Cambise (opera)
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Cambise (opera)
''Il Cambise'' is an opera by Alessandro Scarlatti to a libretto by Domenico Lalli. It was first performed on 4 February 1719 at the Teatro San Bartolomeo in Naples. It was the composer's 111th opera and his last for Naples.''Proceedings of the Musical Association'', volumes 29–32, p. 83, Musical Association (Great Britain) (1966) "Scarlatti's last opera for Naples was ''Cambise'' (1719), his 111th opera." Selected recordings *Sinfonia "doppo che sia alzata la tenda", Arias "Io parto vincitor". "In quelle luci belle" "Mi cinga la fama" Daniela Barcellona (mezzo) Concerto de Cavalieri, Marcello Di Lisa DHM *"Tutto appoggio il mio disegno" Max Cencic Il Pomo D'Oro, Maxim Emelyanychev Maxim Yuryevich Emelyanychev (Максим Юрьевич Емельянычев; born 28 August 1988, Dzerzhinsk) is a Russian conductor, pianist, harpsichordist and cornetist. From a musical family, Emelyanychev studied music at the Nizhny Novgor ... Decca 2015 *"Quando vedrai", "Mi cinga la fama" ...
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Alessandro Scarlatti
Pietro Alessandro Gaspare Scarlatti (2 May 1660 – 22 October 1725) was an Italian Baroque composer, known especially for his operas and chamber cantatas. He is considered the most important representative of the Neapolitan school of opera. Nicknamed by his contemporaries "the Italian Orpheus", he divided his career between Naples and Rome, where he received his training; a significant part of his works was composed for the papal city. He is often considered the founder of the Neapolitan school, although he has only been its most illustrious representative: his contribution, his originality and his influence were essential, as well as lasting, both in Italy and in Europe. Particularly known for his operas, he brought the Italian dramatic tradition to its maximum development, begun by Monteverdi at the beginning of 17th century and continued by Cesti, Cavalli, Carissimi, Legrenzi and Stradella, designing the final form of the ''Da capo aria'', imitated throughout Europe. H ...
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Libretto
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass (liturgy), Mass, requiem and sacred cantata, or the story line of a ballet. ''Libretto'' (; plural ''libretti'' ), from Italian, is the diminutive of the word ''wiktionary:libro#Italian, libro'' ("book"). Sometimes other-language equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15 to 40 page books which were on sale to 19th century ballet audiences in Paris and contained a ve ...
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Domenico Lalli
Sebastiano Biancardi (27 March 1679 – 9 October 1741), known by the pseudonym Domenico Lalli, was an Italian poet and librettist. Amongst the many libretti he produced, largely for the opera houses of Venice, were those for Vivaldi's ''Ottone in villa'' and Alessandro Scarlatti's ''Tigrane (Scarlatti), Tigrane''. A member of the Accademia degli Arcadi, he also wrote under his arcadian name "Ortanio". Lalli was born and raised in Naples as the adopted son of Fulvio Caracciolo but fled the city after being implicated in a bank fraud. After two years wandering about Italy in the company of Emanuele d'Astorga, he settled in Venice in 1710 and worked as the "house poet" of the Grimani family's theatres for the rest of his career. In addition to his stage works, Lalli published several volumes of poetry and a collection of biographies of the kings of Naples. He died in Venice at the age of 62. Biography Early life Modern accounts of Lalli's life prior to arriving in Venice are large ...
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Teatro San Bartolomeo
Theatres for diverse musical and dramatic presentations began to open in Naples, Italy, in the mid-16th century as part of the general Spanish cultural and political expansion into the kingdom of Naples, which had just become a vicerealm of Spain. None of the early theaters still function as such, having been replaced by later facilities from the mid-18th century onwards. Neapolitan theatres first built in the 16th and 17th centuries include: Teatro della Commedia Vecchia Built around 1550, the Commedia Vecchia was the first public theatre in Naples. It was the professional home to acting troupes from Spain "playing the provinces," and it provided a stage for the improvised antics of the masked and costumed figures in the then innovative Italian commedia dell'arte. In its heyday, the theatre was so successful that the government put a tax on their proceeds to finance the Casa dei Incurabili, a home for people with incurable diseases. The theatre was acquired in 1587 by a consortium ...
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Proceedings Of The Musical Association
''Journal of the Royal Musical Association'' is a peer-reviewed academic journal covering fields ranging from historical and critical musicology to theory and analysis, ethnomusicology, and popular music studies. The journal is published by Routledge on behalf of the Royal Musical Association and the editor-in-chief An editor-in-chief (EIC), also known as lead editor or chief editor, is a publication's editorial leader who has final responsibility for its operations and policies. The highest-ranking editor of a publication may also be titled editor, managing ... is Freya Jarman. Abstracting and indexing The journal is abstracted and indexed in: External links * {{Official website, http://www.tandfonline.com/rrma Taylor & Francis academic journals English-language journals Publications established in 1874 Music journals Biannual journals ...
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Daniela Barcellona
Daniela Barcellona (born 28 March 1969) is an Italian operatic mezzo-soprano. Biography Barcellona was born in Trieste, where she completed her musical studies under the guidance of Alessandro Vitiello, pianist and conductor. She married Vitiello in 1998 and continued to work with him on a professional level. Barcellona won the “Adriano Belli” award in Spoleto, the “ Iris Adami Corradetti” award in Padua, and the “Pavarotti International Voice Competition” in Philadelphia. She debuted in the title role of ''Tancredi'' at the Rossini Opera Festival in Pesaro in 1999, establishing herself as a reference interpreter for “en travesti” roles. In the early 2000s, Barcellona performed at New York's Metropolitan Opera, La Scala in Milan, the Royal Opera House in London, the Théâtre des Champs-Élysées in Paris, the Bayerische Staatsoper in Munich, the Teatro Real in Madrid, the Salzburg Festival and the Gran Teatre del Liceu in Barcelona. She and Joyce DiDonato ...
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Max Cencic
Max or MAX may refer to: Animals * Max (dog) (1983–2013), at one time purported to be the world's oldest living dog * Max (English Springer Spaniel), the first pet dog to win the PDSA Order of Merit (animal equivalent of OBE) * Max (gorilla) (1971–2004), a western lowland gorilla at the Johannesburg Zoo who was shot by a criminal in 1997 Brands and enterprises * Australian Max Beer * Max Hamburgers, a fast-food corporation * MAX Index, a Hungarian domestic government bond index * Max Fashion, an Indian clothing brand Computing * MAX (operating system), a Spanish-language Linux version * Max (software), a music programming language * Commodore MAX Machine * Multimedia Acceleration eXtensions, extensions for HP PA-RISC Films * ''Max'' (1994 film), a Canadian film by Charles Wilkinson * ''Max'' (2002 film), a film about Adolf Hitler * ''Max'' (2015 film), an American war drama film Games * '' Dancing Stage Max'', a 2005 game in the ''Dance Dance Revolution'' series * ''DDRM ...
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Maxim Emelyanychev
Maxim Yuryevich Emelyanychev (Максим Юрьевич Емельянычев; born 28 August 1988, Dzerzhinsk) is a Russian conductor, pianist, harpsichordist and cornetist. From a musical family, Emelyanychev studied music at the Nizhny Novgorod Choral College from 1995 to 2003. Emelyanychev joined the period instrument ensemble Il Pomo d'Oro in 2011. He became chief conductor of Il Pomo d'Oro in 2016. He and the ensemble have recorded commercially for Erato. In March 2018, Emelyanychev first guest-conducted the Scottish Chamber Orchestra (SCO), as an emergency substitute for Robin Ticciati Robin Ticciati (born 16 April 1983, in London) is a British conductor of Italian ancestry. Biography Ticciati's paternal grandfather, Niso Ticciati, was a composer, arranger, cellist, and keyboardist. His father is a barrister, and his mother .... Based on this appearance, in May 2018, the SCO announced the appointment of Emelyanychev as its next principal conductor, effective wit ...
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Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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1719 Operas
Events January–March * January 8 – Carolean Death March begins: A catastrophic retreat by a largely-Finnish Swedish Empire, Swedish-Caroleans, Carolean army under the command of Carl Gustaf Armfeldt across the Tydal mountains in a blizzard kills around 3,700 men and cripples a further 600 for life. * January 23 – The Principality of Liechtenstein is created, within the Holy Roman Empire. * February 3 (January 23 Old Style) – The Riksdag of the Estates recognizes Ulrika Eleonora's claim to the Swedish throne, after she has agreed to sign a new Swedish constitution. Thus, she is recognized as queen regnant of Sweden. * February 20 – The first Age of Liberty, Treaty of Stockholm is signed. * February 28 – Farrukhsiyar, the Mughal Emperor of India since 1713, is deposed by the Sayyid brothers, who install Rafi ud-Darajat in his place. In prison, Farrukhsiyar is strangled by assassins on April 19. * March 6 – A serious earthquake (estimated magnitude >7) in El Sa ...
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Operas By Alessandro Scarlatti
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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