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Candombe Drums
The tambores de candombe or tamboriles are drums used in the playing of Candombe music of Uruguay. They are single skin headed and there are three sizes: piano (bass range), repique (tenor range), and the chico (alto range). The drums are made of wood and have a curved barrel shape with its base very narrow. Music and description ''Candombe'' is performed by a group of drummers called a cuerda. The barrel-shaped drums, or tamboriles, have specific names according to their size and function: chico (small, high timbre, marks the tempo) repique (medium, syncopation and improvisation) piano (large, low timbre, melody). An even larger drum, called ''bajo'' or ''bombo'' (very large, very low timbre, accent on the fourth beat), was once common but is now declining in use. A ''cuerda'' at a minimum needs three drummers, one on each part. A full cuerda will have 50-100 drummers, commonly with rows of seven or five drummers, mixing the three types of drums. A typical row of five can be p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum
The drum is a member of the percussion group of musical instruments. In the Hornbostel-Sachs classification system, it is a membranophone. Drums consist of at least one membrane, called a drumhead or drum skin, that is stretched over a shell and struck, either directly with the player's hands, or with a percussion mallet, to produce sound. There is usually a resonant head on the underside of the drum. Other techniques have been used to cause drums to make sound, such as the thumb roll. Drums are the world's oldest and most ubiquitous musical instruments, and the basic design has remained virtually unchanged for thousands of years. Drums may be played individually, with the player using a single drum, and some drums such as the djembe are almost always played in this way. Others are normally played in a set of two or more, all played by the one player, such as bongo drums and timpani. A number of different drums together with cymbals form the basic modern drum kit. Uses ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Candombe
''Candombe'' is a style of music and dance that originated in Uruguay among the descendants of liberated African slaves. In 2009, the United Nations Educational, Scientific and Cultural Organization (UNESCO) inscribed ''candombe'' in its Representative List of the Intangible Cultural Heritage of Humanity. To a lesser extent, ''candombe'' is practiced in Argentina, Paraguay, and Brazil. In Argentina, it can be found in Buenos Aires, Santa Fe, Paraná, and Corrientes. In Paraguay, this tradition continues in Camba Cuá and in Fernando de la Mora near Asunción. In Brazil, ''candombe'' retains its religious character and can be found in the state of Minas Gerais. This Uruguayan music style is based on three different drums: chico, repique, and piano drums. It is usually played in February during carnival in Montevideo at dance parades called ''llamadas'' and ''desfile inaugural del carnaval''. Origins Common origins According to George Reid Andrews, a historian of blac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uruguay
Uruguay (; ), officially the Oriental Republic of Uruguay ( es, República Oriental del Uruguay), is a country in South America. It shares borders with Argentina to its west and southwest and Brazil to its north and northeast; while bordering the Río de la Plata to the south and the Atlantic Ocean to the southeast. It is part of the Southern Cone region of South America. Uruguay covers an area of approximately and has a population of an estimated 3.4 million, of whom around 2 million live in the metropolitan area of its capital and largest city, Montevideo. The area that became Uruguay was first inhabited by groups of hunter–gatherers 13,000 years ago. The predominant tribe at the moment of the arrival of Europeans was the Charrúa people, when the Portuguese first established Colónia do Sacramento in 1680; Uruguay was colonized by Europeans late relative to neighboring countries. The Spanish founded Montevideo as a military stronghold in the early 18th century bec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tambores De Candombe
The tambores de candombe or tamboriles are drums used in the playing of Candombe music of Uruguay. They are single skin headed and there are three sizes: piano (bass range), repique (tenor range), and the chico (alto range). The drums are made of wood and have a curved barrel shape with its base very narrow. Music and description ''Candombe'' is performed by a group of drummers called a cuerda. The barrel-shaped drums, or tamboriles, have specific names according to their size and function: chico (small, high timbre, marks the tempo) repique (medium, syncopation and improvisation) piano (large, low timbre, melody). An even larger drum, called ''bajo'' or ''bombo'' (very large, very low timbre, accent on the fourth beat), was once common but is now declining in use. A ''cuerda'' at a minimum needs three drummers, one on each part. A full cuerda will have 50-100 drummers, commonly with rows of seven or five drummers, mixing the three types of drums. A typical row of five can be pi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clave (rhythm)
The clave (; ) is a rhythmic pattern used as a tool for temporal organization in Cuban music. In Spanish, ''clave'' literally means key, clef, code, or keystone. It is present in a variety of genres such as Abakuá music, rumba, conga, son, mambo, salsa, songo, timba and Afro-Cuban jazz. The five-stroke clave pattern represents the structural core of many Cuban rhythms. The clave pattern originated in sub-Saharan African music traditions, where it serves essentially the same function as it does in Cuba. In ethnomusicology, clave is also known as a ''key pattern'', ''guide pattern'', ''phrasing referent'', ''timeline'', or ''asymmetrical timeline''. The clave pattern is also found in the African diaspora music of Haitian Vodou drumming, Afro-Brazilian music, African-American music, Louisiana Voodoo drumming, and Afro-Uruguayan music (candombe). The clave pattern (or hambone, as it is known in the United States) is used in North American popular music as a rhythmic motif or si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alvaro Salas
Alvaro Salas (born May 25, 1953 in Montevideo, Uruguay) is a Uruguayan Master Candombe drummer and percussion teacher. Early life Salas was born in Ansina, a neighbourhood in Palermo, Montevideo. Career in music industry Salas has worked, both live and on records, with a number of musicians, including Eduardo Mateo, Jorginho Gularte, Roberto Galletti, Federico Britos, and Urbano Moraes. He has also worked as a percussionist, arranger, and director with several award-winning Carnival groups including Marabunta, Sueno del Buceo, Vendaval, and others. He is the current Director of Afro-Uruguayan social organization Mundo Afro. As well, he runs the musical school in this institution, which has international prestige. In 2018, he worked with Kamba Kuá in celebrating afro-Paraguayan identity at the "Agustin Pio Barrios" music school at the new Municipal Art Institute (IMA, in Spanish). He demonstrates the interaction between the typical percussive family of candombe, consisting of w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Membranophones
A membranophone is any musical instrument which produces sound primarily by way of a vibrating stretched membrane. It is one of the four main divisions of instruments in the original Hornbostel-Sachs scheme of musical instrument classification. According to Sachs, material, shape, skin(s), skin fastening, playing positions, and manner of playing. Hornbostel-Sachs The Hornbostel-Sachs scheme of musical instrument classification divides membranophones in a numeric taxonomy based on how the sound is produced: *21: by hitting the drumskin with a hand or object (most common form, including the timpani and snare drum) *22: by pulling a knotted string attached to the drumskin (common in Indian drums, and can be considered an example of a chordophone as well) *23: by rubbing the drumskin with a hand or object (common in Irish traditional music, an example is the bodhran) *24: by modifying sounds through a vibrating membrane (unusual form, including the kazoo) Length and breadth Me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
