Caught Live 5
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Caught Live 5
''Caught Live + 5'' is a live album by The Moody Blues, consisting of a 12 December 1969 live show at the Royal Albert Hall and five previously unreleased studio recordings from 1967 to 1968. The band's performance was a popular and critical success at the time. In his newspaper review of the event, music critic Jack Scott called the concert a "knockout victory for progressive pop," having a "rich, full sound that combined sensitivity with sheer popular punch." The "+5" studio tracks were re-released on their 1987 album ''Prelude''. The 8-track tape version of this album has the distinction of being one of the few 8-tracks that is arranged exactly like the album, with no song breaks. While ''Caught Live + 5'' managed to reach #26 during its American chart run, it missed the British listings completely, the first time this had occurred for The Moody Blues since their 1965 debut '' The Magnificent Moodies'' (although that album had reached number 5 on the NME album chart) ...
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Live Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Gypsy (Of A Strange And Distant Time)
"Gypsy (Of a Strange and Distant Time)" is a 1969 song by the progressive rock band the Moody Blues, from their album ''To Our Children's Children's Children'', a concept album about space travel. The song was written by band-member Justin Hayward. The song was never released as a single, but became a fan and album oriented rock radio favorite, remaining in the band's concert setlist through the 1970s. Reviewing the album for AllMusic, Bruce Eder said: "There are no extended suites on this album, but Justin Hayward's "Watching and Waiting" and "Gypsy" have proved to be among the most popular songs in the group's history." Personnel * Justin Hayward – vocals, acoustic and electric guitars * John Lodge – bass guitar, backing vocals * Mike Pinder – Mellotron, backing vocals * Ray Thomas – bass flute, backing vocals * Graeme Edge Graeme Charles Edge (30 March 1941 – 11 November 2021) was an English musician, songwriter and poet, best known as the co-founder and d ...
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Legend Of A Mind
"Legend of a Mind" is a song by the British progressive rock band the Moody Blues, and was written by the band's flautist Ray Thomas, who provides the lead vocals. "Legend of a Mind" was recorded in January 1968 and was first released on the Moody Blues' album ''In Search of the Lost Chord''. Prominently featuring the Mellotron, it was the first song recorded for the album. Background and content The song's lyrics are about 1960s LSD icon Timothy Leary. Leary was an advocate for the use of the drug, enjoying its spiritual benefits, with one of his catchphrases being "Turn on, tune in, drop out." A re-recorded version of the song, with different lyrics, "Legend of a Mind (Timothy Leary Lives)" appears on the 1996 album '' Beyond Life With Timothy Leary''. The song is perhaps best known for its opening lines: "Timothy Leary's dead / No, n-n-no he's outside looking in",The Moody Blues, In Search of the Lost Chord. Deram, 1968. SML 711. which allude to Leary's use of eastern mystici ...
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Nights In White Satin
"Nights in White Satin" is a song by the Moody Blues, written and composed by Justin Hayward. It was first featured as the segment "The Night" on the album ''Days of Future Passed''. When first released as a single in 1967, it reached number 19 on the UK Singles Chart and number 103 in the United States in 1968. It was the first significant chart entry by the band since "Go Now" and its recent lineup change, in which Denny Laine and Clint Warwick had resigned and both Hayward and John Lodge had joined. When reissued in 1972, the single hit number two in the United States for two weeks on the ''Billboard'' Hot 100 (behind " I Can See Clearly Now" by Johnny Nash) and hit number one on the ''Cash Box'' Top 100, making it the band's most successful single in the United States. It earned a gold certification for sales of over a million US copies (platinum certification was not instituted until 1976). It also hit number one in Canada. After two weeks at #2, it was replaced by "I'd Lov ...
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The Voyage (song)
"The Voyage" is a very famous modern Irish classic song by the Irish musician, singer-songwriter Johnny Duhan. Unsure of his own vocal capabilities, he offered it to the Irish singer Christy Moore who recorded a version in 1989 that became the definitive and most well-known version of the song. Johnny Duhan went on to record his own version for his similarly titled album '' The Voyage'' that was released much later in 2005. The song has been interpreted by a great number of artists and translated into other languages The idea to write on the family theme grew organically out of Johnny Duhan's earlier excavations of family history. Measuring the early struggles of his own marriage against his parents' rocky relationship, he first wrote a song called "Trying to Get the Balance Right", and this led on to reflections on the whole institution of marriage and child rearing. "The Voyage" tackles the struggle of marriage and expresses its familial difficulties. Despite his own personal diff ...
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Graeme Edge
Graeme Charles Edge (30 March 1941 – 11 November 2021) was an English musician, songwriter and poet, best known as the co-founder and drummer of the English band the Moody Blues. In addition to his work with the Moody Blues, Edge worked as the bandleader of his own outfit, the Graeme Edge Band. He contributed his talents to a variety of other projects throughout his career. In 2018, Edge was inducted into the Rock and Roll Hall of Fame as a member of the Moody Blues. Life The Moody Blues (1964–1966) Born in Rocester, Staffordshire, Graeme Edge was one of the original members of the Moody Blues, alongside singer/guitarist Denny Laine, singer/bassist Clint Warwick, singer/keyboardist Mike Pinder and singer/flautist/harmonica player Ray Thomas. Edge provided a foundation for the original R&B and rock-flavoured band fronted by Laine, playing on all their Decca singles, including the UK chart-topping "Go Now" (January 1965) and other 1965 hit songs: "I Don't Want to Go On Wit ...
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Have You Heard (The Moody Blues Song)
"Have You Heard" is a 1969 song by the progressive rock band the Moody Blues. Written by the band's keyboardist Mike Pinder, "Have You Heard" is actually a two-part song, and both parts were recorded and released in 1969 on the Moody Blues Album ''On the Threshold of a Dream''. This song was used at the beginning and end of the winter finale episode of '' Marvel's Agents of S.H.I.E.L.D.'' on 21 February 2017. Personnel Have You Heard * Mike Pinder – Mellotron, cello, vocals * Justin Hayward – acoustic guitar * John Lodge – bass guitar * Graeme Edge – drums, EMS VCS 3 * Ray Thomas – flute The Voyage * Mike Pinder – Mellotron, Hammond organ, cello, piano * Ray Thomas – oboe, flute * Graeme Edge Graeme Charles Edge (30 March 1941 – 11 November 2021) was an English musician, songwriter and poet, best known as the co-founder and drummer of the English band the Moody Blues. In addition to his work with the Moody Blues, Edge worked as t ... – percussion Ref ...
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Are You Sitting Comfortably? (song)
''On the Threshold of a Dream'' is the fourth album by The Moody Blues, released in April 1969 on the Deram label. Content The album begins with a poem accompanied by electronic sounds, and these sounds also appear at the close of the album Most European vinyl pressings of the album continue the sounds into the album's run-out groove, causing them to play continuously until the record player's tonearm is lifted. Tape and CD versions of the album employ a slow fade. Release ''On the Threshold of a Dream'' was released on 25 April 1969 in the UK and 30 May 1969 in the US. ''On the Threshold of a Dream'' provided the Moody Blues with their first British number-one album, and also boosted their American fortunes by becoming their first top-20 album there. It proved to be one of the group's more enduring records in the US, staying in the ''Billboard'' LPs chart for more than two and a half years. The album, along with the subsequent '' To Our Children's Children's Children ...
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Tuesday Afternoon
"Tuesday Afternoon" (sometimes referred to as "Forever Afternoon (Tuesday?)", or simply "Forever Afternoon") is a 1968 single by English symphonic rock band the Moody Blues, which was presented in its original album form on their 1967 album ''Days of Future Passed'' in two parts. Background The song was originally released on The Moody Blues' 1967 album ''Days of Future Passed'', a concept album chronicling a typical day. On the album, it was part one of "The Afternoon" track titled "Forever Afternoon (Tuesday?)". Justin Hayward said that he wrote the song on a Tuesday afternoon in Lypiatt Park, in western England near Stroud. Hayward's mother had taken him and his brother to the park while they were growing up, and he revisited the park during the production of Days of Future Passed to write the song. Justin Hayward wrote the song originally intending to name it "Tuesday Afternoon". At the insistence of producer Tony Clarke, it was named "Forever Afternoon (Tuesday?)" for its re ...
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John Lodge (musician)
John Charles Lodge (born 20 July 1945) is an English musician, best known as bass guitarist, vocalist, and songwriter of the longstanding rock band the Moody Blues. He has also worked as a record producer and has collaborated with other musicians outside the band. In 2018, Lodge was inducted into the Rock and Roll Hall of Fame as a member of the Moody Blues. Biography Early years John Charles Lodge was born in Erdington, Birmingham on 20 July 1945. He attended school at Birches Green Junior School, Central Grammar School and later went to college at the Birmingham College of Advanced Technology for engineering. His early influences were musicians like Buddy Holly and Jerry Lee Lewis. By age 14, Lodge had met future bandmate Ray Thomas. Career Lodge was initially involved in the Birmingham music scene, although he temporarily dropped out to continue his studies. In 1966, however, after the Moody Blues' original bassist Clint Warwick had left the band, Lodge succeeded the tempor ...
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Peak Hour (The Moody Blues Song)
A rush hour (American English, British English) or peak hour (Australian English) is a part of the day during which traffic congestion on roads and crowding on public transport is at its highest. Normally, this happens twice every weekday: once in the morning and once in the afternoon or evening, the times during which the most people commuting, commute. The term is often used for a period of peak congestion that may last for more than one hour. The term is very broad, but often refers specifically to private automobile transportation traffic, even when there is a large volume of cars on a road but not many people, or if the volume is normal but there is some disruption of speed. By analogy to vehicular traffic, the term Internet rush hour has been used to describe periods of peak data network usage, resulting in delays and slower delivery of data packets. Definition The name is sometimes a misnomer, as the peak period often lasts more than one hour and the "rush" refers to ...
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Never Comes The Day
"Never Comes the Day" is a 1969 single by the progressive rock band the Moody Blues. It was written by band member Justin Hayward, and was the only single released from their 1969 album ''On the Threshold of a Dream''. Background The song was edited from the album version of 4:43 down to 2:42. The single edit omits the second verse and simply goes into the longer chorus after the first verse. A similar edit was done on the Justin Hayward/John Lodge (Blue Jays) song "I Dreamed Last Night", but that version ends cold. Despite the fact that the album was a number-one hit in the UK, "Never Comes the Day" was a commercial flop as a single, and did not chart in the UK. The single also included Mike Pinder's " So Deep Within You," another track from the same album, on the B-side. Reception ''Cash Box'' described it as "starting in a gentle folk vein" with less impact than expected, but then grows to become an "hypnotic outing." ''Record World'' said that "This soft and sweet art ...
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