Auguste Rodin
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Auguste Rodin
François Auguste René Rodin (12 November 184017 November 1917) was a French sculptor, generally considered the founder of modern sculpture. He was schooled traditionally and took a craftsman-like approach to his work. Rodin possessed a unique ability to model a complex, turbulent, and deeply pocketed surface in clay. He is known for such sculptures as ''The Thinker'', ''Monument to Balzac'', '' The Kiss'', ''The Burghers of Calais'', and ''The Gates of Hell''. Many of Rodin's most notable sculptures were criticized, as they clashed with predominant figurative sculpture traditions in which works were decorative, formulaic, or highly thematic. Rodin's most original work departed from traditional themes of mythology and allegory. He modeled the human body with naturalism, and his sculptures celebrate individual character and physicality. Although Rodin was sensitive to the controversy surrounding his work, he refused to change his style, and his continued output brought increas ...
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George Charles Beresford
George Charles Beresford (10 July 1864 – 21 February 1938) was a British studio photographer, originally from Drumlease, Dromahair, County Leitrim. Early life A member of the Beresford family headed by the Marquess of Waterford and the third of five children, he was the son of Major Henry Marcus Beresford (1835–1895) and Julia Ellen Maunsell (d. 1923).George Charles Beresford
Thepeerage.com. Retrieved on 23 April 2018.
His paternal grandfather was the Most Reverend Marcus Beresford, Archbishop of Armagh, youngest son of the Right Reverend
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Allegory
As a literary device or artistic form, an allegory is a narrative or visual representation in which a character, place, or event can be interpreted to represent a hidden meaning with moral or political significance. Authors have used allegory throughout history in all forms of art to illustrate or convey complex ideas and concepts in ways that are comprehensible or striking to its viewers, readers, or listeners. Writers and speakers typically use allegories to convey (semi-)hidden or complex meanings through symbolic figures, actions, imagery, or events, which together create the moral, spiritual, or political meaning the author wishes to convey. Many allegories use personification of abstract concepts. Etymology First attested in English in 1382, the word ''allegory'' comes from Latin ''allegoria'', the latinisation of the Greek ἀλληγορία (''allegoría''), "veiled language, figurative", which in turn comes from both ἄλλος (''allos''), "another, different" ...
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Neoclassicism
Neoclassicism (also spelled Neo-classicism) was a Western cultural movement in the decorative and visual arts, literature, theatre, music, and architecture that drew inspiration from the art and culture of classical antiquity. Neoclassicism was born in Rome largely thanks to the writings of Johann Joachim Winckelmann, at the time of the rediscovery of Pompeii and Herculaneum, but its popularity spread all over Europe as a generation of European art students finished their Grand Tour and returned from Italy to their home countries with newly rediscovered Greco-Roman ideals. The main Neoclassical movement coincided with the 18th-century Age of Enlightenment, and continued into the early 19th century, laterally competing with Romanticism. In architecture, the style continued throughout the 19th, 20th and up to the 21st century. European Neoclassicism in the visual arts began c. 1760 in opposition to the then-dominant Rococo style. Rococo architecture emphasizes grace, ornamentati ...
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École Des Beaux-Arts
École des Beaux-Arts (; ) refers to a number of influential art schools in France. The term is associated with the Beaux-Arts style in architecture and city planning that thrived in France and other countries during the late nineteenth century and the first quarter of the twentieth century. The most famous and oldest École des Beaux-Arts is the École nationale supérieure des Beaux-Arts in Paris, now located on the city's left bank across from the Louvre, at 14 rue Bonaparte (in the 6th arrondissement). The school has a history spanning more than 350 years, training many of the great artists in Europe. Beaux-Arts style was modeled on classical "antiquities", preserving these idealized forms and passing the style on to future generations. History The origins of the Paris school go back to 1648, when the Académie des Beaux-Arts was founded by Cardinal Mazarin to educate the most talented students in drawing, painting, sculpture, engraving, architecture and other media. Loui ...
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Auguste Rodin, Paris, C1862 By Charles Hippolyte Aubry
Auguste may refer to: People Surname * Arsène Auguste (born 1951), Haitian footballer * Donna Auguste (born 1958), African-American businesswoman * Georges Auguste (born 1933), Haitian painter * Henri Auguste (1759–1816), Parisian gold and silversmith * Joyce Auguste, Saint Lucian musician * Jules Robert Auguste (1789–1850), French painter * Tancrède Auguste (1856–1913), President of Haiti (1912–13) Given name * Auguste, Baron Lambermont (1819–1905), Belgian statesman * Auguste, Duke of Leuchtenberg (1810–1835), prince consort of Maria II of Portugal * Auguste, comte de La Ferronays (1777–1842), French Minister of Foreign Affairs * Auguste Clot (1858–1936), French art printer * Auguste Dick (1910–1993), Austrian historian of mathematics * Georges Auguste Escoffier (1846–1935), French chef, restaurateur and culinary writer * Auguste Metz (1812–1854), Luxembourgian entrepreneur * Auguste Léopold Protet (1808–1862), French Navy admiral * Auguste ...
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Alphonse Legros
Alphonse Legros (8 May 1837 – 8 December 1911) was a French, later British, painter, etcher, sculptor, and medallist. He moved to London in 1863 and later took British citizenship. He was important as a teacher in the British etching revival. Life Legros was born in Dijon; his father was an accountant, and came from the neighbouring village of Véronnes. While young, Legros visited the farms of his relatives, and the peasants and landscapes of that part of France are the subjects of many of his works. He was sent to the art school at Dijon with a view to qualifying for a trade, and was apprenticed to Maître Nicolardo, house decorator and painter of images. In 1851, Legros left for Paris to take another situation; but passing through Lyon he worked for six months as journeyman wall-painter under the decorator Beuchot, who was painting the chapel of Cardinal Bonald in the cathedral. In Paris, Legros studied with Charles-Antoine Cambon, scene-painter and decorator of the ...
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Jules Dalou
Aimé-Jules Dalou (31 December 183815 April 1902) was a 19th-century French sculptor, admired for his perceptiveness, execution, and unpretentious realism. Early life Born in Paris to a working-class family of Huguenot background, he was raised in an atmosphere of secularity and Republican socialism. He was the pupil of Jean-Baptiste Carpeaux, who sponsored him for the Petite École (future École nationale supérieure des arts décoratifs), where he sympathized with Alphonse Legros and Fantin-Latour. In 1854, he attended the École des Beaux-Arts de Paris in the François-Joseph Duret classroom. He combined the vivacity and richness of Carpeaux, for "he was, technically, one of the most distinguished modellers of his time", with the academic insistence on harmonious outlines and scholarly familiarity with the work of Giambologna, Pierre Puget, Peter Paul Rubens and others. Career Dalou first exhibited at the Paris Salon in 1861, but he made no secret of his working-cla ...
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Horace Lecoq De Boisbaudran
Horace Lecoq de Boisbaudran (May 14, 1802 – August 7, 1897) was a French artist and teacher. He was born in Paris. Boisbaudran was admitted in 1819 to the École des Beaux-Arts where he studied under Peyron and Guillon Lethière. He exhibited at the Salon in 1831 and 1840, and became a professor at the academy. As a drawing instructor he became known for his innovative method which emphasized memorization.McConkey and Robin 1995, p. 11. His students were instructed to visit the Louvre, where they were to carefully study a painting in order to reproduce it from memory later, in the studio. This exercise was intended to help the student to discover his own visual language. Among Lecoq de Boisbaudran's best-known students were Rodin, Fantin-Latour, and Alphonse Legros.State University of New York at Binghamton 1974, p. 34. Others who studied with him include Jules Chéret, Léon Lhermitte, Jean-Charles Cazin, Jules Dalou Aimé-Jules Dalou (31 December 183815 April 1902) was ...
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The New Yorker
''The New Yorker'' is an American weekly magazine featuring journalism, commentary, criticism, essays, fiction, satire, cartoons, and poetry. Founded as a weekly in 1925, the magazine is published 47 times annually, with five of these issues covering two-week spans. Although its reviews and events listings often focus on the Culture of New York City, cultural life of New York City, ''The New Yorker'' has a wide audience outside New York and is read internationally. It is well known for its illustrated and often topical covers, its commentaries on popular culture and eccentric American culture, its attention to modern fiction by the inclusion of Short story, short stories and literary reviews, its rigorous Fact-checking, fact checking and copy editing, its journalism on politics and social issues, and its single-panel cartoons sprinkled throughout each issue. Overview and history ''The New Yorker'' was founded by Harold Ross and his wife Jane Grant, a ''The New York Times, N ...
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Rose Beuret
Rose Beuret, born Marie Rose Beuret on 9 June, 1844 in Vecqueville (Haute-Marne) and died on 14 February, 1917 in Meudon, was a French seamstress and laundress, known to have been one of the muses and, for 53 years, the companion of Auguste Rodin, whom she married just weeks before her death in 1917. Biography Beuret was born to Scholastique Clausse and Etienne Beuret, a farmer and winemaker from Haute-Marne. Beuret met Rodin in 1864 while he was working on the pediment of the . Rose Beuret was a reserved and shy woman. Rodin was a serious and hard-working man, rustic in his manners and as shy as herself. They moved in together and continued their work, he as a sculptor and she as a seamstress. Beuret took care of the household work and Rodin sometimes helped her sew on buttons. On Sundays, the young lovers took long walks in the woods and the countryside near Paris. In 1893, Rodin moved with her to Meudon, at Scribe Road, in the House of Chiens-Loups. Beuret gradually bec ...
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Charles Despiau
Charles Despiau (November 4, 1874 – October 28, 1946) was a French sculptor. Early life Charles-Albert Despiau was born at Mont-de-Marsan, Landes and attended first the École des Arts Décoratifs and later the École nationale supérieure des Beaux-Arts. He began exhibiting at the Salon des Artistes Français, from 1898 to 1900; then at the less academic Société Nationale des Beaux-Arts, where he showed from 1901 to 1921, and finally to the Salon des Tuileries, where he exhibited from 1923 to 1944. Career Rodin hired him as an assistant in 1907. Despiau worked with Rodin, as well as doing his own sculpture, until 1914, when he was drafted for service in the camouflage unit in World War I. Returning to sculpture after the war, his success was established with his one-man show at the Brummer Gallery in New York in late 1927. He died in Paris in 1946. Despiau was not a prolific sculptor, preferring to work for as long as it took to realize his vision. There are several surv ...
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Constantin Brâncuși
Constantin Brâncuși (; February 19, 1876 – March 16, 1957) was a Romanian Sculpture, sculptor, painter and photographer who made his career in France. Considered one of the most influential sculptors of the 20th-century and a pioneer of modernism, Brâncuși is called the patriarch of modern sculpture. As a child he displayed an aptitude for carving wooden farm tools. Formal studies took him first to Bucharest, then to Munich, then to the École des Beaux-Arts in Paris from 1905 to 1907. His art emphasizes clean geometry, geometrical lines that balance forms inherent in his materials with the symbolism (arts), symbolic allusions of representational art. Brâncuși sought inspiration in non-European cultures as a source of Primitivism, primitive exoticism, as did Paul Gauguin, Pablo Picasso, André Derain and others. However, other influences emerge from Romanian folk art traceable through Byzantine and Dionysian traditions. Early years Brâncuși grew up in the village ...
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