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1827 In Art
Events in the year 1827 in Art. Events * Sir Richard Westmacott becomes Professor of Sculpture at the Royal Academy. * John James Audubon begins publication of ''Birds of America (book), The Birds of America'' in the United Kingdom. Much of the background botanical artwork is by Joseph Mason (artist), Joseph Mason. * English painter Benjamin Haydon is committed to debtors' prison in London; while there he witnesses the mock election in the King's Bench Prison and records it in the paintings '':File:Benjamin Robert Haydon (1786-1846) - The Mock Election - RCIN 405824 - Royal Collection.jpg, The Mock Election'' and '':File:Benjamin Robert Haydon (1786-1846) - Chairing the Member - N05644 - National Gallery.jpg, Chairing the Member''. *Charles Codman is discovered by art critic and patron John Neal (writer), John Neal. Works * William Blake – ''The Wood of the Self-Murderers: The Harpies and the Suicides'' * Karl Briullov – ''Italian Midday'' * Thomas Campbell (sculptor), Thoma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Westmacott
Sir Richard Westmacott (15 July 17751 September 1856) was a British sculptor. Life and career Westmacott studied with his father, also named Richard Westmacott (the elder), Richard Westmacott, at his studio in Mount Street, off Grosvenor Square in London before going to Rome in 1793 to study under Antonio Canova. Westmacott devoted all his energies to the study of classical sculpture, and throughout his life his real sympathies were with pagan rather than with Christian art. Within a year of his arrival in Rome he won the first prize for sculpture offered by the Accademia di Belle Arti di Firenze, Florentine Academy of Arts, and in the following year he gained the papal gold medal awarded by the Accademia di San Luca, Academy of St Luke with his bas-relief of Joseph (Genesis), Joseph and his brothers. On returning to England in 1797, he set up a studio, where John Edward Carew and Musgrave Watson gained experience. Westmacott had his own foundry at Pimlico, in London, whe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Campbell (sculptor)
Thomas Campbell (1 May 1790 – 4 February 1858) was a Scottish sculptor in the early 19th century. He has several important public works, most notably a statue of Sarah Siddons in Westminster Abbey. He also has several works in the National Gallery in London. He was heavily patronised by the British aristocracy, as evidenced by his works. Life He was born in Tolbooth parish, Edinburgh Old Town, now part of the Royal Mile. He was the son of Douglas Campbell, "gentleman servant", and Helen Thorburn. He was apprenticed to John Marshall, marble cutter on Leith Walk. During his apprenticeship he befriended James Locke, later to be credited with the naming ''Tweed''. Whilst at Marshall's, over three years, he sculpted two figures for the facade of the Royal Bank of Scotland, which around 1817 attracted the patronage of Gilbert Innes of Stow, depute governor of the Bank. He paid for Campbell to study at the Royal Academy Schools in London from 1818, and also permitted him to s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Milkmaid Of Bordeaux
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francisco Goya
Francisco José de Goya y Lucientes (; ; 30 March 174616 April 1828) was a Spanish romantic painter and printmaker. He is considered the most important Spanish artist of the late 18th and early 19th centuries. His paintings, drawings, and engravings reflected contemporary historical upheavals and influenced important 19th- and 20th-century painters. Goya is often referred to as the last of the Old Masters and the first of the moderns. Goya was born to a middle-class family in 1746, in Fuendetodos in Aragon. He studied painting from age 14 under José Luzán y Martinez and moved to Madrid to study with Anton Raphael Mengs. He married Josefa Bayeu in 1773. Their life was characterised by a series of pregnancies and miscarriages, and only one child, a son, survived into adulthood. Goya became a court painter to the Spanish Crown in 1786 and this early portion of his career is marked by portraits of the Spanish aristocracy and royalty, and Rococo-style tapestry cartoons desig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Gérard
François Pascal Simon Gérard (, 4 May 1770 – 11 January 1837), titled as Baron Gérard in 1809, was a prominent French painter. He was born in Rome, where his father occupied a post in the house of the French ambassador, and his mother was Italian. After he was made a baron of the Empire in 1809 by Emperor Napoleon, he was known formally as Baron Gérard. Life and career François Gérard was born in Rome to J. S. Gérard and Cleria Matteï.#HG1888, Henri Gérard 1888 At the age of twelve, Gérard obtained admission into the ''Pension du Roi'' in Paris. From the ''Pension'', he passed to the studio of the sculptor Augustin Pajou, which he left at the end of two years for the studio of the history painter Nicolas-Guy Brenet,Nicolas-Guy Brenet (1728–1792), professor at the Académie royale de peinture et de sculpture, 1778. Michael Bryan, ''Dictionary of Painters and Engravers'', ''s.v.'' "Brenet, Nicolas Guy". Brenet was also the master of Jean Germain Drouais. whom he quit a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-François Garneray
Jean-François Garneray (1755 in Paris – 11 June 1837 in Auteuil) was a French painter. He was a student of Jacques-Louis David. Children His three sons were: * Ambroise Louis Garneray (1783–1857), sea painter * Auguste-Siméon Garneray (1785–1824), troubadour style painter * Hippolyte Jean-Baptiste Garneray (1787–1858), painter Selected works * ''The grand Dauphin visits a hut, led by the Duc de Montausier'' - oil on canvas, 113 by 147.6, signed and dated ''aged 72 years'', exhibited at the 1827 Paris Salon with the caption ''He took advantage of the emotion which caused the young prince to show unaccustomed attention to the misery reigning in this poor man's house, in order to dispose his soul to pity for them and to relieve them for one day'', sold for 95,000 euros by the Hampel auction house in Munich on 16 June 2010 as lot 350 *'' Portrait of Jean-Baptiste Milhaud'' (Musée du Louvre) - this was long attributed to Garneray's teacher David, due to a dedication rea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Death Of Sardanapalus
''The Death of Sardanapalus'' (''La Mort de Sardanapale'') is an oil painting on canvas by Eugène Delacroix, dated 1827. It currently hangs in the Musée du Louvre, Paris. A smaller replica, painted by Delacroix in 1844, is now in the Philadelphia Museum of Art. ''The Death of Sardanapalus'' is based on the tale of Sardanapalus, a king of Assyria, from the historical library of Diodorus Siculus, the ancient Greek historian, and is a work of the era of Romanticism. This painting uses rich, vivid and warm colours, and broad brushstrokes. It was inspired by Lord Byron's play ''Sardanapalus'' (1821), and in turn inspired a cantata by Hector Berlioz, ''Sardanapale'' (1830), and also Franz Liszt's opera, ''Sardanapalo'' (1845–1852, unfinished). Visual analysis The main focus of ''Death of Sardanapalus'' is a large bed draped in rich red fabric. On it lies a man with a disinterested eye overseeing a scene of chaos. He is dressed in flowing white fabrics and sumptuous gold a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugène Delacroix
Ferdinand Victor Eugène Delacroix ( , ; 26 April 1798 – 13 August 1863) was a French Romantic artist regarded from the outset of his career as the leader of the French Romantic school.Noon, Patrick, et al., ''Crossing the Channel: British and French Painting in the Age of Romanticism'', p. 58, Tate Publishing, 2003. In contrast to the Neoclassical perfectionism of his chief rival Ingres, Delacroix took for his inspiration the art of Rubens and painters of the Venetian Renaissance, with an attendant emphasis on colour and movement rather than clarity of outline and carefully modelled form. Dramatic and romantic content characterized the central themes of his maturity, and led him not to the classical models of Greek and Roman art, but to travel in North Africa, in search of the exotic. Friend and spiritual heir to Théodore Géricault, Delacroix was also inspired by Lord Byron, with whom he shared a strong identification with the "forces of the sublime", of nature in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Cole
Thomas Cole was an English-born American artist and the founder of the Hudson River School art movement. Cole is widely regarded as the first significant American landscape painter. He was known for his romantic landscape and history paintings. Influenced by European painters, but with a strong American sensibility, he was prolific throughout his career and worked primarily with oil on canvas. His paintings are typically allegoric and often depict small figures or structures set against moody and evocative natural landscapes. They are usually escapist, framing the New World as a natural eden contrasting with the smog-filled cityscapes of Industrial Revolution-era Britain, in which he grew up. His works, often seen as conservative, criticize the contemporary trends of industrialism, urbanism, and westward expansion. Early life and education Born in Bolton le Moors, Lancashire, in 1801, Cole immigrated with his family to the United States in 1818, settling in Steubenville, Oh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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