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Canonic Trio Sonata In F Major, BWV 1040
The Canonic Trio Sonata in F major is a short piece by Johann Sebastian Bach, catalogued as BWV 1040. The instrumentation is for oboe, violin, and basso continuo (generally a combination of cello and harpsichord or such). Played adagio, the 27-measure, common time piece is less than two minutes long. It was probably first performed on 23 February 1712 (or 1713). Besides being a stand-alone piece, Bach also incorporated it into the soprano aria ''Weil die wollenreichen Herden'' (''While the flocks rich in wool'') in the Hunting Cantata BWV 208 and into an aria ''Mein gläubiges Herze'' (''My faithful heart'') in Cantata BWV 68 (God so loved the world), 68, is a cantata by Johann Sebastian Bach, a church cantata for the second day of Pentecost. Bach composed the cantata in Leipzig and first performed it on 21 May 1725. It is one of nine cantatas on texts by Christiana Ma .... In fact in his book ''The Faber Pocket Guide to Bach'' Sir Nicholas Kenyon dismisses the piece saying "Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basso Continuo
Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing the continuo part are called the ''continuo group''. Forces The composition of the continuo group is often left to the discretion of the performers (or, for a large performance, the conductor), and practice varied enormously within the Baroque period. At least one instrument capable of playing chords must be included, such as a harpsichord, organ, lute, theorbo, guitar, regal, or harp. In addition, any number of instruments that play in the bass register may be included, such as cello, double bass, bass viol, or bassoon. In modern performances of chamber works, the most common combination is harpsichord and cello for instrumental works and secular vocal works, such as operas, and organ and cello for sacred music. A double bass may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Time Signature
The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are contained in each measure (bar), and which note value is equivalent to a beat. In a music score, the time signature appears at the beginning as a time symbol or stacked numerals, such as or (read ''common time'' or ''four-four time'', respectively), immediately following the key signature (or immediately following the clef symbol if the key signature is empty). A mid-score time signature, usually immediately following a barline, indicates a change of meter. There are various types of time signatures, depending on whether the music follows regular (or symmetrical) beat patterns, including simple (e.g., and ), and compound (e.g., and ); or involves shifting beat patterns, including complex (e.g., or ), mixed (e.g., & or & ), additive (e.g., ), fractional (e.g., ), and irrational met ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Was Mir Behagt, Ist Nur Die Muntre Jagd, BWV 208
''Was mir behagt, ist nur die muntre Jagd'' (The lively hunt is all my heart's desire), 208.1, BWV 208,Work at Bach Digital website. also known as the ''Hunting Cantata'', is a secular cantata composed by Johann Sebastian Bach, belatedly for the birthday of Duke Christian of Saxe-Weissenfels on 27 February 1713. A performance lasts about forty minutes. The aria "Schafe können sicher weiden" ("Sheep May Safely Graze") is the most familiar part of this cantata. History and text It is Bach's earliest surviving secular cantata, composed while he was employed as court organist in Weimar. The work may have been intended as a 31st birthday gift from Bach's employer, William Ernest, Duke of Saxe-Weimar, for his neighbouring ruler, Duke Christian, who was a keen hunter. Bach is known to have stayed in Weißenfels in 1713 for the birthday celebrations. He went on to earn more commissions from Saxe-Weissenfels, and in 1729, Bach was appointed Royal Kapellmeister, but ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BWV 68
(God so loved the world), 68, is a cantata by Johann Sebastian Bach, a church cantata for the second day of Pentecost. Bach composed the cantata in Leipzig and first performed it on 21 May 1725. It is one of nine cantatas on texts by Christiana Mariana von Ziegler, which Bach composed at the end of his second annual cycle of cantatas in Leipzig. In a unique structure among Bach's church cantatas, it begins with a chorale and ends with a complex choral movement on a quotation from the Gospel of John. Bach derived the two arias from his ''Hunting Cantata''. History and words Bach composed the cantata during his second year in Leipzig for Pentecost Monday. The prescribed readings for the feast day were taken from the Acts of the Apostles, the sermon of Saint Peter for Cornelius (), and the Gospel of John, "God so loved the world" from the meeting of Jesus and Nicodemus (). In his second year in Leipzig, Bach composed chorale cantatas between the first Sunday after Trinity and Pal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicholas Kenyon
Sir Nicholas Roger Kenyon CBE (born 23 February 1951, in Cheshire) is an English music administrator, editor and writer on music. He was responsible for the BBC Proms in 1996–2007, after which he was appointed Managing Director of the Barbican Centre. In September 2021 he left to become opera critic of the Telegraph and a visiting scholar in the Faculty of Music at the University of Cambridge. Education and career Having attended St Bede's College, Manchester and played bassoon with Stockport Youth Orchestra, Kenyon studied history at Balliol College, Oxford. After graduating, he worked for the English Bach Festival, and as a freelance writer on music. From 1979 to 1982 he was a music critic for ''The New Yorker''. He then returned to the UK as the music critic for ''The Times'', then chief music critic of ''The Observer''. He was also music editor of '' The Listener'' and editor of the journal ''Early Music''. In 1992 he was appointed Controller, BBC Radio 3 and director of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonatas By Johann Sebastian Bach
Sonata (; Italian: , pl. ''sonate''; from Latin and Italian: ''sonare'' rchaic Italian; replaced in the modern language by ''suonare'' "to sound"), in music, literally means a piece ''played'' as opposed to a cantata (Latin and Italian ''cantare'', "to sing"), a piece ''sung''. The term evolved through the history of music, designating a variety of forms until the Classical era, when it took on increasing importance. Sonata is a vague term, with varying meanings depending on the context and time period. By the early 19th century, it came to represent a principle of composing large-scale works. It was applied to most instrumental genres and regarded—alongside the fugue—as one of two fundamental methods of organizing, interpreting and analyzing concert music. Though the musical style of sonatas has changed since the Classical era, most 20th- and 21st-century sonatas still maintain the same structure. The term sonatina, pl. ''sonatine'', the diminutive form of sonata, is ofte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trio Sonatas
The trio sonata is a genre, typically consisting of several movements, with two melody instruments and basso continuo. Originating in the early 17th century, the trio sonata was a favorite chamber ensemble combination in the Baroque era. Basic structure The trio sonata typically consisted of three parts, two violins and (basso) continuo. However, the two violins could be substituted with pairs of flutes, recorders, oboes, or violin and viola da gamba. The third part, the continuo, has two components. First, it includes the bass line, which commonly was played by a bass viol, violone, violoncello, or bassoon. Second, it includes a harmony-producing instrument, such as a small organ, a harpsichord, or a theorbo. The continuo could be performed by two or more performers; a cellist to play the bass line and a harpsichordist or organist to focus on the harmonies. Because there normally are two people playing the continuo part, there are usually four players in all. This accounts for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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