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CD Sampler
A sampler or promotional compilation is a type of compilation album generally offered at a reduced price to showcase an artist or a selection of artists signed to a particular record label. The format became popular in the late 1960s as record labels sought to promote artists whose works were primarily available in album rather than single format, and therefore had little opportunity to gain exposure through singles-dominated radio airplay. Most samplers showcased already-released material, so that as they sampled artists they also sampled the albums from which their tracks were drawn. The term 'album sampler' is also used in cases where an album is distributed among multiple records in case of, for example, vinyl where the maximum play time is less than the length of the full album. In these cases, album sampler titles may be added to each vinyl. Elektra Records The first record sampler was ''A Folk Music Sampler'' released by Elektra Records in the US in 1954, initially for radio ...
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Compilation Album
A compilation album comprises Album#Tracks, tracks, which may be previously released or unreleased, usually from several separate recordings by either one or several Performing arts#Performers, performers. If by one artist, then generally the tracks were not originally intended for release together as a single work, but may be collected together as a greatest hits album or box set. If from several performers, there may be a theme, topic, time period, or genre which links the tracks, or they may have been intended for release as a single work—such as a tribute album. When the tracks are by the same recording artist, the album may be referred to as a retrospective album or an anthology. Content and scope Songs included on a compilation album may be previously released or unreleased, usually from several separate recordings by either one or several performers. If by one artist, then generally the tracks were not originally intended for release together as a single work, but may ...
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You Can All Join In
''You Can All Join In'' is a budget priced sampler album, released in the UK by Island Records in 1968. It was priced at 14 shillings and 6 pence (£0.72), and reached no. 18 on the UK Albums Chart that year. It was arguably instrumental in breaking world-class bands such as Free, Jethro Tull and Traffic to a wider audience. The album is described at Allmusic.com as: It was combined with the follow-up, '' Nice Enough To Eat'' for a CD Re-release in August 1992 entitled ''Nice Enough To Join In'' (Island Records IMCD 150). Track listing ;Side one #" A Song for Jeffrey" ( Ian Anderson) – Jethro Tull – (Alternative mix, original version from ''This Was'') (ILPS 9085) #"Sunshine Help Me" (Gary Wright) – Spooky Tooth – (from '' It’s All About Spooky Tooth'') (ILPS 9080) #"I’m a Mover" ( Paul Rodgers, Andy Fraser) – Free – (from ''Tons of Sobs'') (ILPS 9089) #"What’s That Sound" ( Stephen Stills) – Art – (from '' Supernatural Fairy Tales'') (ILP 967) ...
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Stiff Records
Stiff Records is a British independent record label formed in London, England, by Dave Robinson and Jake Riviera. Originally active from 1976 to 1986, the label was reactivated in 2007. Established at the outset of the punk rock boom, Stiff signed various punk rock and new wave acts such as Nick Lowe, the Damned, Lene Lovich, Wreckless Eric, Elvis Costello, Ian Dury, and Devo. In the 1980s, with most of their early signings having moved on, the label found commercial success with Madness, The Pogues, Tracey Ullman, The Belle Stars, Kirsty MacColl and others. In December 2017, Universal Music Group acquired Stiff Records and ZTT Records. Razor & Tie, a division of the Concord Music Group, holds the American rights to the Stiff catalogue. The British rights to the Stiff catalogue were held by BMG Rights Management under Union Square Music until 2022, when Universal relaunched the Stiff and ZTT labels. History Robinson and Riviera were well-known London music business ...
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Chiswick Records
Chiswick Records was a British independent record label. Established in 1975, Chiswick was the "first true 'indie' label to be established in Britain for nearly a decade". The label has been described as "significant" in the "punk era". It released some of the earliest records recorded by The Hammersmith Gorillas, The Count Bishops, Motörhead, Joe Strummer’s The 101ers, The Damned, Skrewdriver, Billy Bragg, Kirsty MacColl, and Shane MacGowan. History The label was started by Ted Carroll and Roger Armstrong in 1975 as a subsidiary of Rock On Records. Shortly after Trevor Churchill joined, it was incorporated into Swift Records Ltd. Two years later it entered into a licensing deal with EMI. Subsidiary Ace Records was started in 1978, and Chiswick Records closed in 1983; its back catalogue is still owned by Ace Records Ltd. The label released a number of sampler compilation albums showcasing their bands. These included ''Submarine Tracks & Fool's Gold (Chiswick Chartbus ...
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Indie Rock
Indie rock is a Music subgenre, subgenre of rock music that originated in the United States, United Kingdom and New Zealand from the 1970s to the 1980s. Originally used to describe independent record labels, the term became associated with the music they produced and was initially used interchangeably with alternative rock or "Pop rock, guitar pop rock". One of the primary scenes of the movement was Dunedin, where Dunedin sound, a cultural scene based around a convergence of noise pop and jangle became popular among the city's University of Otago, large student population. Independent labels such as Flying Nun Records, Flying Nun began to promote the scene across New Zealand, inspiring key college rock bands in the United States such as Pavement (band), Pavement, Pixies (band), Pixies and R.E.M. Other notable scenes grew in Madchester, Manchester and Hamburger Schule, Hamburg, with many others thriving thereafter. In the 1980s, the use of the term "independent music, indie" (or " ...
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Harvest Records
Harvest Records is a British-American record label belonging to Capitol Music Group, originally created by EMI in 1969. History Harvest Records was created by EMI in 1969 to market progressive rock music, and to compete with Philips' Vertigo and Decca's Deram labels, and the independent Island label. Harvest was initially under the direction of Malcolm Jones, and was distributed in North America by EMI's US affiliate, Capitol Records. They were the European licensee for the American label Blue Thumb Records from 1969 to 1971. In the 1970s, the label primarily released progressive rock recordings by British acts including Pink Floyd, Syd Barrett, Kevin Ayers, The Move, Roy Wood, Barclay James Harvest, Be Bop Deluxe and Deep Purple. Most acts on the Harvest roster were British; two notable exceptions were Australian progressive band Spectrum (whose first two LPs were issued on Harvest) and Spectrum's successor Ariel, whose first two LPs also came out on the label. The Da ...
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Vertigo Records
Vertigo Records is a record company with United Kingdom origins. It was a subsidiary of the Philips/Phonogram record label, launched in 1969 to specialise in progressive rock and other non-mainstream musical styles. Today, it is operated by Universal Music Germany, and the UK catalogue was folded into Mercury Records, which was absorbed in 2013 by Virgin EMI Records, which returned to the EMI Records name in June 2020. History Vertigo was the brainchild of Olav Wyper when he was Creative Director at Phonogram. It was launched as a competitor to labels such as Harvest (a prog subsidiary of EMI) and Deram (Decca). It was the home to bands such as Colosseum, Jade Warrior, Affinity, Ben and other bands from 'the "cutting edge" of the early-'70s British prog-folk-post-psych circuit'. The first Vertigo releases came with a black and white spiral label, which was replaced with Roger Dean's spaceship design in 1973. Vertigo later became the European home to various hard rock band ...
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Decca Records
Decca Records is a British record label established in 1929 by Edward Lewis (Decca), Edward Lewis. Its U.S. label was established in late 1934 by Lewis, Jack Kapp, American Decca's first president, and Milton Rackmil, who later became American Decca's president. In 1937, anticipating Nazi Germany, Nazi aggression leading to World War II, Lewis sold American Decca and the link between the U.K. and U.S. Decca labels was broken for several decades. The British label was renowned for its development of recording methods, while the American company developed the concept of cast albums in the musical genre. Both wings are now part of the Universal Music Group. The U.S. Decca label was the foundation company that evolved into UMG (Universal Music Group). Label name The name dates back to a portable phonograph, gramophone called the "Decca Dulcephone" patented in 1914 by musical instrument makers Barnett Samuel and Sons. The name "Decca" was coined by Wilfred S. Samuel by merging the w ...
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Island Records
Island Records is a multinational record label owned by Universal Music Group. It was founded in 1959 by Chris Blackwell, Graeme Goodall, and Leslie Kong in Jamaica, and was eventually sold to PolyGram in 1989. Island and A&M Records, another label recently acquired by PolyGram, were both at the time the largest independent record labels in history, with Island having exerted a major influence on the progressive music scene in the United Kingdom in the early 1970s. Island Records operates four international divisions: Island US, Island UK, Island Australia, and Island France (known as Vertigo France until 2014). Current key people include Island US president Darcus Beese, OBE and MD Jon Turner. Partially due to its significant legacy, Island remains one of UMG's pre-eminent record labels. Artists who have signed to Island Records include Bob Marley, Nick Drake, Queen, Jethro Tull, Grace Jones, Steve Winwood, King Crimson, Emerson, Lake & Palmer, Brian Eno, Demi Lo ...
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Elektra Records
Elektra Records (or Elektra Entertainment) is an American record label owned by Warner Music Group, founded in 1950 by Jac Holzman and Paul Rickolt. It played an important role in the development of contemporary folk and rock music between the 1950s and 1970s. In 2004, it was consolidated into WMG's Atlantic Records Group. After five years of dormancy, the label was revived as an imprint of Atlantic in 2009. In October 2018, Elektra was detached from the Atlantic Records umbrella and reorganized into Elektra Music Group, once again operating as an independently managed frontline label of Warner Music. In June 2022, Elektra Music Group was merged with 300 Entertainment to create the umbrella label 300 Elektra Entertainment (3EE), though both Elektra and 300 will continue to maintain their separate identities as labels. History 1950–1971: Founding and early history Elektra was formed in 1950, as the ''Elektra-Stratford Record Corporation'', with a singles label called Stratford R ...
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Warner/Reprise Loss Leaders
The Warner/Reprise Loss Leaders were a series of promotional sampler compilation albums released by Warner Bros. Records throughout the 1970s. Each album (usually a 2-record set) contained a wide variety of tracks by artists under contract to Warner Bros. and its subsidiary labels (primarily Reprise Records); often these were singles, B-sides, non-hit album tracks, or otherwise obscure material, all designed to arouse interest in the artists' regular albums. Also found on some were humorous, bizarre interstitial audio material—clips from old records and movies, short skits, found sound, etc.--and most albums featured clever, humorous cover art and liner notes. Most of the 1970s albums were compiled and annotated by Barry Hansen, better known as Dr. Demento. Overview Warner advertised the Loss Leaders albums by magazine and by inserting special illustrated inner sleeves in all of its regular album releases, listing all of the currently available Loss Leaders and including an o ...
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The 1969 Warner/Reprise Songbook
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a ...
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