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Brother And Sister (2010 Film)
''Brother and Sister'' ( es, Dos hermanos; ) is a 2010 Argentine comedy film directed by Daniel Burman. Plot The film tells the story of two brothers who have a love-hate relationship. The recent death of his mother will increase the conflicts between the two. The story takes place in Buenos Aires in Argentina and then moves to the small town of Carmelo, in the Uruguayan department of Colonia. Cast * Antonio Gasalla as Marcos * Graciela Borges as Susana * Elena Lucena as Mother of Marcos and Susana * Rita Cortese as Alicia * Osmar Núñez Osmar Núñez (born 15 September 1957) is an Argentine film and theatre actor An actor or actress is a person who portrays a character in a performance. The actor performs "in the flesh" in the traditional medium of the theatre or in modern ... as Mario References External links * 2010 comedy films 2010 films Films directed by Daniel Burman Argentine comedy films 2010s Argentine films 2010s Spanish-language films Sp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daniel Burman
Daniel Burman (born 29 August 1973, in Buenos Aires) is an Argentine film director, screenplay writer, and producer. According to film critic Joel Poblete, who writes for ''Mabuse'', a cinema magazine, Daniel Burman is one of the members of the so-called "New Argentina Cinema", which began ''circa'' 1998. Film critic Anthony Kaufman, writing for ''indieWIRE'', an online community of independent filmmakers and aficionados, said Burman's '' A Chrysanthemum Burst in Cincoesquinas'' (1998) has been cited as the beginning of the " New Argentine Cinema" wave. Biography Burman is of Polish-Jewish descent, and he was born and raised in Buenos Aires. He holds both Argentine and Polish citizenship, like his films' character, Ariel. He studied law before changing to audiovisual media production. In 1995, he launched his own production company together with Diego Dubcovsky, BD Cine (Burman and Dubcovsky Cine). Burman is also a founding member of the Academy of Argentine Cinema. His l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Gasalla
Antonio Gasalla (born March 9, 1941) is an Argentine actor, comedian, and theatre director. Life and work Antonio Gasalla was born in Ramos Mejía, a western suburb of Buenos Aires, in 1941. He enrolled at the National Dramatic Arts Conservatory, and began his work in Buenos Aires' vibrant theatre scene in 1964 as an understudy, by which he befriended a colleague, Uruguayan émigré Carlos Perciavalle. He and Perciavalle starred in their production of María Inés Quesada's ''Help Valentino!'' (1966), which they performed as a café-concert; this genre was popular in Argentina at the time, and the Gasalla-Perciavalle duo became among its best known exponents.Taringa! [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Graciela Borges
Graciela Borges (; born Graciela Noemí Zabala, June 10, 1941) is an Argentine television and film actress. Borges was born in Dolores. Having made her film debut at 14, she has acted in over fifty films and was featured in 2006 in ''Vogue Paris'' as "the great actress of Argentine cinema". In 2002, Borges received her first Silver Condor Award for Best Actress for her role in Lucrecia Martel's highly acclaimed '' La ciénaga''. In 2015, the Argentine Film Critics Association recognized her with a lifetime achievement Silver Condor Award. Filmography (partial) * '' Sugar Harvest'' (1958) * '' The Party Is Over'' (1960) * '' Summer Skin'' (1961) * ''The Terrace'' (1963) * ''Circe'' (1964) * ''Traitors of San Angel'' (1967) * ''Monday's Child'' (1967) * ''El dependiente'' (1969) * '' Heroína'' (1972) * ''Poor Butterfly'' (1986) * ''Kindergarten'' (1989) * '' Funes, un Gran Amor'' (1993) * ''Sobre la Tierra'' (1998) * '' La Ciénaga'' (2001), a.k.a. ''The Swamp'' * ''Merca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elena Lucena
María Elena Lucena Arcuri (25 September 1914 – 7 October 2015) was an Argentine film actress of the Golden Age of Argentine Cinema (1940–60). She began her career in radio in the 1930s and reached her greatest success with the role of "Chimbela", which was later depicted in film, theater and television. Her extensive film career includes approximately 50 films, including notable performances in ''Chimbela'' (1939) and ''Una noche cualquiera'' (1951). During the 1940s, she participated in films with comedians like Pepe Arias, Pepe Iglesias, Pepe Iglesias "El Zorro", , Mirtha Legrand and Carlos Estrada. Her most acclaimed film work occurred in ''Elvira Fernández, vendedora de tienda'' (1942) by Manuel Romero (director), Manuel Romero, ''Cinco besos'' by Luis Saslavsky and ''La Rubia Mireya'' for which she received the 1948 Best Comedy Actress Award from the Argentine Film Critics Association. She also performed as a dancer and, beginning in 1960, did several musical comedies. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rita Cortese
Adela Rita Cortese (born 5 August 1949) is an Argentine theatre, film, and television actress and singer. She is considered one of the best actresses of Argentina. Life and career Cortese was born in Buenos Aires on 5 August 1949. She is of Spanish and Italian descent. In 1967, she started studying Philosophy and Letters, but dropped out a year later. She began studying acting at 24 years old in 1973 with professor Néstor Raimondi, and later with Carlos Gandolfo, two of the "four great acting teachers" of the time. She was also a student of theatre director Roberto Villanueva, who directed her in multiple plays. Her first professional role was in the play ''Marathón'' (1980), written by Ricardo Monti and directed by Jaime Kogan. In the 1980s, Cortese was part of the Argentine Open Theatre, an independent theatre movement in resistance of the 1976–83 civil–military dictatorship in Argentina. Personal life Cortese resides in the Monserrat neighbourhood in Buenos Aires. C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Osmar Núñez
Osmar Núñez (born 15 September 1957) is an Argentine film and theatre actor An actor or actress is a person who portrays a character in a performance. The actor performs "in the flesh" in the traditional medium of the theatre or in modern media such as film, radio, and television. The analogous Greek term is (), lit .... Filmography * '' El Milagro secreto'' (1998) * '' Los Senderos'' (1999) * '' Con palos y piedras'' (2000) * '' Vivir Intentando'' (2003) * '' Informe nocturno'' (2004) * '' Un Año sin amor'' (2005) ''A Year Without Love'' * '' Mientras tanto'' (2006) * '' El Custodio'' (2006) a.k.a. '' The Minder'' * '' El Cielo elegido'' (2006) * '' Las Vidas posibles'' (2006) * '' Encarnación'' (2007) * '' El nido vacío'' (2008) * '' The Invisible Eye'' (2010) * '' It's Your Fault'' (2010) * '' Brother and Sister'' (2010) * '' Contra las Cuerdas'' (2010) * '' The Corporation'' (2012) * '' Wild Tales'' (2014) * '' Betibú'' (2014) Awards * Silver Condor Award for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2010 Comedy Films
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2010 Films
In the year 2010, there was a dramatic increase and prominence in the use of 3D-technology in filmmaking after the success of ''Avatar'' in the format, with releases such as '' Alice in Wonderland'', '' Clash of the Titans'', '' Jackass 3D'', all animated films, with numerous other titles being released in 3D formats. 20th Century Fox celebrated its 75th anniversary in 2010. Evaluation of the year In his article highlighting the best movies of 2010, Richard Brody of ''The New Yorker'' said: "At times it feels as if we’re living in something of a cinematic golden age, but one that’s altogether different from earlier halcyon days. Where some celebrate the former genius of the system to explain an earlier day’s proliferation of fine movies, now the system is something of a blunderer that often flings itself into follies or even crushes inspiration under its weight, but sometimes gets carried away, for reasons good or bad, and hands surprising control of vast resources over to a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Films Directed By Daniel Burman
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitiz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Argentine Comedy Films
Argentines (mistakenly translated Argentineans in the past; in Spanish (masculine) or (feminine)) are people identified with the country of Argentina. This connection may be residential, legal, historical or cultural. For most Argentines, several (or all) of these connections exist and are collectively the source of their being ''Argentine''. Argentina is a multiethnic and multilingual society, home to people of various ethnic, religious, and national origins, with the majority of the population made up of Old World immigrants and their descendants. As a result, Argentines do not equate their nationality with ethnicity, but with citizenship and allegiance to Argentina. Aside from the indigenous population, nearly all Argentines or their ancestors immigrated within the past five centuries. Among countries in the world that have received the most immigrants in modern history, Argentina, with 6.6 million, ranks second to the United States (27 million), and ahead of other immi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2010s Argentine Films
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2010s Spanish-language Films
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
