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Brilliant Corners
''Brilliant Corners'' is a studio album by American jazz musician Thelonious Monk. It was his third album for Riverside Records, and the first, for this label, to include his own compositions. The complex title track required over a dozen takes in the studio. Recording The album was recorded in three sessions in late 1956 with two different quintets. "Ba-lue Bolivar Ba-lues-Are" and "Pannonica", on which Monk played the celeste, were recorded on October 9 with saxophonists Ernie Henry and Sonny Rollins, bassist Oscar Pettiford, and drummer Max Roach. The former composition was titled as a phonetic rendering of Monk's exaggerated pronunciation of "Blue Bolivar Blues", which referred to the Bolivar Hotel where Pannonica de Koenigswarter resided; Monk had met her during his first trip to Europe in 1954. On October 15, Monk attempted to record the title track with the same band during a four-hour session. The complexity of the title track became a challenge for Monk's sidemen, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thelonious Monk
Thelonious Sphere Monk (, October 10, 1917 – February 17, 1982) was an American jazz pianist and composer. He had a unique improvisational style and made numerous contributions to the standard jazz repertoire, including " 'Round Midnight", "Blue Monk", " Straight, No Chaser", "Ruby, My Dear", "In Walked Bud", and "Well, You Needn't". Monk is the second-most-recorded jazz composer after Duke Ellington. Monk's compositions and improvisations feature dissonances and angular melodic twists and are consistent with his unorthodox approach to the piano, which combined a highly percussive attack with abrupt, dramatic use of switched key releases, silences, and hesitations. Monk's distinct look included suits, hats, and sunglasses. He also had an idiosyncratic habit during performances: while other musicians continued playing, Monk would stop, stand up, and dance for a few moments before returning to the piano. Monk is one of five jazz musicians to have been featured on the cover of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
African-American Music
African-American music is an umbrella term covering a diverse range of music and musical genres largely developed by African Americans and their culture. Their origins are in musical forms that first came to be due to the condition of slavery that characterized the lives of African Americans prior to the American Civil War. Slavery and other impositions such as the Jim Crow laws shaped the world view of African Americans. Some of the globally most popular music types today, such as rock and roll, funk, jazz, rap, blues, hip-hop, and rhythm and blues were developed from the worldview of the African Americans who created and influenced these genres. It has been said that "every genre that is born from America has black roots." White slave owners sought to completely subjugate their slaves physically, mentally, and spiritually through brutal and demeaning acts. African Americans used music to counter this dehumanization. White Americans considered African Americans separate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nat Hentoff
Nathan Irving Hentoff (June 10, 1925 – January 7, 2017) was an American historian, novelist, jazz and country music critic, and syndicated columnist for United Media. Hentoff was a columnist for ''The Village Voice'' from 1958 to 2009. Following his departure from ''The Village Voice'', Hentoff became a senior fellow at the Cato Institute and continued writing his music column for ''The Wall Street Journal'', which published his works until his death. He often wrote on First Amendment issues, vigorously defending the freedom of the press. Hentoff was formerly a columnist for: ''Down Beat'', ''JazzTimes'', ''Legal Times'', ''The Washington Post'', ''The Washington Times'', ''The Progressive'', '' Editor & Publisher'' and ''Free Inquiry''. He was a staff writer for ''The New Yorker'', and his writings were also published in: ''The New York Times'', ''Jewish World Review'', ''The Atlantic'', ''The New Republic'', ''Commonweal'', and '' Enciclopedia dello Spettacolo''. Early l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Down Beat
' (styled in all caps) is an American music magazine devoted to "jazz, blues and beyond", the last word indicating its expansion beyond the jazz realm which it covered exclusively in previous years. The publication was established in 1934 in Chicago, Illinois. It is named after the "downbeat" in music, also called "beat one", or the first beat of a musical measure. ''DownBeat'' publishes results of annual surveys of both its readers and critics in a variety of categories. The ''DownBeat'' Jazz Hall of Fame includes winners from both the readers' and critics' poll. The results of the readers' poll are published in the December issue, those of the critics' poll in the August issue. Popular features of ''DownBeat'' magazine include its "Reviews" section where jazz critics, using a '1-Star to 5-Star' maximum rating system, rate the latest musical recordings, vintage recordings, and books; articles on individual musicians and music forms; and its famous "Blindfold Test" column, in a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Penguin Books
Penguin Books is a British publishing, publishing house. It was co-founded in 1935 by Allen Lane with his brothers Richard and John, as a line of the publishers The Bodley Head, only becoming a separate company the following year."About Penguin – company history" , Penguin Books. Penguin revolutionised publishing in the 1930s through its inexpensive paperbacks, sold through Woolworths Group (United Kingdom), Woolworths and other stores for Sixpence (British coin), sixpence, bringing high-quality fiction and non-fiction to the mass market. Its success showed that large audiences existed for serious books. It also affected modern British popular culture significantly through its books concerning politics, the arts, and science. Penguin Books is now an imprint (trade name), imprint of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Penguin Guide To Jazz
''The Penguin Guide to Jazz'' is a reference work containing an encyclopedic directory of jazz recordings on CD which were (at the time of publication) currently available in Europe or the United States. The first nine editions were compiled by Richard Cook and Brian Morton, two chroniclers of jazz resident in the United Kingdom. History The first edition was published in Britain by Penguin Books in 1992. Every subsequent two years, through 2010, a new edition was published with updated entries. The eighth and ninth editions, published in 2006 and 2008, respectively, each included 2,000 new CD listings. The title took on different forms over the lifetime of the work, as audio technology changed. The seventh edition was known as ''The Penguin Guide to Jazz on CD'' while subsequent editions were titled ''The Penguin Guide to Jazz Recordings''. The earliest edition had the title ''The Penguin Guide to Jazz on CD, LP and Cassette''. Richard Cook died in 2007, prior to the comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Penguin Guide To Jazz Recordings
''The Penguin Guide to Jazz'' is a reference work containing an encyclopedic directory of jazz recordings on CD which were (at the time of publication) currently available in Europe or the United States. The first nine editions were compiled by Richard Cook and Brian Morton, two chroniclers of jazz resident in the United Kingdom. History The first edition was published in Britain by Penguin Books in 1992. Every subsequent two years, through 2010, a new edition was published with updated entries. The eighth and ninth editions, published in 2006 and 2008, respectively, each included 2,000 new CD listings. The title took on different forms over the lifetime of the work, as audio technology changed. The seventh edition was known as ''The Penguin Guide to Jazz on CD'' while subsequent editions were titled ''The Penguin Guide to Jazz Recordings''. The earliest edition had the title ''The Penguin Guide to Jazz on CD, LP and Cassette''. Richard Cook died in 2007, prior to the comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazzwise
''Jazzwise'', launched in 1997, is the UK jazz monthly magazine. ''Jazzwise'' has a broad sub-genre coverage, from jazz, improv, hard bop, and jazz-rock to bebop and classic jazz, and also covers jazz crossover, including jazz-funk, jazz hip-hop and jazz-electronica. It features news coverage, a national gig guide, gossip column, a jazz-on-film page, opinion column, in-depth features and a review section covering new CD releases, reissues, vinyl, DVDs, books and live reviews. Breaking news stories also feature on the ''Jazzwise'' magazine website. ''Jazzwise'' also mentors new jazz writers through its ongoing intern scheme and the Write Stuff workshops held each November during the London Jazz Festival. The ''Jazzwise'' app features the full edition of the magazine and was the first jazz magazine app in the iTunes Newsstand. 100 Best Jazz Albums of All Time The September 2009 issue of ''Jazzwise'' was titled "The 100 Jazz Albums That Shook the World", conceived by Jon Newey ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tom Hull (critic)
Tom Hull is an American music critic, web designer, and former software developer. Hull began writing criticism for ''The Village Voice'' in the mid 1970s under the mentorship of its music editor Robert Christgau, but left the field to pursue a career in software design and engineering during the 1980s and 1990s, which earned him the majority of his life's income. In the 2000s, he returned to music reviewing and wrote a jazz column for ''The Village Voice'' in the manner of Christgau's "Consumer Guide", alongside contributions to ''Seattle Weekly'', ''The New Rolling Stone Album Guide'', NPR Music, and the webzine ''Static Multimedia''. Hull's jazz-focused database and blog ''Tom Hull – on the Web'' hosts his reviews and information on albums he has surveyed, as well as writings on books, politics, and movies. It shares a functional, low-graphic design with Christgau's website, which Hull also created and maintains as its webmaster. Career In the mid 1970s, Hull accepted a jo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oxford University Press
Oxford University Press (OUP) is the university press of the University of Oxford. It is the largest university press in the world, and its printing history dates back to the 1480s. Having been officially granted the legal right to print books by decree in 1586, it is the second oldest university press after Cambridge University Press. It is a department of the University of Oxford and is governed by a group of 15 academics known as the Delegates of the Press, who are appointed by the vice-chancellor of the University of Oxford. The Delegates of the Press are led by the Secretary to the Delegates, who serves as OUP's chief executive and as its major representative on other university bodies. Oxford University Press has had a similar governance structure since the 17th century. The press is located on Walton Street, Oxford, opposite Somerville College, in the inner suburb of Jericho. For the last 500 years, OUP has primarily focused on the publication of pedagogical texts and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Encyclopedia Of Popular Music
''The Encyclopedia of Popular Music'' is an encyclopedia created in 1989 by Colin Larkin. It is the "modern man's" equivalent of the '' Grove Dictionary of Music'', which Larkin describes in less than flattering terms.''The Times'', ''The Knowledge'', Christmas edition, 22 December 2007- 4 January 2008. It was described by ''The Times'' as "the standard against which all others must be judged". History of the encyclopedia Larkin believed that rock music and popular music were at least as significant historically as classical music, and as such, should be given definitive treatment and properly documented. ''The Encyclopedia of Popular Music'' is the result. In 1989, Larkin sold his half of the publishing company Scorpion Books to finance his ambition to publish an encyclopedia of popular music. Aided by a team of initially 70 contributors, he set about compiling the data in a pre-internet age, "relying instead on information gleaned from music magazines, individual expertise ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accent (music)
In music, an accent is an emphasis, stress, or stronger attack placed on a particular note or set of notes, or chord, either as a result of its context or specifically indicated by an accent mark. Accents contribute to the articulation and prosody of a performance of a musical phrase. Accents may be written into a score or part by a composer or added by the performer as part of his or her interpretation of a musical piece. Compared to surrounding notes: * A ''dynamic accent'' or ''stress accent'' is an emphasis using louder sound or a stronger sound, typically most pronounced on the attack of the sound. * A ''tonic accent'' is an emphasis on notes by virtue of being higher in pitch as opposed to higher in volume. * An ''agogic accent'' is an emphasis by virtue of being longer in duration. Accents which do not correspond to the stressed beats of the prevailing meter are said to be syncopated. For example, in common time, also called 4/4, the most common metre in popular music, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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