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Brockes Passion
The ''Brockes Passion'', or ' (title in English: ''The Story of Jesus, Suffering and Dying for the Sins of the World''), is a German oratorio libretto by Barthold Heinrich Brockes, first published in 1712 and going through 30 or so editions in the next 15 years. Text Barthold Heinrich Brockes was an influential German poet who re-worked the traditional form of a Passion oratorio, adding reflective and descriptive poetry, sometimes of a highly-wrought and emotional kind, into the texture of his Passion. The Brockes Passion was much admired and set to music numerous times in Baroque Germany, although to other ages and in other countries some of Brockes' poetry has seemed in poor taste. In Brockes' version of a passion, a tenor Evangelist narrates, in recitative passages, events from all four Gospels' accounts of Jesus' suffering and death. Persons of the Gospel story (Jesus, Peter, Pilate, etc.) have dialogue passages, also in recitative; a chorus sings passages depicting the decla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brockes - Der Für Die Sünde Der Welt Gemarterte Und Sterbende Jesus - Titlepage Of The Libretto From 1712
Barthold Heinrich Brockes (September 22, 1680 – January 16, 1747) was a German poet. He was born in Hamburg and educated at the Gelehrtenschule des Johanneums. He studied jurisprudence at Halle, and after extensive travels in Italy, France and the Netherlands, settled in Hamburg in 1704. In 1720 he was appointed a member of the Hamburg senate, and entrusted with several important offices. Six years (from 1735 to 1741) he spent as ''Amtmann'' (bailiff) at Ritzebüttel. He died in Hamburg. Brockes' poetic works were published in a series of nine volumes under the fantastic title ''Irdisches Vergnügen in Gott'' (1721–1748); he also translated Giambattista Marino's ''La Strage degli innocenti'' (1715), Alexander Pope's ''Essay on Man'' (1740) and James Thomson's '' The Seasons'' (1745). His poetry has small intrinsic value, but it is symptomatic of the change which came over German literature at the beginning of the 18th century. His libretto ''Der für die Sünden der Welt g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gottfried Heinrich Stölzel
Gottfried Heinrich Stölzel (13 January 1690 in – 27 November 1749 in Gotha) was a prolific German composer of the Baroque era. Stölzel was an accomplished German stylist who wrote a good many of the poetic texts for his vocal works. Biography Stölzel was born in Grünstädtel, in the Erzgebirge, on 13 January 1690. His father, organist in Grünstädtel, gave him his first music education. When he was thirteen, he was sent to study in Schneeberg, where he was taught music, including thoroughbass, by cantor Christian Umlaufft, a former student of Johann Kuhnau. A few years later he was admitted to the gymnasium in Gera, where he further practiced music under Emanuel Kegel, the director of the court chapel. Some of his educators took a dim view of music, and tried to divert his attention from it: apart from engaging in poetry and oratory, Stölzel nonetheless continued to develop his interest in music.Mattheson 1740Mizler 1754Melvin P. Unger, editor"Introduction" pp.&nb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Passion Settings
Passion, the Passion or the Passions may refer to: Emotion * Passion (emotion), a very strong feeling about a person or thing * Passions (philosophy), emotional states as used in philosophical discussions * Stoic passions, various forms of emotional suffering in Stoicism Suffering of Jesus * Passion of Jesus, the suffering of Jesus leading up to and during the crucifixion ** Passion (music), musical setting of the texts describing these events ** Passion Play, dramatic representation of these events ** Passion Sunday, the second Sunday before Easter * Passion Conferences, Christian organization People * Pasion, ancient Greek slave and banker * Passion Richardson (born 1975), American former sprint athlete Books * "The Passion" (Milton), 17th-century poem by John Milton * ''The Passions'' an 18th-century poem by William Collins * ''Passion'', (in Italian, '' Fosca''), 1981 novel by Iginio Ugo Tarchetti * ''Passion Play'' (play) or ''Passion'', 1981 play by Peter Nichols * '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St Mark Passion Pastiche
''Jesus Christus ist um unsrer Missetat willen verwundet'' is a St Mark Passion which originated in the early 18th century and is most often attributed to Reinhard Keiser. It may also have been composed by his father Gottfried or by Friedrich Nicolaus Bruhns. Johann Sebastian Bach produced three performance versions of the Passion, the last of which is a pasticcio with arias from George Frideric Handel's '' Brockes Passion''. There are two other extant 18th-century versions of the Passion, both of them independent of Bach's versions. The Passion was performed in at least three cities in the first half of the 18th century: in Hamburg in 1707 and 1711, in Weimar around 1712, and in Leipzig in 1726 and around 1747. History The passion was probably composed around 1705 by Gottfried Keiser,Bach Digital Work at by his son Reinhard,NBA 2000 (score edition) or by Friedrich Nicolaus Bruhns.Reinmar Emans, Sven Hiemke ''Bach-Handbuch. Bachs Oratorien, Passionen und Motetten'' 2000 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St Matthew Passion
The ''St Matthew Passion'' (german: Matthäus-Passion, links=-no), BWV 244, is a '' Passion'', a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets the 26th and 27th chapters of the Gospel of Matthew (in the Luther Bible) to music, with interspersed chorales and arias. It is widely regarded as one of the greatest masterpieces of Baroque sacred music. The original Latin title translates to "The Passion of our Lord J susC[hrist">rist.html" ;"title="susC[hrist">susC[hristaccording to the Evangelist Matthew".Markus Rathey. 2016. ''Bach's Major Vocal Works. Music, Drama, Liturgy'', Yale University Press History The ''St Matthew Passion'' is the second of two Passion settings by Bach that have survived in their entirety, the first being the '' St John Passion'', first performed in 1724. Versions and contemporaneous performances Little is known with certainty about the creation proc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St John Passion
The ''Passio secundum Joannem'' or ''St John Passion'' (german: Johannes-Passion, link=no), BWV 245, is a Passion or oratorio by Johann Sebastian Bach, the older of the surviving Passions by Bach. It was written during his first year as director of church music in Leipzig and was first performed on April 7, 1724, at Good Friday Vespers at the St. Nicholas Church. The structure of the work falls in two halves, intended to flank a sermon. The anonymous libretto draws on existing works (notably by Barthold Heinrich Brockes) and is compiled from recitatives and choruses narrating the Passion of Christ as told in the Gospel of John, ariosos and arias reflecting on the action, and chorales using hymn tunes and texts familiar to a congregation of Bach's contemporaries. Compared with the ''St Matthew Passion'', the ''St John Passion'' has been described as more extravagant, with an expressive immediacy, at times more unbridled and less "finished". The work is most often heard toda ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
SATB
SATB is an initialism that describes the scoring of compositions for choirs, and also choirs (or consorts) of instruments. The initials are for the voice types: S for soprano, A for alto, T for tenor and B for bass. Choral music Four-part harmony using soprano, alto, tenor and bass is a common scoring in classical music, including chorales and most Bach cantatas.Shrock, DennisChoral Repertoire''Oxford University Press'', 2009, p. 298, The letters of the abbreviation are also used by publishers to describe different scorings for soloists and choirs other than four-part harmony. For example, the listing "STB solos, SATB choir", of Bach's ''Wachet auf, ruft uns die Stimme'', BWV 140, indicates that a performance needs three soloists: soprano, tenor and bass, and a four-part choir. "SATB/SATB" is used when a double choir is required, as in Penderecki's ''Polish Requiem''. or SSATB, with divided sopranos, which is a typical scoring in English church music. A listing for Bach's ''M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Donald Burrows (musicologist)
Donald James Burrows (born 28 December 1945, in London) is Professor of Music at the Open University, and a leading scholar of the music of George Frideric Handel. He read History and Music at Trinity Hall, Cambridge (BA 1968; PGCE 1969; MA 1971). He completed his PhD at the Open University in 1981. He is vice-president of the Händel-Gesellschaft, and chairman of the Handel Institute. Awards *2000 Handel Prize The Handel Prize (german: Händel-Preis) is an annual award, instituted in 1956, which is presented by the city of Halle, in Germany, in honour of the celebrated Baroque composer George Frideric Handel. It is awarded, "for exceptional artisti ... Works *"Reading the Metre", ''Musicology and sister disciplines'', International Musicological Society. Oxford University Press, 2000, * * References English musicologists 1945 births Alumni of Trinity Hall, Cambridge Alumni of the Open University Academics of the Open University Living people Handel Prize ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Obbligato
In Western classical music, ''obbligato'' (, also spelled ''obligato'') usually describes a musical line that is in some way indispensable in performance. Its opposite is the marking ''ad libitum''. It can also be used, more specifically, to indicate that a passage of music was to be played exactly as written, or only by the specified instrument, without changes or omissions. The word is borrowed from Italian (an adjective meaning ''mandatory''; from Latin ''obligatus'' p.p. of ''obligare'', to oblige); the spelling ''obligato'' is not acceptable in British English, but it is often used as an alternative spelling in the US. The word can stand on its own, in English, as a noun, or appear as a modifier in a noun phrase (e.g. ''organ obbligato''). Independence ''Obbligato'' includes the idea of independence, as in C.P.E. Bach's 1780 Symphonies "''mit zwölf obligaten Stimmen''" ("with twelve ''obbligato'' parts") by which Bach was referring to the independent woodwind parts he was usi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hamburg
(male), (female) en, Hamburger(s), Hamburgian(s) , timezone1 = Central (CET) , utc_offset1 = +1 , timezone1_DST = Central (CEST) , utc_offset1_DST = +2 , postal_code_type = Postal code(s) , postal_code = 20001–21149, 22001–22769 , area_code_type = Area code(s) , area_code = 040 , registration_plate = , blank_name_sec1 = GRP (nominal) , blank_info_sec1 = €123 billion (2019) , blank1_name_sec1 = GRP per capita , blank1_info_sec1 = €67,000 (2019) , blank1_name_sec2 = HDI (2018) , blank1_info_sec2 = 0.976 · 1st of 16 , iso_code = DE-HH , blank_name_sec2 = NUTS Region , blank_info_sec2 = DE6 , website = , footnotes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Caspar Bachofen
Johann Caspar Bachofen (December 26, 1695 – June 23, 1755) was a Swiss music teacher and hymn composer. He was born in Zurich. In 1718 he became singing-master in the Latin school, and cantor of the Grossmünster church. In 1742, he succeeded Johann Caspar Albertin as director of the Chorherrn-Gesellschaft. He died at Zurich, 1755. His hymns were very popular all over Switzerland, and his works give abundant evidence of his diligence and the wide range of his talent. His publications include: * ''Musicalisches Halleluja oder schöne und geistreiche Gesänge'' (no date), containing 600 melodies for two and three voices, with organ and figured bass; Eight editions down to 1767 * ''Psalmen Davids … sammt Füst und Kirchengesängen'', 1759 (second edition) * ''Vermehrte Zusatz von Morgen, Abend … Gesängen'', 1738 * Twelve monthly numbers containing sacred airs arranged in concert-style (concert-weise) for two and three voices; 1755 (4th ed.) * Brockes' ''Irdisches Vergnügen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
