|
Cardinal Del Portogallo Altarpiece
The ''Cardinal of Portugal's altarpiece'' (It: ''Pala del cardinale del Portogallo'') or ''Altarpiece for the Cardinal of Portugal's chapel'', is a painting of in tempera and oil on panel by one or both of the brothers Antonio and Piero del Pollaiuolo. It was painted for the altar in the Cardinal of Portugal's Chapel, a funerary chapel in the church of San Miniato al Monte in Florence, built for the prince and cardinal James of Portugal, who died in exile in Florence in 1459 at the age of 25. The painting is now in the Uffizi in Florence, with a copy in place in the chapel. Aspects of the painting reflect and connect with the setting it was made for, an elaborate newly-built funerary chapel, which in the Renaissance Republic of Florence aspired to revive the imperial style of many centuries before, drawing on the Late Antique monuments of Ravenna. Description The painting shows Saints Vincent, James the Great and Eustace, standing on a terrace high above a landscape ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Del Pollaiuolo
Antonio del Pollaiuolo ( , , ; 17 January 1429/14334 February 1498), also known as Antonio di Jacopo Pollaiuolo or Antonio Pollaiuolo (also spelled Pollaiolo), was an Italian painter, sculptor, engraver, and goldsmith during the Italian Renaissance. Biography He was born in Florence. His brother, Piero del Pollaiuolo, was also an artist, and the two frequently worked together. Their work shows both classical influences and an interest in human anatomy; reportedly, the brothers carried out dissections to improve their knowledge of the subject. They took their nickname from the trade of their father, who in fact sold poultry (''pollaio'' meaning "hen coop" in Italian). Antonio's first studies of goldsmithing and metalworking were under either his father or Andrea del Castagno: the latter probably taught him also in painting. Other sources relate that he worked in the Florentine workshop of Bartoluccio di Michele, where Lorenzo Ghiberti also received his training. During this ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archbishop Of Lisbon
The Patriarchate of Lisbon ( la, Patriarchatus Olisiponensis) is a Latin Church ecclesiastical territory or patriarchal archdiocese of the Catholic Church in Lisbon, the capital of Portugal. Its archiepiscopal see is the Patriarchal Cathedral of St. Mary Major, in Lisbon. The patriarchate also has three minor basilicas: the Basilica of Our Lady of the Martyrs and Basilica of the Most Sacred Heart of Jesus in Estrela, both in Lisbon; the Basilica of Our Lady and St. Anthony in Mafra; and two World Heritage Site monasteries: the Monastery of the Hieronymites, in Lisbon, and the Monastery of Saint Mary of Alcobaça, in Alcobaça Patriarchate today The patriarchate pastorally served, as per 2014, 1,648,885 Catholics (86% of 1,924,650 total) on 3,735 km² in 285 parishes and 604 missions, with 543 priests (291 diocesan, 252 religious), 84 deacons, 1,505 lay religious (401 brothers, 1,104 sisters) and 54 seminarians. History The diocese of Lisbon was created in the 4th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afonso V Of Portugal
Afonso V () (15 January 1432 – 28 August 1481), known by the sobriquet the African (), was King of Portugal from 1438 until his death in 1481, with a brief interruption in 1477. His sobriquet refers to his military conquests in Northern Africa. As of 1471, Afonso V was the first king of Portugal to claim dominion over a plural "Kingdom of the Algarves", instead of the singular "Kingdom of the Algarve". Territories added to the Portuguese crown lands in North Africa during the 15th century came to be referred to as possessions of the Kingdom of the Algarve (now a region of southern Portugal), not the Kingdom of Portugal. The "Algarves" then were considered to be the southern Portuguese territories on both sides of the Strait of Gibraltar. Early life Afonso was born in Sintra, the second son of King Edward of Portugal by his wife Eleanor of Aragon. Following the death of his older brother, Infante João (1429–1433), Afonso acceded to the position of heir apparent and was made ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter, Duke Of Coimbra
Infante D. Pedro, Duke of Coimbra KG (; en, Peter), (9 December 1392 – 20 May 1449) was a Portuguese ''infante'' (prince) of the House of Aviz, son of King John I of Portugal and his wife Philippa of Lancaster, daughter of John of Gaunt. In Portugal, he is better known as Infante D. Pedro das Sete Partidas o Mundo "of the Seven Parts f the World because of his travels. Possibly the best-travelled prince of his time, he was regent between 1439 and 1448. He was also 1st Lord of Montemor-o-Velho, Aveiro, Tentúgal, Cernache, Pereira, Condeixa and Lousã. Early life From the time he was born, Peter was one of John I's favourite sons. Along with his siblings, he received an exceptional education rarely seen in those times for the children of royalty. Close to his brothers Edward, the future king of Portugal, and John, Lord of Reguengos de Monsaraz, Peter grew up in a calm environment free of intrigues. On 14 August 1415, he accompanied his father and brothers Edward and He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John I Of Portugal
John I ( pt, João uˈɐ̃w̃ 11 April 1357 – 14 August 1433), also called John of Aviz, was King of Portugal from 1385 until his death in 1433. He is recognized chiefly for his role in Portugal's victory in a succession war with Castile, preserving his country's independence and establishing the Aviz (or Joanine) dynasty on the Portuguese throne. His long reign of 48 years, the most extensive of all Portuguese monarchs, saw the beginning of Portugal's overseas expansion. John's well-remembered reign in his country earned him the epithet of Fond Memory (''de Boa Memória''); he was also referred to as "the Good" (''o Bom''), sometimes "the Great" (''o Grande''), and more rarely, especially in Spain, as "the Bastard" (''Bastardo''). Early life John was born in Lisbon as the natural son of King Peter I of Portugal by a woman named Teresa, who, according to the royal chronicler Fernão Lopes in the Chronicle of the King D. Pedro I, was a noble Galician. In the 18th c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
House Of Aviz
The House of Aviz (Portuguese language, Portuguese: ''Casa de Avis''), also known as the Joanine Dynasty (''Dinastia Joanina''), was a dynasty of Portuguese people, Portuguese origin which flourished during the Portuguese Renaissance, Renaissance and the period of the Portuguese discoveries, when History of Portugal (1415–1578), Portugal expanded its power globally. The house was founded by King John I of Portugal, Grand-Master of the Order of Aviz and illegitimate son of King Peter I of Portugal, Pedro I (of the Portuguese House of Burgundy), who ascended to the throne after successfully pressing his claim during the 1383–1385 Portuguese interregnum. Aviz monarchs would rule Portugal through the Age of Discovery, establishing Portugal as a global power following the creation of the Portuguese Empire. In 1494, Pope Alexander VI divided the world under the dominion of Portugal and Spain with the Treaty of Tordesillas. The House of Aviz has produced numerous prominent figures i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apollo And Daphne (Pollaiuolo)
''Apollo and Daphne'' is a c.1470–1480 oil on panel painting, attributed to Piero del Pollaiuolo and/or his brother Antonio). William Coningham acquired it in Rome in 1845 and in 1876 Wynne Ellis left it to the National Gallery, London, where it still hangs. It shows Daphne's transformation into a laurel tree to escape Apollo in Ovid's ''Metamorphoses''. Its choice of wood as a support and its small dimensions mean that it was long mistaken as a fragment of a decorative cassone A cassone (plural ''cassoni'') or marriage chest is a rich and showy Italian type of chest, which may be inlaid or carved, prepared with gesso ground then painted and gilded. ''Pastiglia'' was decoration in low relief carved or moulded in gesso .... Like '' The Martyrdom of Saint Sebastian'' it was also long attributed to Antonio but is now usually attributed to Piero. The background vegetation was previously brighter but is now irreversibly oxidized.Louise Govier, ''The National Gallery, guida per i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Gallery
The National Gallery is an art museum in Trafalgar Square in the City of Westminster, in Central London, England. Founded in 1824, it houses a collection of over 2,300 paintings dating from the mid-13th century to 1900. The current Director of the National Gallery is Gabriele Finaldi. The National Gallery is an exempt charity, and a non-departmental public body of the Department for Digital, Culture, Media and Sport. Its collection belongs to the government on behalf of the British public, and entry to the main collection is free of charge. Unlike comparable museums in continental Europe, the National Gallery was not formed by nationalising an existing royal or princely art collection. It came into being when the British government bought 38 paintings from the heirs of John Julius Angerstein in 1824. After that initial purchase, the Gallery was shaped mainly by its early directors, especially Charles Lock Eastlake, and by private donations, which now account for two-thirds ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Rossellino Tumba Del Cardenal De Portugal San Miniato Florencia
A, or a, is the first letter and the first vowel of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''a'' (pronounced ), plural ''aes''. It is similar in shape to the Ancient Greek letter alpha, from which it derives. The uppercase version consists of the two slanting sides of a triangle, crossed in the middle by a horizontal bar. The lowercase version can be written in two forms: the double-storey a and single-storey ɑ. The latter is commonly used in handwriting and fonts based on it, especially fonts intended to be read by children, and is also found in italic type. In English grammar, " a", and its variant " an", are indefinite articles. History The earliest certain ancestor of "A" is aleph (also written 'aleph), the first letter of the Phoenician alphabet, which consisted entirely of consonants (for that reason, it is also called an abjad to distinguish it fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernard Berenson
Bernard Berenson (June 26, 1865 – October 6, 1959) was an American art historian specializing in the Renaissance. His book ''The Drawings of the Florentine Painters'' was an international success. His wife Mary is thought to have had a large hand in some of the writings. Berenson was a major figure in the attribution of Old Masters, at a time when these were attracting new interest by American collectors, and his judgments were widely respected in the art world. Personal life Berenson was born Bernhard Valvrojenski in Butrimonys, Vilnius Governorate (now in Alytus district of Lithuania) to a Litvak family – father Albert Valvrojenski, mother Judith Mickleshanski, and younger siblings including Senda Berenson Abbott. His father, Albert, grew up following an educational track of classical Jewish learning and contemplated becoming a rabbi. However, he became a practitioner of Haskalah, a European movement which advocated more integration of Jews into secular society. After ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giorgio Vasari
Giorgio Vasari (, also , ; 30 July 1511 – 27 June 1574) was an Italian Renaissance Master, who worked as a painter, architect, engineer, writer, and historian, who is best known for his work ''The Lives of the Most Excellent Painters, Sculptors, and Architects'', considered the ideological foundation of all art-historical writing, and the basis for biographies of several Renaissance artists, including Leonardo da Vinci and Michelangelo. Vasari designed the ''Tomb of Michelangelo'' in the Basilica of Santa Croce, Florence that was completed in 1578. Based on Vasari's text in print about Giotto's new manner of painting as a ''rinascita'' (rebirth), author Jules Michelet in his ''Histoire de France'' (1835) suggested adoption of Vasari's concept, using the term ''Renaissance'' (rebirth, in French) to distinguish the cultural change. The term was adopted thereafter in historiography and still is in use today. Life Vasari was born prematurely on 30 July 1511 in Arezzo, Tuscany. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Albertini
Francesco Albertini (born in Florence in 1469 - died post 30 August 1510 ) was a canon of the Basilica of San Lorenzo in Florence and a chaplain of Cardinal Fazio Santoro in Rome. In 1510 he wrote three books: The ''Opusculum de mirabilibus novae & veteris urbis Romae'', the ''Septem mirabilia orbis et urbis Romae et Florentinae'' and the ''Memoriale di molte picture e statue sono nella inclyta cipta di Florentia''. ''Opusculum de mirabilibus novae & veteris urbis Romae'' was "the most popular guide to Ancient Rome in the sixteenth century". Albertini presented it as the new and updated '' Mirabilia'' "shorn of its fables and nonsense", and included a substantial description of the reconstruction of Rome started by Pope Sixtus IV. ''Memoriale di molte picture e statue sono nella inclyta cipta di Florentia'' is generally considered the first guidebook of Florence. According to Klein and Zerner, it is "a superficial and rather poor piece of writing" of dubious factual value, but i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.png "Click for more on -> Archbishop Of Lisbon")
.png "Click for more on -> House Of Aviz"){kind=spacer}
