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Catherine De' Medici's Court Festivals
Catherine de' Medici's court festivals were a series of lavish and spectacular entertainments, sometimes called magnificences, laid on by Catherine de' Medici, the queen consort of France from 1547 to 1559 and queen mother from 1559 until her death in 1589. As queen consort of Henry II of France, Catherine showed interest in the arts and theatre, but it was not until she attained real political and financial power as queen mother that she began the series of tournaments and entertainments that dazzled her contemporaries and continue to fascinate scholars. Biographer Leonie Frieda suggests that "Catherine, more than anyone, inaugurated the fantastic entertainments for which later French monarchs also became renowned".Frieda, 225. For Catherine, these entertainments served a political purpose that made them worth their colossal expense. She presided over the royal government at a time when the French monarchy was in steep decline. With three of her sons on the throne in successio ...
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Ball Henri III
A ball is a round object (usually sphere, spherical, but can sometimes be ovoid) with several uses. It is used in ball games, where the play of the game follows the state of the ball as it is hit, kicked or thrown by players. Balls can also be used for simpler activities, such as catch or juggling. Balls made from hard-wearing materials are used in engineering applications to provide very low friction bearings, known as ball bearings. Black powder, Black-powder weapons use stone and metal balls as projectiles. Although many types of balls are today made from rubber, this form was unknown outside the Americas until after the voyages of Christopher Columbus, Columbus. The Spanish were the first Europeans to see the bouncing rubber balls (although solid and not inflated) which were employed most notably in the Mesoamerican ballgame. Balls used in various sports in other parts of the world prior to Columbus were made from other materials such as animal bladders or skins, stuffed wi ...
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Château De Fontainebleau
Palace of Fontainebleau (; ) or Château de Fontainebleau, located southeast of the center of Paris, in the commune of Fontainebleau, is one of the largest French royal châteaux. The medieval castle and subsequent palace served as a residence for the French monarchs from Louis VII to Napoleon III. Francis I and Napoleon were the monarchs who had the most influence on the palace as it stands today. It became a national museum in 1927 and was designated a UNESCO World Heritage Site in 1981 for its unique architecture and historical importance. History Medieval palace (12th century) The earliest record of a fortified castle at Fontainebleau dates to 1137. It became a favorite residence and hunting lodge of the Kings of France because of the abundant game and many springs in the surrounding forest. It took its name from one of the springs, the fountain de Bliaud, located now in the English garden, next to the wing of Louis XV. It was used by King Louis VII, for whom Thomas Be ...
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Triumphal Arches
A triumphal arch is a free-standing monumental structure in the shape of an archway with one or more arched passageways, often designed to span a road. In its simplest form a triumphal arch consists of two massive piers connected by an arch, crowned with a flat entablature or attic on which a statue might be mounted or which bears commemorative inscriptions. The main structure is often decorated with carvings, sculpted reliefs, and dedications. More elaborate triumphal arches may have multiple archways. Triumphal arches are one of the most influential and distinctive types of architecture associated with ancient Rome. Thought to have been invented by the Romans, the Roman triumphal arch was used to commemorate victorious generals or significant public events such as the founding of new colonies, the construction of a road or bridge, the death of a member of the imperial family or the ascension of a new emperor. The survival of great Roman triumphal arches such as the Arch of Tit ...
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Masques
The masque was a form of festive courtly entertainment that flourished in 16th- and early 17th-century Europe, though it was developed earlier in Italy, in forms including the intermedio (a public version of the masque was the pageant). A masque involved music, dancing, singing and acting, within an elaborate stage design, in which the architectural framing and costumes might be designed by a renowned architect, to present a deferential allegory flattering to the patron. Professional actors and musicians were hired for the speaking and singing parts. Masquers who did not speak or sing were often courtiers: the English queen Anne of Denmark frequently danced with her ladies in masques between 1603 and 1611, and Henry VIII and Charles I of England performed in the masques at their courts. In the tradition of masque, Louis XIV of France danced in ballets at Versailles with music by Jean-Baptiste Lully. Development The masque tradition developed from the elaborate pageants and cou ...
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Paraphernalia
Paraphernalia most commonly refers to a group of apparatus, equipment, or furnishing used for a particular activity. For example, an avid sports fan may cover their walls with football and/or basketball paraphernalia. Historical legal term In legal language, "paraphernalia" is a term of art from older family law. The word "paraphernalia" is plural, meaning "things beyond the dowry". Paraphernalia were the separate property of a married woman, such as clothing and jewellery "appropriate to her station", but excluding the assets that may have been included in her dowry. The term originated in Roman law, but ultimately comes from Greek (''parápherna''), "beyond (''para'') the dowry (''phernē'')". These sorts of property were considered the separate property of a married woman under coverture. A husband could not sell, appropriate, or convey good title to his wife's assets considered paraphernalia without her separate consent. They did not become a part of her husband's estat ...
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Charles IX Of France
Charles IX (Charles Maximilien; 27 June 1550 – 30 May 1574) was King of France from 1560 until his death in 1574. He ascended the French throne upon the death of his brother Francis II in 1560, and as such was the penultimate monarch of the House of Valois. Charles' reign saw the culmination of decades of tension between Protestants and Catholics. Civil and religious war broke out between the two parties after the massacre of Vassy in 1562. In 1572, following several unsuccessful attempts at brokering peace, Charles arranged the marriage of his sister Margaret to Henry of Navarre, a major Protestant nobleman in the line of succession to the French throne, in a last desperate bid to reconcile his people. Facing popular hostility against this policy of appeasement and at the instigation of his mother Catherine de' Medici, Charles oversaw the massacre of numerous Huguenot leaders who gathered in Paris for the royal wedding, though his direct involvement is still debated. T ...
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Ballet De Cour
''Ballet de cour'' ("court ballet") is the name given to ballets performed in the 16th and 17th centuries at courts. The court ballet was a gathering of noblemen and women, as the cast and audience were largely supplied by the ruling class. The festivities, which were descendants of festivals, processions and mummeries dating back to the Middle Ages, looked more like a modern-day parade, than what people today would identify as a ballet performance. Where early court ballet differed from its predecessors, is that it was a secular, not religious happening. It was a carefully crafted mixture of art, socializing, and politics, with its primary objective being to exalt the State. Because these celebrations occurred long before the proscenium stage had been invented, and were instead executed in large halls with audience members stacked up on three sides of the performance, early court ballet’s choreography was constructed as a series of patterns and geometric shapes that were inten ...
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Jousting
Jousting is a martial game or hastilude between two horse riders wielding lances with blunted tips, often as part of a tournament (medieval), tournament. The primary aim was to replicate a clash of heavy cavalry, with each participant trying to strike the opponent while riding towards him at high speed, breaking the lance on the opponent's shield or jousting armour if possible, or unhorsing him. The joust became an iconic characteristic of the knight (stock character), knight in Romantic medievalism. The participants experience close to three and a quarter times their body weight in G-forces when the lances collide with their armour. The term is derived from Old French , ultimately from Latin "to approach, to meet". The word was loaned into Middle English around 1300, when jousting was a very popular sport among the Anglo-Normans, Anglo-Norman knighthood. The synonym tilt (as in tilting at windmills) dates . Jousting is based on the military use of the lance by heavy cavalry. ...
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