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Bryant's Minstrels
Bryant's Minstrels was a blackface minstrel troupe that performed in the mid-19th century, primarily in New York City. The troupe was led by the O'Neill brothers from upstate New York, who took the stage name Bryant.Mahar 38. History The eldest brother Jerry, a veteran of the Ethiopian Serenaders, Campbell's Minstrels, E.P. Christy's Minstrels and other troupes, sang and played tambourine and bones. Dan Bryant, who had toured with Losee's Minstrels, the Sable Harmonists and Campbell's Minstrels, sang and played banjo. Neil (Cornelius) Bryant played accordion and flutina. Other members, including English-born fiddler Phil Isaacs, rounded out the original roster. All of the minstrels danced and acted in comedy segments, which were often improvised.Nathan 228. Bryant's Minstrels first performed on 23 February 1857 at Mechanics' Hall on Broadway. The Bryants each brought with them the acts and songs they had learned and perfected while playing in other troupes. These older, prov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christy Minstrels
Christy's Minstrels, sometimes referred to as the Christy Minstrels, were a blackface group formed by Edwin Pearce Christy, a well-known ballad singer, in 1843, in Buffalo, New York. They were instrumental in the solidification of the minstrel show into a fixed three-act form. The troupe also invented or popularized "the line", the structured grouping that constituted the first act of the standardized three-act minstrel show, with the interlocutor in the middle and "Mr. Tambo" and "Mr. Bones" on the ends. Early years In 1846 they first performed in Polmer's Opera House in New York City. From March 1847, they ran for a seven-year stint at New York City's Mechanics' Hall (until July 1854). After performing at a benefit performance for Stephen Foster in Cincinnati, Ohio, on August 25, 1847, the group specialized in performances of Foster's works. Foster sold his song "Old Folks at Home" to Christy for his exclusive use. The troupe's commercial success was phenomenal: Christy pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles "Charlie" White
Charles T. "Charlie" or "Charley" White (1821–1891), was an early blackface minstrel entertainer. Born June 4, 1821 in Newark, New York, White moved with his family at the age of two to New York City, where, before he launched his career as an entertainer, he worked in racing stables, for a druggist, in a chair factory and in city government positions. He first came to public attention in 1843 as an accordion player at the Thalian Hall at 42 Grand Street. That summer, he joined the "Kentucky Minstrels" troupe at the Vauxhall Garden Theatre on Fourth Avenue. After Daddy Rice popularized blackface with his Jim Crow character, White incorporated some "negro act" with his accordion playing and then founded White's Kitchen Minstrels in New York in the early 1840s, opening at the Melodeon on the Bowery. Whilst there he seems to have employed the famous dancer Master Juba, who apparently toured with his minstrel troupe. In addition to the Melodeon on the Bowery, White managed ot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Finnegan's Wake
"Finnegan's Wake" is an Irish-American comic ballad, first published in New York in 1864. Various 19th-century variety theatre performers, including Dan Bryant of Bryant's Minstrels, claimed authorship but a definitive account of the song's origin has not been established. An earlier popular song, John Brougham's "A Fine Ould Irish Gintleman," also included a verse in which an apparently dead alcoholic was revived by the power of whiskey. In more recent times, "Finnegan's Wake" was a staple of the Irish folk-music group the Dubliners, who played it on many occasions and included it on several albums, and is especially well known to fans of the Clancy Brothers, who performed and recorded it with Tommy Makem. The song has been recorded by Irish-American Celtic punk band Dropkick Murphys. Summary In the ballad, the hod-carrier Tim Finnegan, born "with a love for the liquor", falls from a ladder, breaks his skull, and is thought to be dead. The mourners at his wake become rowdy, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Union (American Civil War)
During the American Civil War, the Union, also known as the North, referred to the United States led by President Abraham Lincoln. It was opposed by the secessionist Confederate States of America (CSA), informally called "the Confederacy" or "the South". The Union is named after its declared goal of preserving the United States as a constitutional union. "Union" is used in the U.S. Constitution to refer to the founding formation of the people, and to the states in union. In the context of the Civil War, it has also often been used as a synonym for "the northern states loyal to the United States government;" in this meaning, the Union consisted of 20 free states and five border states. The Union Army was a new formation comprising mostly state units, together with units from the regular U.S. Army. The border states were essential as a supply base for the Union invasion of the Confederacy, and Lincoln realized he could not win the war without control of them, especially Maryla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christy's Minstrels
Christy's Minstrels, sometimes referred to as the Christy Minstrels, were a blackface group formed by Edwin Pearce Christy, a well-known ballad singer, in 1843, in Buffalo, New York. They were instrumental in the solidification of the minstrel show into a fixed three-act form. The troupe also invented or popularized "the line", the structured grouping that constituted the first act of the standardized three-act minstrel show, with the interlocutor (music), interlocutor in the middle and "Mr. Tambo" and "Mr. Bones" on the ends. Early years In 1846 they first performed in Polmer's Opera House in New York City. From March 1847, they ran for a seven-year stint at New York City's Mechanics' Hall, New York City, Mechanics' Hall (until July 1854). After performing at a benefit performance for Stephen Foster in Cincinnati, Ohio, on August 25, 1847, the group specialized in performances of Foster's works. Foster sold his song "Old Folks at Home" to Christy for his exclusive use. The tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raw Recruits Cover
Raw is an adjective usually describing: * Raw materials, basic materials from which products are manufactured or made * Raw food, uncooked food Raw or RAW may also refer to: Computing and electronics * .RAW, a proprietary mass spectrometry data format * Raw audio format, a file type used to represent sound in uncompressed form * Raw image format, a variety of image files used by digital cameras, containing unprocessed data * Rawdisk, binary level disk access * Read after write, technologies used for CD-R and CD-RW * Read after write (RAW) hazard, a data dependency hazard considered in microprocessor architecture * Raw display, a raw framed monitor. Film and television * Raw TV, a British TV production company * ''Raw'' (film), a 2016 film * ''Raw'' (TV series), an Irish drama series * '' Eddie Murphy Raw'', a 1987 live stand-up comedy recording * '' Ramones: Raw'', a 2004 music documentary * ''Raw FM'', an Australian television series * ''WWE Raw'', a weekly World Wrestling ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walkaround
A walkaround (also spelled walk-around or walk around, or called a horay) was a dance from the blackface minstrel shows of the 19th century. The walkaround began in the 1840s as a dance for one performer, but by the 1850s, many dancers or the entire troupe participated. The walkaround often served as the finale to the first half of the minstrel show, the opening semicircle. Minstrels also wrote songs called "walkarounds", which were specifically intended for this dance; "Dixie" is probably the most famous example. Elements of the dance The dance was competitive in nature. At the start of the music, typically a fast dance song in or time, the dancers (who were already seated in a semicircle) stood and began clapping and slapping themselves in time ("patting Juba"). One dancer or a couple then moved downstage to the focal point of the semicircle and performed a set of elaborate dance steps, lasting for about 16 bars. Once these dancers retreated back to the semicircle, another ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Burlesque
American burlesque is a genre of variety show derived from elements of Victorian burlesque, music hall and minstrel shows. Burlesque became popular in America in the late 1860s and slowly evolved to feature ribald comedy and female nudity. By the late 1920s, the striptease element overshadowed the comedy and subjected burlesque to extensive local legislation. Burlesque gradually lost popularity beginning in the 1940s. A number of producers sought to capitalize on nostalgia for the entertainment by recreating burlesque on the stage and in Hollywood films from the 1930s to the 1960s. There has been a resurgence of interest in this format since the 1990s. Literary and theatrical origins The term "burlesque" more generally means a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dixie (song)
"Dixie", also known as "Dixie's Land", "I Wish I Was in Dixie", and other titles, is a song about the Southern United States first made in 1859. It is one of the most distinctively Southern musical products of the 19th century. It was not a folk song at its creation, but it has since entered the American folk vernacular. The song likely cemented the word "Dixie" in the American vocabulary as a nickname for the Southern U.S. Most sources credit Ohio-born Daniel Decatur Emmett with the song's composition, although other people have claimed credit, even during Emmett's lifetime. Compounding the problem are Emmett's own confused accounts of its writing and his tardiness in registering its copyright. "Dixie" originated in the minstrel shows of the 1850s and quickly became popular throughout the United States. During the American Civil War, it was adopted as a de facto national anthem of the Confederacy, along with "The Bonnie Blue Flag" and "God Save the South". New versions app ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fiddle
A fiddle is a bowed string musical instrument, most often a violin. It is a colloquial term for the violin, used by players in all genres, including classical music. Although in many cases violins and fiddles are essentially synonymous, the style of the music played may determine specific construction differences between fiddles and classical violins. For example, fiddles may optionally be set up with a bridge with a flatter arch to reduce the range of bow-arm motion needed for techniques such as the double shuffle, a form of bariolage involving rapid alternation between pairs of adjacent strings. To produce a "brighter" tone than the deep tones of gut or synthetic core strings, fiddlers often use steel strings. The fiddle is part of many traditional (folk) styles, which are typically aural traditions—taught " by ear" rather than via written music. Fiddling is the act of playing the fiddle, and fiddlers are musicians that play it. Among musical styles, fiddling tends to p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Songwriter
A songwriter is a musician who professionally composes musical compositions or writes lyrics for songs, or both. The writer of the music for a song can be called a composer, although this term tends to be used mainly in the classical music genre and film scoring. A songwriter who mainly writes the lyrics for a song is referred to as a lyricist. The pressure from the music industry to produce popular hits means that song writing is often an activity for which the tasks are distributed between a number of people. For example, a songwriter who excels at writing lyrics might be paired with a songwriter with the task of creating original melodies. Pop songs may be composed by group members from the band or by staff writers – songwriters directly employed by music publishers. Some songwriters serve as their own music publishers, while others have external publishers. The old-style apprenticeship approach to learning how to write songs is being supplemented by university degrees, c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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