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Ca' Foscari
Ca' Foscari, the palace of the Foscari family, is a Gothic building on the waterfront of the Grand Canal in the Dorsoduro ''sestiere'' of Venice, Italy. It was built for the doge Francesco Foscari in 1453, and designed by the architect Bartolomeo Bon. It is now the main seat of Ca' Foscari University of Venice. The palace is located on the widest bend of the Grand Canal. Here, during the annual ''Regata Storica'' (Historical Regatta), held on the first Sunday in September, a floating wooden structure known as ''La Machina'' is placed (from this structure the Venetian authorities watch the race); this is also the site of the finishing line, and the venue for prize-giving. History Previously a Byzantine palace, known as the "House with the Two Towers", stood on the site. This was bought by the Republic of Venice in 1429 from Bernardo Giustinian, to be the residence of the vice-captain of the Republic, Gianfrancesco Gonzaga. The palace consisted of two towers flanking a l ...
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Ca' Foscari (Venice)
Ca' Foscari, the palace of the Foscari family, is a Italian Gothic architecture, Gothic building on the waterfront of the Grand Canal (Venice), Grand Canal in the Dorsoduro ''sestiere'' of Venice, Italy. It was built for the Doge (title), doge Francesco Foscari in 1453, and designed by the architect Bartolomeo Bon. It is now the main seat of Ca' Foscari University of Venice. The palace is located on the widest bend of the Grand Canal. Here, during the annual ''Regata Storica'' (Historical Regatta), held on the first Sunday in September, a floating wooden structure known as ''La Machina'' is placed (from this structure the Venetian authorities watch the race); this is also the site of the finishing line, and the venue for prize-giving. History Previously a Byzantine palace, known as the "House with the Two Towers", stood on the site. This was bought by the Republic of Venice in 1429 from Bernardo Giustiniani, Giustinian, to be the residence of the vice-captain of the Repu ...
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Henry III Of France
Henry III (french: Henri III, né Alexandre Édouard; pl, Henryk Walezy; lt, Henrikas Valua; 19 September 1551 – 2 August 1589) was King of France from 1574 until his assassination in 1589, as well as King of Poland and Grand Duke of Lithuania from 1573 to 1575. As the fourth son of King Henry II of France, he was not expected to inherit the French throne and thus was a good candidate for the vacant throne of the Polish–Lithuanian Commonwealth, where he was elected List of Polish rulers#Polish–Lithuanian Commonwealth, 1569–1795, monarch in 1573. During his brief rule, he signed the Henrician Articles into law, recognizing the szlachta's right to Royal elections in Poland, freely elect their monarch. Aged 22, Henry abandoned Poland–Lithuania upon inheriting the French throne when his brother, Charles IX of France, Charles IX, died without issue. France was at the time plagued by the French Wars of Religion, Wars of Religion, and Henry's authority was undermi ...
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Arcade (architecture)
An arcade is a succession of contiguous arches, with each arch supported by a colonnade of columns or piers. Exterior arcades are designed to provide a sheltered walkway for pedestrians. The walkway may be lined with retail stores. An arcade may feature arches on both sides of the walkway. Alternatively, a blind arcade superimposes arcading against a solid wall. Blind arcades are a feature of Romanesque architecture that influenced Gothic architecture. In the Gothic architectural tradition, the arcade can be located in the interior, in the lowest part of the wall of the nave, supporting the triforium and the clerestory in a cathedral, or on the exterior, in which they are usually part of the walkways that surround the courtyard and cloisters. Many medieval arcades housed shops or stalls, either in the arcaded space itself, or set into the main wall behind. From this, "arcade" has become a general word for a group of shops in a single building, regardless of the architectural f ...
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Lion Of Saint Mark
The Lion of Saint Mark, representing Mark the Evangelist, pictured in the form of a winged lion, is an aspect of the Tetramorph. On the pinnacle of St Mark's Cathedral he is depicted as holding a Bible, and surmounting a golden lion which is the symbol of the city of Venice and formerly of the Venetian Republic. It is also found in the symbol of the Greek Orthodox Patriarchate of Alexandria. It appears in both merchant and military naval flags of the Italian Republic. The Lion of Saint Mark is also the symbol of the award of the Venice Film Festival, the "Golden Lion", and of the insurance company Assicurazioni Generali. Symbolism The representation as a lion is derived from Mark's description of John the Baptist as "...The voice of the one who cries in the wilderness: Prepare Ye the way of the Lord, make straight his paths", which artists compared to a roaring lion. The wings come from Ezekiel 1:10 and the application of the prophet's vision of four winged creatures to the ev ...
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Coat Of Arms
A coat of arms is a heraldry, heraldic communication design, visual design on an escutcheon (heraldry), escutcheon (i.e., shield), surcoat, or tabard (the latter two being outer garments). The coat of arms on an escutcheon forms the central element of the full achievement (heraldry), heraldic achievement, which in its whole consists of a shield, supporters, a crest (heraldry), crest, and a motto. A coat of arms is traditionally unique to an individual person, family, state, organization, school or corporation. The term itself of 'coat of arms' describing in modern times just the heraldic design, originates from the description of the entire medieval chainmail 'surcoat' garment used in combat or preparation for the latter. Roll of arms, Rolls of arms are collections of many coats of arms, and since the early Modern Age centuries, they have been a source of information for public showing and tracing the membership of a nobility, noble family, and therefore its genealogy across tim ...
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Shield
A shield is a piece of personal armour held in the hand, which may or may not be strapped to the wrist or forearm. Shields are used to intercept specific attacks, whether from close-ranged weaponry or projectiles such as arrows, by means of active blocks, as well as to provide passive protection by closing one or more lines of engagement during combat. Shields vary greatly in size and shape, ranging from large panels that protect the user's whole body to small models (such as the buckler) that were intended for hand-to-hand-combat use. Shields also vary a great deal in thickness; whereas some shields were made of relatively deep, absorbent, wooden planking to protect soldiers from the impact of spears and crossbow bolts, others were thinner and lighter and designed mainly for deflecting blade strikes (like the roromaraugi or qauata). Finally, shields vary greatly in shape, ranging in roundness to angularity, proportional length and width, symmetry and edge pattern; different s ...
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Putto
A putto (; plural putti ) is a figure in a work of art depicted as a chubby male child, usually naked and sometimes winged. Originally limited to profane passions in symbolism,Dempsey, Charles. ''Inventing the Renaissance Putto''. University of North Carolina Press, Chapel Hill and London, 2001. the putto came to represent the sacred cherub (plural cherubim), and in Baroque art the putto came to represent the omnipresence of God. A putto representing a cupid is also called an amorino (plural amorini) or amoretto (plural amoretti). Etymology The more commonly found form ''putti'' is the plural of the Italian word ''putto''. The Italian word comes from the Latin word ''putus'', meaning "boy" or "child". Today, in Italian, ''putto'' means either toddler winged angel or, rarely, toddler boy. It may have been derived from the same Indo-European root as the Sanskrit word "putra" (meaning "boy child", as opposed to "son"), Avestan ''puθra''-, Old Persian ''puça''-, Pahlavi (Middle ...
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Lion Couchant
The lion (''Panthera leo'') is a large cat of the genus ''Panthera'' native to Africa and India. It has a muscular, broad-chested body; short, rounded head; round ears; and a hairy tuft at the end of its tail. It is sexually dimorphic; adult male lions are larger than females and have a prominent mane. It is a social species, forming groups called ''prides''. A lion's pride consists of a few adult males, related females, and cubs. Groups of female lions usually hunt together, preying mostly on large ungulates. The lion is an apex and keystone predator; although some lions scavenge when opportunities occur and have been known to hunt humans, lions typically don't actively seek out and prey on humans. The lion inhabits grasslands, savannas and shrublands. It is usually more diurnal than other wild cats, but when persecuted, it adapts to being active at night and at twilight. During the Neolithic period, the lion ranged throughout Africa and Eurasia from Southeast Europe to In ...
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Frieze
In architecture, the frieze is the wide central section part of an entablature and may be plain in the Ionic or Doric order, or decorated with bas-reliefs. Paterae are also usually used to decorate friezes. Even when neither columns nor pilasters are expressed, on an astylar wall it lies upon the architrave ("main beam") and is capped by the moldings of the cornice. A frieze can be found on many Greek and Roman buildings, the Parthenon Frieze being the most famous, and perhaps the most elaborate. This style is typical for the Persians. In interiors, the frieze of a room is the section of wall above the picture rail and under the crown moldings or cornice. By extension, a frieze is a long stretch of painted, sculpted or even calligraphic decoration in such a position, normally above eye-level. Frieze decorations may depict scenes in a sequence of discrete panels. The material of which the frieze is made of may be plasterwork, carved wood or other decorative medium. ...
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Quatrefoil
A quatrefoil (anciently caterfoil) is a decorative element consisting of a symmetrical shape which forms the overall outline of four partially overlapping circles of the same diameter. It is found in art, architecture, heraldry and traditional Christian symbolism. The word 'quatrefoil' means "four leaves", from the Latin , "four", plus , "leaf"; the term refers specifically to a four-leafed clover, but applies in general to four-lobed shapes in various contexts. In recent years, several luxury brands have attempted to fraudulently assert creative rights related to the symbol, which naturally predates any of those brands' creative development. A similar shape with three rings is called a trefoil. History The quatrefoil enjoyed its peak popularity during the Gothic and Renaissance eras. It is most commonly found as tracery, mainly in Gothic architecture, where a quatrefoil often may be seen at the top of a Gothic arch, sometimes filled with stained glass. Although the design is o ...
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Arch
An arch is a vertical curved structure that spans an elevated space and may or may not support the weight above it, or in case of a horizontal arch like an arch dam, the hydrostatic pressure against it. Arches may be synonymous with vaults, but a vault may be distinguished as a continuous arch forming a roof. Arches appeared as early as the 2nd millennium BC in Mesopotamian brick architecture, and their systematic use started with the ancient Romans, who were the first to apply the technique to a wide range of structures. Basic concepts An arch is a pure compression form. It can span a large area by resolving forces into compressive stresses, and thereby eliminating tensile stresses. This is sometimes denominated "arch action". As the forces in the arch are transferred to its base, the arch pushes outward at its base, denominated "thrust". As the rise, i. e. height, of the arch decreases the outward thrust increases. In order to preserve arch action and prevent collapse ...
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S03 06 01 027 Image 3319
S, or s, is the nineteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''ess'' (pronounced ), plural ''esses''. History Origin Northwest Semitic šîn represented a voiceless postalveolar fricative (as in 'ip'). It originated most likely as a pictogram of a tooth () and represented the phoneme via the acrophonic principle. Ancient Greek did not have a phoneme, so the derived Greek letter sigma () came to represent the voiceless alveolar sibilant . While the letter shape Σ continues Phoenician ''šîn'', its name ''sigma'' is taken from the letter ''samekh'', while the shape and position of ''samekh'' but name of ''šîn'' is continued in the '' xi''. Within Greek, the name of ''sigma'' was influenced by its association with the Greek word (earlier ) "to hiss". The original name of the letter "sigma" may have been ''san'', but due to the complica ...
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