Bubblegum Music
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Bubblegum Music
Bubblegum (also called bubblegum pop) is pop music in a catchy and upbeat style that is considered disposable, contrived, or marketed for children and adolescents. The term also refers to a rock and pop subgenre, originating in the United States in the late 1960s, that evolved from garage rock, novelty songs, and the Brill Building sound, and which was also defined by its target demographic of preteens and young teenagers. The Archies' 1969 hit "Sugar, Sugar" was a representative example that led to cartoon rock, a short-lived trend of Saturday-morning cartoon series that heavily featured pop rock songs in the bubblegum vein. Producers Jerry Kasenetz and Jeffry Katz claimed credit for coining "bubblegum", saying that when they discussed their target audience, they decided it was "teenagers, the young kids. And at the time we used to be chewing bubblegum, and my partner and I used to look at it and laugh and say, 'Ah, this is like bubblegum music'." The term was then popularized ...
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Pop Music
Pop music is a genre of popular music that originated in its modern form during the mid-1950s in the United States and the United Kingdom. The terms ''popular music'' and ''pop music'' are often used interchangeably, although the former describes all music that is popular and includes many disparate styles. During the 1950s and 1960s, pop music encompassed rock and roll and the youth-oriented styles it influenced. ''Rock'' and ''pop'' music remained roughly synonymous until the late 1960s, after which ''pop'' became associated with music that was more commercial, ephemeral, and accessible. Although much of the music that appears on record charts is considered to be pop music, the genre is distinguished from chart music. Identifying factors usually include repeated choruses and hooks, short to medium-length songs written in a basic format (often the verse-chorus structure), and rhythms or tempos that can be easily danced to. Much pop music also borrows elements from other styles ...
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Teen Pop
Teen pop is a subgenre of pop music that is created, marketed and oriented towards preteens and teenagers.Lamb, Bill"Teen Pop" About.com. Retrieved January 28, 2007. Teen pop incorporates different subgenres of pop music, as well as elements of R&B, dance, electronic, hip hop and rock, while the music of girl groups, boy bands, and acts like Britney Spears, is sometimes referred to as pure pop. Typical characteristics of teen pop music include Auto-Tuned or pitch-corrected vocals, choreographed dances, emphasis on visual appeal (photogenic faces, unique body physiques, immaculate hair styles and fashion clothes), lyrics focused on love, relationships, dancing, partying, friendship, puppy love (also known as a "crush") and repeated chorus lines. Its lyrics also incorporate sexual innuendo. Teen pop singers often cultivate an image of a girl next door/boy next door. According to AllMusic, teen pop "is essentially dance-pop, pop, and urban ballads" that are marketed to teens, a ...
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The Partridge Family
''The Partridge Family'' is an American musical sitcom starring Shirley Jones and featuring David Cassidy. Jones plays a widowed mother, and Cassidy plays the oldest of her five children, in a family who embarks on a music career. It ran from September 25, 1970, until August 24, 1974, on the ABC network as part of a Friday-night lineup, and had subsequent runs in syndication. The family was loosely based on the real-life musical family the Cowsills, a popular band in the late 1960s and early 1970s. Premise In the pilot episode, a group of musical siblings in the fictitious city of San Pueblo, California (said to be "40 miles from Napa County" in episode 24, "A Partridge By Any Other Name") convinces their widowed mother, bank teller Shirley Partridge, to help them out by singing as they record a pop song in their garage. Through the efforts of precocious 10-year-old Danny they find a manager, Reuben Kincaid, who helps make the song a Top 40 hit. After more persuading, Shirley ag ...
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One-hit Wonder
A one-hit wonder or viral hit is any entity that achieves mainstream popularity, often for only one piece of work, and becomes known among the general public solely for that momentary success. The term is most commonly used in regard to music performers with only one hit single that overshadows their other work. Some artists dubbed "one-hit wonders" in a particular country have had great success in other countries. Music artists with subsequent popular albums and hit listings are typically not considered a one-hit wonder. One-hit wonders usually see their popularity decreasing after their hit listing and most often do not ever return to hit listings with other songs or albums. Music industry In ''The Billboard Book of One-Hit Wonders,'' music journalist Wayne Jancik defines a one-hit wonder as "an act that has won a position on henational, pop, Top 40 record chart just once." This formal definition can include acts with greater success outside their lone pop hit and who are ...
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Neil Bogart
Neil E. Bogart (born Neil Scott Bogatz, February 3, 1943 – May 8, 1982) was an American record executive. He was the founder of Casablanca Records, which later became Casablanca Record and Filmworks. Life and career Born Neil Scott Bogatz in the Brooklyn Jewish Hospital, central Brooklyn, New York City, the son of Ruth (Markoff) and Al M. Bogatz. His family was Jewish. He grew up in the Glenwood Houses, a housing project in the Flatlands section of Brooklyn. He was a singer in the 1960s, using the name Neil Scott, prior to running the Michigan offices of Cameo-Parkway Records. After Cameo-Parkway was shut down by the government for stock fraud in 1968, Bogart became an executive at Buddah Records. He is credited with being a key player in the rise of bubblegum pop music during his time working at Cameo-Parkway and Buddah. He started Casablanca in 1973 when he first signed Kiss and later became identified with the rise of disco by promoting the careers of acts such as Donn ...
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Buddah Records
Buddah Records (later known as Buddha Records) was an American record label founded in 1967 in New York City. The label was born out of Kama Sutra Records, an MGM Records-distributed label, which remained a key imprint following Buddah's founding. Buddah handled a variety of music genres, including bubblegum pop (the Ohio Express and the 1910 Fruitgum Company), folk rock (Melanie Safka, Melanie), experimental music (Captain Beefheart), and soul music, soul (Gladys Knight & the Pips). In addition to the Buddah imprint, the company distributed many other independent labels, including Kama Sutra Records (after Kama Sutra cut their distribution ties with MGM in 1969), Curtom Records (Curtis Mayfield), T-Neck Records (the Isley Brothers), Charisma Records (Genesis (band), Genesis, Monty Python), Sussex Records (Bill Withers), Hot Wax Records (Holland-Dozier-Holland post-Motown productions) and smaller subsidiaries. History Kama Sutra Records helped bolster MGM Records's profits durin ...
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Jeffry Katz
Jeffry Katz (born May 20, 1943, Brooklyn, New York) is an American music producer, one of the first exponents of bubblegum pop. Music career He is one half of a hitmaking duo with Jerry Kasenetz, the two working together as the Super K Productions company.Clarke, Donald (ed.) (1998) ''The Penguin Encyclopedia of Popular Music'', Penguin Books, , p. 182 He and Kasenetz have manufactured and produced Kasenetz-Katz Singing Orchestral Circus, The Music Explosion, 1910 Fruitgum Company, Crazy Elephant and The Ohio Express.Romanowski, Patricia; George-Warren, Holly & Pareles, John (2001) ''The Rolling Stone Encyclopedia of Rock and Roll (third edition)'', Simon & Schuster Ltd, , p. 700Hall, Claude (1967)Long Sessions Required for 'Seriious' Pop, ''Billboard'', September 2, 1967, p. 1, 10, retrieved 2011-06-25 Kasenetz and Katz met at the University of Arizona in the early 1960s. Both came from observant Jewish families. One of their first projects in the music business was as conc ...
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Jerry Kasenetz
Jerry Kasenetz is an American bubblegum pop producer who worked with Jeffry Katz, the two working together as the Super K Productions company,Clarke, Donald (ed.) (1998) ''The Penguin Encyclopedia of Popular Music'', Penguin Books, , p. 182 to manufacture and produce bands such as Kasenetz-Katz Singing Orchestral Circus, The Music Explosion, 1910 Fruitgum Company, Crazy Elephant, and The Ohio Express.Romanowski, Patricia; George-Warren, Holly & Pareles, John (2001) ''The Rolling Stone Encyclopedia of Rock and Roll (third edition)'', Simon & Schuster Ltd, , p. 700Hall, Claude (1967)Long Sessions Required for 'Seriious' Pop, ''Billboard'', September 2, 1967, p. 1, 10, retrieved 2011-06-25 Music career The two met at the University of Arizona in the early 1960s. One of their first projects in the music business was as concert promoters bringing the British band, Dave Clark Five to the University of Arizona. Leaving the University of Arizona before their senior year, they moved back to ...
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Pop Rock
Pop rock (also typeset as pop/rock) is a fusion genre with an emphasis on professional songwriting and recording craft, and less emphasis on attitude than rock music. Originating in the late 1950s as an alternative to normal rock and roll, early pop rock was influenced by the beat, arrangements, and original style of rock and roll (and sometimes doo-wop). It may be viewed as a distinct genre field rather than music that overlaps with pop and rock. The detractors of pop rock often deride it as a slick, commercial product and less authentic than rock music. Characteristics and etymology Much pop and rock music has been very similar in sound, instrumentation and even lyrical content. The terms "pop rock" and "power pop" have been used to describe more commercially successful music that uses elements from, or the form of, rock music. Writer Johan Fornas views pop/rock as "one single, continuous genre field", rather than distinct categories. To the authors Larry Starr and Chri ...
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Saturday-morning Cartoon
"Saturday-morning cartoon" is a colloquial term for the original animated series programming that was typically scheduled on Saturday and Sunday mornings in the United States on the "Big Three" television networks. The genre's popularity had a broad peak from the mid-1960s through the mid-1990s; after that point it declined, in the face of changing cultural norms, increased competition from formats available at all times, and heavier regulations. In the last two decades of the genre's existence, Saturday-morning and Sunday-morning cartoons were primarily created and aired to meet regulations on children's television programming in the United States, or E/I. Minor television networks, in addition to the non-commercial PBS in some markets, continue to air animated programming on Saturday and Sunday while partially meeting those mandates. In the United States, the generally accepted times for these and other children's programs to air on Saturday mornings were from 8:00 a.m. to ...
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Sugar, Sugar
Sugar, Sugar is a song written by Jeff Barry and Andy Kim (singer), Andy Kim. It was originally recorded by the Archies – a fictional band of studio musicians linked to the 1968–69 US Saturday morning TV cartoon ''The Archie Show'', inspired by the Archie Comics. In the autumn of 1969 the single topped both ''Billboard (magazine), Billboard's'' Billboard Hot 100, Hot 100 (for four weeks) and the UK Singles Chart (for eight weeks), ranking number one for the year in both America and Britain. “Sugar, Sugar” is the most successful bubblegum pop single of all time, and is widely regarded as the apotheosis of the late-1960s/early-1970s bubblegum music genre. In mid-1970 rhythm and blues, R&B/soul music, soul singer Wilson Pickett achieved success on both the US soul and pop charts with a cover version. The Archies version Background Produced by Jeff Barry, the Archies' recording of "Sugar, Sugar" features a group of studio musicians managed by Don Kirshner, former music super ...
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The Archies
''The'' () is a grammatical Article (grammar), article in English language, English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the Most common words in English, most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant s ...
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