Brigitte Balleys
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Brigitte Balleys
Brigitte Balleys (born 18 June 1959) is a Swiss mezzo-soprano in opera and concert. Biography Born in the canton of Vaud, Brigitte Balleys studied at Sion, then at the Conservatory of Bern where she graduated from the singing class of Jakob Stämpfli and also improved her skills with Elisabeth Schwarzkopf. She made her debut as a singer in 1982, on the stage of the opera and in 1985, at Fribourg-en-Brisgau. In 1987, she performed the role of Cherubino in Mozart's ''Le nozze di Figaro'', conducted by Erich Leinsdorf, then in his ''Die Zauberflöte'' at the Wiener Staatsoper. Subsequently, she appeared in the title role Bizet's ''Carmen'', as Zerlina in Mozart's ''Don Giovanni'', as Dorabella in his ''Così fan tutte'', The title role of ''Der Rosenkavalier'' by Richard Strauss, as well as in ''L'incoronazione di Poppea'' by Claudio Monteverdi, Brigitte Balleys's favorite composer. She has collaborated with conductors such as Claudio Abbado, Charles Dutoit, Jesús López Cobos, Vla ...
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Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ...
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Jesús López Cobos
Jesús López Cobos (25 February 1940 – 2 March 2018) was a Spanish conductor. Early life and career López Cobos was born in Toro, Zamora, Spain. He studied at Complutense University of Madrid and graduated with a degree in philosophy. Later he studied conducting with Franco Ferrara and with Hans Swarowsky at the University of Music and Performing Arts Vienna. From 1981 to 1990 he was general music director of the Deutsche Oper Berlin and from 1984 to 1988 he was music director of the Orquesta Nacional de España. From 1986 to 2001 he served as music director of the Cincinnati Symphony Orchestra, and from 1990 to 2000 he was principal conductor of the Orchestre de Chambre de Lausanne. From 2003 to 2010 he served as music director of the Teatro Real in Madrid. He was a National Patron of Delta Omicron, an international professional music fraternity.Delta Omicron ...
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Ottorino Respighi
Ottorino Respighi ( , , ; 9 July 187918 April 1936) was an Italian composer, violinist, teacher, and musicologist and one of the leading Italian composers of the early 20th century. List of compositions by Ottorino Respighi, His compositions range over List of operas by Ottorino Respighi, operas, ballets, orchestral suites, choral songs, chamber music, and transcriptions of Italian compositions of the 16th–18th centuries, but his best known and most performed works are his three orchestral tone poems which brought him international fame: ''Fountains of Rome (poem), Fountains of Rome'' (1916), ''Pines of Rome'' (1924), and ''Feste romane, Roman Festivals'' (1928). Respighi was born in Bologna to a musical and artistic family. He was encouraged by his father to pursue music at a young age, and took formal tuition in the violin and piano. In 1891, he enrolled at the Conservatorio Giovanni Battista Martini, Liceo Musicale di Bologna, where he studied the violin, viola, and compos ...
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Giuseppe Martucci
Giuseppe Martucci (; 6 January 1856, in Capua – 1 June 1909, in Naples) was an Italian composer, conductor, pianist and teacher. Sometimes called "the Italian Brahms", Martucci was notable among Italian composers of the era in that he dedicated his entire career to absolute music, and wrote no operas. As a composer and teacher he was influential in reviving Italian interest in non-operatic music. Nevertheless, as a conductor, he did help to introduce Wagner's operas to Italy and also gave important early concerts of English music there. Career Martucci was born at Capua, in Campania. He learned the basics of music from his father, Gaetano, who played the trumpet. A child prodigy, he played in public on the piano when only eight years old. From the age of 11, he was a student at the Naples Conservatory, on the recommendation of professor Beniamino Cesi, the latter being a former student of Sigismond Thalberg. From Paolo Serrao, Martucci acquired his initial training in compos ...
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Hector Berlioz
In Greek mythology, Hector (; grc, Ἕκτωρ, Hektōr, label=none, ) is a character in Homer's Iliad. He was a Trojan prince and the greatest warrior for Troy during the Trojan War. Hector led the Trojans and their allies in the defense of Troy, killing countless Greek warriors. He was ultimately killed in single combat by Achilles, who later dragged his dead body around the city of Troy behind his chariot. Etymology In Greek, is a derivative of the verb ἔχειν ''ékhein'', archaic form * grc, ἕχειν, hékhein, label=none ('to have' or 'to hold'), from Proto-Indo-European *'' seɡ́ʰ-'' ('to hold'). , or as found in Aeolic poetry, is also an epithet of Zeus in his capacity as 'he who holds verything together. Hector's name could thus be taken to mean 'holding fast'. Description Hector was described by the chronicler Malalas in his account of the ''Chronography'' as "dark-skinned, tall, very stoutly built, strong, good nose, wooly-haired, good beard, sq ...
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Arthur Honegger
Arthur Honegger (; 10 March 1892 – 27 November 1955) was a Swiss composer who was born in France and lived a large part of his life in Paris. A member of Les Six, his best known work is probably ''Antigone'', composed between 1924 and 1927 to the French libretto by Jean Cocteau based on the tragedy ''Antigone'' by Sophocles. It premiered on 28 December 1927 at the Théâtre Royal de la Monnaie with sets designed by Pablo Picasso and costumes by Coco Chanel. However, his most frequently performed work is probably the orchestral work ''Pacific 231'', which was inspired by the sound of a steam locomotive. Biography Born Oscar-Arthur Honegger (the first name was never used) to Swiss parents in Le Havre, France, he initially studied harmony with Robert-Charles Martin (to whom he dedicated his first published work and violin in Le Havre. After studying for two years at the Zurich Conservatory, he enrolled in the Paris Conservatoire from 1911 to 1918, studying with both Charl ...
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Mel Bonis
Mel, Mels or MEL may refer to: Biology * Mouse erythroleukemia cell line (MEL) * National Herbarium of Victoria, a herbarium with the Index Herbariorum code MEL People * Mel (given name), the abbreviated version of several given names (including a list of people with the name) * Mel (surname) * Manuel Zelaya, former president of Honduras, nicknamed "Mel" Places * Mel, Veneto, an ex-comune in Italy * Mel Moraine, a moraine in Antarctica * Melbourne Airport (IATA airport code) * Mels, a municipality in Switzerland *Métropole Européenne de Lille (MEL), the intercommunality of Lille in France Technology and engineering * Maya Embedded Language, a scripting language used in the 3D graphics program Maya * Michigan eLibrary, an online service of the Library of Michigan * Ford MEL engine, a "Mercury-Edsel-Lincoln" engine series * Minimum equipment list, a categorized list of instruments and equipment on an aircraft * Miscellaneous electric load, the electricity use of appliances, el ...
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Charles Martin Loeffler
Charles Martin Tornov Loeffler (January 30, 1861 – May 19, 1935) was a German-born American violinist and composer. Family background Charles Martin Loeffler was born Martin Karl Löffler on January 30, 1861, in Schöneberg near Berlin to parents who were both from Berlin families. The family moved repeatedly, first to Alsace, and then to Smila, 200 km from Kyiv, while Loeffler was still a small child, next to Debrecen, in Hungary, where his father Karl taught at the Royal Academy of Agriculture. Later he lived in Switzerland. Karl was an agricultural chemist who espoused republican ideals in writing as a journalist under the name "Tornow" or "Tornov". When his son was about twelve years old, Prussian authorities arrested Karl Loeffler and he died of a stroke in prison. Throughout his career, Charles Martín Loeffler claimed to have been born in Mulhouse, Alsace; in his lifetime, articles were published dissecting his "typically Alsatian" temperament. He sometimes used ...
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Ernest Chausson
Amédée-Ernest Chausson (; 20 January 1855 – 10 June 1899) was a French Romantic composer who died just as his career was beginning to flourish. Life Born in Paris into an affluent bourgeois family, Chausson was the sole surviving child of a building contractor who made his fortune assisting Baron Haussmann in the redevelopment of Paris in the 1850s. To please his father, Chausson studied law and was appointed a barrister for the Court of Appeals, but had little or no interest in the profession. He frequented the Paris salons, where he met celebrities such as Henri Fantin-Latour, Odilon Redon, and Vincent d'Indy. Before deciding on a musical career, he dabbled in writing and drawing. In 1879, at the age of 24, he began attending the composition classes of Jules Massenet at the Paris Conservatoire; Massenet came to regard him as "an exceptional person and a true artist". He had already composed some piano pieces and songs. Nevertheless, the earliest manuscripts that have be ...
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Robert Schumann
Robert Schumann (; 8 June 181029 July 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing. In 1840, Schumann married Friedrich Wieck's daughter Clara Wieck, after a long and acrimonious legal battle with Friedrich, who opposed the marriage. A lifelong partnership in music began, as Clara herself was an established pianist and music prodigy. Clara and Robert also maintained a close relationship with German composer Johannes Brahms. Until 1840, Schumann wrote exclusively for the piano. Later, he composed piano and orchestral works, and many Lieder (songs for voice and piano). He composed four symphonies ...
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Lied
In Western classical music tradition, (, plural ; , plural , ) is a term for setting poetry to classical music to create a piece of polyphonic music. The term is used for any kind of song in contemporary German, but among English and French speakers, is often used interchangeably with " art song" to encompass works that the tradition has inspired in other languages as well. The poems that have been made into lieder often center on pastoral themes or themes of romantic love. The earliest lied date from the late fourteenth or early fifteenth centuries, and can even refer to from as early as the 12th and 13th centuries. It later came especially to refer to settings of Romantic poetry during the late eighteenth and nineteenth centuries, and into the early twentieth century. Examples include settings by Joseph Haydn, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Franz Schubert, Robert Schumann, Johannes Brahms, Hugo Wolf, Gustav Mahler or Richard Strauss. History For Ger ...
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Mélodie
A ''mélodie'' () is a form of French art song, arising in the mid-19th century. It is comparable to the German ''Lied''. A ''chanson'', by contrast, is a folk or popular French song. The literal meaning of the word in the French language is "melody". Nature The ''mélodie'' is often defined by comparison with the ''lied''. Pierre Bernac provides this comparison in ''The Interpretation of French Song'': Debussy goes on to write that 'clarity of expression, precision and concentration of form are qualities peculiar to the French genius.' These qualities are indeed most noticeable when again compared with the German genius, excelling as it does in long, uninhibited outpourings, directly opposed to the French taste, which abhors overstatement and venerates concision and diversity. Bernac writes that "the art of the greatest French composers is an art of suggestion", rather than explicit statement of feelings. The ''mélodie'' is noted for its deliberate and close relationship betwe ...
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