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Cahiers Du Cinéma's Annual Top 10 Lists
The following is a list of the top 10 films chosen annually by the critics of ''Cahiers du Cinéma'', a French film magazine. The magazine started the lists in 1951, but did not publish a list from 1952 to 1953 and from 1969 to 1980. 1950s No lists from 1952 through 1953. 1960s No list for 1969. 1970s No lists for the 1970s. 1980s No list for 1980. 1990s 2000s 2010s 2020s Filmmakers with three or more works on the lists *Jean-Luc Godard - 25 *Ingmar Bergman - 14 *Éric Rohmer - 12 *Philippe Garrel - 11 *Manoel de Oliveira - 10 *Clint Eastwood - 10 *Hong Sang-soo - 9 *Martin Scorsese - 9 *David Cronenberg - 8 *David Lynch - 8 *Bruno Dumont - 8 *Alain Resnais - 8 *Federico Fellini - 7 *Alfred Hitchcock - 7 *Nanni Moretti - 6 *Apichatpong Weerasethakul - 6 *Michelangelo Antonioni - 6 *Robert Bresson - 6 *Luis Buñuel - 6 *Abbas Kiarostami - 6 *Jacques Rivette ...
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Cahiers Du Cinéma
''Cahiers du Cinéma'' (, ) is a French film magazine co-founded in 1951 by André Bazin, Jacques Doniol-Valcroze, and Joseph-Marie Lo Duca.Itzkoff, Dave (9 February 2009''Cahiers Du Cinéma Will Continue to Publish''The New York TimesMacnab, Geoffrey (7 April 2001''Pretentious, nous?''''The Guardian'' It developed from the earlier magazine ''Revue du Cinéma'' ( established in 1928) involving members of two Paris film clubs Objectif 49 (Robert Bresson, Jean Cocteau, and Alexandre Astruc, among others; ) and Ciné-Club du Quartier Latin (). Initially edited by Doniol-Valcroze and, after 1957, by Éric Rohmer (aka, Maurice Scherer), it included amongst its writers Jacques Rivette, Jean-Luc Godard, Claude Chabrol, and François Truffaut, who went on to become highly influential filmmakers. It is the oldest French-language film magazine in publication. History The first issue of ''Cahiers'' appeared in April 1951. Much of its head staff, including Bazin, Doniol-Valcroze, Lo Duca, ...
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Edward And Caroline
''Edward and Caroline'' (french: Édouard et Caroline) is a 1951 French comedy-drama film directed by Jacques Becker, starring Daniel Gélin and Anne Vernon. It was entered into the 1951 Cannes Film Festival. The film's sets were designed by the art director Jacques Colombier. It was shot at the Billancourt Studios in Paris. Plot Édouard and Caroline are preparing for a family evening during which Édouard will be expected to play the piano. Lacking a dinner jacket Édouard goes to borrow one from his wife's cousin. In the meantime, Caroline attempts to re-model her dress to bring it more up-to-date. Her husband is not pleased and the evening consists of rows, fights and threats of divorce. It is the early morning before life returns to normal. Cast * Daniel Gélin as Edouard Mortier * Anne Vernon as Caroline Mortier * Elina Labourdette as Florence Borch de Martelie * Jacques François as Alain Beauchamp * Betty Stockfeld as Lucy Barville * Jean Galland as Claude Beauchamp * Je ...
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I Vitelloni
''I vitelloni'' (, literally "The bullocks" - Romagnol slang for "The slackers" or "The layabouts") is a 1953 comedy-drama film directed by Federico Fellini from a screenplay written by himself, Ennio Flaiano and Tullio Pinelli. It stars Franco Interlenghi, Alberto Sordi, Franco Fabrizi, Leopoldo Trieste, and Riccardo Fellini (the director's brother) as five young Italian men at crucial turning points in their small town lives. Recognized as a pivotal work in the director's artistic evolution, the film has distinct autobiographical elements that mirror important societal changes in 1950s Italy.Kezich, 130 Recipient of both the Venice Film Festival Silver Lion in 1953, and an Academy Award nomination for Best Writing in 1958, the film's success restored Fellini's reputation after the commercial failure of ''The White Sheik'' (1952). It also launched the career of its star Alberto Sordi, one of post-war Italy's most significant and popular comedians. Plot As summer draws to a cl ...
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Howard Hawks
Howard Winchester Hawks (May 30, 1896December 26, 1977) was an American film director, producer and screenwriter of the classic Hollywood era. Critic Leonard Maltin called him "the greatest American director who is not a household name." A versatile film director, Hawks explored many genres such as comedies, dramas, gangster films, science fiction, film noir, war films and westerns. His most popular films include '' Scarface'' (1932), '' Bringing Up Baby'' (1938), '' Only Angels Have Wings'' (1939), ''His Girl Friday'' (1940), '' To Have and Have Not'' (1944), ''The Big Sleep'' (1946), '' Red River'' (1948), ''The Thing from Another World'' (1951), '' Gentlemen Prefer Blondes'' (1953), and '' Rio Bravo'' (1959). His frequent portrayals of strong, tough-talking female characters came to define the "Hawksian woman". In 1942, Hawks was nominated the only time for the Academy Award for Best Director for '' Sergeant York'' (1941). In 1974, he was awarded an Honorary Academy Awa ...
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Gentlemen Prefer Blondes (1953 Film)
''Gentlemen Prefer Blondes'' is a 1953 American musical comedy film based on the 1949 stage musical of the same name. It was directed by Howard Hawks and stars Jane Russell and Marilyn Monroe, with Charles Coburn, Elliott Reid, Tommy Noonan, George Winslow, Taylor Holmes and Norma Varden in supporting roles. The film is filled with comedic situations and musical numbers, choreographed by Jack Cole, while the music was written by Hoagy Carmichael, Harold Adamson, Jule Styne and Leo Robin. The songs by Styne and Robin are from the Broadway show, while the songs by Carmichael and Adamson were written especially for the film. Despite the film's title, Monroe was paid her usual contract salary of $500 a week, while Russell, the better known actress at the time, earned $200,000. While Russell's down-to-earth, sharp wit has been observed by most critics, it was Monroe's turn as the gold-digging Lorelei Lee for which the film is often remembered. Monroe's rendition of the song "Diamo ...
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László Benedek
László Benedek (; March 5, 1905 – March 11, 1992; sometimes ''Laslo Benedek'') was a Hungary, Hungarian-born film director and cinematographer, most notable for directing ''The Wild One'' (1953). He gained recognition for his direction of the film version of ''Death of a Salesman (1951 film), Death of a Salesman'' (1951), for which he won the Golden Globe Award for Best Director - Motion Picture, Golden Globe Award for Best Director and a Best Director nomination from the Directors Guild of America. However, it was for his directorial efforts on his next project that Benedek is best remembered. His motorcycle gang film ''The Wild One'' (1953) caused a storm of controversy and was banned in the United Kingdom until 1968. Biography European career He was born in Budapest. He intended to be a psychiatrist and studied at Vienna and Berlin. He worked in the film industry to pay his bills and ended up deciding to focus on that instead.Laslo Benedek, 87, Film Director Known for 'Wild ...
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The Wild One
''The Wild One'' is a 1953 American crime film directed by László Benedek and produced by Stanley Kramer. The picture is most noted for the character of Johnny Strabler, portrayed by Marlon Brando, whose persona became a cultural icon of the 1950s. ''The Wild One'' is considered to be the original outlaw biker film, and the first to examine American outlaw motorcycle gang violence. The supporting cast features Lee Marvin as Chino, truculent leader of the motorcycle gang "The Beetles". The film's screenplay was based on Frank Rooney's short story "Cyclists' Raid", published in the January 1951 ''Harper's Magazine'' and anthologized in '' The Best American Short Stories 1952''. Rooney's story was inspired by sensationalistic media coverage of an American Motorcyclist Association motorcycle rally that got out of hand on the Fourth of July weekend in 1947 in Hollister, California. The overcrowding, drinking and street stunting were given national attention in the July 21, 1947, iss ...
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René Clément
René Clément (; 18 March 1913 – 17 March 1996) was a French film director and screenwriter. Life and career Clément studied architecture at the École des Beaux-Arts where he developed an interest in filmmaking. In 1936, he directed his first film, a 20-minute short written by and featuring Jacques Tati. Clément spent the latter part of the 1930s making documentaries in parts of the Middle East and Africa. In 1937, he and archaeologist Jules Barthou were in Yemen making preparations to film a documentary film, documentary, the first ever of that country and one that includes the only known film image of Imam Yahya. Almost ten years passed before Clément directed a feature but his French Resistance film, ''La Bataille du rail'' (1945), gained much critical and commercial success. From there Clément became one of his country's most successful and respected directors, garnering numerous awards including two films that won the Academy Award for Best Foreign Language Film ...
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Knave Of Hearts (film)
''Knave of Hearts'' is a 1954 British-French comedy drama film directed by René Clément and starring Gérard Philipe, Valerie Hobson and Joan Greenwood. The film was shot at the Elstree Studios of Associated British and on location across London including Trafalgar Square and Hyde Park. The film's sets were designed by the art director Ralph Brinton. In France it was released as ''Monsieur Ripois'', referencing the title of the original novel by Louis Hémon. The film was entered into the 1954 Cannes Film Festival, where it won the Special Jury Prize. Synopsis The film portrays the adventures of a French philanderer in Paris and London. Cast * Gérard Philipe as Andre Ripois * Natasha Parry as Patricia * Valerie Hobson as Catherine Ripois * Joan Greenwood as Norah * Margaret Johnston as Anne * Germaine Montero as Marcelle * Percy Marmont as Catherine's Father * Diana Decker as Diana * Bill Shine as Pub Barman * Eric Pohlmann as Boarding House Proprietor * Martin Benso ...
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Touchez Pas Au Grisbi
''Touchez pas au grisbi'' (, French for "Don't touch the loot"), released as ''Honour Among Thieves'' in the United Kingdom and ''Grisbi'' in the United States, is a 1954 French-Italian crime film based on a novel by Albert Simonin. It was directed by Jacques Becker and stars Jean Gabin, René Dary, Paul Frankeur, Lino Ventura, Jeanne Moreau, Dora Doll, and Marilyn Buferd. The film was screened in competition at the 1954 Venice Film Festival. The film is the first installment of the so-called "Max le Menteur trilogy", which are all based on novels by Simonin, but feature different characters; it was followed by '' Le cave se rebiffe'' and ''Les tontons flingueurs'', both of which are more comedic than ''Grisbi''. Plot Max, a principled middle-aged Parisian gangster, has dinner at Madame Bouche's restaurant, a hangout for criminals, with his longtime-associate Riton, their much younger burlesque-dancer girlfriends, and Max's protege Marco. The group then goes to crime-boss Pier ...
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Luis Bunuel
Luis is a given name. It is the Spanish form of the originally Germanic name or . Other Iberian Romance languages have comparable forms: (with an accent mark on the i) in Portuguese and Galician, in Aragonese and Catalan, while is archaic in Portugal, but common in Brazil. Origins The Germanic name (and its variants) is usually said to be composed of the words for "fame" () and "warrior" () and hence may be translated to ''famous warrior'' or "famous in battle". According to Dutch onomatologists however, it is more likely that the first stem was , meaning fame, which would give the meaning 'warrior for the gods' (or: 'warrior who captured stability') for the full name.J. van der Schaar, ''Woordenboek van voornamen'' (Prisma Voornamenboek), 4e druk 1990; see also thLodewijs in the Dutch given names database Modern forms of the name are the German name Ludwig and the Dutch form Lodewijk. and the other Iberian forms more closely resemble the French name Louis, a derivati ...
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Él (film)
''Él'' (Spanish: ''Him''; re-issued in the US as ''This Strange Passion'') (1953), by Luis Buñuel, is a Mexican film based upon the novel by Mercedes Pinto. It deals with many themes common to Buñuel’s cinema, including a May–December romance between a woman and her obsessively overprotective '' bourgeois'' husband, and touches of surrealism. The film was entered into the 1953 Cannes Film Festival. Plot The film opens during a foot washing ceremony in a Christian church where a man named Francisco sees an attractive young woman from across the room. They have seen each other many times before, and she seems reluctant to engage him. She leaves the church and escapes Francisco, despite his attempt to chase after her. Another day, Francisco finds her again in the church. He works up the courage to speak with her, but she seems uninterested, and insists that they can never speak to each other again. Francisco follows her to a restaurant and sees her meeting with Raul, a cl ...
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