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Bumper Music
Bumper music, or a bump, is a term used in the radio broadcasting industry to refer to short clips of signature songs or theme music used to buffer transitions between programming elements, typically lasting no longer than fifteen seconds. It is also a term for music played at music venues such as concerts before showtime, to fill the air, with a musical atmosphere. Bumper music is commonly employed when a syndicated program takes a break for local station identification or "goes to a radio advertisement". More often than not it is called a "bump" in today's radio; NPR also uses the term "button". It is also referred to as "rejoiner music" when the bumper music marks the end of a local break on a radio network. See also *Continuity (broadcasting) *Bumper (broadcasting) *Sting (musical phrase) *Theme music *Voice-over Voice-over (also known as off-camera or off-stage commentary) is a production technique where a voice—that is not part of the narrative (non-Diegetic#Film s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radio Broadcasting
Radio broadcasting is transmission of audio (sound), sometimes with related metadata, by radio waves to radio receivers belonging to a public audience. In terrestrial radio broadcasting the radio waves are broadcast by a land-based radio station, while in satellite radio the radio waves are broadcast by a satellite in Earth orbit. To receive the content the listener must have a broadcast radio receiver (''radio''). Stations are often affiliated with a radio network which provides content in a common radio format, either in broadcast syndication or simulcast or both. Radio stations broadcast with several different types of modulation: AM radio stations transmit in AM ( amplitude modulation), FM radio stations transmit in FM (frequency modulation), which are older analog audio standards, while newer digital radio stations transmit in several digital audio standards: DAB (digital audio broadcasting), HD radio, DRM ( Digital Radio Mondiale). Television broadcasting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Signature Songs
A signature song is the one song (or, in some cases, one of a few songs) that a popular and well-established recording artist or band is most closely identified with or best known for. This is generally differentiated from a one-hit wonder in that the artist usually has had success with other songs as well. A signature song may be a song that spearheads an artist's initial mainstream breakthrough, a song that revitalizes an artist's career, or a song that simply represents a high point in an artist's career. Often, a signature song will feature trademark characteristics of an artist and may encapsulate the artist's particular sound and style. Signature songs can be the result of spontaneous public identification, or a marketing tool developed by the music industry to promote artists, sell their recordings, and develop a fan base. Artists and bands with a signature song are generally expected to perform it at every concert appearance, often as an encore on concert tours, sometimes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theme Music
Theme music is a musical composition that is often written specifically for radio programming, television shows, video games, or films and is usually played during the title sequence, opening credits, closing credits, and in some instances at some point during the program. The purpose of a theme song is often similar to that of a leitmotif. The phrase theme song or signature tune may also be used to refer to a signature song that has become especially associated with a particular performer or dignitary, often used as they make an entrance. Purpose From the 1950s onwards, theme music, and especially theme songs also became a valuable source of additional revenue for Hollywood film studios, many of which launched their own recording arms. This period saw the beginning of more methodical cross-promotion of music and movies. One of the first big successes, which proved very influential, was the theme song for '' High Noon'' (1952). Celebrities In the early years of radio and tele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bumper (broadcasting)
In broadcasting, a commercial bumper, ident bumper, or break-bumper (often shortened to bump) is a brief announcement, usually two to fifteen seconds in length that can contain a voice over, placed between a pause in the program and its commercial break, and vice versa. The host, the program announcer, or a continuity announcer states the title (if any) of the presentation, the name of the program, and the broadcast or cable network, though not necessarily in that order. On children's television networks, they are sometimes called external eyecatches due to the resemblance of internal eyecatches in anime and there is usually no voice over, but some bumpers do feature one. Bumper music, often a recurring signature or theme music segment, is nearly always featured. Bumpers can vary from simple text to short films. United States Since 1976, most network television programs in the United States no longer use commercial bumpers; although some soap operas such as ''Days of Our Lives' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Broadcast Syndication
Broadcast syndication is the practice of leasing the right to broadcasting television shows and radio programs to multiple television stations and radio stations, without going through a broadcast network. It is common in the United States where broadcast programming is scheduled by television networks with local independent affiliates. Syndication is less widespread in the rest of the world, as most countries have centralized networks or television stations without local affiliates. Shows can be syndicated internationally, although this is less common. Three common types of syndication are: ''first-run'' syndication, which is programming that is broadcast for the first time as a syndicated show and is made specifically to sell directly into syndication; ''off-network'' syndication (colloquially called a "rerun"), which is the licensing of a program whose first airing was on network TV or in some cases, first-run syndication;Campbell, Richard, Christopher R. Martin, and Bettina ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Station Identification
Station identification (ident, network ID or channel ID or bumper) is the practice of radio and television stations and broadcast network, networks identifying themselves on-air, typically by means of a call sign or brand name (sometimes known, particularly in the United States, as a "sounder" or "stinger", more generally as a station or network ID). This may be to satisfy requirements of licensing authorities, a form of branding, or a combination of both. As such, it is closely related to production logos, used in television and cinema alike. Station identification used to be done regularly by an announcer at the halfway point during the presentation of a television program, or in between programs. Asia Idents are known as a ''montage'' in Thailand and the Malay world (except Indonesia), and as an ''interlude'' in Cambodia and Vietnam. Philippines Station identifications in the Philippines differ from the vernacular meaning in most of the world. They describe what would be r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radio Advertisement
In the United States, commercial radio stations make most of their revenue by selling airtime to be used for running radio advertisements. These advertisements are the result of a business or a service providing a valuable consideration, usually money, in exchange for the station airing their commercial or mentioning them on air. The most common advertisements are "spot commercials", which normally last for no more than one minute, and longer programs, commonly running up to one hour, known as " informercials". The United States Federal Communications Commission (FCC), established under the Communications Act of 1934, regulates commercial broadcasting, and the laws regarding radio advertisements remain relatively unchanged from the Radio Act of 1927. In 2015, radio accounted for 7.8% of total U.S. media expenditures. History Commercial advertising by audio services goes back to even before the introduction of radio broadcasting, beginning with the 1893 establishment of telepho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radio Network
There are two types of radio network currently in use around the world: the one-to-many (simplex communication) broadcast network commonly used for public information and mass-media entertainment, and the two-way radio ( duplex communication) type used more commonly for public safety and public services such as police, fire, taxicabs, and delivery services. Cell phones are able to send and receive simultaneously by using two different frequencies at the same time. Many of the same components and much of the same basic technology applies to all three. The two-way type of radio network shares many of the same technologies and components as the broadcast-type radio network but is generally set up with fixed broadcast points (transmitters) with co-located receivers and mobile receivers/transmitters or transceivers. In this way both the fixed and mobile radio units can communicate with each other over broad geographic regions ranging in size from small single cities to entire states/prov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Continuity (broadcasting)
In broadcasting, continuity or presentation (or station break in the United States, U.S. and Canada) is announcements, messages and graphics played by the broadcaster between specific Television program, programmes. It typically includes programme schedules, announcement of the programme immediately following and trailers or descriptions of forthcoming programmes. Continuity can be spoken by an announcer or displayed in text over graphics. On television continuity generally coincides with a display of the broadcaster's logo or ident. Advertisements are generally not considered part of continuity because they are advertising another company. A continuity announcer is a broadcasting, broadcaster whose voice (and, in some cases, face) appears between radio or television programmes to give programme information. Continuity announcers tell viewers and listeners which channel they are watching or listening to at the moment (or which station they are tuned to), what they are about to se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sting (musical Phrase)
A sting, sometimes called a sounder, is a short musical phrase, primarily used in broadcasting and films as a form of punctuation. For example, a sting might be used to introduce a regular section of a show, indicate the end of a scene, or indicate that a dramatic climax is imminent. A classic sting is the Dun dun duuun! played to indicate a period of suspense. It can be played on a variety of instruments and performed by a group or orchestral ensemble. Another form of sting, often mistakenly called a rimshot, is used only in comedy and played just on percussion instruments (such as drums or cymbals) as a payoff after the delivery of a punchline. A musical sting can be used in drama, comedy, horror or any genre, and in radio and television advertising. It is a part of the music director's lexicon. It is often used to build tension. Stings are often used in horror movies to accentuate jump scares, called a "scare chord". See also *Bumper music *Stab (music) *Sting (percussion) * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theme Music
Theme music is a musical composition that is often written specifically for radio programming, television shows, video games, or films and is usually played during the title sequence, opening credits, closing credits, and in some instances at some point during the program. The purpose of a theme song is often similar to that of a leitmotif. The phrase theme song or signature tune may also be used to refer to a signature song that has become especially associated with a particular performer or dignitary, often used as they make an entrance. Purpose From the 1950s onwards, theme music, and especially theme songs also became a valuable source of additional revenue for Hollywood film studios, many of which launched their own recording arms. This period saw the beginning of more methodical cross-promotion of music and movies. One of the first big successes, which proved very influential, was the theme song for '' High Noon'' (1952). Celebrities In the early years of radio and tele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice-over
Voice-over (also known as off-camera or off-stage commentary) is a production technique where a voice—that is not part of the narrative (non-Diegetic#Film sound and music, diegetic)—is used in a radio, television production, filmmaking, theatre, or other presentations. The voice-over is read from a script and may be spoken by someone who appears elsewhere in the production or by a specialist voice actor. Synchronous dialogue, where the voice-over is narrating the action that is taking place at the same time, remains the most common technique in voice-overs. Asynchronous, however, is also used in cinema. It is usually prerecorded and placed over the top of a film or video and commonly used in Documentary film, documentaries or news reports to explain information. Voice-overs are used in video games and on-hold messages, as well as for announcements and information at events and tourist destinations. It may also be read live for events such as award presentations. Voice-over ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
