Bust Of Cardinal Maurizio Of Savoy
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Bust Of Cardinal Maurizio Of Savoy
The ''Bust of Cardinal Maurizio of Savoy'' is a marble portrait bust by the Flemish sculptor François Duquesnoy. The sculpture was completed in 1635. It portrays Maurice of Savoy, of whom Duquesnoy became a "well-favored" in the 1630s. The bust is the final documented portrait by Duquesnoy. It is currently housed at the Galleria Sabauda in Turin. Sculpture The bust is indicative of a close collaboration between artist and commissioner, which lends credit to Gian Pietro Bellori's claim that Duquesnoy "became well-favored" by Maurizio. Bellori, one of Duquesnoy's biographers, made it a point that the bust (and Duquesnoy's final known portrait) was realized in 1635. Bellori wrote about the work: "Prince Maurizio, Cardinal of Savoy, made in marble in the year 1635." Bellori added that Duquesnoy had "won great favor with this nobleman." The Cardinal possibly was the only patron who managed to obtain Duquesnoy's services in the mid-1630s, when Duquesnoy's health was in steep decline. ...
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François Duquesnoy
François Duquesnoy or Frans Duquesnoy (12 January 1597 – 18 July 1643) was a Flanders, Flemish Baroque sculptor who was active in Rome for most of his career. His idealized representations are often contrasted with the more emotional character of Gian Lorenzo Bernini, Bernini's works, while his style shows a great affinity to Alessandro Algardi, Algardi's sculptures. Early years Duquesnoy was born in Brussels. Having come from Flanders, Duquesnoy was called ''Il Fiammingo'' by the Italians and ''François Flamand'' by the French. His father, erôme Duquesnoy (I), Jerôme Duquesnoy the Elder, sculptor of the ''Manneken Pis'' fountain in Brussels (1619), was the court sculptor to Archduchess Isabella and Archduke Albert (1559-1621), Archduke Albert, governor of the Low Countries. Sculptor Jerôme Duquesnoy (II), Jerôme Duquesnoy, the younger was his brother. Some of Francois' early work in Brussels attracted the notice of the Archduke, who gave him the wherewithal to study in Ro ...
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Saint Susanna (Duquesnoy)
The ''Saint Susanna'' is a marble sculpture by François Duquesnoy. The work is one of four sculptures of Roman virgin martyrs commissioned by the Bakers' Guild to decorate the church of Santa Maria di Loreto in Rome. It was completed in the course of four years from 1629 to 1633. Giovanni Pietro Bellori, comparing Duquesnoy's achievement with the Saint Susanna to that of Polyclitus with his Doryphoros and its '' Kanon'', commented '' uquesnoy hasleft to modern sculptors the example for statues of clothed figures, making him more than the equal of the best ancient sculptor.'' The statue is considered by modern scholars an exemplification of Duquesnoy's 'Greek ideal,' which included an approach to drapery unpopular at the time, established through the study of antique models selected by Duquesnoy. Duquesnoy's ''maniera greca'' would later influence Johann Joachim Winckelmann, and through him the Neoclassicism movement. Jacob Burckhardt regarded the sculpture as "the best statue o ...
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Sculptures By François Duquesnoy
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, and this has been lost.
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Marble Sculptures
Marble is a metamorphic rock composed of recrystallized carbonate minerals, most commonly calcite or dolomite. Marble is typically not foliated (layered), although there are exceptions. In geology, the term ''marble'' refers to metamorphosed limestone, but its use in stonemasonry more broadly encompasses unmetamorphosed limestone. Marble is commonly used for sculpture and as a building material. Etymology The word "marble" derives from the Ancient Greek (), from (), "crystalline rock, shining stone", perhaps from the verb (), "to flash, sparkle, gleam"; R. S. P. Beekes has suggested that a "Pre-Greek origin is probable". This stem is also the ancestor of the English word "marmoreal," meaning "marble-like." While the English term "marble" resembles the French , most other European languages (with words like "marmoreal") more closely resemble the original Ancient Greek. Physical origins Marble is a rock resulting from metamorphism of sedimentary carbonate rocks, mo ...
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Collections Of The Galleria Sabauda
Collection or Collections may refer to: * Cash collection, the function of an accounts receivable department * Collection (church), money donated by the congregation during a church service * Collection agency, agency to collect cash * Collections management (museum) ** Collection (museum), objects in a particular field forms the core basis for the museum ** Fonds in archives ** Private collection, sometimes just called "collection" * Collection (Oxford colleges), a beginning-of-term exam or Principal's Collections * Collection (horse), a horse carrying more weight on his hindquarters than his forehand * Collection (racehorse), an Irish-bred, Hong Kong based Thoroughbred racehorse * Collection (publishing), a gathering of books under the same title at the same publisher * Scientific collection, any systematic collection of objects for scientific study Collection may also refer to: Computing * Collection (abstract data type), the abstract concept of collections in computer sc ...
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1635 In Art
Events from the year 1635 in art. Events *Nicolas Poussin begins work on ''The Triumph of Pan'' and ''The Triumph of Bacchus'' to decorate Cardinal Richelieu's château. *Joyous Entry, Joyous Entries of Cardinal-Infante Ferdinand of Austria into Antwerp and Ghent. Works * Gerard ter Borch – ''Consultation'' * Abraham Bosse – ''Der Ball'' ("The Ball") * Chen Hongshou – '':File:Chen hongshou selfportrait,1635.jpg, Self-portrait'' * Philippe de Champaigne – ''Louis XIII Crowned by Victory'' * Dirck van Delen – ''Palace Courtyard with Figures'' * Jan van Goyen – ''Landscape with travellers outside a tavern'' * Juan Bautista Mayno – ''The Recovery of Bahía de Todos los Santos'' * Rembrandt **''The Rape of Ganymede (Rembrandt), The Rape of Ganymede'' **''Belshazzar's Feast (Rembrandt), Belshazzar's Feast'' **''Portrait of a Young Man with a Golden Chain'' ''(attributed)'' **''The Sacrifice of Abraham'' **''Self-portrait wearing a white feathered bonnet'' (Buckland ...
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1630s Sculptures
Year 163 ( CLXIII) was a common year starting on Friday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Laelianus and Pastor (or, less frequently, year 916 '' Ab urbe condita''). The denomination 163 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Marcus Statius Priscus re-conquers Armenia; the capital city of Artaxata is ruined. Births * Cui Yan (or Jigui), Chinese official and politician (d. 216) * Sun Shao (or Changxu), Chinese chancellor (d. 225) * Tiberius Claudius Severus Proculus, Roman politician * Xun Yu, Chinese politician and adviser (d. 212) Deaths * Kong Zhou, father of Kong Rong (b. 103) * Marcus Annius Libo Marcus Annius Libo was a Roman Senator active in the early second century AD. Life Libo came from the upper ranks of the Roman aristocr ...
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Van Dyck
Sir Anthony van Dyck (, many variant spellings; 22 March 1599 – 9 December 1641) was a Brabantian Flemish Baroque artist who became the leading court painter in England after success in the Southern Netherlands and Italy. The seventh child of Frans van Dyck, a wealthy Antwerp silk merchant, Anthony painted from an early age. He was successful as an independent painter in his late teens, and became a master in the Antwerp guild in 1618. By this time he was working in the studio of the leading northern painter of the day, Peter Paul Rubens, who became a major influence on his work. Van Dyck worked in London for some months in 1621, then returned to Flanders for a brief time, before travelling to Italy, where he stayed until 1627, mostly in Genoa. In the late 1620s he completed his greatly admired ''Iconography'' series of portrait etchings, mostly of other artists. He spent five years in Flanders after his return from Italy, and from 1630 was court painter for the archd ...
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Victor Amadeus I, Duke Of Savoy
Victor Amadeus I ( it, Vittorio Amedeo I di Savoia; 8 May 1587 – 7 October 1637) was the Duke of Savoy from 1630 to 1637. He was also known as the ''Lion of Susa''.Profile
treccani.it; accessed 18 February 2015.


Biography

He was born in , to and

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Northern Italy
Northern Italy ( it, Italia settentrionale, it, Nord Italia, label=none, it, Alta Italia, label=none or just it, Nord, label=none) is a geographical and cultural region in the northern part of Italy. It consists of eight administrative regions: Aosta Valley, Piedmont, Liguria, Lombardy, Emilia-Romagna, Veneto, Friuli-Venezia Giulia and Trentino-Alto Adige. As of 2014, its population was 27,801,460. Rhaeto-Romance and Gallo-Italic languages are spoken in the region, as opposed to the Italo-Dalmatian languages spoken in the rest of Italy. The Venetian language is sometimes considered to be part of the Italo-Dalmatian languages, but some major publications such as '' Ethnologue'' (to which UNESCO refers on its page about endangered languages) and '' Glottolog'' define it as Gallo-Italic. For statistic purposes, the Istituto Nazionale di Statistica (ISTAT) uses the terms Northwest Italy and Northeast Italy for two of Italy's five statistical regions in its reporting. These same su ...
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The Art Bulletin
The College Art Association of America (CAA) is the principal organization in the United States for professionals in the visual arts, from students to art historians to emeritus faculty. Founded in 1911, it "promotes these arts and their understanding through advocacy, intellectual engagement, and a commitment to the diversity of practices and practitioners." CAA currently has individual members across the United States and internationally; and institutional members, such as libraries, academic departments, and museums located in the United States. The organization's programs, standards and guidelines, advocacy, intellectual engagement, and commitment to the diversity of practices and practitioners, align with its broad and diverse membership. CAA publications, programs and grants CAA publishes several academic journals, including ''The Art Bulletin'', one of the foremost journals for art historians in English, and '' Art Journal'', a quarterly journal devoted to twentieth- and t ...
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Cardinal Maurizio Of Savoy
Maurice of Savoy (10 January 1593 – 4 October 1657, Turin) was a Prince of Savoy and a 17th-century cardinal Cardinal or The Cardinal may refer to: Animals * Cardinal (bird) or Cardinalidae, a family of North and South American birds **''Cardinalis'', genus of cardinal in the family Cardinalidae **''Cardinalis cardinalis'', or northern cardinal, the .... Life He was the son of Charles Emmanuel I, Duke of Savoy and Infanta Catherine Michelle of Spain. Aged 14, in 1607, he became cardinal and bishop of Vercelli. In 1626, Maurizio founded in Rome the artistic and literary Accademia dei Desiosi, one of the most significant academies of the time. On 4 June 1627 he became the abbot of the monastery at Abondance and in 1637, on the death of his elder brother Victor Amadeus I, he and his brother Thomas claimed the regency of the duchy against Victor Amadeus's widow Christine Marie of France, but the king supported Christine and confirmed her as regent. In 1642 he le ...
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