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British Rhythm And Blues
British rhythm and blues (or R&B) was a musical movement that developed in the United Kingdom between the late 1950s and the early 1960s, and reached a peak in the mid-1960s. It overlapped with, but was distinct from, the broader British beat and more purist British blues scenes, attempting to emulate the music of American blues and rock and roll pioneers, such as Muddy Waters and Howlin' Wolf, Chuck Berry and Bo Diddley. It often placed greater emphasis on guitars and was often played with greater energy. The origins of the movement were in the British jazz, skiffle and folk movements of the 1950s. The 1958 visit of Muddy Waters influenced key figures Cyril Davies and Alexis Korner to turn to electric blues and form the band Blues Incorporated, which became something of a clearing house for British rhythm and blues musicians. A flourishing scene of clubs and groups emerged in the later 1950s and 1960s and bands began to break through into mainstream success. Major acts include ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beat Music
Beat music, British beat, or Merseybeat is a British popular music genre that developed, particularly in and around Liverpool, in the late 1950s and early 1960s. The genre melded influences from American rock and roll, rhythm and blues, skiffle, traditional pop and music hall. It rose to mainstream popularity in the UK and Europe by 1963 before spreading to the North America in 1964 with the British Invasion. The beat style had a significant impact on popular music and youth culture, from 1960s movements such as garage rock, folk rock and psychedelic music to 1970s punk rock and 1990s Britpop. Origin The exact origins of the terms 'beat music' and 'Merseybeat' are uncertain. The "beat" in each, however, derived from the driving rhythms which the bands had adopted from their rock and roll, R&B and soul music influences, rather than the Beat Generation literary movement of the 1950s. As the initial wave of rock and roll subsided in the later 1950s, "big beat" music, later sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Spencer Davis Group
The Spencer Davis Group were a British band formed in Birmingham in 1963 by Spencer Davis (guitar), brothers Steve Winwood (keyboards, guitar) and Muff Winwood (bass guitar), and Pete York (drums). Their best known songs include the UK number ones "Somebody Help Me" and "Keep on Running" (both written by reggae musician Jackie Edwards), " I'm a Man" and "Gimme Some Lovin'", which reached #2 in the UK and #7 in the US. Steve Winwood left in 1967 to form rock band Traffic. After releasing a few more singles, the band ceased to be active in 1969. Davis revived the group on two more occasions, without the involvement of the Winwood brothers, first in 1973–1974 for two more albums, and again from 2006, since when they had primarily been a touring act. Davis died on 19 October 2020, effectively ending the band. History Formation The Spencer Davis Group was formed in 1963 in Birmingham after the Welsh guitarist Spencer Davis encountered vocalist and organist Steve Winwood (then ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beat Music
Beat music, British beat, or Merseybeat is a British popular music genre that developed, particularly in and around Liverpool, in the late 1950s and early 1960s. The genre melded influences from American rock and roll, rhythm and blues, skiffle, traditional pop and music hall. It rose to mainstream popularity in the UK and Europe by 1963 before spreading to the North America in 1964 with the British Invasion. The beat style had a significant impact on popular music and youth culture, from 1960s movements such as garage rock, folk rock and psychedelic music to 1970s punk rock and 1990s Britpop. Origin The exact origins of the terms 'beat music' and 'Merseybeat' are uncertain. The "beat" in each, however, derived from the driving rhythms which the bands had adopted from their rock and roll, R&B and soul music influences, rather than the Beat Generation literary movement of the 1950s. As the initial wave of rock and roll subsided in the later 1950s, "big beat" music, later sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contemporary R&B
Contemporary R&B (or simply R&B) is a popular music genre that combines rhythm and blues with elements of pop, soul, funk, hip hop, and electronic music. The genre features a distinctive record production style, drum machine-backed rhythms, pitch corrected vocals, and a smooth, lush style of vocal arrangement. Electronic influences are becoming an increasing trend and the use of hip hop or dance-inspired beats are typical, although the roughness and grit inherent in hip hop may be reduced and smoothed out. Contemporary R&B vocalists often use melisma, and since the mid-1980s, R&B rhythms have been combined with elements of hip hop culture and music and pop culture and pop music. Pre-history According to Geoffrey Himes speaking in 1989, the progressive soul movement of the early 1970s "expanded the musical and lyrical boundaries of &Bin ways that haven't been equaled since". This movement was led by soul singer-songwriter/producers such as Curtis Mayfield, Marvin Gaye, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mod Revival
The mod revival was a subculture that started in the United Kingdom in the late 1970s and later spread to other countries (to a lesser degree). The mod revival's mainstream popularity was relatively short, although its influence lasted for decades. The mod revival post-dated a Teddy Boy revival, and mod revivalists sometimes clashed with Teddy Boy revivalists, skinhead revivalists, casuals, punks and rival gang members. The late 1970s mod revival was led by the band the Jam, who had adopted a stark mod look and mixed the energy of punk with the sound of early 1960s mod bands. It was heavily influenced by the 1979 film ''Quadrophenia''. The mod revival was a conscious effort to harken back to the earlier generation in terms of style and presentation. In the early 1980s in the UK, a mod revival scene influenced by the original mod subculture of the 1960s developed. 1970s The late 1970s mod revival combined musical and cultural elements of the 1970s pub rock, punk rock and new ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Wave Music
New wave is a loosely defined music genre that encompasses pop-oriented styles from the late 1970s and the 1980s. It was originally used as a catch-all for the various styles of music that emerged after punk rock, including punk itself. Later, critical consensus favored "new wave" as an umbrella term involving many popular music styles of the era, including power pop, synth-pop, ska revival, and more specific forms of punk rock that were less abrasive. It may also be viewed as a more accessible counterpart of post-punk. Common characteristics of new wave music include a humorous or quirky pop approach, the use of electronic sounds, and a distinctive visual style in music videos and fashion. In the early 1980s, virtually every new pop/rock act – and particularly those that employed synthesizers – were tagged as "new wave". Although new wave shares punk's do-it-yourself philosophy, the artists were more influenced by the styles of the 1950s along with the lighter s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pub Rock (United Kingdom)
Pub rock is a rock music genre that was developed in the early to mid-1970s in the United Kingdom. A back-to-basics movement which incorporated roots rock, pub rock was a reaction against the expensively-recorded and produced progressive rock and flashy glam rock scenes of the time. Although short-lived, pub rock was live rock played in small traditional venues like pubs and clubs. Since major labels showed no interest in pub rock groups, pub rockers sought out independent record labels such as Stiff Records. Indie labels used relatively inexpensive recording processes, so they had a much lower break-even point for a record than a major label. With pub rock's emphasis on small venues, simple, fairly inexpensive recordings and indie record labels, it was the catalyst for the development of the British punk rock scene. Despite these shared elements, though, there was a difference between the genres: while pub rock harked back to early rock and roll and R&B, punk was iconoclastic, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Disco
Disco is a genre of dance music and a subculture that emerged in the 1970s from the United States' urban nightlife scene. Its sound is typified by four-on-the-floor beats, syncopated basslines, string sections, brass and horns, electric piano, synthesizers, and electric rhythm guitars. Disco started as a mixture of music from venues popular with Italian Americans, Hispanic and Latino Americans and Black Americans "'Broadly speaking, the typical New York discothèque DJ is young (between 18 and 30) and Italian,' journalist Vince Lettie declared in 1975. ..Remarkably, almost all of the important early DJs were of Italian extraction .. Italian Americans have played a significant role in America's dance music culture .. While Italian Americans mostly from Brooklyn largely created disco from scratch .." in Philadelphia and New York City during the late 1960s and early 1970s. Disco can be seen as a reaction by the 1960s counterculture to both the dominance of rock music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Soul
British soul, Brit soul, or (in a US context) the British soul invasion, is soul music performed by British artists. Soul has been a major influence on British popular music since the 1960s, and American soul was extremely popular among some youth subcultures, such as mods, skinheads, and the Northern soul movement. In the 1970s, soul gained more mainstream popularity in the UK during the disco era. However, a clear genre of British soul did not emerge until the 1980s, when a number of black and white artists who made soul their major focus, influenced by contemporary R&B, began to enjoy some commercial success. British soul artists began gaining popularity in the United States in the late 2000s, leading to talk of another British Invasion, this time a ''soul invasion'' (in contrast to the 1960s rock music, rock and pop music, pop, and 1980s Second British Invasion, new wave and synthpop invasions). History Origins Widespread British interest in soul music developed after the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hard Rock
Hard rock or heavy rock is a loosely defined subgenre of rock music typified by aggressive vocals and distorted electric guitars. Hard rock began in the mid-1960s with the garage, psychedelic and blues rock movements. Some of the earliest hard rock music was produced by the Kinks, the Who, The Beatles, the Rolling Stones, Cream, Vanilla Fudge, and the Jimi Hendrix Experience. In the late 1960s, bands such as Blue Cheer, the Jeff Beck Group, Iron Butterfly, Led Zeppelin, Golden Earring, Steppenwolf and Deep Purple also produced hard rock. The genre developed into a major form of popular music in the 1970s, with the Who, Led Zeppelin and Deep Purple being joined by Queen, AC/DC, Aerosmith, Kiss, and Van Halen. During the 1980s, some hard rock bands moved away from their hard rock roots and more towards pop rock.V. Bogdanov, C. Woodstra and S. T. Erlewine, ''All Music Guide to Rock: the Definitive Guide to Rock, Pop, and Soul'' (Milwaukee, WI: Backbeat Books, 3rd edn., 2002), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Progressive Rock
Progressive rock (shortened as prog rock or simply prog; sometimes conflated with art rock) is a broad genre of rock music that developed in the United Kingdom and United States through the mid- to late 1960s, peaking in the early 1970s. Initially termed "progressive pop", the style was an outgrowth of psychedelic bands who abandoned standard pop traditions in favour of instrumentation and compositional techniques more frequently associated with jazz, folk, or classical music. Additional elements contributed to its " progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of "art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening rather than dancing. Progressive rock is based on fusions of styles, approaches and genres, involving a continuous move between formalism and eclecticism. Due to its historical reception, the scope of progressiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psychedelic Rock
Psychedelic rock is a rock music Music genre, genre that is inspired, influenced, or representative of psychedelia, psychedelic culture, which is centered on perception-altering hallucinogenic drugs. The music incorporated new electronic sound effects and recording techniques, extended instrumental solos, and improvisation. Many psychedelic groups differ in style, and the label is often applied spuriously. Originating in the mid-1960s among British and American musicians, the sound of psychedelic rock invokes three core effects of LSD: depersonalization, dechronicization, and dynamization, all of which detach the user from everyday reality. Musically, the effects may be represented via novelty studio tricks, electronic music, electronic or non-Western instrumentation, disjunctive song structures, and extended instrumental segments. Some of the earlier 1960s psychedelic rock musicians were based in contemporary folk music, folk, jazz, and the blues, while others showcased an expl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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