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Breakbeat
Breakbeat is a broad type of electronic music that tends to use drum breaks sampled from early recordings of funk, jazz, and R&B. Breakbeats have been used in styles such as hip hop, jungle, drum and bass, big beat, breakbeat hardcore, and UK garage styles (including 2-step, breakstep and dubstep). Etymology The origin of the word "breakbeat" is the fact that the drum loops that were sampled occurred during a "break" in the music - for example the '' Amen break'' (a drum solo from " Amen, Brother" by The Winstons) or the '' Think Break'' (from "Think (About It)" by Lyn Collins). History 1970s—1980s: Classic breaks and hip hop production Beginning in 1973 and continuing through the late 1970s and early 1980s, hip hop turntablists, such as DJ Kool Herc began using several funk breaks in a row, using drum breaks from jazz-funk tracks such as James Brown's "Funky Drummer" and The Winstons' "Amen Brother", to form the rhythmic base for hip hop songs. DJ Kool Herc's breaks st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breakbeat Hardcore
Breakbeat hardcore (also referred to as hardcore rave or oldskool hardcore) is a music genre of the very early 1990s that spawned from the UK rave scene. It combines four-on-the-floor rhythms with breakbeats usually sampled from hip hop. In addition to the inclusion of breakbeats, the genre also features shuffled drum machine patterns, hoover, and other noises originating from new beat, sounds from acid house and bleep techno, and often upbeat house piano riffs and vocals. History Early 1990s: origins The rave scene expanded rapidly in the very early 1990s, both at clubs up and down the country including Labrynth, Shelley's Laserdome, The Eclipse, and Sanctuary Music Arena, and large raves in Warehouses and in the open air attracting 20–50,000 whether put on legally from promoters such as Fantazia and Raindance, or unlicensed by free party sound systems such as Spiral Tribe. Breakbeat hardcore drew its melting pot of sound from a vast array of influences – ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Florida Breaks
Florida breaks, which may also be referred to as The Orlando Sound, Orlando breaks, or The Breaks, is a genre of breakbeat dance music that originated in the central region of the State of Florida, United States. Florida Breaks originates from a mixture of hip-hop, Miami bass and electro that often includes recognizable sampling of early jazz or funk beats from rare groove or popular film. Florida's breakbeat style feature vocal elements and retains the hip-hop rhythms on which is based. The Florida breakbeat style however is faster, more syncopated, and has a heavier and unrelenting bassline. The beat frequently slows and breaks down complex beat patterns and then rebuilds. The genre has been described as being easy to dance to while creating an uplifting, happy, or positive mood in the listener. History Late 1980s – early 1990s The unique Florida style was first encountered during the late '80s inside the historic Beacham Theatre in Orlando. The breaks genre star ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum And Bass
Drum and bass (also written as drum & bass or drum'n'bass and commonly abbreviated as D&B, DnB, or D'n'B) is a genre of electronic dance music characterized by fast breakbeats (typically 165–185 beats per minute) with heavy bass and sub-bass lines, samples, and synthesizers. The genre grew out of the UK's rave scene in the 1990s. The popularity of drum and bass at its commercial peak ran parallel to several other UK dance styles. A major influence was the original Jamaican dub and reggae sound that influenced jungle's bass-heavy sound. Another feature of the style is the complex syncopation of the drum tracks' breakbeat. Drum and bass subgenres include breakcore, ragga jungle, hardstep, darkstep, techstep, neurofunk, ambient drum and bass, liquid funk (a.k.a. liquid drum and bass), jump up, drumfunk, sambass, and drill 'n' bass. Drum and bass has influenced many other genres like hip hop, big beat, dubstep, house, trip hop, ambient music, techno, jazz, rock and pop. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amen Break
The Amen break is a drum break that has been widely sampled in popular music. It comes from the 1969 track "Amen, Brother" by the soul group the Winstons, released as the B-side of the 1969 single "Color Him Father". The drum break lasts about seven seconds and was performed by Gregory Coleman. With the rise of hip hop in the 1980s, the break was used in hits including "Straight Outta Compton" by N.W.A and " Keep It Going Now" by Rob Base and DJ E-Z Rock. In the 1990s, it became a staple of drum and bass and jungle music. It has been used in thousands of tracks of many genres, making it one of the most sampled recordings in history. The Winstons received no royalties for the sample. The bandleader, Richard Lewis Spencer, said it was unlikely that Coleman, who died homeless and destitute in 2006, realized the impact he had made on music. Spencer condemned its use as plagiarism, but later said it was flattering. Recording The Winstons were a multiracial soul band from Wash ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Broken Beat
Broken beat (sometimes referred to as "bruk") is an electronic dance music genre characterized by syncopated beats and tense rhythms, including staggered or punctuated snare beats and/or hand claps. It has been heavily influenced by styles such as jazz-funk and R&B. Artists in this area typically emerged from drum and bass, house, hip hop, techno or acid jazz scenes. History Broken beat first appeared in the 1990s and was pioneered by Bugz in the Attic, IG Culture, and the release of the 4hero album, ''Two Pages,'' was influential on the emerging sound and scene. John Bush from All Music called it "about as fusion-soaked as it gets." Appearing in the western parts of London, the genre is also referred to as ''West London'', mainly because Goya Music's offices were in London's Ladbroke Grove, W11, as were most of the participating artists' studios. Bugz in the Attic's Neon phusion, Afronaught & IG Culture are credited with kick-starting the scene with numerous releases u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Break (music)
In popular music, a break is an instrumental or percussion section during a song derived from or related to stop-time – being a "break" from the main parts of the song or piece. A break is usually interpolated between sections of a song, to provide a sense of anticipation, signal the start of a new section, or create variety in the arrangement. Jazz A solo break in jazz occurs when the rhythm section (piano, bass, drums) stops playing behind a soloist for a brief period, usually two or four bars leading into the soloist's first improvised solo chorus (at which point the rhythm section resumes playing). A notable recorded example is sax player Charlie Parker's solo break at the beginning of his solo on "A Night in Tunisia". While the solo break is a break for the rhythm section, for the soloist, it is a solo cadenza, where they are expected to improvise an interesting and engaging melodic line. DJing and dance music In DJ parlance, in disco, hip hop and electronic dance m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jungle Music
Jungle is a genre of dance music that developed out of the UK rave scene and sound system culture in the 1990s. Emerging from breakbeat hardcore, the style is characterised by rapid breakbeats, heavily syncopated percussive loops, samples, and synthesised effects, combined with the deep basslines, melodies, and vocal samples found in dub, reggae and dancehall, as well as hip hop and funk. Many producers frequently sampled the " Amen break" or other breakbeats from funk and jazz recordings.Archived aGhostarchiveand thWayback Machine Jungle was a direct precursor to the drum and bass genre which emerged in the mid-1990s. Origin The breakbeat hardcore scene of the early 1990s was beginning to fragment by 1992/1993, with different influences becoming less common together in tracks. The piano and uplifting vocal style that was prevalent in breakbeat hardcore started to lay down the foundations of 4-beat/happy hardcore, whilst tracks with dark-themed samples and industrial style s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Breaks
In popular music, a break is an instrumental or percussion section during a song derived from or related to stop-time – being a "break" from the main parts of the song or piece. A break is usually interpolated between sections of a song, to provide a sense of anticipation, signal the start of a new section, or create variety in the arrangement. Jazz A solo break in jazz occurs when the rhythm section (piano, bass, drums) stops playing behind a soloist for a brief period, usually two or four bars leading into the soloist's first improvised solo chorus (at which point the rhythm section resumes playing). A notable recorded example is sax player Charlie Parker's solo break at the beginning of his solo on " A Night in Tunisia". While the solo break is a break for the rhythm section, for the soloist, it is a solo cadenza, where they are expected to improvise an interesting and engaging melodic line. DJing and dance music In DJ parlance, in disco, hip hop and electronic danc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Big Beat
Big beat is an electronic music genre that usually uses heavy breakbeats and synthesizer-generated loops and patterns – common to acid house/techno. The term has been used by the British music industry to describe music by artists such as the Prodigy, the Chemical Brothers, Fatboy Slim, the Crystal Method, Propellerheads, Basement Jaxx and Groove Armada. Big beat achieved mainstream success during the 1990s, and achieved its critical and commercial peak between 1995 and 1999, with releases such The Chemical Brothers’ Dig Your Own Hole, Prodigy’s Fat of the Land, and Fatboy Slim’s You've Come a Long Way, Baby, before quickly declining from 2000 onwards. Style Big beat features heavy and distorted drum beats at tempos between 100 and 140 beats per minute, Roland TB-303 synthesizer lines resembling those of acid house, and heavy loops from 1960s and 1970s funk, soul, jazz, and rock songs. They are often punctuated with punk-style vocals or rappers and driven by in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breakcore
Breakcore is a style and microgenre of electronic dance music that emerged from jungle, hardcore, and drum and bass in the mid-to-late 1990s. It is characterized by very complex and intricate breakbeats and a wide palette of sampling sources played at high tempos. History As the early days of "hardcore techno" or just "hardcore" began to settle in Europe, breakcore as a genre began to take more concrete forms in other parts of the world. Inspired by new labels such as Addict, from Milwaukee, US; Peace Off from Rennes, France; Sonic Belligeranza from Bologna, Italy; and Planet Mu, from London, it began to take a new shape, adding in more elements of mashup and IDM to the hardcore sounds. Each of these labels began to draw in aspects of their own social and aesthetic scenes into their music, allowing for an even broader definition of what was possible in the music. In Europe, the breakcore genre was solidified by raves and club events such as Belgium's Breakcore Gives Me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nu Skool Breaks
Nu skool breaks (or nu breaks as it is sometimes referred) is a subgenre of breakbeat originating during the period between 1998 and 2002. The style is usually characterized by more abstract, more technical sounds, sometimes incorporated from other genres of electronic dance music, including UK garage, electro, and drum and bass. Typically, tracks ranged between 125 and 140 beats per minute (bpm), often featuring a dominant bass line. In contrast with big beat, another subgenre of breakbeat, the sound set consisted less of hip hop samples and acid-type sounds, instead emphasizing dance-friendliness and "new" sounds produced by modern production techniques using synthesizers, effect processors, and computers. Origins The term "nu skool breaks" is widely attributed to Rennie Pilgrem and Adam Freeland, who used it to describe the sound at their night Friction, which was launched at Bar Rumba in 1996, with promoter Ian Williams. The tracks "Renegades" by Uptown Connection and "Doub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
4-beat
Happy hardcore, also known as 4-beat or happycore, is a subgenre of hardcore dance music or "hard dance". It emerged both from the UK breakbeat hardcore rave scene, and Belgian, German and Dutch hardcore techno scenes in the early 1990s. History Origins The breakbeat hardcore rave scene was beginning to fragment by late 1992 into a number of subsequent breakbeat-based genres: darkcore (tracks embracing dark-themed samples and stabs), hardcore jungle (reggae basslines and influences became prominent), and 4-beat also known as ''happy hardcore'' where piano rolls and uplifting vocals were still central to the sound. DJs such as Slipmatt, DJ Sy, DJ Seduction, Wishdokta, DJ Dougal, and DJ Vibes continued to play and put out music of this nature throughout 1993/4 – notably Slipmatt through the ''SMD'' releases, Wishdokta as ''Naughty Naughty'', and Seduction on the ''Impact'' label. In mainland Europe, new beat and hardcore techno from Belgium had spread into Germany and the N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
