Broadcast Designer
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Broadcast Designer
A broadcast designer is a person involved with creating graphic designs and electronic media incorporated in television productions that are used by character generator (CG) operators. A broadcast designer may have a degree in digital media (or a similar degree), or is self-taught in the software needed to create such content. CG stands for computer graphics, most broadcast designers studied either graphic design or visual communicationthis term is used for those designing motion graphics also for film, industrials, commercials, and the web. A large portion of broadcast design is known as "branding" for television channels and programs. The job of the designer is to create a look and feel for a specific idea or subject. Often, television stations will wish to re-invent their style or "on air look"this is where the broadcast designer's skills are called upon to design lower third digital on-screen graphics (DOG or BUG) and motion graphics. Another industry which is reliant on a d ...
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Graphic Design
Graphic design is a profession, academic discipline and applied art whose activity consists in projecting visual communications intended to transmit specific messages to social groups, with specific objectives. Graphic design is an interdisciplinary branch of design and of the fine arts. Its practice involves creativity, innovation and lateral thinking using manual or digital tools, where it is usual to use text and graphics to communicate visually. The role of the graphic designer in the communication process is that of encoder or interpreter of the message. They work on the interpretation, ordering, and presentation of visual messages. Usually, graphic design uses the aesthetics of typography and the compositional arrangement of the text, ornamentation, and imagery to convey ideas, feelings, and attitudes beyond what language alone expresses. The design work can be based on a customer's demand, a demand that ends up being established linguistically, either orally or in writin ...
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Acknowledgment (creative Arts)
In the creative arts and scientific literature, an acknowledgement (also spelled acknowledgment in American and Canadian English) is an expression of a gratitude for assistance in creating an original work. Receiving credit by way of acknowledgement rather than authorship indicates that the person or organization did not have a direct hand in producing the work in question, but may have contributed funding, criticism, or encouragement to the author(s). Various schemes exist for classifying acknowledgements; Cronin et al. give the following six categories: # moral support # financial support # editorial support # presentational support # instrumental/technical support # conceptual support, or peer interactive communication (PIC) Apart from citation, which is not usually considered to be an acknowledgement, acknowledgement of conceptual support is widely considered to be the most important for identifying intellectual debt. Some acknowledgements of financial support, on the oth ...
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Broadcasting Occupations
Broadcasting is the distribution of audio or video content to a dispersed audience via any electronic mass communications medium, but typically one using the electromagnetic spectrum ( radio waves), in a one-to-many model. Broadcasting began with AM radio, which came into popular use around 1920 with the spread of vacuum tube radio transmitters and receivers. Before this, all forms of electronic communication (early radio, telephone, and telegraph) were one-to-one, with the message intended for a single recipient. The term ''broadcasting'' evolved from its use as the agricultural method of sowing seeds in a field by casting them broadly about. It was later adopted for describing the widespread distribution of information by printed materials or by telegraph. Examples applying it to "one-to-many" radio transmissions of an individual station to multiple listeners appeared as early as 1898. Over the air broadcasting is usually associated with radio and television, though more ...
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Television News Screen Layout
A television news screen layout or television news screen interface refers to the layout image displayed during a television news program broadcast. The layouts used differ between television stations and countries, and information displayed may include things such as main news topics and headlines within the lower third, channel logos, a news ticker, a time clock, and in some cases weather and stock market information. Different layouts may be used within news broadcasting to achieve varying effects, and designs are often formulated by broadcast designers with the intention of being informative and visually appealing. The main purpose of television news screen layouts are to present to viewers a concentrated level of information within the shortest amount of time possible, whilst maintaining a reasonably adequate balance so that excessive detail does not confuse the viewer.Rodrigues, R., (2012). A Television News Graphical Layout Analysis Method Using Eye Tracking. ''Internati ...
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WGA Screenwriting Credit System
The Writers Guild of America (WGA) credit system for motion pictures and television programs covers all works under the jurisdiction of the Writers Guild of America, East (WGAE) and the Writers Guild of America, West (WGAW). The WGA, originally the Screen Writers Guild, has since 1941 been the final arbiter of who receives credit for writing a theatrical, television or new media motion picture written under its jurisdiction. Though the system has been a standard since before the WGA's inception, it has seen criticism. A determination process for screen credits first sees the production company submit proposed credits; about a third of these are challenged and taken to arbitration. This process asks all writing parties involved to provide evidence and supporting statements to help determine how much of the final product was each writer's work. A variety of credit forms can be given, which indicate technicalities like whether a writer contributed original material, the chronologic ...
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Title Sequence
A title sequence (also called an opening sequence or intro) is the method by which films or television programmes present their title and key production and cast members, utilizing conceptual visuals and sound (often a opening theme song with visuals, akin to a brief music video). It typically includes (or begins) the text of the opening credits, and helps establish the setting and tone of the program. It may consist of live action, animation, music, still images, and/or graphics. In some films, the title sequence is preceded by a cold open. History Since the invention of the cinematograph, simple title cards were used to begin and end silent film presentations in order to identify both the film and the production company involved, and to act as a signal to viewers that the film had started and then finished. In silent cinema, title cards or intertitles were used throughout to convey dialogue and plot, and it is in some of these early short films that we see the first examples ...
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Score Bug
A score bug is a digital on-screen graphic which is displayed at either the top or lower third bottom of the television screen during a broadcast of a sporting event in order to display the current score and other statistics. History The concept of a persistent score bug for association football matches was devised by Sky Sports head David Hill, who was dissatisfied over having to wait to see what the score was after tuning into a match in-progress. The score bug was introduced during Sky's coverage of the newly-formed English Premier League in 1992. Hill's boss repeatedly demanded that the graphic be removed, describing it as the "stupidest thing ehad ever seen". Hill defied the boss's demands and kept the graphic in place. ITV introduced a score bug at the start of the 1993-94 football season, and the BBC introduced a score bug towards the end of 1993. The concept was introduced to the United States by ABC Sports and ESPN during coverage of the 1994 FIFA World Cup. Their jus ...
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Production Logo
A production logo, vanity card, vanity plate, or vanity logo is a logo used by movie studios and television production company, production companies to brand what they produce and to determine the production company and the distributor of a television show or film. Production logos are usually seen at the beginning of a theatrical movie or video game (an "opening logo"), and/or at the end of a television program or Television movie, TV movie (a "closing logo"). Many production logos have become famous over the years, such as the 20th Century Studios's 20th Century Fox Fanfare, monument and searchlights and Metro-Goldwyn-Mayer, MGM's Leo the Lion (MGM), Leo the Lion. Unlike logos for other media, production logos can take advantage of Motion (physics), motion and synchronized sound, and almost always do. History In the early days of Hollywood, Los Angeles, California, Hollywood, production logos and brands were simple and very much like their print counterparts, usually appear ...
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Lower Third
In the television industry, a lower third is a graphic overlay placed in the title-safe lower area of the screen, though not necessarily the entire lower third of it, as the name suggests. In its simplest form, a lower third can just be text overlaying the video. Frequently this text is white with a drop shadow to make the words easier to read. A lower third can also contain graphical elements such as boxes, images or shading. Some lower thirds have animated backgrounds and text. Lower thirds can be created using basic home-video editing software or professional-level equipment. This equipment makes use of video's alpha channel to determine what parts of the graphic or text should be transparent, allowing the video in the background to show through. Terminology Lower thirds are also often known as "CG" (from character generator) or captions, and sometimes chyrons in North America, due to the popularity of Chyron Corporation's Chiron I character generator, an early digital s ...
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Graphics Coordinator
A graphics coordinator, GC, or font assist is an individual who works, usually on a television show, as a producer of on-air still and motion graphics. The graphics coordinator decides what content should be displayed on-air - such as on a fullpage (a full-screen graphic) or a lower third (a bar graphic appearing in the lower third of the screen). The GC should not be confused with the Operator, who usually operates a character generator (CG) and is part of a television crew, or a broadcast designer who physically creates the graphics. A CG (3D computer graphics) coordinator or supervisor plays an important role in film and television productions. Their role is to supervise, manage, and administer the computer-generated imagery (CGI) digital production computer animation workflow for the film or television show A television show – or simply TV show – is any content produced for viewing on a television set which can be broadcast via over-the-air, satellite, or cable, exc ...
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Digital On-screen Graphic
A digital on-screen graphic, digitally originated graphic (DOG, bug, or network bug) is a watermark-like station logo that most television broadcasters overlay over a portion of the screen area of their programs to identify the channel. They are thus a form of permanent visual station identification, increasing brand recognition and asserting ownership of the video signal. The graphic identifies the source of programming, even if it has been time-shifted—that is, recorded to videotape, DVD, or a digital personal video recorder such as TiVo. Many of these technologies allow viewers to skip or omit traditional between-programming station identification; thus the use of a DOG enables the station or network to enforce brand identification even when standard commercials are skipped. DOG watermarking helps to reduce off-the-air copyright infringement—for example, the distribution of a current series' episodes on DVD: the watermarked content is easily differentiated from "offic ...
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Credit (creative Arts)
In general, the term credit in the artistic or intellectual sense refers to an acknowledgment of those who contributed to a work, whether through ideas or in a more direct sense. Credit in the arts In the creative arts, credits are an acknowledgment of those who participated in the production. They are often shown at the end of movies and on CD jackets. In film, video, television, theater, etc., ''credits'' means the list of actors and behind-the-scenes staff who contributed to the production. Non-fiction In non-fiction writing, especially academic works, it is generally considered important to give credit to sources of information and ideas. Failure to do so often gives rise to charges of plagiarism, and "piracy" of intellectual rights such as the right to receive a royalty for having written. In this sense the financial and individual meanings are linked. Academic papers generally contain a lengthy section of footnotes or citations. Such detailed crediting of sources provides ...
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