly penned during a chemistry class, while thinking about dating in college. In 1989 and 1990, she won the Miss Black Arizona pageant, and took the Miss Galaxy pageant a short time later. Her music career began in January 1991, when ...
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Music Videos
A music video is a video of variable duration, that integrates a music song or a music album with imagery that is produced for promotional or musical artistic purposes. Modern music videos are primarily made and used as a music marketing device intended to promote the sale of music recordings. Although the origins of music videos date back to musical short films that first appeared, they again came into prominence when Paramount Global's MTV based its format around the medium. These kinds of videos were described by various terms including " illustrated song", "filmed insert", "promotional (promo) film", "promotional clip", "promotional video", "song video", "song clip", "film clip" or simply "video". Music videos use a wide range of styles and contemporary video-making techniques, including animation, live-action, documentary, and non-narrative approaches such as abstract film. Combining these styles and techniques has become more popular due to the variety for the audience ...
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Sound Recording And Reproduction
Sound recording and reproduction is the electrical, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording technology are analog recording and digital recording. Sound recording is the transcription of invisible vibrations in air onto a storage medium such as a phonograph disc. The process is reversed in sound reproduction, and the variations stored on the medium are transformed back into sound waves. Acoustic analog recording is achieved by a microphone diaphragm that senses changes in atmospheric pressure caused by acoustic sound waves and records them as a mechanical representation of the sound waves on a medium such as a phonograph record (in which a stylus cuts grooves on a record). In magnetic tape recording, the sound waves vibrate the microphone diaphragm and are converted into a varying electric current, which is then converted t ...
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Guest Appearance
In show business, a guest appearance is the participation of an outsider performer (such as a musician or actor) in an event such as a music record or concert, show, etc., when the performer does not belong to the regular band, cast, or other performing group. In music, such an outside performer is often referred to as a guest artist. In performance art, the terms guest role or guest star are also common, the latter term specifically indicating the guest appearance of a celebrity. The latter is often also credited as special guest star or special musical guest star by some production companies. In pop music and hip-hop, such guests are often referred to as featured artists or featured guests. Such a performer may be annotated in credits or even in song titles by the abbreviation ''feat.'' or further abbreviation ''ft.''; or by the word ''with'' or abbreviation ''w/''. In a TV series, a guest star is an actor who appears in one or a few episodes (sometimes a story arc). In s ...
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Promotional Recording
A promotional recording, or promo, or plug copy, is an audio or video recording distributed free, usually in order to promote a recording that is or soon will be commercially available. Promos are normally sent directly to broadcasters, such as music radio and television stations, and to tastemakers, such as DJs, music journalists, and critics, in advance of the release of commercial editions, in the hope that airplay, reviews, and other forms of exposure will result and stimulate the public's interest in the commercial release. Promos are often distributed in plain packaging, without the text or artwork that appears on the commercial version. Typically a promo is marked with some variation of the following text: "Licensed for promotional use only. Sale is prohibited." It may also state that the promo is still the property of the distributor and is to be "returned upon demand." However, it is not illegal to sell promotional recordings, and recalls of promos are extremely rare ...
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