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Brighter Than A Thousand Suns (album)
''Brighter Than a Thousand Suns'' is the sixth studio album by English post-punk band Killing Joke, released in November 1986 by E.G. Records. It was their first album to be distributed through Virgin Records. It entered the UK Albums Chart at number 54 on 22 November 1986, staying for one week. It was produced by Chris Kimsey, who had produced the band's 1985 album, '' Night Time''. Production The majority of the album was recorded in Berlin during October 1985 with returning producer Chris Kimsey. Keyboard player David Kovacec recalls the recording sessions and time spent in Berlin as "wild".Hämäläinen, Jyrki "Spider" (2020). ''Killing Joke: Are You Receiving?'', p. 104. Milton Keynes: New Haven Publishing. . The track "Victory" was recorded months later in Spring 1986, along with "Ecstasy" (the B-side to the Adorations single release), produced by Stewart Levine. The last track to be produced was "A Southern Sky" in August 1986, produced by Chris Tsangarides. The album, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Killing Joke
Killing Joke are an English rock music, rock band from Notting Hill, London, England, formed in 1979 by Jaz Coleman (vocals, keyboards), Paul Ferguson (drums), Geordie Walker (guitar) and Youth (musician), Youth (bass). Their first album, ''Killing Joke (1980 album), Killing Joke'', was released in 1980. After the release of ''Revelations (Killing Joke), Revelations'' in 1982, bassist Youth was replaced by Paul Raven (musician), Paul Raven. The band achieved mainstream success in 1985 with both the album ''Night Time (album), Night Time'' and the single "Love Like Blood (song), Love Like Blood". The band's musical style emerged from the post-punk scene, but stood out due to their heavier approach, and has been cited as a key influence on industrial rock. Their style evolved over many years, at times incorporating elements of gothic rock, synth-pop and electronic music, often baring Walker's prominent guitar and Coleman's "savagely strident vocals". Killing Joke have influenced ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Official Charts Company
The Official Charts (legal name: The Official UK Charts Company Limited) is a British inter-professional organization that compiles various "official" record charts in the United Kingdom, Ireland and France. In the United Kingdom, its charts include ones for singles, albums and films, with the data compiled from a mixture of downloads, purchases (of physical media) and streaming. The OCC produces its charts by gathering and combining sales data from retailers through market researchers Kantar, and claims to cover 99% of the singles market and 95% of the album market, and aims to collect data from any retailer who sells more than 100 chart items per week. The OCC is operated jointly by the British Phonographic Industry and the Entertainment Retailers Association (ERA) (formerly the British Association of Record Dealers (BARD)) and is incorporated as a private company limited by shares jointly owned by BPI and ERA. The Chart Information Network (CIN) took over as compilers of the o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Ferguson
Matthew Paul Ferguson (born 31 March 1958) is an English rock drummer, best known for his work in the post-punk/ industrial group Killing Joke and cult English punk band Pink Parts. Following a stint as the drummer with the London-based Matt Stagger Band in 1978, Ferguson became a founding member of Killing Joke and served as their drummer from 1979 to 1987. He was known as Big Paul Ferguson during this period. Ferguson is known for his tribal drum style. The last album he recorded with Killing Joke was the 1986 release '' Brighter than a Thousand Suns''. Following disagreements with lead singer Jaz Coleman about new material and the direction of the band, Ferguson and bassist Paul Raven departed the band in 1987 during the recording of their seventh studio album, '' Outside The Gate''. He subsequently worked on other musical projects, notably with rock outfits Warrior Soul (1987–1990), Murder, Inc. (1991–92) and Crush (1992–93) - the latter was mainly a collaboration ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Raven (musician)
Paul Vincent Raven (16 January 1961 – 20 October 2007) was an English bassist best known for his work in the post-punk group Killing Joke. He later played in the industrial music bands Prong, Ministry, and Zilch. Biography Raven was born on 16 January 1961 in Wolverhampton, Staffordshire. He was the son of folk musician Jon Raven, and nephew of author Michael Raven. His early musical career included stints in Neon Hearts, who released three singles from 1977 to 1979 and the album ''Popular Music'' in 1979, and the short-lived 1982 glam rock band, Kitsch, which also included Rook Randle and Tyla, before he would go on to larger success with his band, Dogs D'Amour. In the summer of 1980 he played bass with the also short-lived Tony McPhee's Turbo. The band played a few gigs and recorded a three-track session for Capitol Radio. Turbo included Clive Brooks, the drummer with Tony McPhee's band the Groundhogs (1972–1975). Raven's big break came when he replaced original Ki ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Geordie Walker
Kevin "Geordie" Walker (born 18 December 1960) is an English rock musician, best known as the guitarist of post-punk group Killing Joke. His unorthodox style of electric guitar playing is widely acclaimed. Jimmy Page of Led Zeppelin hailed Walker's guitar sound as "really strong". Peer Kevin Shields of My Bloody Valentine praised Walker's guitar playing, which he described as "this effortless playing producing a monstrous sound". Life and career When he was eight years old, Walker was deeply marked by the guitar's sound in the song "Sabre Dance" by Love Sculpture. "I used to go mad when it came on the radio." When he was fourteen, Walker's family moved south from Newcastle to Milton Keynes in Buckinghamshire, 45 miles northwest of London. It was during this era that he acquired his nickname due to his northeastern "Geordie" accent (which he has subsequently lost). He decided to learn to play the guitar: "I used to run home from school at about four, lock myself in the bedroom, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jaz Coleman
Jeremy "Jaz" Coleman (born 26 February 1960) is an English singer and musician. He came to prominence in the early 1980s as the lead vocalist and keyboardist of post-punk group Killing Joke. Coleman is known for his unique raspy baritone voice and intense stage presence (occasionally appearing wearing face makeup). Bill Janovitz, writer for the website Allmusic, described Coleman's stage presence and voice as "almost always full-on in his approach, with a terrifying growl of a voice that is similar to that of Motörhead's Lemmy". In the first part of their career, Coleman also played synth while singing, adding electronic atonal sounds to create a disturbing atmosphere to their music. He still continues to play keyboards and synths in studio recordings In addition, Coleman has composed orchestral and soundtrack pieces. Killing Joke have influenced numerous bands such as Nirvana, Foo Fighters, Jane's Addiction, My Bloody Valentine, Faith No More, Nine Inch Nails, Tool, Go ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MusicHound
MusicHound (sometimes stylized as musicHound) was a compiler of genre-specific music guides published in the United States by Visible Ink Press between 1996 and 2002. After publishing eleven album guides, the MusicHound series was sold to London-based Music Sales Group, whose company Omnibus Press had originally distributed the books outside America. The series' founding editor was Gary Graff, formerly a music critic with the ''Detroit Free Press''. Subtitled "''The Essential Album Guide''", each publication typically contained entries providing an overview of an artist's career and dividing their work into categories such as "what to buy", "what's next", "what to avoid" and "worth searching for". Among the MusicHound album guides were titles dedicated to rock, blues, classical, jazz, world music, swing, and soundtrack recordings. Further to the canine analogy in the series title, albums were graded according to a "bone" rating system: five bones constituting the highest score, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sounds (magazine)
''Sounds'' was a UK weekly pop/rock music newspaper, published from 10 October 1970 to 6 April 1991. It was known for giving away posters in the centre of the paper (initially black and white, then colour from late 1971) and later for covering heavy metal (especially the new wave of British heavy metal (NWOBHM)) and punk and Oi! music in its late 1970s–early 1980s heyday. History It was produced by Spotlight Publications (part of Morgan Grampian), which was set up by John Thompson and Jo Saul with Jack Hutton and Peter Wilkinson, who left ''Melody Maker'' to start their own company. ''Sounds'' was their first project, a weekly paper devoted to progressive rock and described by Hutton, to those he was attempting to recruit from his former publication, as "a leftwing ''Melody Maker''". ''Sounds'' was intended to be a weekly rival to titles such as ''Melody Maker'' and ''New Musical Express'' (''NME''). ''Sounds'' was one of the first music papers to cover punk. Mick Middles c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
PopMatters
''PopMatters'' is an international online magazine of cultural criticism that covers aspects of popular culture. ''PopMatters'' publishes reviews, interviews, and essays on cultural products and expressions in areas such as music, television, films, books, video games, comics, sports, theater, visual arts, travel, and the Internet. History ''PopMatters'' was founded by Sarah Zupko, who had previously established the cultural studies academic resource site PopCultures. ''PopMatters'' launched in late 1999 as a sister site providing original essays, reviews and criticism of various media products. Over time, the site went from a weekly publication schedule to a five-day-a-week magazine format, expanding into regular reviews, features, and columns. In the fall of 2005, monthly readership exceeded one million. From 2006 onward, ''PopMatters'' produced several syndicated newspaper columns for McClatchy-Tribune News Service. By 2009 there were four different pop culture related col ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oxford University Press
Oxford University Press (OUP) is the university press of the University of Oxford. It is the largest university press in the world, and its printing history dates back to the 1480s. Having been officially granted the legal right to print books by decree in 1586, it is the second oldest university press after Cambridge University Press. It is a department of the University of Oxford and is governed by a group of 15 academics known as the Delegates of the Press, who are appointed by the vice-chancellor of the University of Oxford. The Delegates of the Press are led by the Secretary to the Delegates, who serves as OUP's chief executive and as its major representative on other university bodies. Oxford University Press has had a similar governance structure since the 17th century. The press is located on Walton Street, Oxford, opposite Somerville College, in the inner suburb of Jericho. For the last 500 years, OUP has primarily focused on the publication of pedagogical texts and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Encyclopedia Of Popular Music
''The Encyclopedia of Popular Music'' is an encyclopedia created in 1989 by Colin Larkin. It is the "modern man's" equivalent of the '' Grove Dictionary of Music'', which Larkin describes in less than flattering terms.''The Times'', ''The Knowledge'', Christmas edition, 22 December 2007- 4 January 2008. It was described by ''The Times'' as "the standard against which all others must be judged". History of the encyclopedia Larkin believed that rock music and popular music were at least as significant historically as classical music, and as such, should be given definitive treatment and properly documented. ''The Encyclopedia of Popular Music'' is the result. In 1989, Larkin sold his half of the publishing company Scorpion Books to finance his ambition to publish an encyclopedia of popular music. Aided by a team of initially 70 contributors, he set about compiling the data in a pre-internet age, "relying instead on information gleaned from music magazines, individual expertise a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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