1853 In Art
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1853 In Art
Events from the year 1853 in art. Events * Georges-Eugène Haussmann is selected as ''Prefect (France), prefect'' to begin the re-planning of Paris. Works * Ivan Aivazovsky ** '':File:Battle-of-sinope.jpg, Russian ships at the Battle of Sinop'' ** '':File:Battle of Sinop.jpg, The Battle of Sinop, 18th November 1853 (Night after the battle)'' * Thomas Jones Barker – ''Wellington at Sobrauren'' * John Bell (sculptor), John Bell – ''A Daughter of Eve'' (bronze) * Théodore Chassériau – '':File:Théodore Chassériau - Tepidarium - Google Art Project.jpg, The Tepidarium'' (Musée d'Orsay, Paris) * Gustave Courbet – ''The Bathers'' (''Les Baigneuses'', Musée Fabre, Montpellier) * Federico de Madrazo y Kuntz – :File:Amalia de Llano y Dotres, condesa de Vilches (Federico de Madrazo).jpg, Portrait of Amalia de Llano Countess of Vilches * William Holman Hunt, Holman Hunt – ''The Awakening Conscience'' * Jean-Auguste-Dominique Ingres ** ''The Apotheosis of Napoleon I'' (destro ...
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Georges-Eugène Haussmann
Georges-Eugène Haussmann, commonly known as Baron Haussmann (; 27 March 180911 January 1891), was a French official who served as Prefect (France), prefect of Seine (department), Seine (1853–1870), chosen by Emperor Napoleon III to carry out a massive urban renewal programme of new boulevards, parks and public works in Paris commonly referred to as Haussmann's renovation of Paris.http://www.culture.gouv.fr/documentation/joconde/fr/decouvrir/zoom/zoom-haussmann.htm - Joconde - visites guidées - zooms - baron Haussmann
2012-03-05
Critics f ...
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William Holman Hunt
William Holman Hunt (2 April 1827 – 7 September 1910) was an English painter and one of the founders of the Pre-Raphaelite Brotherhood. His paintings were notable for their great attention to detail, vivid colour, and elaborate symbolism. These features were influenced by the writings of John Ruskin and Thomas Carlyle, according to whom the world itself should be read as a system of visual signs. For Hunt it was the duty of the artist to reveal the correspondence between sign and fact. Of all the members of the Pre-Raphaelite Brotherhood, Hunt remained most true to their ideals throughout his career. He was always keen to maximise the popular appeal and public visibility of his works. Biography Born at Cheapside, City of London, as William Hobman Hunt, to warehouse manager William Hunt (1800–1856) and Sarah (c. 1798–1884), daughter of William Hobman, of Rotherhithe Hunt adopted the name "Holman" instead of "Hobman" when he discovered that a clerk had misspelled the ...
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Gustave Moreau
Gustave Moreau (; 6 April 1826 – 18 April 1898) was a French artist and an important figure in the Symbolist movement. Jean Cassou called him "the Symbolist painter par excellence".Cassou, Jean. 1979. ''The Concise Encyclopedia of Symbolism.'' Chartwell Books, Inc., Secaucus, New Jersey, 292 pp. He was an influential forerunner of symbolism in the visual arts in the 1860s, and at the height of the symbolist movement in the 1890s, he was among the most significant painters. Art historian Robert Delevoy wrote that Moreau "brought symbolist polyvalence to its highest point in ''Jupiter and Semele''."Delevoy, Robert L. 1978. ''Symbolist and Symbolism.'' Editions D'Art Albert Skira, Geneva//Rizzoli International Publishing, Inc. New York. 247 pp. He was a prolific artist who produced over 15,000 paintings, watercolors, and drawings. Moreau painted allegories and traditional biblical and mythological subjects favored by the fine art academies. J. K. Huysmans wrote, "Gustave Moreau ...
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The Proscribed Royalist, 1651
''The Proscribed Royalist, 1651'' (1852-1853) is a painting by John Everett Millais which depicts a young Puritan woman protecting a fleeing Royalist after the Battle of Worcester in 1651, the decisive defeat of Charles II by Oliver Cromwell. The Royalist is hiding in a hollow tree, a reference to a famous incident in which Charles himself hid in a tree to escape from his pursuers. Millais was also influenced by Vincenzo Bellini's 1835 opera ''I Puritani ' (''The Puritans'') is an 1835 opera by Vincenzo Bellini. It was originally written in two acts and later changed to three acts on the advice of Gioachino Rossini, with whom the young composer had become friends. The music was set to a libretto ...''. His friend and fellow painter, Arthur Hughes, served as the model for the Royalist. Millais painted the picture in Hayes, Kent, from a local oak tree that became known as the Millais Oak.Millais, J.G., ''Life and Letters of Sir John Everett Millais'', vol. 1, p.166; See alsA ...
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The Order Of Release
''The Order of Release, 1746'' is a painting by John Everett Millais exhibited in 1853. It is notable for marking the beginnings of Millais's move away from the highly medievalist Pre-Raphaelitism of his early years. Effie Gray, who later left her husband John Ruskin for Millais, modelled for the female figure. The painting depicts the wife of a Highland Jacobite soldier, who has been imprisoned after the Jacobite rising of 1745, with an order securing his release. She holds her child, showing the order to a guard, while her husband embraces her. The ''Illustrated London News'' reviewed the painting as follows: :It is time now that we speak of Millais – Millais the Pre-Raffaelite; the "pretender" Millais that was; the "usurper" Millais that is; the "legitimate" Millais that perhaps (much virtue in that little word) may be; and who has certainly a larger crowd of admirers in his little corner in the Middle Room than all the Academicians put together command; … :Truth to say, ...
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John Everett Millais
Sir John Everett Millais, 1st Baronet, ( , ; 8 June 1829 – 13 August 1896) was an English painter and illustrator who was one of the founders of the Pre-Raphaelite Brotherhood. He was a child prodigy who, aged eleven, became the youngest student to enter the Royal Academy Schools. The Pre-Raphaelite Brotherhood was founded at his family home in London, at 83 Gower Street (now number 7). Millais became the most famous exponent of the style, his painting ''Christ in the House of His Parents'' (1849–50) generating considerable controversy, and he produced a picture that could serve as the embodiment of the historical and naturalist focus of the group, ''Ophelia'', in 1851–52. By the mid-1850s, Millais was moving away from the Pre-Raphaelite style to develop a new form of realism in his art. His later works were enormously successful, making Millais one of the wealthiest artists of his day, but some former admirers including William Morris saw this as a sell-out (Millais ...
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The Plains Of Heaven (painting)
''The Last Judgement'' is a triptych of oil paintings by the British artist John Martin, created in 1851–1853. The work comprises three separate paintings on a theme of the end of the world, inspired by the Book of Revelation. The paintings, ''The Plains of Heaven'', ''The Last Judgement'', and ''The Great Day of His Wrath'', are generally considered to be among Martin's most important works, and have been described by some art critics as his masterpiece. The paintings were Martin's last major works before his death in 1854. They were exhibited to the public from the time of his death until the 1870s to advertise the sale of prints from engravings of the works, being displayed in galleries and exhibition halls all over the UK, in New York in 1856–57 and in Australia in 1878–79. It has been claimed that up to eight million people viewed the paintings during their extensive tours. Martin's style of didactic expository art was rarely praised by art critics but remained pop ...
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Cambridge University Press
Cambridge University Press is the university press of the University of Cambridge. Granted letters patent by Henry VIII of England, King Henry VIII in 1534, it is the oldest university press A university press is an academic publishing house specializing in monographs and scholarly journals. Most are nonprofit organizations and an integral component of a large research university. They publish work that has been reviewed by schola ... in the world. It is also the King's Printer. Cambridge University Press is a department of the University of Cambridge and is both an academic and educational publisher. It became part of Cambridge University Press & Assessment, following a merger with Cambridge Assessment in 2021. With a global sales presence, publishing hubs, and offices in more than 40 Country, countries, it publishes over 50,000 titles by authors from over 100 countries. Its publishing includes more than 380 academic journals, monographs, reference works, school and uni ...
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The Great Day Of His Wrath
''The End of the World'', commonly known as ''The Great Day of His Wrath'', is an 1851–1853 oil painting on canvas by the English painter John Martin. Leopold Martin, John Martin's son, said that his father found the inspiration for this painting on a night journey through the Black Country. This has led some scholars to hold that the rapid industrialisation of England in the early nineteenth century influenced Martin. Some authors have used the painting as the front cover for their books; examples include ''Mass of the Apocalypse'' and ''Studies in the Book of Revelation''. The painting is one of three works that together form a triptych entitled ''The Last Judgement''. Description According to Frances Carey, Deputy Keeper in the Department of Prints and Drawings, British Museum, the painting shows the destruction of Babylon and the material world by natural cataclysm.Frances Carey,'' The Apocalypse and the Shape of Things to Come'', University of Toronto Press, 1999, p. ...
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The Last Judgement (Martin Painting)
''The Last Judgement'' is a triptych of oil paintings by the British artist John Martin, created in 1851–1853. The work comprises three separate paintings on a theme of the end of the world, inspired by the Book of Revelation. The paintings, ''The Plains of Heaven'', ''The Last Judgement'', and ''The Great Day of His Wrath'', are generally considered to be among Martin's most important works, and have been described by some art critics as his masterpiece. The paintings were Martin's last major works before his death in 1854. They were exhibited to the public from the time of his death until the 1870s to advertise the sale of prints from engravings of the works, being displayed in galleries and exhibition halls all over the UK, in New York in 1856–57 and in Australia in 1878–79. It has been claimed that up to eight million people viewed the paintings during their extensive tours. Martin's style of didactic expository art was rarely praised by art critics but remained pop ...
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John Martin (painter)
John Martin (19 July 1789 – 17 February 1854) was an English Romanticism, Romantic painter, engraver and illustrator. He was celebrated for his typically vast and dramatic paintings of religious subjects and fantasy art, fantastic compositions, populated with minute figures placed in imposing landscapes. Martin's paintings, and the prints made from them, enjoyed great success with the general publicin 1821 Thomas Lawrence referred to him as "the most popular painter of his day"but were lambasted by John Ruskin and other critics. Early life Martin was born in July 1789, in a one-room cottage, at Haydon Bridge, near Hexham in Northumberland, the fourth son of Fenwick Martin, a one-time fencing master. He was apprenticed by his father to a coachbuilder in Newcastle upon Tyne to learn heraldry, heraldic painting, but owing to a dispute over wages the indentures were cancelled, and he was placed instead under Boniface Musso, an Italian artist, father of the enamel painter Charles ...
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Charles-Auguste Lebourg
Charles-Auguste Lebourg (20 February 1829 – February 1906) was a French sculptor, best known for the sculptural design of the Wallace fountains, which are found in virtually every quarter of Paris and in various cities throughout the world. He also created numerous statues and busts in bronze and marble, winning recognition at various Salons and World's Fairs throughout the latter half of the nineteenth century. His work is on display at the Musée d'Orsay in Paris and the Fine Arts Museum in Nantes, as well as various parks and cemeteries in France. Life Lebourg was born in Nantes, the son of Auguste François Lebourg and Hyacinthe Virginie Langlair.Richard Wallace, Charles Lebourg : un philanthrope, un sculpteur
." Retrieved: 4 February 2013.
He studied drawing and sculpture unde ...
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