Bronski Beat
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Bronski Beat
Bronski Beat were a British synthpop trio which achieved success in the mid-1980s, particularly with the 1984 chart hit "Smalltown Boy", from their debut album '' The Age of Consent''. "Smalltown Boy" was their only US ''Billboard'' Hot 100 single. All members of the band were openly gay and their songs reflected this, often containing political commentary on gay-related issues. The initial line-up, which recorded the majority of the band's hits, consisted of Jimmy Somerville (vocals), Steve Bronski (born Steven William Forrest, keyboards, percussion) and Larry Steinbachek (keyboards, percussion). Simon Davolls regularly contributed backing vocals on many songs. Somerville left Bronski Beat in 1985, and went on to have success as lead singer of the Communards and as a solo artist. He was replaced by vocalist John Foster, with whom the band continued to have hits in the UK and Europe through 1986. Foster left Bronski Beat after their second album, and the band used a series o ...
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The Age Of Consent (album)
''The Age of Consent'' is the debut album by synth-pop band Bronski Beat (Steve Bronski, Larry Steinbachek and Jimmy Somerville), released on London Records on 15 October 1984. This was the only album released by the band to feature Somerville, who departed the band in 1985. A re-recorded and expanded version was released in 2017 under the name of "The Age of Reason", with Bronski, Ian Donaldson, and new singer Stephen Granville. Background By 1984, many European countries had reduced the age of consent for homosexual acts to 16, but it remained at 21 in the United Kingdom, having only been partially decriminalised in 1967. Homosexuality was not ‘legalised’ in Scotland, where Somerville was born, until 1981. The wording of the legislation to decriminalise also included wording that placed restrictions such as making illegal the use of a hotel room for sex. Homosexuality was further stigmatised beyond the restrictions placed on homosexual individuals, and homophobia was a ...
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Jimmy Somerville
James William Somerville (born 22 June 1961) is a Scottish pop singer and songwriter. He sang in the 1980s with the pop groups Bronski Beat and The Communards, and has also had a solo career. He is known in particular for his powerful and soulful countertenor/falsetto singing voice. Many of his songs, such as "Smalltown Boy", contain political commentary on gay-related issues. Early life Born on 22 June, 1961, James William Somerville grew up in Ruchill, a neighbourhood of northern Glasgow. In 1980 he moved to London, where he lived in squats. He immersed himself in gay culture, and attended the London Gay Teenage Group. Career In 1983, Somerville co-founded the synthpop group Bronski Beat, which had several hits in the British charts. Their biggest hit was "Smalltown Boy", which reached No. 3 in the UK charts. In the music video Somerville plays the song's titular character, who leaves his hostile hometown for the friendlier city, reflecting Somerville's own experiences ...
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The Communards
The Communards were a British synth-pop duo formed in London in 1985. The duo consisted of Jimmy Somerville and Richard Coles. They are most famous for their cover versions of "Don't Leave Me This Way", originally by Harold Melvin & the Blue Notes featuring Teddy Pendergrass and the Jackson 5's "Never Can Say Goodbye" - though the best known version was by Gloria Gaynor. The name ''Communards'' refers to the revolutionaries of the 1871 Paris Commune. History The Communards formed in 1985 after singer Jimmy Somerville left his earlier band Bronski Beat to team up with classically trained musician Richard Coles. Somerville often used a falsetto singing style. Coles, though mainly a pianist, played a number of instruments and had been seen previously performing the clarinet solos on the Bronski Beat hit "It Ain't Necessarily So". They were joined by bass player Dave Renwick who had also played with Bronski Beat. The band had their first UK top 30 hit in 1985 with the piano-bas ...
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Kent Music Report
The Kent Music Report was a weekly record chart of Australian music singles and albums which was compiled by music enthusiast David Kent from May 1974 through to January 1999. The chart was re-branded the Australian Music Report (AMR) in July 1987. From June 1988, the Australian Recording Industry Association, which had been using the top 50 portion of the report under licence since mid-1983, chose to produce their own listing as the ARIA Charts. Before the Kent Report, ''Go-Set'' magazine published weekly Top-40 Singles from 1966, and Album charts from 1970 until the magazine's demise in August 1974. David Kent later published Australian charts from 1940 to 1973 in a retrospective fashion, using state by state chart data obtained from various Australian radio stations. Background Kent had spent a number of years previously working in the music industry at both EMI and Phonogram records and had developed the report initially as a hobby. The Kent Music Report was first release ...
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Record Chart
A record chart, in the music industry, also called a music chart, is a ranking of Sound recording and reproduction, recorded music according to certain criteria during a given period. Many different criteria are used in worldwide charts, often in combination. These include record sales, the amount of radio airplay, the number of music download, downloads, and the amount of streaming media, streaming activity. Some charts are specific to a particular musical genre and most to a particular geographical location. The most common period covered by a chart is one week with the chart being printed or broadcast at the end of this time. Summary charts for years and decades are then calculated from their component weekly charts. Component charts have become an increasingly important way to measure the commercial success of individual songs. A common format of radio and television programmes is to run down a music chart. Chart hit A ''chart hit'' is a recording, identified by its inclu ...
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Bernard Rose (director)
Bernard Rose (1960, London) is an English filmmaker and screenwriter, considered a pioneer of digital filmmaking. He is best known for directing the horror films '' Paperhouse'' (1988) and '' Candyman'' (1992)'','' the historical romances ''Immortal Beloved'' (1994) and ''Anna Karenina'' (1997), and the independent drama ''Ivans xtc'' (2000), for which he was nominated for the Independent Spirit Award for Best Director and the John Cassavetes Award. He has also been nominated for the Grand Prix des Amériques and the Venice Horizons Prize. Life and career Rose was born in London, the son of a father who was born Jewish and a mother who had converted to Judaism. His mother was a granddaughter of the Earl Jellicoe. He began making super 8 films when he was 9. By 1975, he won an amateur film competition hosted by BBC which led to the broadcasting of his works. He worked for Jim Henson on the last season of ''The Muppet Show'' and then again on ''The Dark Crystal'' in 1981. He a ...
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Music Video
A music video is a video of variable duration, that integrates a music song or a music album with imagery that is produced for promotion (marketing), promotional or musical artistic purposes. Modern music videos are primarily made and used as a music marketing device intended to promote the sale of Music Recording, music recordings. Although the origins of music videos date back to musical short, musical short films that first appeared, they again came into prominence when Paramount Global's MTV based its format around the medium. These kinds of videos were described by various terms including "illustrated song", "filmed insert", "promotional (promo) film", "promotional clip", "promotional video", "song video", "song clip", "film clip" or simply "video". Music videos use a wide range of styles and contemporary video-making techniques, including animation, live action, live-action, documentary film, documentary, and non-narrative approaches such as Non-narrative film, abstract fi ...
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Single Top 100
The Dutch Single Top 100 or Single Top 100 is a Dutch chart, based on official physical single sales, legal downloads and since July 2013 streaming and composed by Dutch Charts. It is one of the three official charts, the other two being the Dutch Top 40 and the Mega Top 30. The difference is that these charts also include airplay data. The list is especially intended for the music industry and those who take an interest in charts. In Dutch TV programmes the ''Single Top 100'' is often cited, although it has not been broadcast since December 2006. History The predecessor of the Single Top 100 started on 23 May 1969 as the ''Hilversum 3 Top 30''. Originally it was broadcast by the VPRO and ever since December 1970 by the NOS. It was presented by Willem van Kooten. In 1971 Felix Meurders hosted the radio show. He renamed it the ''Daverende Dertig''. In June 1974 the ''Nationale Hitparade'' became the official chart of Hilversum 3. It was a top 30 until the number of entries was ...
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Dutch Top 40
The Dutch Top 40 ( nl, Nederlandse Top 40) is a weekly music chart compiled by ''Stichting Nederlandse Top 40''. It started as a radio program titled "Veronica Top 40", on the offshore station Radio Veronica in 1965. It remained "The Veronica Top 40" until 1974, when the station was forced to stop broadcasting. Joost den Draaijer initiated the Top 40 in the Netherlands. The show currently airs on Fridays from 2 to 6 PM on Qmusic. History On January 2, 1965, the first Top 40 was compiled, with its first #1 hit "''I Feel Fine''" by The Beatles. In September 1974, the Stichting Nederlandse Top 40 bought the Top 40 and named it ''De Nederlandse Top 40''. The Dutch Top 40 is one of the four official charts in the Netherlands, the other three being the B2B Single Top 100, which is based entirely on pure sales and streaming, the Mega Top 30 from (NPO 3FM) which, like the Dutch Top 40 also includes airplay data and the 538 Top 50. From October 4th. 1974 until May 20th. 1976, the ...
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UK Singles Chart
The UK Singles Chart (currently titled Official Singles Chart, with the upper section more commonly known as the Official UK Top 40) is compiled by the Official Charts Company (OCC), on behalf of the British record industry, listing the top-selling Single (music), singles in the United Kingdom, based upon physical sales, paid-for downloads and music streaming, streaming. The Official Chart, broadcast on BBC Radio 1 and MTV (Official UK Top 40), is the UK music industry's recognised official measure of singles and albums popularity because it is the most comprehensive research panel of its kind, today surveying over 15,000 retailers and digital services daily, capturing 99.9% of all singles consumed in Britain across the week, and over 98% of albums. To be eligible for the chart, a Single (music), single is currently defined by the Official Charts Company (OCC) as either a 'single bundle' having no more than four tracks and not lasting longer than 25 minutes or one digital audio ...
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Concert
A concert is a live music performance in front of an audience. The performance may be by a single musician, sometimes then called a recital, or by a musical ensemble, such as an orchestra, choir, or band. Concerts are held in a wide variety and size of settings, from private houses and small nightclubs, dedicated concert halls, amphitheatres and parks, to large multipurpose buildings, such as arenas and stadiums. Indoor concerts held in the largest venues are sometimes called ''arena concerts'' or ''amphitheatre concerts''. Informal names for a concert include ''show'' and ''gig''. Regardless of the venue, musicians usually perform on a stage (if not actual then an area of the floor designated as such). Concerts often require live event support with professional audio equipment. Before recorded music, concerts provided the main opportunity to hear musicians play. For large concerts or concert tours, the challenging logistics of arranging the musicians, venue, equipment and ...
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Recording Contract
A recording contract (commonly called a record contract or record deal) is a legal agreement between a record label and a recording artist (or group), where the artist makes a record (or series of records) for the label to sell and promote. Artists under contract are normally only allowed to record for that label exclusively; guest appearances on other artists' records will carry a notice "By courtesy of (the name of the label)", and that label may receive a percentage of sales. Copyrights, payment and royalties Labels typically own the copyright in the records their artists make, and also the master copies of those records. An exception is when a label makes a distribution deal with an artist; in this case, the artist, their manager, or another party may own the copyright (and masters), while the record is licensed exclusively to the label for a set period of time. Promotion is a key factor in the success of a record, and is largely the label's responsibility, as is proper distri ...
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