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Buddy Rich Just Sings
''Buddy Rich Just Sings'' is a 1957 studio album by Buddy Rich, one of three vocal albums that Rich recorded. The album has also been re-issued on CD with the contents of '' The Voice is Rich'' added as 'bonus' material. Track listing # "Cathy" (Mel Tormé) – 3:24 # " Between the Devil and the Deep Blue Sea" (Harold Arlen, Ted Koehler) – 4:09 # "It's All Right with Me" (Arlen, Yip Harburg) – 2:32 # " Over the Rainbow" (Arlen, Harburg) – 4:19 # "You Took Advantage of Me" (Richard Rodgers, Lorenz Hart) – 3:43 # "Can't We Be Friends?" ( Paul James, Kay Swift) – 3:29 # "It's Only a Paper Moon" (Arlen, Harburg) – 2:52 # "My Melancholy Baby" (Ernie Burnett, George A. Norton) – 3:03 # "Cheek to Cheek" (Irving Berlin) – 5:01 # "It Don't Mean a Thing (If It Ain't Got That Swing)" (Duke Ellington, Irving Mills) – 3:05 # "I Hadn't Anyone Till You" (Ray Noble) – 3:39 Personnel * Ben Webster - tenor saxophone * Buddy Rich - vocals, drums * Alvin Stoller - drums * Ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddy Rich
Bernard "Buddy" Rich (September 30, 1917 – April 2, 1987) was an American jazz drummer, songwriter, conductor, and bandleader. He is considered one of the most influential drummers of all time. Rich was born and raised in Brooklyn, New York, United States. He discovered his affinity for jazz music at a young age and began drumming at the age of two. He began playing jazz in 1937, working with acts such as Bunny Berigan, Artie Shaw, Tommy Dorsey, Count Basie, and Harry James. From 1942 to 1944, Rich served in the U.S. Marines. From 1945 to 1948, he led the Buddy Rich Orchestra. In 1966, he recorded a big-band style arrangement of songs from ''West Side Story''. He found lasting success in 1966 with the formation of the Buddy Rich Big Band, also billed as the Buddy Rich Band and The Big Band Machine. Rich was known for his virtuoso technique, power, and speed. He was an advocate of the traditional grip, though he occasionally used matched grip when playing the toms. Despite h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Rodgers
Richard Charles Rodgers (June 28, 1902 – December 30, 1979) was an American Musical composition, composer who worked primarily in musical theater. With 43 Broadway musicals and over 900 songs to his credit, Rodgers was one of the most well-known American composers of the 20th century, and his compositions had a significant influence on popular music. Rodgers is known for his songwriting partnerships, first with lyricist Lorenz Hart and then with Oscar Hammerstein II. With Hart he wrote musicals throughout the 1920s and 1930s, including ''Pal Joey (musical), Pal Joey'', ''A Connecticut Yankee (musical), A Connecticut Yankee'', ''On Your Toes'' and ''Babes in Arms.'' With Hammerstein he wrote musicals through the 1940s and 1950s, such as ''Oklahoma!'', ''Flower Drum Song'', ''Carousel (musical), Carousel'', ''South Pacific (musical), South Pacific'', ''The King and I'', and ''The Sound of Music''. His collaborations with Hammerstein, in particular, are celebrated for brin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ben Webster
Benjamin Francis Webster (March 27, 1909 – September 20, 1973) was an American jazz tenor saxophonist. Career Early life and career A native of Kansas City, Missouri, he studied violin, learned how to play blues on the piano from Pete Johnson, and received saxophone lessons from Budd Johnson. He played with Lester Young in the Young Family Band. He recorded with Blanche Calloway and became a member of the Bennie Moten Orchestra with Count Basie, Hot Lips Page, and Walter Page. For the rest of the 1930s, he played in bands led by Willie Bryant, Benny Carter, Cab Calloway, Fletcher Henderson, Andy Kirk (musician), Andy Kirk, and Teddy Wilson. With Ellington Webster was a soloist with the Duke Ellington Orchestra from 1940, appearing on "Cotton Tail". He considered Johnny Hodges, an alto saxophonist in the Ellington orchestra, a major influence on his playing. Gunther Schuller wrote in 1989 that Hodges influence pushed him away from his original inspiration, Coleman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ray Noble
Raymond Stanley Noble (17 December 1903 – 2 April 1978) was an English jazz and big band musician, who was a bandleader, composer and arranger, as well as a radio host, television and film comedian and actor; he also performed in the United States. Noble wrote both lyrics and music for many popular songs during the British dance band era, known as the "Golden Age of British music", notably for his longtime friend and associate Al Bowlly, including "Love Is the Sweetest Thing", "Cherokee", "The Touch of Your Lips", "I Hadn't Anyone Till You", and his signature tune, "The Very Thought of You". Noble played a radio comedian opposite American ventriloquist Edgar Bergen's stage act of Mortimer Snerd and Charlie McCarthy, and American comedy duo Burns and Allen, later transferring these roles from radio to TV and popular films. Early life and career Noble was born at 1 Montpelier Terrace in the Montpelier area of Brighton, England. A blue plaque on the house commemorates him. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Hadn't Anyone Till You
I Hadn't Anyone Till You" is a popular song written by Ray Noble in 1938. It has been recorded by many artists and is regarded as a standard. Tony Martin sang it with the Ray Noble band in 1938, reaching number four in the charts over a period of twelve weeks. A Tommy Dorsey version (with a vocal by Jack Leonard) the same year reached number ten. Alec Wilder wrote of the song, It is a smooth, direct, slightly rhythmic ballad of no great range and unmistakably a song of its time, the late thirties. It makes a move in the second half of the B section (the design is A-B-A-C/A) into the key of A major from the parent key of F major, which adds that dash of color needed in a song of so direct and unpushy a nature. It is a song with both sophistication and a flavor of the past. Other recordings * Billie Holiday - for the album ''Velvet Mood'' (1956) * Bobby Darin - included in his album '' It's You or No One'' (1963) * Brenda Lee - for her album ''All Alone Am I'' (1963) * Carla Bl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irving Mills
Irving Harold Mills (born Isadore Minsky; January 16, 1894 – April 21, 1985) was an American music publisher, musician, lyricist, and jazz artist promoter. He sometimes used the pseudonyms Goody Goodwin and Joe Primrose. Personal Mills was born to a Jewish family in Odessa, Russian Empire, although some biographies state that he was born on the Lower East Side of Manhattan in New York City. His father, Hyman Minsky (1868–1905), was a hat maker who had immigrated from Odessa to the United States with his wife Sofia ''(née'' Sophia Dudis; born 1870). Hyman died in 1905, forcing Irving and his brother, Jacob ''(aka'' "Jack"; 1891–1979), to work odd jobs including bussing at restaurants, selling wallpaper, and working in the garment industry. By 1910, Mills was listed as a telephone operator. Mills married Beatrice ("Bessie") Wilensky (1896–1976) in 1911 and they subsequently moved to Philadelphia. By 1918, Mills was working for publisher Leo Feist. His brother, Jack, was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duke Ellington
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life. Born and raised in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become standards. He also recorded songs written by his bandsmen, such as Juan Tizol's " Caravan", which brought a Spanish tinge to big band jazz. At the end of the 1930s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed multipl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
It Don't Mean A Thing (If It Ain't Got That Swing)
"It Don't Mean a Thing (If It Ain't Got That Swing)" is a 1931 composition by Duke Ellington with lyrics by Irving Mills. It is now accepted as a jazz standard, and jazz historian Gunther Schuller characterized it as "now legendary" and "a prophetic piece and a prophetic title". In 2008, Ellington's 1932 recording of the song was inducted into the Grammy Hall of Fame. Background The music was composed and arranged by Ellington in August 1931 during intermissions at the Lincoln Tavern in Chicago; the lyrics were contributed by Irving Mills. According to Ellington, the song's title was the credo of trumpeter Bubber Miley, who was dying of tuberculosis at the time; Miley died the year the song was released. The song was first recorded by Ellington and his orchestra for Brunswick Records on February 2, 1932. Ivie Anderson sang the vocal and trombonist Joe Nanton and alto saxophonist Johnny Hodges played the solos. The song became famous, Ellington wrote, "as the expression of a senti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irving Berlin
Irving Berlin (born Israel Beilin; yi, ישראל ביילין; May 11, 1888 – September 22, 1989) was a Russian-American composer, songwriter and lyricist. His music forms a large part of the Great American Songbook. Born in Imperial Russia, Berlin arrived in the United States at the age of five. He published his first song, "Marie from Sunny Italy", in 1907, receiving 33 cents for the publishing rights,Starr, Larry and Waterman, Christopher, American Popular Music: From Minstrelsy to MP3, Oxford University Press, 2009, pg. 64 and had his first major international hit, "Alexander's Ragtime Band", in 1911. He also was an owner of the Music Box Theatre on Broadway. For much of his career Berlin could not read sheet music, and was such a limited piano player that he could only play in the key of F-sharp; he used his custom piano equipped with a transposing lever when he needed to play in keys other than F-sharp. "Alexander's Ragtime Band" sparked an international dance craze ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cheek To Cheek
"Cheek to Cheek" is a song written by Irving Berlin in 1934–35, specifically for the star of his new musical, Fred Astaire. The movie was ''Top Hat'', co-starring Ginger Rogers."Cheek to Cheek" by Fred Astaire, 1935 ; from the University of Virginia's American Studies website, subsection : 1935-1939"; retrieved 2012-03-07. In the movie, Astaire sings the song to Rogers as they dance. The song was nominated for the Best Song for 1936, which it lost to " [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
My Melancholy Baby
"My Melancholy Baby" is a popular song published in 1912 and first sung publicly by William Frawley. The music was written by Ernie Burnett (1884–1959), the lyrics by George A. Norton. Background Ernie Burnett, who composed the music, was wounded fighting in the First World War, from which he lost his memory and his identity dog tags. While recuperating in hospital, a pianist entertained the patients with popular tunes including "Melancholy Baby". Burnett rose from his sickbed and exclaimed, "That's my song!" He had regained his memory. William Frawley version William Frawley, who played Fred Mertz on ''I Love Lucy'', stated that he was the first person to perform the song publicly, in 1912 in the Mozart Cafe at 1647 Curtis Street in Denver, Colorado. Frawley revealed this during a May 3, 1965, appearance on the TV game show ''I've Got a Secret''. In 1958, Frawley performed the song again on the '' Lucy-Desi Comedy Hour'' on the episode "Lucy Goes to Sun Valley". Frawley, as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
It's Only A Paper Moon (song)
"It's Only a Paper Moon" is a popular song published in 1933 with music by Harold Arlen and lyrics by Yip Harburg and Billy Rose. Background It was originally titled "If You Believed in Me", but later went by the more popular title "It's Only a Paper Moon". The song was written for an unsuccessful 1932 Broadway play called ''The Great Magoo'' that was set in Coney Island. Claire Carleton first performed this song on December 2, 1932. It was used in the movie '' Take a Chance'' in 1933 when it was sung by June Knight and Charles "Buddy" Rogers. Paul Whiteman recorded a hit version later that year, released on the Victor label in October 1933 featuring Bunny Berigan on trumpet and Peggy Healy on vocals. A version released a month before Whiteman's was by Henry King and His Pierre Hotel Orchestra on the Vocalion label. Another popular 1933 recording was done by Cliff Edwards. The song's lasting fame stems from its revival by popular artists during the last years of World War II, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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