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Ca' Dolfin Tiepolos
The ''Ca' Dolfin Tiepolos'' are a series of ten oil paintings made c.1726–1729 by Giovanni Battista Tiepolo for the main reception room or ''salone'' of the , the palazzo of the patrician Dolfin family (sometimes spelled Delfini, Delfino, or Delfin) in Venice. The paintings are theatrical depictions of events from the history of Ancient Rome, with a typically Venetian emphasis on drama and impact rather than historical accuracy. They were painted on shaped canvases and set into the architecture with frescoed surrounds. ''The Tarantine Triumph'' was the first work completed, depicting the triumph awarded to Manius Curius Dentatus after defeating Pyrrhus of Epirus in the Battle of Beneventum, the last battle of the Pyrrhic War in 275 BC, at which captured elephants were first seen in Rome. ''The Triumph of Marius'' was the last completed, depicting the triumph awarded to Gaius Marius after defeating Jugurtha of Numidia in the Jugurthine War: it is dated 1729, and includes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaius Marius
Gaius Marius (; – 13 January 86 BC) was a Roman general and statesman. Victor of the Cimbric and Jugurthine wars, he held the office of consul an unprecedented seven times during his career. He was also noted for his important reforms of Roman armies. He set the precedent for the shift from the militia levies of the middle Republic to the professional soldiery of the late Republic; he also improved the '' pilum'', a javelin, and made large-scale changes to the logistical structure of the Roman army. Rising from a well-off provincial Italian family in Arpinum, Marius acquired his initial military experience serving with Scipio Aemilianus at the Siege of Numantia in 134 BC. He won election as tribune of the plebs in 119 BC and passed a law limiting aristocratic interference in elections. Barely elected praetor in 115 BC, he next became the governor of Further Spain where he campaigned against bandits. On his return from Spain he married Julia, the aunt of J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kunsthistorisches Museum
The Kunsthistorisches Museum ( "Museum of Art History", often referred to as the "Museum of Fine Arts") is an art museum in Vienna, Austria. Housed in its festive palatial building on the Vienna Ring Road, it is crowned with an octagonal dome. The term ''Kunsthistorisches Museum'' applies to both the institution and the main building. It is the largest art museum in the country and one of the most important museums worldwide. Emperor Franz Joseph I of Austria-Hungary opened the facility around 1891 at the same time as the Natural History Museum, Vienna which has a similar design and is directly across Maria-Theresien-Platz. The two buildings were constructed between 1871 and 1891 according to plans by Gottfried Semper and Baron Karl von Hasenauer. The emperor commissioned the two Ringstraße museums to create a suitable home for the Habsburgs' formidable art collection and to make it accessible to the general public. The buildings are rectangular in shape, with symmetrical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Capture Of Carthage
Capture may refer to: * Asteroid capture, a phenomenon in which an asteroid enters a stable orbit around another body *Capture, a software for lighting design, documentation and visualisation *"Capture" a song by Simon Townshend * Capture (band), an Australian electronicore band previously known as Capture the Crown * Capture (chess), to remove the opponent's piece from the board by taking it with one's own piece *Capture effect, a phenomenon in which only the stronger of two signals near the same FM frequency will be demodulated *Capture fishery, a wild fishery in which the aquatic life is not controlled and needs to be captured or fished * ''Capture'' (TV series), a reality show * ''The Capture'' (TV series), UK drama series *Electron capture, a nuclear reaction *Motion capture, the process of recording movement and translating that movement onto a digital model *Neutron capture, a nuclear reaction *Regulatory capture, situations in which a government agency created to act in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Battle Of Vercellae
The Battle of Vercellae, or Battle of the Raudine Plain, was fought on 30 July 101 BC on a plain near Vercellae in Gallia Cisalpina (modern day Northern Italy). A Germanic-Celtic confederation under the command of the Cimbric king Boiorix was defeated by a Roman army under the joint command of the consul Gaius Marius and the proconsul Quintus Lutatius Catulus. The battle marked the end of the Germanic threat to the Roman Republic. Background In 113 BC, a large migrating Germanic-Celtic alliance headed by the Cimbri and the Teutones entered the Roman sphere of influence. They invaded Noricum (located in present-day Austria and Slovenia) which was inhabited by the Taurisci people, friends and allies of Rome. The Senate commissioned Gnaeus Papirius Carbo, one of the consuls, to lead a substantial Roman army to Noricum to force the barbarians out. An engagement, later called the battle of Noreia, took place, in which the invaders completely overwhelmed the Roman Legions and inf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Niccolò Bambini
Niccolò Bambini (1651–1736) was an Italian painter of the late-Renaissance and early-Baroque periods. Biography He was born in Venice in 1651, and first studied under Giulio Mazzoni at Venice. To this period belong the ceiling of the church of S. Moisè, in a poor state of preservation, and an ''Allegory of Venice'' in the hall of the Four Doors of the ducal Palace. Later went to Rome, where he became a pupil of Carlo Maratti. On his return to his homeland, seeing that the whole world was running after the paintings of Liberi, he also followed that beautiful way of painting. An example of his imitations from Liberi is the allegorical ceiling of Ca 'Pesaro (1682). While ''The Nativity of the Virgin'' in the church of San Stefano, according to Zanetti, was "conducted following the style of the art school of Rome". However, this painting of porcelain colors and pungent design, however, represented an isolated case. Usually Roman memories are reduced in his paintings to some gen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Felice Ferrari
Antonio is a masculine given name of Etruscan origin deriving from the root name Antonius. It is a common name among Romance language-speaking populations as well as the Balkans and Lusophone Africa. It has been among the top 400 most popular male baby names in the United States since the late 19th century and has been among the top 200 since the mid 20th century. In the English language it is translated as Anthony, and has some female derivatives: Antonia, Antónia, Antonieta, Antonietta, and Antonella'. It also has some male derivatives, such as Anthonio, Antón, Antò, Antonis, Antoñito, Antonino, Antonello, Tonio, Tono, Toño, Toñín, Tonino, Nantonio, Ninni, Totò, Tó, Tonini, Tony, Toni, Toninho, Toñito, and Tõnis. The Portuguese equivalent is António (Portuguese orthography) or Antônio (Brazilian Portuguese). In old Portuguese the form Antão was also used, not just to differentiate between older and younger but also between more and less important. In Galician the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trompe-l'œil
''Trompe-l'œil'' ( , ; ) is an artistic term for the highly realistic optical illusion of three-dimensional space and objects on a two-dimensional surface. ''Trompe l'oeil'', which is most often associated with painting, tricks the viewer into perceiving painted objects or spaces as real. Forced perspective is a related illusion in architecture. History in painting The phrase, which can also be spelled without the hyphen and ligature in English as ''trompe l'oeil'', originates with the artist Louis-Léopold Boilly, who used it as the title of a painting he exhibited in the Paris Salon of 1800. Although the term gained currency only in the early 19th century, the illusionistic technique associated with ''trompe-l'œil'' dates much further back. It was (and is) often employed in murals. Instances from Greek and Roman times are known, for instance in Pompeii. A typical ''trompe-l'œil'' mural might depict a window, door, or hallway, intended to suggest a larger room. A version o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Delfino (camerlengo)
Cardinal Giovanni Dolfin, often Italianized as Delfin or Delfino (Venice, 15 December 1545 - Venice, 25 November 1622), was an Italian politician and cardinal. He was one of several cardinals from his family by this name. He is the uncle of Cardinal Giovanni Delfino (iuniore). Graduated in ''utroque jure'' at the University of Padua, he seemed to want to embrace the ecclesiastical state, but was instead initiated into a political and diplomatic career; after having exercised some minor offices in Venice, in 1577 he was appointed podestà and captain of Belluno. Between 1582 and 1595 he was sent as ambassador of the Republic of Venice to Poland, Spain, Germany and France, whence he returned eight years later to go to the role of ambassador to the Holy See, a post he held until 1598. In the same year he officially represented Venice at the wedding of Philip III of Spain and in 1601 to those of Henry IV of France and Maria de' Medici. Returning to his homeland he took the post of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grand Canal (Venice)
The Grand Canal ( it, Canal Grande ; vec, Canal Grando, anciently ''Canałasso'' ) is a channel in Venice, Italy. It forms one of the major water-traffic corridors in the city. One end of the canal leads into the lagoon near the Santa Lucia railway station and the other end leads into the basin at San Marco; in between, it makes a large reverse-S shape through the central districts ('' sestieri'') of Venice. It is long, and wide, with an average depth of . Description The banks of the Grand Canal are lined with more than 170 buildings, most of which date from the 13th to the 18th century, and demonstrate the welfare and art created by the Republic of Venice. The noble Venetian families faced huge expenses to show off their richness in suitable palazzos; this contest reveals the citizens’ pride and the deep bond with the lagoon. Amongst the many are the Palazzi Barbaro, Ca' Rezzonico, Ca' d'Oro, Palazzo Dario, Ca' Foscari, Palazzo Barbarigo and to Palazzo Venier de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Nobile
The ''piano nobile'' (Italian for "noble floor" or "noble level", also sometimes referred to by the corresponding French term, ''bel étage'') is the principal floor of a palazzo. This floor contains the main reception and bedrooms of the house. Characteristics The ''piano nobile'' is usually the first storey (in European terminology; second floor in American terms), or sometimes the second storey, containing major rooms, located above the rusticated ground floor containing the minor rooms and service rooms. The reasons for this were so the rooms above the ground floor would have finer views and to avoid the dampness and odours of the street level. This is especially true in Venice, where the ''piano nobile'' of the many '' palazzi'' is especially obvious from the exterior by virtue of its larger windows and balconies, and open loggias. Examples of this are Ca' Foscari, Ca' d'Oro, Ca' Vendramin Calergi, and Palazzo Barbarigo. Larger windows than those on other floors are usu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Udine Cathedral
Udine Cathedral ( it, Duomo di Udine, ''Cattedrale di Santa Maria Maggiore'') is a Catholic cathedral located in Udine, north-eastern Italy. It is the seat of the Archbishop of Udine The Archdiocese of Udine ( la, Archidioecesis Utinensis) is a Latin Church ecclesiastical territory or archdiocese of the Catholic Church in Italy. The see was established in 1751 when the Patriarchal see of Aquileia was divided. From 1818 to 184 .... History The cathedral's construction began in 1236 by will of Berthold (patriarch of Aquileia), Berthold, patriarch of Aquileia, on a Latin cross-shaped plan with three aisles and side-chapels. The style should follow that of the contemporary Franciscan churches. The church was consecrated in 1335 as ''Santa Maria Maggiore''. In 1348 an earthquake damaged the building, which was restored starting from 1368. In this occasion, the larger previous rose window of the façade was replaced by the smaller current one. At the beginning of the 18th century a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
