Bṛhatkathā
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Bṛhatkathā
''Bṛhatkathā'' (Sanskrit, "the Great Narrative") is an ancient Indian epic, said to have been written by Guṇāḍhya in a poorly-understood language known as Paiśācī. The work no longer exists but several later adaptations — the ''Kathāsaritsāgara'' (''कथासरित्सागर''), ''Bṛhatkathāmañjarī'' (''बृहत्कथामंजरी'') and ''Bṛhatkathāślokasaṃgraha'' (''बृहत्कथाश्लोकसंग्रह'') in Sanskrit, as well as the ''Peruṅkatai'' and ''Vasudevahiṃḍi'' in vernaculars — make commentary on the piece. The date of its composition is uncertain. According to testimonials by later Sanskrit poets such as Daṇḍin, Subandhu, and Bāṇa, the ''Bṛhatkathā'' existed in the 6th century CE. According to other estimates it predates that period by several more centuries. For example, if the story of Udayana by poet Bhāsa (and also later by Harsha in Ratnavali) was inspired by ''Brihatkath ...
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Kathasaritsagara
The ''Kathāsaritsāgara'' ("Ocean of the Streams of Stories") (Devanagari: कथासरित्सागर) is a famous 11th-century collection of Indian legends, fairy tales and folk tales as retold in Sanskrit by the Shaivite Somadeva. ''Kathāsaritsāgara'' contains multiple layers of story within a story and is said to have been adopted from Guṇāḍhya's ''Bṛhatkathā'' ("the Great Narrative"), which was written in a poorly-understood language known as Paiśāchī. The ''Bṛhatkathā'' is no longer extant but several later adaptations still exist — the ''Kathāsaritsāgara'', '' Bṛhatkathamanjari'' and ''Bṛhatkathāślokasaṃgraha''. However, none of these recensions necessarily derives directly from Gunadhya, and each may have intermediate versions. Scholars compare Guṇāḍhya with Vyasa and Valmiki even though he did not write the now long-lost ''Bṛhatkathā'' in Sanskrit. Presently available are its two Sanskrit recensions, the '' Bṛhatkathamanjar ...
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Paisachi Literature
Paishachi or Paisaci () is a largely unattested literary language of the middle kingdoms of India mentioned in Prakrit and Sanskrit grammars of antiquity. It is generally grouped with the Prakrits, with which it shares some linguistic similarities, but is still not considered a spoken Prakrit by the grammarians because it was purely a literary language, and because of its archaicism. Identity The etymology of the name suggests that it is spoken by piśācas, "ghouls". In works of Sanskrit poetics such as Daṇḍin's ''Kavyadarsha'', it is also known by the name of , an epithet which can be interpreted either as a "dead language" (i.e. with no surviving speakers), or as "a language spoken by the dead" (i.e. ghouls or ghosts), the former interpretation being more realistic and the latter being the more fanciful. Evidence which lends support to the former interpretation is that literature in Paiśācī is fragmentary and extremely rare but may have been once common. The Siddha-H ...
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Paiśācī
Paishachi or Paisaci () is a largely unattested literary language of the middle kingdoms of India mentioned in Prakrit and Sanskrit grammars of antiquity. It is generally grouped with the Prakrits, with which it shares some linguistic similarities, but is still not considered a spoken Prakrit by the grammarians because it was purely a literary language, and because of its archaicism. Identity The etymology of the name suggests that it is spoken by piśācas, "ghouls". In works of Sanskrit poetics such as Daṇḍin's ''Kavyadarsha'', it is also known by the name of , an epithet which can be interpreted either as a "dead language" (i.e. with no surviving speakers), or as "a language spoken by the dead" (i.e. ghouls or ghosts), the former interpretation being more realistic and the latter being the more fanciful. Evidence which lends support to the former interpretation is that literature in Paiśācī is fragmentary and extremely rare but may have been once common. The Siddha-H ...
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Paisaci
Paishachi or Paisaci () is a largely unattested literary language of the middle kingdoms of India mentioned in Prakrit and Sanskrit grammars of antiquity. It is generally grouped with the Prakrits, with which it shares some linguistic similarities, but is still not considered a spoken Prakrit by the grammarians because it was purely a literary language, and because of its archaicism. Identity The etymology of the name suggests that it is spoken by piśācas, "ghouls". In works of Sanskrit poetics such as Daṇḍin's ''Kavyadarsha'', it is also known by the name of , an epithet which can be interpreted either as a "dead language" (i.e. with no surviving speakers), or as "a language spoken by the dead" (i.e. ghouls or ghosts), the former interpretation being more realistic and the latter being the more fanciful. Evidence which lends support to the former interpretation is that literature in Paiśācī is fragmentary and extremely rare but may have been once common. The Siddha-H ...
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Gunadhya
Guṇāḍhya is the Sanskrit name of the sixth-century Indian author of the ''Bṛhatkathā'', a large collection of tales attested by Daṇḍin, the author of the ''Kavyadarsha'', Subandhu, the author of ''Vasavadatta'', and Bāṇabhaṭṭa, the author of the ''Kadambari''. Scholars compare Guṇāḍhya with Vyasa and Valmiki even though he did not write the now long-lost ''Brihatkatha'' in Sanskrit; the loss of this text is one of the greatest losses of Indian literature. Presently available are its two Kashmiri Sanskrit recensions, the ''Brihatkathamanjari'' by Kshemendra and the ''Kathasaritsagara'' by Somadeva. Date Guṇāḍhya could have flourished during the reign of a Satavahana dynasty, Satvahana king of Pratishthana (modern-day Paithan, Maharashtra). According to D. C. Sircar, he probably flourished between the 1st century BCE and 3rd century CE. An alternative account, mentioned in the ''Nepala Mahatmya'' of the Skanda Purana, states that Gunadhya was born i ...
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Bṛhatkathāślokasaṃgraha
' (Brihat-katha-shloka-sangraha, बृहत्कथाश्लोकसंग्रह), ''"Verse Abridgment of the Great Story"'', is Budhasvāmin's abridgement into Sanskrit verse of the now lost ''Great Story'' ('). It tells the legend of the youthful exploits of prince Naravāhanadatta (Nara-vahana-datta). Story The main story narrates Naravāhanadatta’s progress culminating in his destined enthronement as the emperor of the vidhyādharas, celestial beings with magical abilities, winning twenty-six wives along the way. The surviving manuscripts of the text break off while he is in pursuit of his sixth wife. The narrative is fast-paced and eschews lengthy description. It is also unusually homogeneous and hasn’t suffered the intrusion of interpolation: Budha·svamin’s laconic style remains consistent throughout. ... Occasional allusions show that Budha·svamin had a thorough grounding in the various sciences that made up the traditional brahmin education ... nda ...
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Gunadhya Legend
Guṇāḍhya is the Sanskrit name of the sixth-century Indian author of the ''Bṛhatkathā'', a large collection of tales attested by Daṇḍin, the author of the ''Kavyadarsha'', Subandhu, the author of ''Vasavadatta'', and Bāṇabhaṭṭa, the author of the '' Kadambari''. Scholars compare Guṇāḍhya with Vyasa and Valmiki even though he did not write the now long-lost ''Brihatkatha'' in Sanskrit; the loss of this text is one of the greatest losses of Indian literature. Presently available are its two Kashmiri Sanskrit recensions, the ''Brihatkathamanjari'' by Kshemendra and the ''Kathasaritsagara'' by Somadeva. Date Guṇāḍhya could have flourished during the reign of a Satvahana king of Pratishthana (modern-day Paithan, Maharashtra). According to D. C. Sircar, he probably flourished between the 1st century BCE and 3rd century CE. An alternative account, mentioned in the ''Nepala Mahatmya'' of the Skanda Purana, states that Gunadhya was born in Mathura, and wa ...
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Bhoot (ghost)
A ''bhoot'' or ''bhuta'' ( sa, भूत, ''bhūta'') is a supernatural creature, usually the ghost of a deceased person, in the popular culture, literature and some ancient texts of the Indian subcontinent. Interpretations of how bhoots come into existence vary by region and community, but they are usually considered to be perturbed and restless due to some factor that prevents them from moving on (to transmigration, non-being, nirvana, or swarga or naraka, depending on tradition). This could be a violent death, unsettled matters in their lives, or simply the failure of their survivors to perform proper funerals. Belief in ghosts has been deeply ingrained in the minds of the people of the subcontinent for generations. There are many allegedly haunted places in the subcontinent, such as cremation grounds, dilapidated buildings, royal mansions, forts, forest bungalows, burning ghats, etc. Ghosts also occupy a significant place in the Bengali culture. Ghosts and various superna ...
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Prakrit Literature
The Prakrits (; sa, prākṛta; psu, 𑀧𑀸𑀉𑀤, ; pka, ) are a group of vernacular Middle Indo-Aryan languages that were used in the Indian subcontinent from around the 3rd century BCE to the 8th century CE. The term Prakrit is usually applied to the middle period of Middle Indo-Aryan languages, excluding earlier inscriptions and the later Pali. ''Prākṛta'' literally means "natural", as opposed to ''saṃskṛta'', which literally means "constructed" or "refined". Prakrits were considered the regional spoken (informal) languages of people, and Sanskrit was considered the standardized (formal) language used for literary, official and religious purposes across Indian kingdoms of the subcontinent. Literary registers of Prakrits were also used contemporaneously (predominantly by śramaṇa traditions) alongside Classical Sanskrit of higher social classes. Etymology The dictionary of Monier Monier-Williams (1819–1899), and other modern authors however, interpret th ...
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History Of Literature In India
History (derived ) is the systematic study and the documentation of the human activity. The time period of event before the invention of writing systems is considered prehistory. "History" is an umbrella term comprising past events as well as the memory, discovery, collection, organization, presentation, and interpretation of these events. Historians seek knowledge of the past using historical sources such as written documents, oral accounts, art and material artifacts, and ecological markers. History is not complete and still has debatable mysteries. History is also an academic discipline which uses narrative to describe, examine, question, and analyze past events, and investigate their patterns of cause and effect. Historians often debate which narrative best explains an event, as well as the significance of different causes and effects. Historians also debate the nature of history as an end in itself, as well as its usefulness to give perspective on the problems of the p ...
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Indian Poetics
Indian or Indians may refer to: Peoples South Asia * Indian people, people of Indian nationality, or people who have an Indian ancestor ** Non-resident Indian, a citizen of India who has temporarily emigrated to another country * South Asian ethnic groups, referring to people of the Indian subcontinent, as well as the greater South Asia region prior to the 1947 partition of India * Anglo-Indians, people with mixed Indian and British ancestry, or people of British descent born or living in the Indian subcontinent * East Indians, a Christian community in India Europe * British Indians, British people of Indian origin The Americas * Indo-Canadians, Canadian people of Indian origin * Indian Americans, American people of Indian origin * Indigenous peoples of the Americas, the pre-Columbian inhabitants of the Americas and their descendants ** Plains Indians, the common name for the Native Americans who lived on the Great Plains of North America ** Native Americans in the Uni ...
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Kubera
Kubera ( sa, कुबेर, translit=Kuberā) also known as Kuvera, Kuber and Kuberan, is the god of wealth, and the god-king of the semi-divine yakshas in Hinduism. He is regarded as Guardians of the directions, the regent of the north (''Dikpala''), and a protector of the world (''Lokapala''). His many epithets extol him as the overlord of numerous semi-divine species, and the owner of the treasures of the world. Kubera is often depicted with a plump body, adorned with jewels, and carrying a money-pot and a club. Originally described as the chief of evil spirits in Veda, Vedic-era texts, Kubera acquired the status of a ''Deva (Hinduism), deva'' (god) only in the Puranas, ''Purana''s and the Hindu epics. The scriptures describe that Kubera once ruled Lanka, but was overthrown by his half-brother Ravana, later settling in the city of Alaka in the Himalayas. Descriptions of the "glory" and "splendour" of Kubera's city are found in many scriptures. Kubera has also been assim ...
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