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Buddy Banks (bassist)
Alvin "Buddy" Banks (January 15, 1927 – August 7, 2005) was a Canadian-born American jazz double-bassist. Early life Born in St. Thomas, Ontario, Banks grew up in the United States and became interested in music during high school. He began as a pianist before switching to saxophone. During World War II, Banks joined the United States Army Band as a bass player. Career Banks made his first appearance on record was in Vienna with Thurmond Young; this group also played live at the Colored Club. He played in Paris with Gerry Wiggins in 1950, and then with Bill Coleman in Berne, Switzerland, Belgium, and Le Havre, France. After problems with his passport in Switzerland, he left for Paris in 1953, where he recorded often with expatriate American jazz musicians as well as local performers. These include Hazel Scott, Buck Clayton, Lionel Hampton, Mezz Mezzrow, Don Byas, Albert Nicholas, and André Persiany. He toured with Michel Attenoux and with Sidney Bechet Sidney Beche ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Las Vegas, Nevada
Las Vegas (; Spanish for "The Meadows"), often known simply as Vegas, is the 25th-most populous city in the United States, the most populous city in the state of Nevada, and the county seat of Clark County. The city anchors the Las Vegas Valley metropolitan area and is the largest city within the greater Mojave Desert. Las Vegas is an internationally renowned major resort city, known primarily for its gambling, shopping, fine dining, entertainment, and nightlife. The Las Vegas Valley as a whole serves as the leading financial, commercial, and cultural center for Nevada. The city bills itself as The Entertainment Capital of the World, and is famous for its luxurious and extremely large casino-hotels together with their associated activities. It is a top three destination in the United States for business conventions and a global leader in the hospitality industry, claiming more AAA Five Diamond hotels than any other city in the world. Today, Las Vegas annually ranks as one ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2005 Deaths
This is a list of deaths of notable people, organised by year. New deaths articles are added to their respective month (e.g., Deaths in ) and then linked here. 2022 2021 2020 2019 2018 2017 2016 2015 2014 2013 2012 2011 2010 2009 2008 2007 2006 2005 2004 2003 2002 2001 2000 1999 1998 1997 1996 1995 1994 1993 1992 1991 1990 1989 1988 1987 See also * Lists of deaths by day The following pages, corresponding to the Gregorian calendar, list the historical events, births, deaths, and holidays and observances of the specified day of the year: Footnotes See also * Leap year * List of calendars * List of non-standard ... * Deaths by year {{DEFAULTSORT:deaths by year ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1927 Births
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album '' Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New Grove
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sidney Bechet
Sidney Bechet (May 14, 1897 – May 14, 1959) was an American jazz saxophonist, clarinetist, and composer. He was one of the first important soloists in jazz, and first recorded several months before trumpeter Louis Armstrong. His erratic temperament hampered his career, and not until the late 1940s did he earn wide acclaim. Bechet spent much of his later life in France. Biography Early life Bechet was born in New Orleans in 1897 to a middle-class Creole of color family. Bechet's father Omar was both a shoemaker and a flute player, and all four of his brothers were musicians as well. His older brother, Leonard Victor Bechet, was a full-time dentist and a part-time trombonist and bandleader. Bechet learned and mastered several musical instruments that were kept around the house (he began on the cornet), mostly by teaching himself; he decided to specialize in the clarinet (which he played almost exclusively until about 1919). At the age of six, he started to perform w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michel Attenoux
Michel Attenoux (June 14, 1930 in Paris – April 24, 1988 in Laval) was a French jazz saxophonist. Attenoux played piano in his youth, later learning soprano saxophone and playing locally. He founded his own ensemble in 1951, which played with Peanuts Holland in 1952 and in 1953 was offered the position of house band at a Parisian club called Metro Jazz. There he played with Sidney Bechet, Jimmy Archey, and others. Starting in 1955, he added alto saxophone to his repertory, and played with visiting American musicians in Paris over the next several decades; he also played at the Newport Jazz Festival in 1975. In the 1970s he worked with Geo Daly, Marc Laferrière, Al Grey, Eddie Lockjaw Davis, and the Lionel Hampton All-Stars. In 1978 he formed Les Petits Français with Moustache, Marcel Zanini, and François Guin, which recorded jazz versions of the songs of Georges Brassens. Discography With Al Grey *'' Grey's Mood'' (Black and Blue, 1973-75 979 References *André Clergeat, " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
André Persiany
André Persiany (November 19, 1927, Paris - January 2, 2004, Paris) was a French jazz pianist. Persiany's father taught him violin and piano as a child, and by 1945, he had formed his own ensemble. He was a member of the Be Bop Minstrels with Hubert and Raymond Fol in 1947, then played with Michel Attenoux, Eddie Bernard, Bill Coleman, Buck Clayton, Raymond Fonsèque, Lionel Hampton, Guy Lafitte, Mezz Mezzrow, and Tony Proteau. He relocated to New York City in the mid-1950s, playing at the Birdland club, and worked extensively with Jonah Jones. In 1969, he returned to Paris, and held a residency as the pianist at Le Furstenberg from 1970 to 1988. His associations in the 1970s included Cat Anderson, Milt Buckner, Eddie Chamblee, Arnett Cobb, Al Grey, Budd Johnson, and Charlie Shavers. Persiany's son Stéphane Persiani became a double-bassist. References *Michel Laplace, "André Persiany". '' The New Grove Dictionary of Jazz''. 2nd edition, ed. Barry Kernfeld Barry Dean K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Nicholas
Albert Nicholas (May 27, 1900 – September 3, 1973) was an American jazz clarinet player. Career Nicholas's primary instrument was the clarinet, which he studied with Lorenzo Tio in his hometown of New Orleans, Louisiana, United States. Late in the 1910s, he played with Buddy Petit, King Oliver, and Manuel Perez. He spent three years in the Merchant Marines and then joined Oliver in Chicago from 1925 to 1927. After time in East Asia and Egypt, he returned to New York City in 1928 and played with Luis Russell until 1933, playing there with Red Allen, Charlie Holmes, and J. C. Higginbotham. Later he played with Chick Webb, Louis Armstrong (with Russell) and Jelly Roll Morton. The Dixieland jazz revival of the late 1940s reinvigorated his career; he played with Art Hodes, Bunk Johnson, and Kid Ory, and had a regular gig with Ralph Sutton in 1948. In 1953, he moved to France; except for recording sessions in the U.S. in 1959-60, he remained there for most of the rest of his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Byas
Carlos Wesley "Don" Byas (October 21, 1912 – August 24, 1972) was an American jazz tenor saxophonist, associated with swing and bebop. He played with Count Basie, Duke Ellington, Art Blakey, and Dizzy Gillespie, among others, and also led his own band. He lived in Europe for the last 26 years of his life. Biography Oklahoma and Los Angeles Byas was born in Muskogee, Oklahoma, United States. Both of Byas' parents were musicians. His mother played the piano, and his father, the clarinet. Byas began his musical education in the European classical tradition, learning to play violin, clarinet and alto saxophone, which he played until the end of the 1920s. Benny Carter, who played many instruments, was his idol at this time. Byas started to perform in local orchestras at the age of 17, with Bennie Moten, Terrence Holder and Walter Page. He founded and led his own college band, Don Carlos and His Collegiate Ramblers, during 1931–1932, at Langston College, Oklahoma. Byas swi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezz Mezzrow
Milton Mesirow (November 9, 1899 – August 5, 1972), better known as Mezz Mezzrow, was an American jazz clarinetist and saxophonist from Chicago, Illinois. He is remembered for organizing and financing recording sessions with Tommy Ladnier and Sidney Bechet. He recorded with Bechet as well and briefly acted as manager for Louis Armstrong. Mezzrow is equally known as a colorful character, as portrayed in his autobiography, ''Really the Blues'' (which takes its title from a Bechet composition), co-written with Bernard Wolfe and published in 1946. Music career According to one biographer: "As a juvenile delinquent, ezzrowwas in and out of reformatory schools and prisons where he was exposed to jazz and blues music. He began to play the clarinet and decided to adopt the African American culture as his own. He became a ubiquitous figure on the Chicago jazz scene of the 1920s and ran in the circles of musicians that included King Oliver, Louis Armstrong, Sidney Bechet, Jimmy Noon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lionel Hampton
Lionel Leo Hampton (April 20, 1908 – August 31, 2002) was an American jazz vibraphonist, pianist, percussionist, and bandleader. Hampton worked with jazz musicians from Teddy Wilson, Benny Goodman, and Buddy Rich, to Charlie Parker, Charles Mingus, and Quincy Jones. In 1992, he was inducted into the Alabama Jazz Hall of Fame, and he was awarded the National Medal of Arts in 1996. Biography Early life Lionel Hampton was born in 1908 in Louisville, Kentucky, and was raised by his mother. Shortly after he was born, he and his mother moved to her hometown of Birmingham, Alabama. He spent his early childhood in Kenosha, Wisconsin, before he and his family moved to Chicago, Illinois, in 1916. As a youth, Hampton was a member of the Bud Billiken Club, an alternative to the Boy Scouts of America, which was off-limits because of racial segregation. During the 1920s, while still a teenager, Hampton took xylophone lessons from Jimmy Bertrand and began to play drums. Hampton was raised ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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