Caronte And Tourist
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Caronte And Tourist
Caronte is the Italian, Portuguese and Spanish name of Charon, the boatman of Hades, appearing in numerous versions of the legend of Orpheus: *Caronte in Caccini's ''Euridice'' *Caronte in Peri's ''Euridice'' *Caronte in Monteverdi's ''L'Orfeo'' *Caronte in Rossi's ''Orfeo'' *Caronte in Landi's ''La morte d'Orfeo ' (''The Death of Orpheus'') is an opera in five acts by the Italian composer Stefano Landi. Dedicated to Alessandro Mattei, ''familiaris'' of Pope Paul V, it may have been first performed in Rome in 1619. The work is styled a ''tragicomedia pastor ...''. It may also refer to: *'' Caronte'', 1971 album by The Trip. *'' Caronte'', 2020 Spanish television series. {{dab ...
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Italian Language
Italian (''italiano'' or ) is a Romance language of the Indo-European language family that evolved from the Vulgar Latin of the Roman Empire. Together with Sardinian, Italian is the least divergent language from Latin. Spoken by about 85 million people (2022), Italian is an official language in Italy, Switzerland (Ticino and the Grisons), San Marino, and Vatican City. It has an official minority status in western Istria (Croatia and Slovenia). Italian is also spoken by large immigrant and expatriate communities in the Americas and Australia.Ethnologue report for language code:ita (Italy)
– Gordon, Raymond G., Jr. (ed.), 2005. Ethnologue: Languages of the World, Fifteenth edition. Dallas, Tex.: SIL International. Online version
Itali ...
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Portuguese Language
Portuguese ( or, in full, ) is a western Romance language of the Indo-European language family, originating in the Iberian Peninsula of Europe. It is an official language of Portugal, Brazil, Cape Verde, Angola, Mozambique, Guinea-Bissau and São Tomé and Príncipe, while having co-official language status in East Timor, Equatorial Guinea, and Macau. A Portuguese-speaking person or nation is referred to as " Lusophone" (). As the result of expansion during colonial times, a cultural presence of Portuguese speakers is also found around the world. Portuguese is part of the Ibero-Romance group that evolved from several dialects of Vulgar Latin in the medieval Kingdom of Galicia and the County of Portugal, and has kept some Celtic phonology in its lexicon. With approximately 250 million native speakers and 24 million L2 (second language) speakers, Portuguese has approximately 274 million total speakers. It is usually listed as the sixth-most spoken language, the third-most sp ...
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Spanish Name
Spanish names are the traditional way of identifying, and the official way of registering, a person in Spain. They comprise a given name (simple or composite) and two surnames (the first surname of each parent). Traditionally, the first surname is the father's first surname, and the second is the mother's. Since 1999, the order of the surnames in a family is decided when registering the first child, but the traditional order is nearly universally chosen (99.53% of the time). The practice is to use one given name and the first surname generally (e.g. "Miguel de Unamuno" for Miguel de Unamuno y Jugo); the complete name is reserved for legal, formal and documentary matters. Both surnames are sometimes systematically used when the first surname is very common (e.g., Federico García Lorca, Pablo Ruiz Picasso or José Luis Rodríguez Zapatero) to get a more distinguishable name. In these cases, it is even common to use only the second surname, as in "Lorca", "Picasso" or "Zapatero". ...
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Charon
In Greek mythology, Charon or Kharon (; grc, Χάρων) is a psychopomp, the ferryman of Hades, the Greek underworld. He carries the souls of those who have been given funeral rites across the rivers Acheron and Styx, which separate the worlds of the living and the dead. Archaeology confirms that, in some burials, low-value coins were placed in, on, or near the mouth of the deceased, or next to the cremation urn containing their ashes. This has been taken to confirm that at least some aspects of Charon's mytheme are reflected in some Greek and Roman funeral practices, or else the coins function as a viaticum for the soul's journey. In Virgil's epic poem, ''Aeneid'', the dead who could not pay the fee, and those who had received no funeral rites, had to wander the near shores of the Styx for one hundred years before they were allowed to cross the river. Some mortals, heroes, and demigods were said to have descended to the underworld and returned from it as living beings. T ...
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Orpheus And Eurydice
The ancient legend of Orpheus and Eurydice (, ''Orpheus, Eurydikē'') concerns the fateful love of Orpheus of Thrace for the beautiful Eurydice. Orpheus was the son of Apollo and the muse Calliope. It may be a late addition to the Orpheus myths, as the latter cult-title suggests those attached to Persephone. It may have been derived from a legend in which Orpheus travels to Tartarus and charms the goddess Hecate. The subject is among the most frequently retold of all Greek myths, being featured in numerous works of literature, operas, ballets, paintings, plays and more recently, films and video games. Versions In Virgil's classic version of the legend, it completes his ''Georgics'', a poem on the subject of agriculture. Here the name of Aristaeus, or Aristaios, the keeper of bees, and the tragic conclusion was first introduced. Ovid's version of the myth, in his ''Metamorphoses'', was published a few decades later and employs a different poetic emphasis and purpose. It relate ...
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Euridice (Caccini)
''Euridice'' is an opera in a prologue and one act by the Italian composer Giulio Caccini. The libretto, by Ottavio Rinuccini, had already been set by Caccini's rival Jacopo Peri in 1600. Caccini's version of ''Euridice'' was first performed at the Pitti Palace, Florence, on 5 December 1602. Caccini hurriedly prepared the score for the press and published it six weeks before Peri's version appeared. Roles Synopsis The opera follows the myth of Orpheus and Eurydice quite closely, except that it has a happy ending since Orpheus succeeds in rescuing Eurydice from the underworld through the power of his music. Recordings *''Euridice'' Soloists, Rennes Chorus and Orchestra, conducted by Rodrigo de Zayas (Arion, 1980) *''L'Euridice'' Scherzi Musicali, Nicolas Achten (Ricercar, 2008)"Giulio Caccini – ...
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Euridice (Peri)
''Euridice'' (also ''Erudice'' or ''Eurydice'') is an opera by Jacopo Peri, with additional music by Giulio Caccini. It is the earliest surviving opera, Peri's earlier ''Dafne'' being lost. (Caccini wrote his own " Euridice" even as he supplied music to Peri's opera, published this version before Peri's was performed, in 1600, and got it staged two years later.) The libretto by Ottavio Rinuccini is based on books X and XI of Ovid's ''Metamorphoses'' which recount the story of the legendary musician Orpheus and his wife Euridice. The opera was first performed in Florence on 6 October 1600 at the Palazzo Pitti with Peri himself singing the role of Orfeo. Composition history ''Euridice'' was created for the marriage of King Henry IV of France and Maria de Medici. The composition is typically considered to be the second work of modern opera, and the first such musical drama to survive to the present day. (The first, ''Dafne'', was written by the same authors in 1597.) Since both t ...
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L'Orfeo
''L'Orfeo'' ( SV 318) (), sometimes called ''La favola d'Orfeo'' , is a late Renaissance/early Baroque ''favola in musica'', or opera, by Claudio Monteverdi, with a libretto by Alessandro Striggio. It is based on the Greek legend of Orpheus, and tells the story of his descent to Hades and his fruitless attempt to bring his dead bride Eurydice back to the living world. It was written in 1607 for a court performance during the annual Carnival at Mantua. While Jacopo Peri's ''Dafne'' is generally recognised as the first work in the opera genre, and the earliest surviving opera is Peri's '' Euridice'', ''L'Orfeo'' is the earliest that is still regularly performed. By the early 17th century the traditional intermedio—a musical sequence between the acts of a straight play—was evolving into the form of a complete musical drama or "opera". Monteverdi's ''L'Orfeo'' moved this process out of its experimental era and provided the first fully developed example of the new genre. After i ...
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Orfeo (Rossi)
''Orfeo'' (''Orpheus'') is an opera in three acts, a prologue and an epilogue by the Italian composer Luigi Rossi. The libretto, by Francesco Buti, is based on the myth of Orpheus and Eurydice. ''Orfeo'' premiered at the Théâtre du Palais-Royal in Paris on 2 March 1647. It was one of the earliest operas to be staged in France. Background and performance history Rossi had already written one opera, ''Il palazzo incantato'', for Rome. This aroused the interest of the French first minister, the Italian-born Cardinal Mazarin, who was eager to bring Italian culture to Paris and hired Rossi in 1646 to write an opera for the Paris carnival the following year. During his stay in France, Rossi learnt that his wife, Costanza, had died and the grief he felt influenced the music he was writing. The premiere was given a magnificent staging with the sets and stage machinery designed by Giacomo Torelli. Over 200 men were employed to work on the scenery. The choreography was by Giovan Battista B ...
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La Morte D'Orfeo
' (''The Death of Orpheus'') is an opera in five acts by the Italian composer Stefano Landi. Dedicated to Alessandro Mattei, ''familiaris'' of Pope Paul V, it may have been first performed in Rome in 1619. The work is styled a ''tragicomedia pastorale'' (pastoral tragicomedy). The libretto, which may be by the composer himself, is in part inspired by ''La favola d'Orfeo'' (1484) by Angelo Poliziano. Unlike Monteverdi's ''L'Orfeo'' and the earliest Florentine operas on the subject ('' Euridice'' by Peri and Caccini), Landi's opera contains comic elements and deals with a different episode from the life of the mythical singer. Roles Synopsis After Orpheus has failed to save his wife Eurydice from the underworld, he renounces wine and the love of women. This offends the god Bacchus who urges his female followers, the Maenads, to kill Orpheus. The enraged Maenads tear him apart. The gods want the dead Orpheus to join them on Olympus but Orpheus wants to be reunited with Eurydice in ...
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Caronte (album)
Joe Vescovi (1 January 1949 – 28 November 2014) was an Italian progressive rock keyboard player, considered as one of the prominent musicians of the 1970s Italian progressive rock scene, best known for his work in bands The Trip and Dik Dik. A self-proclaimed imitator of Keith Emerson, Vescovi was popular for his histrionic stage presence and eccentric clothing as much as for his virtuoso keyboard playing. Biography Born in Savona, Vescovi founded his first rock band, The Lonely Boys, at the age of 17. He played with this band in Germany and the Netherlands without achieving much success. After returning to Italy, he played for a while in a band called Toto e i Tati, led by Toto Cutugno. In the late 1960s, Vescovi joined the progressive rock band The Trip from Turin, replacing Ritchie Blackmore, who had left the band to join Deep Purple. Blackmore later considered Vescovi to be the keyboardist for his band Rainbow, although David Stone was chosen instead. Vescovi is often called ...
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