Avant-garde Composers
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Avant-garde Composers
Avant-garde music is music that is considered to be at the forefront of innovation in its field, with the term "avant-garde" implying a critique of existing aesthetic conventions, rejection of the status quo in favor of unique or original elements, and the idea of deliberately challenging or alienating audiences. Avant-garde music may be distinguished from experimental music by the way it adopts an extreme position within a certain tradition, whereas experimental music lies outside tradition. Distinctions Avant-garde music may be distinguished from experimental music by the way it adopts an extreme position within a certain tradition, whereas experimental music lies outside tradition. The biggest distinction between avant-garde and experimental music was how it relates to tradition. Other distinctions include subject matter, as well as having a superficial idea to avoid diving into serious subjects. Even though avant-garde and experimental music have many distinctions, experim ...
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Modernism (music)
In music, modernism is an aesthetic stance underlying the period of change and development in musical language that occurred around the turn of the 20th century, a period of diverse reactions in challenging and reinterpreting older categories of music, innovations that led to new ways of organizing and approaching Elements of music, aspects of music such as harmony, melody, sound, and rhythm, and changes in aesthetic worldviews in close relation to the larger identifiable period of modernism in the arts of the time. The operative word most associated with it is "innovation". Its leading feature is a "linguistic plurality", which is to say that no one musical language, or modernist style, ever assumed a dominant position. Examples include the celebration of Arnold Schoenberg's rejection of tonality in chromatic atonality, post-tonal and twelve-tone technique, twelve-tone works and Igor Stravinsky's move away from meter (music), symmetrical rhythm. Authorities typically regard m ...
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