Broken Embraces
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Broken Embraces
''Broken Embraces'' ( es, Los abrazos rotos, links=no) is a 2009 Spanish romantic thriller film written, produced, and directed by Pedro Almodóvar. Led by an ensemble cast consisting of many Almodóvar regulars, it stars Lluís Homar as a blind Madrilenian screenwriter who recalls his tragic love for Lena, played by Penélope Cruz, the deceased lead actress in his last directional feature ''Girls and Suitcases'', who was also the mistress of a powerful, obsessive businessman ( José Luis Gómez). Blanca Portillo co-stars as his agent Judit, while Tamar Novas portrays her son and Caine's co-writer Diego. Inspired by darkness and by a photo of a couple that Almodóvar took of El Golfo beach in Lanzarote in the late 1990s, the film serves as an homage to filmmaking, cinema and its various film genres. Stylistically, it is a complex noir-ish melodrama, that also blends comic elements with a film within a film—a broad comedy, that hearkens back to Almodóvar's 1988 release, ''Wom ...
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Pedro Almodóvar
Pedro Almodóvar Caballero (; (often known simply as Almodóvar) born 25 September 1949) is a Spanish filmmaker. His films are marked by melodrama, irreverent humour, bold colour, glossy décor, quotations from popular culture, and complex narratives. Desire, passion, family, and identity are among Almodóvar's most prevalent subjects in his films. Acclaimed as one of the most internationally successful Spanish filmmakers, Almodóvar and his films have gained worldwide interest and developed a cult following. Almodóvar's career came to during La Movida Madrileña, a cultural renaissance that followed after the end of Francoist Spain. His early films characterised the sense of sexual and political freedom of the period. In 1986, he established his own film production company, El Deseo, with his younger brother Agustín Almodóvar, who has been responsible for producing all of his films since ''Law of Desire'' (1987). His breakthrough film was ''Women on the Verge of a Nervous B ...
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Blindness
Visual impairment, also known as vision impairment, is a medical definition primarily measured based on an individual's better eye visual acuity; in the absence of treatment such as correctable eyewear, assistive devices, and medical treatment– visual impairment may cause the individual difficulties with normal daily tasks including reading and walking. Low vision is a functional definition of visual impairment that is chronic, uncorrectable with treatment or correctable lenses, and impacts daily living. As such low vision can be used as a disability metric and varies based on an individual's experience, environmental demands, accommodations, and access to services. The American Academy of Ophthalmology defines visual impairment as the best-corrected visual acuity of less than 20/40 in the better eye, and the World Health Organization defines it as a presenting acuity of less than 6/12 in the better eye. The term blindness is used for complete or nearly complete vision loss. In ...
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Fixation (psychology)
Fixation (german: Fixierung) is a concept (in human psychology) that was originated by Sigmund Freud (1905) to denote the persistence of anachronistic sexual traits. The term subsequently came to denote object relationships with attachments to people or things in general persisting from childhood into adult life. Freud In ''Three Essays on the Theory of Sexuality'' (1905), Freud distinguished the fixations of the libido on an incestuous object from a fixation upon a specific, partial ''aim'', such as voyeurism. Freud theorized that some humans may develop psychological fixation due to one or more of the following: #A lack of proper gratification during one of the psychosexual stages of development. #Receiving a strong impression from one of these stages, in which case the person's personality would reflect that stage throughout adult life. #"An excessively strong manifestation of these instincts at a very early age hichleads to a kind of partial ''fixation'', which then constit ...
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Vengeance (concept)
Revenge is committing a harmful action against a person or group in response to a grievance, be it real or perceived. Francis Bacon described revenge as a kind of "wild justice" that "does... offend the law ndputteth the law out of office." Primitive justice or retributive justice is often differentiated from more formal and refined forms of justice such as distributive justice and divine judgment. Function in society Social psychologist Ian Mckee states that the desire for the sustenance of power motivates vengeful behavior as a means of impression management: "People who are more vengeful tend to be those who are motivated by power, by authority and by the desire for status. They don't want to lose face". Vengeful behavior has been found across a majority of human societies. Some societies encourage vengeful behavior, which is called a feud. These societies usually regard the honor of individuals and groups as of central importance. Thus, while protecting of their reputatio ...
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Repression (psychology)
Repression is a key concept of psychoanalysis, where it is understood as a defence mechanism that "ensures that what is unacceptable to the conscious mind, and would if recalled arouse anxiety, is prevented from entering into it." According to psychoanalytic theory, repression plays a major role in many mental illnesses, and in the psyche of the average person.Laplanche pp. 390, 392 There has been debate as to whether (or how often) memory repression really occurs and mainstream psychology holds that true memory repression occurs infrequently. American psychologists began to attempt to study repression in the experimental laboratory around 1930. However, psychoanalysts were at first uninterested in attempts to study repression in laboratory settings, and later came to reject them. Most psychoanalysts concluded that such attempts misrepresented the psychoanalytic concept of repression. Sigmund Freud's theory As Sigmund Freud moved away from hypnosis, and towards urging his patients ...
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Voyeurism
Voyeurism is the sexual interest in or practice of watching other people engaged in intimate behaviors, such as undressing, sexual activity, or other actions of a private nature. The term comes from the French ''voir'' which means "to see". A male voyeur is commonly labelled as "Peeping Tom" or a "Jags", a term which originates from the Lady Godiva legend. However, that term is usually applied to a male who observes somebody secretly and, generally, not in a public space. The American Psychiatric Association has classified certain voyeuristic fantasies, urges and behaviour patterns as a paraphilia in the '' Diagnostic and Statistical Manual'' (DSM-IV) if the person has acted on these urges, or the sexual urges or fantasies cause marked distress or interpersonal difficulty. It is described as a disorder of sexual preference in the ICD-10. The DSM-IV defines voyeurism as the act of looking at "unsuspecting individuals, usually strangers, who are naked, in the process of disro ...
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Women On The Verge Of A Nervous Breakdown
''Women on the Verge of a Nervous Breakdown'' ( es, Mujeres al borde de un ataque de nervios) is a 1988 Spanish black comedy film written and directed by Pedro Almodóvar, starring Carmen Maura and Antonio Banderas. The film brought Almodóvar to widespread international attention: it was nominated for the 1988 Academy Award for Best Foreign Language Film, and won five Goya Awards including Best Film and Best Actress in a Leading Role for Maura. It debuted at the 45th International Venice Film Festival and was released on 11 November 1988. Title The actual Spanish title refers to an ' (attack of the nerves), which is not actually well translated as "nervous breakdown" ('). ' are culture-bound psychological phenomena during which the individual, most often female, displays dramatic outpouring of negative emotions, bodily gestures, occasional falling to the ground, and fainting, often in response to receiving disturbing news or witnessing or participating in an upsetting event. ...
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Film Within A Film
A story within a story, also referred to as an embedded narrative, is a literary device in which a character within a story becomes the narrator of a second story (within the first one). Multiple layers of stories within stories are sometimes called nested stories. A play may have a brief play within it, such as Shakespeare's play ''Hamlet''; a film may show the characters watching a short film; or a novel may contain a short story within the novel. A story within a story can be used in all types of narration: novels, short stories, plays, television programs, films, poems, songs, video games, and philosophical essays. The inner stories are told either simply to add entertainment or more usually to act as an example to the other characters. In either case, the inner story often has a symbolic and psychological significance for the characters in the outer story. There is often some parallel between the two stories, and the fiction of the inner story is used to reveal the truth ...
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Melodrama
A modern melodrama is a dramatic work in which the plot, typically sensationalized and for a strong emotional appeal, takes precedence over detailed characterization. Melodramas typically concentrate on dialogue that is often bombastic or excessively sentimental, rather than action. Characters are often flat, and written to fulfill stereotypes. Melodramas are typically set in the private sphere of the home, focusing on morality and family issues, love, and marriage, often with challenges from an outside source, such as a "temptress", a scoundrel, or an aristocratic villain. A melodrama on stage, filmed, or on television is usually accompanied by dramatic and suggestive music that offers cues to the audience of the drama being presented. In scholarly and historical musical contexts, ''melodramas'' are Victorian dramas in which orchestral music or song was used to accompany the action. The term is now also applied to stage performances without incidental music, novels, films, t ...
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Film Noir
Film noir (; ) is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly those that emphasize cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American ''film noir''. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German Expressionist cinematography. Many of the prototypical stories and much of the attitude of classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the Great Depression. The term ''film noir'', French for 'black film' (literal) or 'dark film' (closer meaning), was first applied to Hollywood films by French critic Nino Frank in 1946, but was unrecognized by most American film industry professionals of that era. Frank is believed to have been inspired by the French literary publishing imprint Série noire, founded in 1945. Cinema historians and critics defined the category re ...
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Film Genre
A film genre is a stylistic or thematic category for motion pictures based on similarities either in the narrative elements, aesthetic approach, or the emotional response to the film. Drawing heavily from the theories of literary-genre criticism, film genres are usually delineated by "conventions, iconography, settings, narratives, characters and actors." One can also classify films by the tone, theme/topic, mood, format, target audience, or budget. Hayward, Susan. "Genre/Sub-genre" in ''Cinema Studies: The Key Concepts'' (Third Edition). Routledge, 2006. p. 185-192 These characteristics are most evident in genre films, which are "commercial feature films hat through repetition and variation, tell familiar stories with familiar characters and familiar situations" in a given genre. Grant, Barry Keith. ''Film Genre: From Iconography to Ideology''. Wallflower Press, 2007. p. 1 A film's genre will influence the use of filmmaking styles and techniques, such as the use ...
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Homage (arts)
Homage or ''hommage'' ( or ) is a show or demonstration of respect or dedication to someone or something, sometimes by simple declaration but often by some more oblique reference, artistic or poetic. The term is often used in the arts, where one author or artist shows respect to another by allusion or imitation; this is often spelled and pronounced like the original French ''hommage'' (). Description It was originally a declaration of fealty in the feudal system—swearing that one was the man (French: ''homme''), or subordinate, of the feudal lord. The concept then became used figuratively for an acknowledgement of quality or superiority. For example, a man might give homage to a lady, so honouring her beauty and other graces. In German scholarship, followers of a great scholar developed the custom of honouring their mentor by producing papers for a ''festschrift'' dedicated to him. In music, homage can take the form of a composition ('' Homage to Paderewski''), a tribute album ...
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