Bring The Boys Back Home
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Bring The Boys Back Home
"Bring the Boys Back Home" is a song from the Pink Floyd album, ''The Wall''. The song was released as a B-side on the single, "When the Tigers Broke Free". Composition As the final notes of the previous song " Vera" decay, the listener hears several snare drums articulating a march beat in time, fading in like approaching soldiers. The song proves to be polyrhythmic, as this beat continues unchanged while the orchestra, choir, and lead vocals begin in . Roger Waters sings the simple and direct lyric in his upper register, stridently, supported by a choir. A IV-V-I chord progression in G major repeats, providing a sense of satisfaction. This is followed by a reversal, from G to D major with F-sharp in the bass, to C major, which features a tritone movement in the bassline, going from F♯ to C, introducing a sense of instability. This progression is a recurring Pink Floyd theme, appearing throughout the album in "Hey You", "Vera", and others, as well as several songs on Waters ...
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Pink Floyd
Pink Floyd are an English rock band formed in London in 1965. Gaining an early following as one of the first British psychedelic music, psychedelic groups, they were distinguished by their extended compositions, sonic experimentation, philosophical lyrics and elaborate Pink Floyd live performances, live shows. They became a leading band of the progressive rock genre, cited by some as the greatest progressive rock band of all time. Pink Floyd were founded in 1965 by Syd Barrett (guitar, lead vocals), Nick Mason (drums), Roger Waters (bass guitar, vocals), and Richard Wright (musician), Richard Wright (keyboards, vocals). Under Barrett's leadership, they released two charting singles and the successful debut album ''The Piper at the Gates of Dawn'' (1967). Guitarist and vocalist David Gilmour joined in December 1967; Barrett left in April 1968 due to deteriorating mental health. Waters became the primary lyricist and thematic leader, devising the concept album, concepts behind ...
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Chord Progression
In a musical composition, a chord progression or harmonic progression (informally chord changes, used as a plural) is a succession of chords. Chord progressions are the foundation of harmony in Western musical tradition from the common practice era of Classical music to the 21st century. Chord progressions are the foundation of Western popular music styles (e.g., pop music, rock music), traditional music, as well as genres such as blues and jazz. In these genres, chord progressions are the defining feature on which melody and rhythm are built. In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the "key" of a song or piece. Chord progressions, such as the common chord progression I–vi–ii–V, are usually expressed by Roman numerals in Classical music theory. In many styles of popular and traditional music, chord progressions are expressed using the name and " ...
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Rock And Roll
Rock and roll (often written as rock & roll, rock 'n' roll, or rock 'n roll) is a Genre (music), genre of popular music that evolved in the United States during the late 1940s and early 1950s. It Origins of rock and roll, originated from African-American music such as jazz, rhythm and blues, boogie woogie, gospel music, gospel, as well as country music. While rock and roll's formative elements can be heard in blues records from the 1920s and in country records of the 1930s,Peterson, Richard A. ''Creating Country Music: Fabricating Authenticity'' (1999), p. 9, . the genre did not acquire its name until 1954. According to journalist Greg Kot, "rock and roll" refers to a style of popular music originating in the United States in the 1950s. By the mid-1960s, rock and roll had developed into "the more encompassing international style known as rock music, though the latter also continued to be known in many circles as rock and roll."Kot, Greg"Rock and roll", in the ''Encyclopædia Bri ...
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Michael Kamen
Michael Arnold Kamen (April 15, 1948 – November 18, 2003) was an American composer (especially of film scores), orchestral arranger, orchestral conductor, songwriter, and session musician. Biography Early life Michael Arnold Kamen was born in New York City, the second of four sons. His father, Saul Kamen, was a dentist, and his mother, Helen, was a teacher. He was of Jewish heritage. While attending the High School of Music & Art in New York City, Kamen became friends with Martin Fulterman (later known as Mark Snow), who composed the theme music for ''The X-Files'', among other projects. While studying the oboe, Kamen formed a rock- classical fusion band called New York Rock & Roll Ensemble, together with classmates Fulterman and Dorian Rudnytsky, along with Clifton Nivison and Brian Corrigan of Toms River, New Jersey. The group released five albums from 1968 to 1972 (''Self-Titled'', ''Reflections'', ''Faithful Friends'', ''Roll Over'' & ''Freedomburger''). The group performe ...
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Pink Floyd Live Performances
Pink Floyd were considered pioneers in the live music experience for combining intense visual experiences with music to create a show in which the performers themselves were almost secondary. As well as visuals, Pink Floyd set standards in sound quality with innovative use of sound effects and panning quadrophonic speaker systems. Special effects Besides the music, an elaborate part to any Pink Floyd live show is the special effects. The light show Pink Floyd were among the first bands to use a dedicated travelling light show in conjunction with their performances. During the Barrett era, dynamic liquid light shows were projected onto enormous screens behind the band while they played, and the band also incorporated large numbers of strobe lights, which were controlled manually by an engineer. This had the effect of totally obscuring the band itself, except for their shadows, which Barrett took advantage of: he would hold his arms up during parts where he was not required t ...
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BBC Radio One
BBC Radio 1 is a British national radio station owned and operated by the BBC. It specialises in modern popular music and current chart hits throughout the day. The station provides alternative genres at night, including electronica, dance, hip hop and indie, while its sister station 1Xtra plays black contemporary music, including hip hop and R&B. Radio 1 also runs two online streams, Radio 1 Dance, dedicated to dance music, and Radio 1 Relax, dedicated to chill-out music; both are available to listen only on BBC Sounds. Radio 1 broadcasts throughout the UK on FM between and , digital radio, digital TV and BBC Sounds. It was launched in 1967 to meet the demand for music generated by pirate radio stations, when the average age of the UK population was 27. The BBC claims that it targets the 15–29 age group, and the average age of its UK audience since 2009 is 30. BBC Radio 1 started 24-hour broadcasting on 1 May 1991. According to RAJAR, the station broadcasts to a we ...
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C (musical Note)
C or Do is the first note and semitone of the C major scale, the third note of the A minor scale (the relative minor of C major), and the fourth note (G, A, B, C) of the Guidonian hand, commonly pitched around 261.63  Hz. The actual frequency has depended on historical pitch standards, and for transposing instruments a distinction is made between written and sounding or concert pitch. It has enharmonic equivalents of B and D. In English the term ''Do'' is used interchangeably with C only by adherents of fixed Do solfège; in the movable Do system Do refers to the tonic of the prevailing key. Frequency Historically, concert pitch has varied. For an instrument in equal temperament tuned to the A440 pitch standard widely adopted in 1939, middle C has a frequency around 261.63 Hz (for other notes see piano key frequencies). Scientific pitch was originally proposed in 1713 by French physicist Joseph Sauveur and based on the numerically convenient frequency of 256  ...
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E Minor
E minor is a minor scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature has one sharp. Its relative major is G major and its parallel major is E major. The E natural minor scale is: : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The E harmonic minor and melodic minor scales are: : : Much of the classical guitar repertoire is in E minor, as this is a very natural key for the instrument. In standard tuning (E A D G B E), four of the instrument's six open (un fretted) strings are part of the tonic chord. The key of E minor is also popular in heavy metal music, as its tonic is the lowest note on a standard-tuned guitar. Notable compositions *Joseph Haydn ** Symphony No. 44 (''Trauer'') *Wolfgang Amadeus Mozart ** Violin Sonata No. 21 *Ludwig van Beethoven ** String Quartet No. 8 ** Piano Sonata No. 27 *Niccolò Paganini ** Caprice No. 3 ** Caprice No. 15 *Feli ...
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Relative Key
In music, relative keys are the major and minor scales that have the same key signatures ( enharmonically equivalent), meaning that they share all the same notes but are arranged in a different order of whole steps and half steps. A pair of major and minor scales sharing the same key signature are said to be in a relative relationship. The relative minor of a particular major key, or the relative major of a minor key, is the key which has the same key signature but a different tonic. (This is as opposed to ''parallel'' minor or major, which shares the same tonic.) For example, F major and D minor both have one flat in their key signature at B♭; therefore, D minor is the relative minor of F major, and conversely F major is the relative major of D minor. The tonic of the relative minor is the sixth scale degree of the major scale, while the tonic of the relative major is the third degree of the minor scale. The minor key starts three semitones below its relative major; for examp ...
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The Final Cut (album)
''The Final Cut'' is the twelfth studio album by English rock band Pink Floyd, released on 21 March 1983 through Harvest and Columbia Records. It comprises unused material from the band's previous studio album, ''The Wall'' (1979), alongside new material recorded throughout 1982. ''The Final Cut'' was the last Pink Floyd album to feature founding member Roger Waters, who departed from the band in 1985. It is also the only Pink Floyd album not to feature founding member and keyboardist Richard Wright, who had left the band under pressure from Waters after the ''Wall'' sessions. The recording was plagued by conflict; guitarist David Gilmour felt many of the tracks were not worthy of inclusion, but Waters accused him of failing to contribute material himself. Drummer Nick Mason's contributions were mostly limited to sound effects. Waters planned the album as a soundtrack for the 1982 film adaptation of ''The Wall''. With the onset of the Falklands War, he rewrote it as a concept ...
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Concept Album
A concept album is an album whose tracks hold a larger purpose or meaning collectively than they do individually. This is typically achieved through a single central narrative or theme, which can be instrumental, compositional, or lyrical. Sometimes the term is applied to albums considered to be of "uniform excellence" rather than an LP with an explicit musical or lyrical motif. There is no consensus among music critics as to the specific criteria for what a "concept album" is. The format originates with folk singer Woody Guthrie's ''Dust Bowl Ballads'' (1940) and was subsequently popularized by traditional pop/jazz singer Frank Sinatra's 1940s–50s string of albums, although the term is more often associated with rock music. In the 1960s several well-regarded concept albums were released by various rock bands, which eventually led to the invention of progressive rock and rock opera. Since then, many concept albums have been released across numerous musical genres. Definiti ...
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Leitmotif
A leitmotif or leitmotiv () is a "short, recurring musical phrase" associated with a particular person, place, or idea. It is closely related to the musical concepts of ''idée fixe'' or ''motto-theme''. The spelling ''leitmotif'' is an anglicization of the German ''Leitmotiv'' (), literally meaning "leading motif", or "guiding motif". A musical motif has been defined as a "short musical idea ... melodic, harmonic, or rhythmic, or all three", a salient recurring figure, musical fragment or succession of notes that has some special importance in or is characteristic of a composition: "the smallest structural unit possessing thematic identity." In particular, such a motif should be "clearly identified so as to retain its identity if modified on subsequent appearances" whether such modification be in terms of rhythm, harmony, orchestration or accompaniment. It may also be "combined with other leitmotifs to suggest a new dramatic condition" or development. The technique is no ...
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