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Broletto, Brescia
The Broletto or Broletto Palace of Brescia has for centuries housed the civic government offices of this city found in the region of Lombardy, Italy. The term Broletto refers to a buildings equivalent to the town hall or town assembly. History Initial construction of the Broletto took place during 1187—1230, although the structure has undergone many modifications over the centuries, specially after the Sack of Brescia in 1512 during the War of the League of Cambrai. The long stone facade on the south fronts Via Cardinale Querini, and aligns parallel the left of the Cathedral, corresponds to the ancient "Palatium Novum Maius" built in 1223 - 1227. The ''Tower of the Poncarali'' in unfinished stone is attached to the facade. Originally 30 meters tall, it was lowered to about 19 metres by Ezzelino III da Romano. The nearly 54 meter ''Tower of Pègol'' is still intact, with a small belfry hidden by the Ghibelline crenellations added at the beginning of the 19th century. The clock on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brescia
Brescia (, locally ; lmo, link=no, label= Lombard, Brèsa ; lat, Brixia; vec, Bressa) is a city and ''comune'' in the region of Lombardy, Northern Italy. It is situated at the foot of the Alps, a few kilometers from the lakes Garda and Iseo. With a population of more than 200,000, it is the second largest city in the administrative region and the fourth largest in northwest Italy. The urban area of Brescia extends beyond the administrative city limits and has a population of 672,822, while over 1.5 million people live in its metropolitan area. The city is the administrative capital of the Province of Brescia, one of the largest in Italy, with over 1,200,000 inhabitants. Founded over 3,200 years ago, Brescia (in antiquity Brixia) has been an important regional centre since pre-Roman times. Its old town contains the best-preserved Roman public buildings in northern Italy and numerous monuments, among these the medieval castle, the Old and New cathedral, the Renaissance ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pandolfo I Malatesta
Pandolfo I Malatesta (c. 1267 – 6 April 1326), son of Malatesta da Verucchio, was an Italian condottiero and Lord of Rimini from 1317. In 1304, at the death of Pope Boniface VIII, he captured Pesaro, Fano, Senigallia and Fossombrone, which he lost and recovered in the following years. In 1317 he became lord of Rimini and head of the Malatesta family at the death of his brother, Malatestino dell'Occhio. In 1321 he was ''capitano generale'' (supreme commander) of the Papal States against the Ghibellines and the Montefeltro of Urbino. Pandolfo I had two sons - Malatesta II and Galeotto I. At his death in 1326, there was a struggle for succession between his eldest son, Malatesta II and his nephew Ferrantino (son of Malatestino). A partition was reached by which Malatesta II succeeded in Pesaro and Ferrantino in Rimini Rimini ( , ; rgn, Rémin; la, Ariminum) is a city in the Emilia-Romagna region of northern Italy and capital city of the Province of Rimini. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Towers In Italy
A tower is a tall structure, taller than it is wide, often by a significant factor. Towers are distinguished from masts by their lack of guy-wires and are therefore, along with tall buildings, self-supporting structures. Towers are specifically distinguished from buildings in that they are built not to be habitable but to serve other functions using the height of the tower. For example, the height of a clock tower improves the visibility of the clock, and the height of a tower in a fortified building such as a castle increases the visibility of the surroundings for defensive purposes. Towers may also be built for observation, leisure, or telecommunication purposes. A tower can stand alone or be supported by adjacent buildings, or it may be a feature on top of a larger structure or building. Etymology Old English ''torr'' is from Latin ''turris'' via Old French ''tor''. The Latin term together with Greek τύρσις was loaned from a pre-Indo-European Mediterranean langua ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buildings And Structures In Brescia
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artistic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Gandino
Antonio Gandini (1565 – 17 July 1630) was an Italian painter of the late-Renaissance period. He was a pupil of the painter Paolo Veronese. In Brescia, his pupils were Ottavio Amigoni, Francesco Barbieri (''il Legnano''), and Ambrogio Besozzi Ambrogio Besozzi or ''Giovanni Ambrogio Besozzi'' (1648–1706) was an Italian painter of the Baroque period. Life He was born in Milan in 1648 where his first training was with Gioseffo Danedi, ''il Montalto''. He assisted Ciro Ferri in Rome w .... He worked alongside Giacomo Barucco. Gandini's son, Bernardino (died 1651), was also a painter. References * * Getty ULAN 1565 births 1630 deaths 16th-century Italian painters Italian male painters 17th-century Italian painters Painters from Brescia Renaissance painters {{Italy-painter-16thC-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Giugno
Francesco Giugno (1577 - c. 1621) was an Italian painter of the late Mannerist and early-Baroque periods, mainly active in Brescia and Mantua. Born in Brescia, he became a pupil of Pietro Marone, and then of Palma il Giovane Iacopo Negretti (1548/50 – 14 October 1628), best known as Jacopo or Giacomo Palma il Giovane or simply Palma Giovane ("Young Palma"), was an Italian painter from Venice and a notable exponent of the Venetian school. After Tintoretto's death .... He died in Mantua. References * 1577 births 1620s deaths 16th-century Italian painters Italian male painters 17th-century Italian painters Painters from Brescia {{Italy-painter-16thC-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tommaso Sandrini
Tomasso Sandrino (1575–1631) (also Sandrini) was an Italian painter of quadratura in Northern Italy, active in his native Brescia. Among the church ceilings he helped fresco with quadrature are Sant Faustino, San Domenico, Chiesa del Carmine, and the Cathedral of Brescia. He also worked in Milan, Ferrara, and Mirandola. Life and works Sandrini was active in quadratura and in architecture. In 1615, he helped decorate the church of San Domenico in Brescia. His brother Pietro worked with Ottavio Viviani in painting the ceiling of Santa Caterina. Among his pupils was Domenico Bruni. Sandrini painted frescoes for the church of Santi Faustino e Giovita in Brescia. Sandrini painted the ceiling of the church of the Carmini. He was active in painting the cupola of Madonna della Ghiara and the church of San Giovanni in Reggio Emilia; as well as a church in Mirandola. Sandrini died in the town of Palazzolo sull'Oglio Palazzolo sull'Oglio (Brescian and Bergamasque: ; local ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Pace Di Berardo Maggi - Salone Dei Cavalieri - Broletto - Brescia (ph Luca Giarelli)
LA most frequently refers to Los Angeles, the second largest city in the United States. La, LA, or L.A. may also refer to: Arts and entertainment Music * La (musical note), or A, the sixth note * "L.A.", a song by Elliott Smith on ''Figure 8'' (album) * ''L.A.'' (EP), by Teddy Thompson * ''L.A. (Light Album)'', a Beach Boys album * "L.A." (Neil Young song), 1973 * The La's, an English rock band * L.A. Reid, a prominent music producer * Yung L.A., a rapper * Lady A, an American country music trio * "L.A." (Amy Macdonald song), 2007 * "La", a song by Australian-Israeli singer-songwriter Old Man River Other media * l(a, a poem by E. E. Cummings * La (Tarzan), fictional queen of the lost city of Opar (Tarzan) * ''Lá'', later known as Lá Nua, an Irish language newspaper * La7, an Italian television channel * LucasArts, an American video game developer and publisher * Liber Annuus, academic journal Business, organizations, and government agencies * L.A. Screenings, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lattanzio Gambara
Lattanzio Gambara (c. 1530 – 18 March 1574) was an Italian painter, active in Renaissance and Mannerist styles. It is likely that Gambara is the same 16th century painter referred to as ''Lattanzio Cremonese'' or ''Lattanzio da Cremona''. Biography Born in Brescia, Gambara initially apprenticed, aged fifteen, with Giulio Campi in Cremona. By 1549 he was working alongside Girolamo Romanino, who became his father-in-law. Gambara's work also shows the influence of il Pordenone. An altarpiece of S. Maria in Silva dates to 1558. He painted frescoes in the Villa Contarini in Asolo. Another fresco cycle on the ''History of the Apocalypse'' decorated the Loggia of Brescia, until it was destroyed by bombing in 1944. In his maturity the artist returned to Brescia to work with Romanino in a series of generally lost frescoes for Sant'Eufemia and Saint Lorenzo in Brescia. He painted altarpieces, all but one of them now lost, for the abbey of Saint Benedict in Polirone, and also decorated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gentile Fabriano
Gentile () is a word that usually means "someone who is not a Jew". Other groups that claim Israelite heritage, notably Mormons, sometimes use the term ''gentile'' to describe outsiders. More rarely, the term is generally used as a synonym for ''heathen'' or ''pagan''. In some translations of the Quran, ''gentile'' is used to translate an Arabic word that refers to non-Jews and/or people not versed in or not able to read scripture. The English word ''gentile'' derives from the Latin word , meaning "of or belonging to the same people or nation" (). Archaic and specialist uses of the word ''gentile'' in English (particularly in linguistics) still carry this meaning of "relating to a people or nation." The development of the word to principally mean "non-Jew" in English is entwined with the history of Bible translations from Hebrew and Greek into Latin and English. Its meaning has also been shaped by Rabbinical Jewish thought and Christian theology which, from the 1st century, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mullioned Windows
A mullion is a vertical element that forms a division between units of a window or screen, or is used decoratively. It is also often used as a division between double doors. When dividing adjacent window units its primary purpose is a rigid support to the glazing of the window. Its secondary purpose is to provide structural support to an arch or lintel above the window opening. Horizontal elements separating the head of a door from a window above are called transoms. History Stone mullions were used in Armenian, Saxon and Islamic architecture prior to the 10th century. They became a common and fashionable architectural feature across Europe in Romanesque architecture, with paired windows divided by a mullion, set beneath a single arch. The same structural form was used for open arcades as well as windows, and is found in galleries and cloisters. In Gothic architecture windows became larger and arrangements of multiple mullions and openings were used, both for structure and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Broletto
In Middle Age Communes in Italy, a broletto was the place where the whole population met for democratic assemblies, and where the elected men lived and administered justice. ''Broletto'' is an ancient Italian word, from medieval Latin "broilum, brogilum", which probably derives from a Celtic word. Its first meaning is "little orchard or garden"; hence the meaning "field surrounded by a wall". Ancient brolettoes are major buildings in Milan, Brescia, Pavia, Piacenza, Como, Monza, Reggio Emilia, Novara and others. Several places or buildings in northern Italy are called "Broletto". Gallery Image:Orta_San_Giulio-Broletto.jpg, The broletto at Orta San Giulio, on Lake Orta Image:5023 - Milano - Broletto nuovo - Foto Giovanni Dall'Orto, 24-July-2007.jpg, The Broletto Nuovo in Milan Image:5027_-_Milano_-_Broletto_nuovo_-_Sotto_il_porticato_-_Foto_Giovanni_Dall'Orto,_24-July-2007.jpg, Under the porch of Broletto Nuovo in Milan Image:Palazzo Broletto 03.JPG, The Broletto in Pavia Lis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
