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British Soul
British soul, Brit soul, or (in a US context) the British soul invasion, is soul music performed by British artists. Soul has been a major influence on British popular music since the 1960s, and American soul was extremely popular among some youth subcultures, such as mods, skinheads, and the Northern soul movement. In the 1970s, soul gained more mainstream popularity in the UK during the disco era. However, a clear genre of British soul did not emerge until the 1980s, when a number of black and white artists who made soul their major focus, influenced by contemporary R&B, began to enjoy some commercial success. British soul artists began gaining popularity in the United States in the late 2000s, leading to talk of another British Invasion, this time a ''soul invasion'' (in contrast to the 1960s rock and pop, and 1980s new wave and synthpop invasions). History Origins Widespread British interest in soul music developed after the advent of rock and roll from the mid-1950s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soul Music
Soul music is a popular music genre that originated in the African American community throughout the United States in the late 1950s and early 1960s. It has its roots in African-American gospel music and rhythm and blues. Soul music became popular for dancing and listening, where U.S. record labels such as Motown, Atlantic and Stax were influential during the Civil Rights Movement. Soul also became popular around the world, directly influencing rock music and the music of Africa. It also had a resurgence with artists like Erykah Badu under the genre neo-soul. Catchy rhythms, stressed by handclaps and extemporaneous body moves, are an important feature of soul music. Other characteristics are a call and response between the lead vocalist and the chorus and an especially tense vocal sound. The style also occasionally uses improvisational additions, twirls, and auxiliary sounds. Soul music reflects the African-American identity, and it stresses the importance of an Afric ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Black British
Black British people are a multi-ethnic group of British citizens of either African or Afro-Caribbean descent.Gadsby, Meredith (2006), ''Sucking Salt: Caribbean Women Writers, Migration, and Survival'', University of Missouri Press, pp. 76–77. The term ''Black British'' developed in the 1950s, referring to the Black British West Indian people from the former Caribbean British colonies in the West Indies (ie, the New Commonwealth) now referred to as the Windrush Generation and people from Africa, who are residents of the United Kingdom and are British. The term ''black'' has historically had a number of applications as a racial and political label and may be used in a wider sociopolitical context to encompass a broader range of non-European ethnic minority populations in Britain. This has become a controversial definition. ''Black British'' is one of various self-designation entries used in official UK ethnicity classifications. Black residents constituted around ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexis Korner
Alexis Andrew Nicholas Koerner (19 April 1928 – 1 January 1984), known professionally as Alexis Korner, was a British blues musician and radio broadcaster, who has sometimes been referred to as "a founding father of British blues". A major influence on the sound of the British music scene in the 1960s, Korner was instrumental in the formation of several notable British bands including The Rolling Stones and Free. Early career Alexis Andrew Nicholas Koerner was born on 19 April 1928 in Paris, France, to an Austrian Jewish father and a mother of Greek, Turkish and Austrian descent. He spent his childhood in France, Switzerland and North Africa and arrived in London in 1940 at the start of World War II. One memory of his youth was listening to a record by black pianist Jimmy Yancey during a German air raid. Korner said, "From then on all I wanted to do was play the blues." After the war, the man played piano and guitar (his first guitar was built by friend and author Sydney H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Spencer Davis Group
The Spencer Davis Group were a British band formed in Birmingham in 1963 by Spencer Davis (guitar), brothers Steve Winwood (keyboards, guitar) and Muff Winwood (bass guitar), and Pete York (drums). Their best known songs include the UK number ones " Somebody Help Me" and "Keep on Running" (both written by reggae musician Jackie Edwards), " I'm a Man" and "Gimme Some Lovin'", which reached #2 in the UK and #7 in the US. Steve Winwood left in 1967 to form rock band Traffic. After releasing a few more singles, the band ceased to be active in 1969. Davis revived the group on two more occasions, without the involvement of the Winwood brothers, first in 1973–1974 for two more albums, and again from 2006, since when they had primarily been a touring act. Davis died on 19 October 2020, effectively ending the band. History Formation The Spencer Davis Group was formed in 1963 in Birmingham after the Welsh guitarist Spencer Davis encountered vocalist and organist Steve Winwood (th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
