Anthems Of Tuva
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Anthems Of Tuva
An anthem is a musical composition of celebration, usually used as a symbol for a distinct group, particularly the national anthems of countries. Originally, and in music theory and religious contexts, it also refers more particularly to short sacred choral work (still frequently seen in Sacred Harp and other types of shape note singing) and still more particularly to a specific form of liturgical music. In this sense, its use began ca. 1550 in English-speaking churches; it uses English language words, in contrast to the originally Roman Catholic 'motet' which sets a Latin text. Etymology ''Anthem'' is derived from the Greek (''antíphōna'') via Old English . Both words originally referred to antiphons, a call-and-response style of singing. The adjectival form is "anthemic". History Anthems were originally a form of liturgical music. In the Church of England, the rubric appoints them to follow the third collect at morning and evening prayer. Several anthems are includ ...
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Musical Composition
Musical composition can refer to an Originality, original piece or work of music, either Human voice, vocal or Musical instrument, instrumental, the musical form, structure of a musical piece or to the process of creating or writing a new piece of music. People who create new compositions are called composers. Composers of primarily songs are usually called songwriters; with songs, the person who writes lyrics for a song is the lyricist. In many cultures, including Western classical music, the act of composing typically includes the creation of music notation, such as a sheet music, sheet music "score," which is then performed by the composer or by other musicians. In popular music and Folk music, traditional music, songwriting may involve the creation of a basic outline of the song, called the lead sheet, which sets out the melody, lyrics and chord progression. In classical music, orchestration (choosing the instruments of a large music ensemble such as an orchestra which will ...
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Rubric
A rubric is a word or section of text that is traditionally written or printed in red ink for emphasis. The word derives from the la, rubrica, meaning red ochre or red chalk, and originates in Medieval illuminated manuscripts from the 13th century or earlier. In these, red letters were used to highlight initial capitals (particularly of psalms), section headings and names of religious significance, a practice known as rubrication, which was a separate stage in the production of a manuscript. Rubric can also mean the red ink or paint used to make rubrics, or the pigment used to make it. Although red was most often used, other colours came into use from the late Middle Ages onwards, and the word rubric was used for these also. Medievalists can use patterns of rubrication to help identify textual traditions. Various figurative senses of the word have been extended from its original meaning. Usually these senses are used within the set phrase "under hateverrubric", for example ...
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William Billings
William Billings (October 7, 1746 – September 26, 1800) is regarded as the first American choral composer and leading member of the First New England School. Life William Billings was born in Boston, Massachusetts. At the age of 14, the death of his father stopped Billings' formal schooling. In order to help support his family, young Billings trained as a tanner. He possibly received musical instruction from John Barry, one of the choir members at the New South Church, but for the most part he was self-taught. Billings had an unusual appearance and a strong addiction to snuff. His contemporary wrote that Billings "was a singular man, of moderate size, short of one leg, with one eye, without any address & with an uncommon negligence of person. Still, he spake & sung & thought as a man above the common abilities." Billings' wife died on March 26, 1795, leaving him with six children under the age of 18. He died in poverty in Boston on September 26, 1800. His funeral was ...
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Solo (music)
In music, a solo (from the Spanish and Italian based-word: ''Solo'', meaning ''alone'' or ''by yourself'') is a piece or a section of a piece played or sung featuring a single performer, who may be performing completely alone or supported by an accompanying instrument such as a piano or organ, a continuo group (in Baroque music), or the rest of a choir, orchestra, band, or other ensemble. Performing a solo is "to solo", and the performer is known as a ''soloist''. The plural is soli or the anglicised form solos. In some contexts these are interchangeable, but ''soli'' tends to be restricted to classical music, and mostly either the solo performers or the solo passages in a single piece. Furthermore, the word ''soli'' can be used to refer to a small number of simultaneous parts assigned to single players in an orchestral composition. In the Baroque concerto grosso, the term for such a group of soloists was '' concertino''. An instrumental solo is often used in popular music duri ...
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Verse Anthem
In religious music, the verse anthem is a type of choral music, or song, distinct from the motet or 'full' anthem (i.e. for full choir). In the 'verse' anthem the music alternates between sections for a solo voice or voices (called the 'verse') and the full choir. The organ provided accompaniment in liturgical settings, but viols took the accompaniment outside of the church. In the 'verses', solo voices were expected to ornament their parts for expressive effect. The 'full choir' sections providing contrast in volume and texture. The verse anthems were a major part of the English Reformation due to the use of the vernacular. In addition to this, the use of soloists allowed the text to be expressed more clearly. For the choirmaster they were useful too: the choir only had to learn a small part of the anthem, leaving the hardest passages to a soloist to learn on their own, reducing rehearsal time. Verse anthems developed and were very popular during the early 17th to the middle of ...
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Musical Form
In music, ''form'' refers to the structure of a musical composition or performance. In his book, ''Worlds of Music'', Jeff Todd Titon suggests that a number of organizational elements may determine the formal structure of a piece of music, such as "the arrangement of musical units of rhythm, melody, and/or harmony that show repetition or variation, the arrangement of the instruments (as in the order of solos in a jazz or bluegrass performance), or the way a symphonic piece is orchestrated", among other factors. It is, "the ways in which a composition is shaped to create a meaningful musical experience for the listener."Kostka, Stefan and Payne, Dorothy (1995). ''Tonal Harmony'', p.152. McGraw-Hill. . These organizational elements may be broken into smaller units called phrases, which express a musical idea but lack sufficient weight to stand alone. Musical form unfolds over time through the expansion and development of these ideas. In tonal harmony, form is articulated pr ...
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Lutheran Church
Lutheranism is one of the largest branches of Protestantism, identifying primarily with the theology of Martin Luther, the 16th-century German monk and Protestant Reformers, reformer whose efforts to reform the theology and practice of the Catholic Church launched the Reformation, Protestant Reformation. The reaction of the government and church authorities to the international spread of his writings, beginning with the ''Ninety-five Theses'', divided Western Christianity. During the Reformation, Lutheranism became the state religion of numerous states of northern Europe, especially in northern Germany, Scandinavia and the then-Livonian Order. Lutheran clergy became civil servants and the Lutheran churches became part of the state. The split between the Lutherans and the Roman Catholics was made public and clear with the 1521 Edict of Worms: the edicts of the Diet (assembly), Diet condemned Luther and officially banned citizens of the Holy Roman Empire from defending or propagatin ...
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