Byvalschina
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Byvalschina
(in ) is a short oral story in Russian folklore about a supernatural incident: a case that took place in reality, without focusing on the personal testimony of the narrator (in contrast to the ''bailichka'', where the story is conducted on behalf of the "eyewitness"). It echoes the term ''urban legend''. (in comparison with ''bailichka'') is already closer to legends and fairy tales ("people say that..."). History The terms and became known among the people no later than the 19th century. At the end of the 19th and beginning of the 20th centuries, Dmitry Sadovnikov, Pyotr Efimenko, Nikolai Onchukov, Dmitry Zelenin, Boris and Yuri Sokolov, and Irina Karnaukhova collected and . A more complete study of the took place in the second half of the 20th century. proposed a clear distinction between the terms and : "the term corresponds to the concept of superstitious memorat... From the , tradition, that is, the plot... the is distinguished by ... formlessness, singulari ...
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Bailichka
(in ) is a story from Russian folklore Folklore of Russia is folklore of Russians and other ethnic groups of Russia. Russian folklore takes its roots in the pagan beliefs of ancient Slavs and now is represented in the Russian fairy tales. Epic Russian bylinas are also an important ... about an allegedly true event involving a meeting with spirits. In contrast to the ''byvalschina'', here the story is conducted with an emphasis on the personal testimony of the narrator. See also * Byvalschina References *Померанцева Э. В. Мифологические персонажи в русском фольклоре. М., 1975. — С. 16-18. *Зиновьев В. П. Быличка как жанр фольклора и её современные судьбы // Мифологические рассказы русского населения Восточной Сибири. — Новосибирск, 1987. — С. 381—383. Russian folklore {{fantasy-stor ...
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Bailichka
(in ) is a story from Russian folklore Folklore of Russia is folklore of Russians and other ethnic groups of Russia. Russian folklore takes its roots in the pagan beliefs of ancient Slavs and now is represented in the Russian fairy tales. Epic Russian bylinas are also an important ... about an allegedly true event involving a meeting with spirits. In contrast to the ''byvalschina'', here the story is conducted with an emphasis on the personal testimony of the narrator. See also * Byvalschina References *Померанцева Э. В. Мифологические персонажи в русском фольклоре. М., 1975. — С. 16-18. *Зиновьев В. П. Быличка как жанр фольклора и её современные судьбы // Мифологические рассказы русского населения Восточной Сибири. — Новосибирск, 1987. — С. 381—383. Russian folklore {{fantasy-stor ...
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Folklore Of Russia
Folklore of Russia is folklore of Russians and other ethnic groups of Russia. Russian folklore takes its roots in the pagan beliefs of ancient Slavs and now is represented in the Russian fairy tales._Epic_Russian_ олше́бн_...s._Epic_Russian_bylinas_are_also_an_important_part_of_Slavic_paganism.html" ;"title="bylina.html" ;"title="олше́бн ...s. Epic Russian bylina">олше́бн ...s. Epic Russian bylinas are also an important part of Slavic paganism">bylina.html" ;"title="олше́бн ...s. Epic Russian bylina">олше́бн ...s. Epic Russian bylinas are also an important part of Slavic paganism. The oldest bylinas of Kievan cycle were recorded in the Northwestern Federal District, Russian North, especially in Karelia, where most of the Finnish people, Finnish national epic Kalevala was recorded as well. In the late 19th-century Russian fairy tales began being translated into English, with ''Russian Folk Tales'' (1873) by William Ralston, and ''Tales and Le ...
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Urban Legend
An urban legend (sometimes contemporary legend, modern legend, urban myth, or urban tale) is a genre of folklore comprising stories or fallacious claims circulated as true, especially as having happened to a "friend of a friend" or a family member, often with horrifying, humorous, or cautionary elements. These legends can be entertaining but often concern mysterious peril or troubling events, such as disappearances and strange objects or entities. Urban legends may confirm moral standards, reflect prejudices, or be a way to make sense of societal anxieties. Urban legends in the past were most often circulated orally, but now can also be spread by any media. This includes newspapers, mobile news apps, e-mail, and most often, social media. Some urban legends have passed through the years/decades with only minor changes, in where the time period takes place. Generic urban legends are often altered to suit regional variations, but the lesson or moral remains majorly the same. Or ...
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Legend
A legend is a Folklore genre, genre of folklore that consists of a narrative featuring human actions, believed or perceived, both by teller and listeners, to have taken place in human history. Narratives in this genre may demonstrate human values, and possess certain qualities that give the tale verisimilitude (literature), verisimilitude. Legend, for its active and passive participants may include miracles. Legends may be transformed over time to keep them fresh and vital. Many legends operate within the realm of uncertainty, never being entirely believed by the participants, but also never being resolutely doubted. Legends are sometimes distinguished from myths in that they concern human beings as the main characters rather than gods, and sometimes in that they have some sort of historical basis whereas myths generally do not. The Brothers Grimm defined ''legend'' as "Folklore, folktale historically grounded". A by-product of the "concern with human beings" is the long list o ...
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Fairy Tales
A fairy tale (alternative names include fairytale, fairy story, magic tale, or wonder tale) is a short story that belongs to the folklore genre. Such stories typically feature magic, enchantments, and mythical or fanciful beings. In most cultures, there is no clear line separating myth from folk or fairy tale; all these together form the literature of preliterate societies. Fairy tales may be distinguished from other folk narratives such as legends (which generally involve belief in the veracity of the events described) and explicit moral tales, including beast fables. In less technical contexts, the term is also used to describe something blessed with unusual happiness, as in "fairy-tale ending" (a happy ending) or "fairy-tale romance". Colloquially, the term "fairy tale" or "fairy story" can also mean any far-fetched story or tall tale; it is used especially of any story that not only is not true, but could not possibly be true. Legends are perceived as real within their cul ...
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Dmitry Sadovnikov
Dmitry Nikolayevich Sadovnikov (Дмитрий Николаевич Садовников, 7 May 1847 in Simbirsk, Russian Empire – 31 December 1883 in Saint Petersburg, Russian Empire) was a Russian poet, folklorist and ethnographer. Among his major works were acclaimed compilations ''«Загадки русского народа»'' he Mysteries of Russian People(1876), "The Pagan Dreams of Russia" (1882) and ''«Записки Императорского Русского географического общества»'' ables and Legends of the Samara Region(1884). Works Notable works include : *''«Русская земля, Жегули и Усолье на Волге»'' ussian land, Zheguli and Usolye on the Volga (in journal «Беседа», 1872, № 11 и 12), *''«Подвиги русских людей»'' eroic deeds of Russian people(in «Грамотей», 1873, № 1, 2, 3, 8, 11 и 12) *''«Загадки русского народа»'' he My ...
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Petro Yefymenko
Petro Yefymenko (or Jefymenko Ukrainian: Петро Єфименко, pseud. Petro Odynets), (2 September 1835, in Velykyi Tokmak, Berdiansk county, Ukraine – 7 May 1908, in Saint Petersburg, Russia) was a Ukrainian ethnographer and historian, statistician by profession. Life and work Petro Yefymenko studied at Kharkiv University until his expulsion (1855-1858) and Moscow University (1858–1859). As a student, he belonged to secret student societies, including Kharkiv-Kyiv Secret Society (1856-1860). In 1860 Petro Yefymenko was accused of Ukrainian separatism. He was arrested and exiled for 10 years to Perm and then Arkhangelsk, Russia. During his exile, Petro Yefymenko collected materials on the local ethnography, folklore and law. His publications on this topic include: ''Pridanoe po obychnomu pravu krestyan v Arkhangelskoi Gubernii'' [Dowry according to the customary law of the peasants of Arkhangelsk governorate], Saint Petersburg, Saint Peteresburg, 1873. Petro Yefymenk ...
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Dmitry Konstantinovich Zelenin
Dmitry Konstantinovich Zelenin (russian: Дми́трий Константи́нович Зеле́нин; November 2, 1878 – August 31, 1954) was a Russian and Soviet linguist and ethnographer. He was born in an Udmurt village near Sarapul, where his father was a parish clerk. He attended the Vyatka seminary and the Dorpat University. As of 1915, he read lectures on Slavic dialects at the Petrograd University. He argued that the East Slavs comprise four distinct branches (North Russians, South Russians, Little Russians and White Russians) and outlined some subtle differences between East Slavic dialects. In the early 20th century, Zelenin collected fairy tales and chastushkas in his native region and the Northern Urals. This collection of folk tales was extensively used by his disciple Vladimir Propp. He was also the first to explore the concept of " unclean dead" in the Slavic folklore. In 1927, Max Vasmer published Zelenin's magnum opus, ''Russische (Ostslavische) Volksku ...
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Yuri Sokolov
Yuri Sokolov (died 1941), in cooperation with his brother Boris, released the book ''Russian Folklore'' in 1938. It became the first textbook on the topic of Russian Folklore to be used in the Russian Universities. The information for the book was based on extensive field work that the two had conducted. Due to the popularity of the book, Sokolov was appointed to a plethora of positions in the field of folklore. The highest position in the field of folklore that he attained in his career came in 1938 with his election as the Chair of Folklore at Moscow's Institute of Philosophy, History, and Literature. ''Russian Folklore'' became one of the biggest staple texts for any non-Russian folklore or anthropology scholar who was studying the Russian or Soviet society largely because of his influence in the folklore field. The work is divided into 3 sections that describe the different eras of folklore. Since he did field work both before and after the Soviets took over in the Octo ...
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