1706 In Music
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1706 In Music
The year 1706 in music involved some significant events. Events *Louis-Antoine Dornel succeeds François d'Agincourt as organist at the church of Sainte-Marie-Madeleine-en-la-Cité. *David Tecchler makes the cello now on loan to Denis Brott from the Canada Council for the Arts Musical Instrument Bank. Published popular music * Thomas D'Urfey – ''Wit and Mirth, or Pills to Purge Melancholy'', vol. 4 (collection of songs) Classical music *Johann Sebastian Bach – ''Fantasia in C minor'', BWV 1121 *Francesco Bartolomeo Conti – ''Il Gioseffo'' * John Gostling – the "Gostling manuscript", a collection of sixty-four anthems: seventeen by Henry Purcell, twenty-three by John Blow, three by Matthew Locke, four by Pelham Humfrey, four by William Turner, and one by William Child, one by Henry Aldrich, three by Thomas Tudway, four by Jeremiah Clarke, and a few others. *Jean-Adam Guilain – ''Pièces d'orgue pour le Magnificat sur les huit tons différents de l'église'' *Georg ...
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Louis-Antoine Dornel
Louis-Antoine Dornel (30 March 1680 in Presles, Val-d'Oise near (Beaumont-sur-Oise) – 22 July 1757) was a French composer, harpsichordist, organist and violinist. Biography Dornel was probably taught by the organist Nicolas Lebègue. He was appointed organist at the church of Sainte-Marie-Madeleine-en-la-Cité in 1706, where he took over from François d'Agincourt. He was runner-up in the competition for the post to Jean-Philippe Rameau, who eventually refused the terms set by the church authorities. He occupied several organist posts in Paris over a period from 1714 to 1748. In 1719 he was appointed to the abbey of Sainte-Geneviève, following the death of André Raison. From 1725 to 1742, Dornel was appointed successor to du Boussetto as the music master of the Académie Française. He was required to compose a large-scale motet for choir and orchestra to be performed by the Académie each year on the feast of Saint Louis (August 25), but none survive. Dornel's works for harp ...
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Jeremiah Clarke
Jeremiah Clarke (c. 1674 – 1 December 1707) was an English baroque composer and organist, best known for his ''Trumpet Voluntary,'' a popular piece often played at wedding ceremonies or commencement ceremonies. Biography The exact date of Clarke's birth has been debated. The ''Dictionary of National Biography'' states that Clarke "is said to have been born in 1669 (though probably the date should be earlier)." Most sources say that he is thought to have been born in London around 1674. Clarke was one of the pupils of John Blow at St Paul's Cathedral and a chorister in 1685 at the Chapel Royal. Between 1692 and 1695 he was an organist at Winchester College, then between 1699 and 1704 he was an organist at St Paul's Cathedral.Dennis Shrock William Marshall (Editor) He later became an organist and 'Gentleman extraordinary' at the Chapel Royal, he shared that post with fellow composer William Croft, his friend. They were succeeded by John Blow. Today, Clarke is best remembered f ...
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Toussaint Bertin De La Doué
Toussaint Bertin de la Doué (or Thomas Bertin de la Doué) (1680 – 6 February 1743) was a French composer of the Baroque era. He worked as an organist for the Theatines, as a musician for the Duc d'Orléans and as a violinist and harpsichordist at the Paris Opéra (between 1714 and 1734). He wrote sacred music, songs, trios for two violins and basso continuo, and several operas. Operas *''Cassandre'' (''tragédie en musique'', 1706) (with François Bouvard) *'' Diomède'' (''tragédie en musique'', 1710) *''Ajax'' (''tragédie en musique'', 1712) *''Le jugement de Pâris'' (''pastorale héroïque'', 1718) *''Les plaisirs de la campagne'' (''opéra-ballet ''Opéra-ballet'' (; plural: ''opéras-ballets'') is a genre of French Baroque lyric theatre that was most popular during the 18th century, combining elements of opera and ballet, "that grew out of the '' ballets à entrées'' of the early seven ...'', 1719) SourcesLe magazine de l'opéra baroque by Jean-Claude Brenac (i ...
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Giuseppe Valentini
Giuseppe Valentini (14 December 1681 – November 1753), nicknamed ''Straccioncino'' (Little Ragamuffin), was an Italian violinist, painter, poet, and composer, though he is known chiefly as a composer of inventive instrumental music. He studied under Giovanni Bononcini in Rome between 1692 and 1697. From 1710 to 1727 he served as ''‘Suonator di Violino, e Componitore di Musica’'' to Prince Michelangelo Caetani. He also succeeded Corelli as director of the concertino at San Luigi dei Francesi, from 1710 to 1741. Though during his lifetime overshadowed by the likes of Corelli, Vivaldi, and Locatelli, his contribution to Italian baroque music is noteworthy, and many of his works were published throughout Europe. Selected works Instrumental Music *op. 1: 12 Sinfonie (with Sinfonia a tre per il santissimo Natale Nr. 12) (1701 Rome) *op. 2: 7 Bizzarie per camera for 2 Violins, Viola and Basso continuo (1703 Rome) *op. 3: 12 Fantasie musicali for 2 Violins and Bass (1706 Rome) * ...
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Stanisław Sylwester Szarzyński
Stanisław Sylwester Szarzyński (floruit, fl. 1692–1713) was a Polish composer. Szarzyński was a Cistercian monk; virtually nothing else is known of his life. He may have been involved with the choir of the Collegiate Church at Lowicz, where many of his compositions were preserved. His works are dated from 1692 to 1713, and the level of technical competence displayed in his works indicates that he must have had significant formal training. All but one of his surviving works are sacred music, sacred in nature. He wrote solo motets for voice, violin, and Figured bass, continuo, which are in concertato style. He also wrote a number of choral works. Many of his pieces interpolate melodies from popular religious tunes. His lone surviving nonreligious work is a sonata for two violins and continuo. ReferencesBiography External links

* Polish Baroque composers Polish Cistercians Polish classical composers Polish male classical composers Polish Christian monks Year of birth ...
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Jean-Baptiste Stuck
Jean-Baptiste Stuck (also known by the single moniker "Baptistin," "Batistin" or "Battistin") (6 May 16808 December 1755) was an Italian-French composer and cellist of the Baroque era. Little is known of Stuck's early years. He was born at Livorno on the coast of Tuscany, came from a merchant family, and was the son of Giovanni-Giacomo Stuck and Barbera Hellerbeck. From 1702 he was in the service of Countess Lemos in Naples. Stuck wrote arias for the performance of the opera ''L'innocente inganno'' of Tomaso Albinoni, which was performed under the new title ''Rodrigo in Algieri'' on 10 December 1702 in Naples at the Teatro San Bartolimeo. Shortly thereafter Stuck moved to Paris. In 1705, he published the collection ''Für das Jahr 1701'' through the Ballard publishing house. In Paris, he was a member of the Chapelle royale and a cellist in the service of Philippe II, Duke of Orléans. In 1722, he led the cello in the opera orchestra, displacing the bass viol. In 1733 he received Fr ...
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Pieces De Clavecin (Rameau)
Piece or Pieces (not to be confused with peace) may refer to: Arts, entertainment, and media Games * Piece (chess), pieces deployed on a chessboard for playing the game of chess * ''Pieces'' (video game), a 1994 puzzle game for the Super NES * Pieces, parts of a jigsaw puzzle or board game Music Albums * ''Piece'' (Lena Park album), 1998 * ''Piece'' (Monsta X album), 2018 * ''Pieces'' (Bobby Womack album), 1978 * ''Pieces'' (Erik Hassle album), 2010 * ''Pieces'' (IU album), 2021 * ''Pieces'' (Manassas album), 2009 * ''Pieces'' (Matt Simons album) or the title song, 2012 * ''Pieces'' (Michele Stodart album), 2016 * ''Pieces, Part One'', by Epik High, 2008 * ''Pieces'', by Daeg Faerch, 2020 * ''Pieces'', by Kokia, 2011 * ''Pieces'', an EP by Dismember, 1992 Songs * "Piece" (song), by Yui Aragaki, 2009 * "Pieces" (Chase & Status song), 2008 * "Pieces" (Gary Allan song), 2013 * "Pieces" (L'Arc-en-Ciel song), 1999 * "Pieces" (Sum 41 song), 2005 * "Hide"/"Pieces", b ...
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picture info

Jean-Philippe Rameau
Jean-Philippe Rameau (; – ) was a French composer and music theory, music theorist. Regarded as one of the most important French composers and music theorists of the 18th century, he replaced Jean-Baptiste Lully as the dominant composer of French opera and is also considered the leading French composer of his time for the harpsichord, alongside François Couperin. Little is known about Rameau's early years. It was not until the 1720s that he won fame as a major theorist of music with his ''Treatise on Harmony'' (1722) and also in the following years as a composer of masterpieces for the harpsichord, which circulated throughout Europe. He was almost 50 before he embarked on the operatic career on which his reputation chiefly rests today. His debut, ''Hippolyte et Aricie'' (1733), caused a great stir and was fiercely attacked by the supporters of Lully's style of music for its revolutionary use of harmony. Nevertheless, Rameau's pre-eminence in the field of French opera was soon ...
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Michel Pignolet De Montéclair
Michel Pignolet de Montéclair (4 December 1667 – 22 September 1737) was a French composer of the baroque period. He was born Michel Pignolet in Andelot, Haute-Marne, France, and only later added "Montéclair" (the name of a fortress in his home town) to his name. Little is known of his life, and there are no known official portraits. He was the son of a weaver; his entrance into the choir school at the age of nine may have been the only chance of escaping the poverty of a weaver's life. In 1687, he went to Paris and joined the orchestra of the Opera, where he played the basse de violon. In Paris he studied with Jean-Baptiste Moreau. At some point between 1687 and the early years of the new century, he seems to have been ''maître de musique'' to the Prince de Vaudémont and to have followed him to Italy. It was probably from there that he brought the idea to add the double bass to the opera orchestra. All the time Montéclair must have worked as a music teacher of high re ...
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Canzonetta
In music, a canzonetta (; pl. canzonette, canzonetti or canzonettas) is a popular Italian secular vocal composition that originated around 1560. Earlier versions were somewhat like a madrigal but lighter in style—but by the 18th century, especially as it moved outside of Italy, the term came to mean a song for voice and accompaniment, usually in a light secular style. Origins in Italy In its earliest form, the canzonetta was closely related to a popular Neapolitan form, the villanella. The songs were always secular, and generally involved pastoral, irreverent, or erotic subjects. The rhyme and stanza schemes of the poems varied but always included a final "punch line." Typically the early canzonetta was for three unaccompanied voices, moved quickly, and shunned contrapuntal complexity, though it often involved animated cross-rhythms. It was fun to sing, hugely popular, and quickly caught on throughout Italy, paralleling the madrigal, with which it later began to interact. ...
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Jacques Paisible
Jacques Paisible (ca. 16561721), also known as James Peasable or James Paisible, was a French baroque composer and recorder virtuoso who lived and worked in London for about forty years. Paisible arrived in London from France in September 1673, one of the four oboists among the musicians accompanying Robert Cambert. He married Moll Davis, singer and mistress of Charles II, in 1686. He made his living playing the bass violin and composing theater music. He developed a reputation as a first-rate performer on the recorder. Most of his surviving compositions use the recorder in various combinations. His music has been characterized as "craftsmanlike and idiomatic, with no virtuoso pretensions Paisible was a contemporary of Henry Purcell Henry Purcell (, rare: September 1659 – 21 November 1695) was an English composer. Purcell's style of Baroque music was uniquely English, although it incorporated Italian and French elements. Generally considered among the greatest E ... ...
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Nicola Fago
Francesco Nicola Fago, 'II Tarantino' (26 February 1677 – 18 February 1745) was an Italian Baroque composer and teacher. He was the father of Lorenzo Fago (1704-1793).Companion to baroque music Julie Anne Sadie - 1991 "Fago. Neapolitan father and son who were composers and teachers. Francesco Nicola Fago (1677- 1745), known as 'II Tarantino', studied with Provenzale at the Neapolitan Conservatorio S Maria della Pieta dei Turchini, where he himself ...Francesco Nicola's first post was as primo maestro of the Conservatorio di S Onofrio (1704-8), but from 1705 he was based at the Turchini where his pupils included Falco, Feo, Majo, Leo and Jommelli, as well as his own son Lorenzo. Biography Born in Taranto, in the Apulia region, he studied music under Francesco Provenzale at the Conservatorio della Pietà dei Turchini in Naples between 1693 and 1695. Between 1704 and 1708 he worked at the ''Conservatorio Sant'Onofrio'', but from 1705 to 1740 he was based at the ''Conservatori ...
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