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Burlesque
A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects."Burlesque"
''Oxford English Dictionary'', , accessed 16 February 2011
The word derives from the Italian ', which, in turn, is derived from the Italian ' – a joke, ridicule or mockery. Burlesque overlaps in meaning with , and travesty, and, in its theatrical sense, w ...
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American Burlesque
American burlesque is a genre of variety show derived from elements of Victorian burlesque, music hall and minstrel shows. Burlesque became popular in America in the late 1860s and slowly evolved to feature ribald comedy and female nudity. By the late 1920s, the striptease element overshadowed the comedy and subjected burlesque to extensive local legislation. Burlesque gradually lost popularity beginning in the 1940s. A number of producers sought to capitalize on nostalgia for the entertainment by recreating burlesque on the stage and in Hollywood films from the 1930s to the 1960s. There has been a resurgence of interest in this format since the 1990s. Literary and theatrical origins The term "burlesque" more generally means a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects.
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Victorian Burlesque
Victorian burlesque, sometimes known as travesty or extravaganza, is a genre of theatrical entertainment that was popular in Victorian England and in the New York theatre of the mid-19th century. It is a form of parody in which a well-known opera or piece of classical theatre or ballet is adapted into a broad comic play, usually a musical play, usually risqué in style, mocking the theatrical and musical conventions and styles of the original work, and often quoting or pastiching text or music from the original work. Victorian burlesque is one of several forms of burlesque. Like ballad opera, burlesques featured musical scores drawing on a wide range of music, from popular contemporary songs to operatic arias, although later burlesques, from the 1880s, sometimes featured original scores. Dance played an important part, and great attention was paid to the staging, costumes and other spectacular elements of stagecraft, as many of the pieces were staged as extravaganzas. Many of ...
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Robert The Devil (Gilbert)
''Robert the Devil, or The Nun, the Dun, and the Son of a Gun'' is an operatic parody by W. S. Gilbert of Giacomo Meyerbeer's grand opera ''Robert le diable'', which was named after, but bears little resemblance to, the medieval French legend of the same name. Gilbert set new lyrics to tunes by Meyerbeer, Bellini, Offenbach and others. The piece premiered at the opening of the newly rebuilt Gaiety Theatre in London on 21 December 1868. An extravaganza played on a very large scale, it ran for over 120 performances and played continuously in the British provinces for three years thereafter. It also enjoyed several revivals. The original production starred Nellie Farren in the title role – she became the company's leading "principal boy". Several of the other male roles were played by women, as was common in burlesques of the day. History ''Robert the Devil'' was part of a series of five operatic burlesques written early in Gilbert's career. The first was '' Dulcamara, or the ...
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Striptease
A striptease is an erotic or exotic dance in which the performer gradually undresses, either partly or completely, in a seductive and sexually suggestive manner. The person who performs a striptease is commonly known as a " stripper" or an "exotic dancer". In Western countries, the venues where stripteases are performed on a regular basis are now usually called strip clubs, though they may be performed in venues such as pubs (especially in the United Kingdom), theaters and music halls. At times, a stripper may be hired to perform at a bachelor or bachelorette party. In addition to providing adult entertainment, stripping can be a form of sexual play between partners. This can be done as an impromptu event or – perhaps for a special occasion – with elaborate planning involving fantasy wear, music, special lighting, practiced dance moves, or unrehearsed dance moves. Striptease involves a slow, sensuous undressing. The stripper may prolong the undressing wit ...
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Meyer Lutz
Wilhelm Meyer Lutz (19 May 1829 – 31 January 1903) was a German-born British composer and conductor who is best known for light music, musical theatre and Victorian burlesque, burlesques of well-known works. Emigrating to the UK at the age of 19, Lutz started as an organist and soon became a theatrical conductor in London. After serving from 1850 to 1855 as music director of the Surrey Theatre, Lutz conducted touring opera companies and composed some serious music and music for the Christy Minstrels. In 1869, he was engaged as the music director of the Gaiety Theatre, London, arranging and later composing a series of popular burlesques over the next 25 years. Lutz continued to compose songs into the 20th century. Life and career Lutz was born in Münnerstadt, Bavaria, Germany. His parents were Joseph Lutz (1801–1879), a music professor, and Magdalena (1809–1862). His older brother, Baron Johann Lutz, became the prime minister of Bavaria under King Ludwig II of Bavaria. ...
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Parody
A parody, also known as a spoof, a satire, a send-up, a take-off, a lampoon, a play on (something), or a caricature, is a creative work designed to imitate, comment on, and/or mock its subject by means of satiric or ironic imitation. Often its subject is an original work or some aspect of it (theme/content, author, style, etc), but a parody can also be about a real-life person (e.g. a politician), event, or movement (e.g. the French Revolution or 1960s counterculture). Literary scholar Professor Simon Dentith defines parody as "any cultural practice which provides a relatively polemical allusive imitation of another cultural production or practice". The literary theorist Linda Hutcheon said "parody ... is imitation, not always at the expense of the parodied text." Parody may be found in art or culture, including literature, music, theater, television and film, animation, and gaming. Some parody is practiced in theater. The writer and critic John Gross observes in his ''Oxf ...
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Cabaret
Cabaret is a form of theatrical entertainment featuring music, song, dance, recitation, or drama. The performance venue might be a pub, a casino, a hotel, a restaurant, or a nightclub with a stage for performances. The audience, often dining or drinking, does not typically dance but usually sits at tables. Performances are usually introduced by a master of ceremonies or MC. The entertainment, as done by an ensemble of actors and according to its European origins, is often (but not always) oriented towards adult audiences and of a clearly underground nature. In the United States, striptease, burlesque, drag shows, or a solo vocalist with a pianist, as well as the venues which offer this entertainment, are often advertised as cabarets. Etymology The term originally came from Picard language or Walloon language words ''camberete'' or ''cambret'' for a small room (12th century). The first printed use of the word ''kaberet'' is found in a document from 1275 in Tournai. The ...
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Extravaganza
An extravaganza is a literary or musical work (often musical theatre) usually containing elements of burlesque, pantomime, music hall and parody in a spectacular production and characterized by freedom of style and structure. It sometimes also has elements of cabaret, circus, revue, variety, vaudeville and mime. ''Extravaganza'' may more broadly refer to an elaborate, spectacular, and expensive theatrical production. 19th-century British dramatist, James Planché, was known for his extravaganzas. Planché defined the genre as "the whimsical treatment of a poetical subject."Planché. ''The recollections and reflections of J.R. Planché (Somerset herald): a professional biography'' (1872), Vol. II, p. 43 The term is derived from the Italian word ''stravaganza'', meaning extravagance. See also * Spectacle *Victorian burlesque Victorian burlesque, sometimes known as travesty or extravaganza, is a genre of theatrical entertainment that was popular in Victorian England an ...
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The Rape Of The Lock
''The Rape of the Lock'' is a mock-heroic narrative poem written by Alexander Pope. One of the most commonly cited examples of high burlesque, it was first published anonymously in Lintot's ''Miscellaneous Poems and Translations'' (May 1712) in two cantos (334 lines); a revised edition "Written by Mr. Pope" followed in March 1714 as a five-canto version (794 lines) accompanied by six engravings. Pope boasted that this sold more than three thousand copies in its first four days. The final form of the poem appeared in 1717 with the addition of Clarissa's speech on good humour. The poem was much translated and contributed to the growing popularity of mock-heroic in Europe. Description The poem of ''The Rape of the Lock'' satire, satirises a minor incident of life, by comparing it to the Epic poetry, epic world of the gods, and is based on an event recounted to Alexander Pope by his friend John Caryll the younger, John Caryll. Arabella Fermor and her suitor, Robert Petre, 7th ...
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Midsummer Night's Dream
''A Midsummer Night's Dream'' is a comedy written by William Shakespeare 1595 or 1596. The play is set in Athens, and consists of several subplots that revolve around the marriage of Theseus and Hippolyta. One subplot involves a conflict among four Athenian lovers. Another follows a group of six amateur actors rehearsing the play which they are to perform before the wedding. Both groups find themselves in a forest inhabited by fairies who manipulate the humans and are engaged in their own domestic intrigue. The play is one of Shakespeare's most popular and is widely performed. Characters * Theseus—Duke of Athens * Hippolyta—Queen of the Amazons * Egeus—father of Hermia * Hermia—daughter of Egeus, in love with Lysander * Lysander (A Midsummer Night's Dream), Lysander—in love with Hermia * Demetrius (Shakespeare), Demetrius—suitor to Hermia * Helena (A Midsummer Night's Dream), Helena—in love with Demetrius * Philostrate—Master of the Revels * Peter Quince—a ...
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Francesco Berni
Francesco Berni Francesco Berni (1497/98 – 26 May 1535) was an Italian poet. He is credited for beginning what is now known as "Bernesque poetry", a serio-comedic type of poetry with elements of satire. Biography Life Berni was born 1497 or 1498 in Lamporecchio (Tuscany). His father Nicolò was a doctor of a long-established Florentine family, but excessively poor. At an early age he was sent to Florence, where he remained until his nineteenth year and wrote a pastoral play, ''Catrina''. In 1517 he set out for Rome, in the service of Bernardo Dovizi, Cardinal Bibbiena. After the cardinal's death (1520), he was thrown on his own devices. At the time of the election of Adrian VI he circulated witty lampoons, for which he was obliged for a time to leave Rome. Later he returned to accept a situation as clerk or secretary to Gian Matteo Giberti, datary to Clement VII. The duties of his office, for which Berni was in every way unfit, were exceedingly irksome to the poet, who, ho ...
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Hudibras
''Hudibras'' is a vigorous satirical poem, written in a mock-heroic style by Samuel Butler (1613–1680), and published in three parts in 1663, 1664 and 1678. The action is set in the last years of the Interregnum, around 1658–60, immediately before the restoration of Charles II as king in May 1660. The story shows Hudibras, a knight and colonel in the Parliamentary army, being regularly defeated, sometimes by the skills and courage of women, and ends with a witty and detailed declaration that women are superior to men. ''Hudibras'' is notable for its longevity: from the 1660s, it was more or less always in print, from many different publishers and editors, till the period of the First World War (see below). Apart from Byron’s masterpiece ''Don Juan'' (1819–24), there are few English verse satires of this length (over 11,000 lines) that have had such a long and influential life in print. The satire “delighted the royalists but was less an attack on the puritans than a ...
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